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Paranoiczne zerwania, wspólnotowe przywrócenia – teatralna metaforyka w teoriach queerowych 偏执狂的打破、社区的恢复——酷儿理论中的戏剧隐喻
Pub Date : 2019-12-20 DOI: 10.24917/23534583.7.12
Katarzyna Trzeciak
W społecznych i literaturoznawczych teoriach queerowych metaforyka teatralna określa ontologiczne i epistemologiczne podstawy badawcze oraz ich przedmioty. W źródłowej dla badań teorii płci Judith Butler performans i performatywność funkcjonują jako centralne pojęcia konstruktywistycznego rozumienia tożsamości. Celem niniejszego artykułu jest przyjrzenie się przemianom, jakim podlegają w zróżnicowanych dyskursach queer studies konteksty i słowniki teatralne. Główną osią są queerowe praktyki interpretacji tekstów kultury, których ewolucja ukazuje emancypacyjną i wspólnotową funkcję teatralizacji języków teoretycznych, pozwalających na wykorzystanie scenicznej estetyki do lektur afektywnych i naprawczych.
在社会和文学酷儿理论中,戏剧隐喻定义了本体论和认识论的研究基础及其主题。在朱迪斯·巴特勒的性别理论中,表现和表演性是建构主义对身份理解的核心概念。本文的目的是观察酷儿研究语境和戏剧词典中不同话语中发生的变化。主轴是文化文本解读的怪异实践,其演变显示了理论语言戏剧化的解放和社区功能,允许使用舞台美学进行情感和纠正阅读。
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引用次数: 0
5 sekund do dzwonka. Powieść Małgorzaty Wardy 5 sekund do IO w edukacji polonistycznej, Media Rodzina [2005], ss. 344 还有五秒钟。Małgorzata Warda的小说《波兰教育中IO的5秒》,Media Rodzina[2005],ss。344
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.16
A. Korczak
.
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引用次数: 0
To, co pomiędzy słowem a obrazem – znaki, symbole i metafory wizualne w autorskich książkach Iwony Chmielewskiej 单词和图像之间的区别——Iwona Chmielewska原著中的符号、符号和视觉隐喻
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6
Marta Kotkowska
Between the World and the Image – Signs, Symbols and Visual Metaphors in Iwona Chmielewska’s Picturebooks In this article, Marta Kotkowska appeals to the category of the iconic turn and appoints insignias of picturebooks of Iwona Chmielewska. The researcher also analyses meanings of the artistic expression which author uses in her books. Relying on this characterization, Marta Kotkowska presents how this “in between” words and images works, and how, almost in the real time, it generates and transform meanings. In the description of the almost indiscernible and elusive relation between the word and the image which constitutes picturebook, the semiotic categories, such as the sign, the symbol and the visual metaphor are used. The editorial deliberations concerning the congeniality of analyzing projects are summing the whole article. They emphasize that Chmielewska creates every book even in the smallest detail and with full consciousness and that both format, cover and paper, and words and images, are significant.
在世界与意象之间——伊沃娜·奇米列夫斯卡绘本作品中的符号、符号与视觉隐喻玛尔塔·科特科夫斯卡在本文中诉诸于标志性转向的范畴,对伊沃娜·奇米列夫斯卡绘本作品的符号进行了界定。本文还分析了作者在其作品中所使用的艺术表达的意义。基于这一特征,Marta Kotkowska呈现了这种“介于”文字和图像之间的工作原理,以及它是如何几乎实时地产生和转换意义的。在描述构成绘本的文字和图像之间几乎难以辨认和难以捉摸的关系时,使用了符号、符号和视觉隐喻等符号学范畴。对分析项目的亲和性的编辑审议是对全文的总结。他们强调,Chmielewska创作了每本书,即使是在最小的细节上,而且是全意识的,格式、封面和纸张、文字和图像都是重要的。
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引用次数: 3
Świat dziewcząt widziany oczami kobiet (dwa przykłady: Królestwo dziewczynki Iwony Chmielewskiej i Pierwsze koty robaczywki Kariny Bonowicz) 通过女人的眼睛看到的女孩的世界(两个例子:女孩Iwona Chmielewska的王国和蠕虫的第一只猫Karina Bonowicz)
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.12
E. Kruszyńska
The World of Girls Seen Trough the Women Eyes on the Two Examples:Królestwo dziewczynki Iwony Chmielewskiej and Pierwsze koty robaczywkiKariny BonowiczThie article presents two works writen for young people, that is drawing out the subject of girls adolescence. The former is the picture book by Iwona Chmielewska Królestwo dziewczynki. Authoress tries to show within it how to cope with changes and emotions due to the passage from children’s world to kingdom of femininity. The latter is Pierwsze koty robaczywki by Karina Bonowicz, that shows in light and humorous way pitfalls of adolescent teenager. It appeared that only confrontation with carnality and pubescence can lead young girls to finding their own identity.
从女性的视角看女孩的世界:Królestwo dziewczynki Iwony Chmielewskiej和Pierwsze koty robaczywkiKariny bonowicz这篇文章呈现了两本为年轻人写的作品,这是女孩青春期的主题。前者是Iwona Chmielewska Królestwo dziewczynki的图画书。作者试图在其中展示如何应对从儿童世界到女性王国的变化和情感。后者是Karina Bonowicz的Pierwsze koty robaczywki,以轻松幽默的方式表现了青春期青少年的陷阱。似乎只有面对肉欲和青春期才能引导年轻女孩找到自己的身份。
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引用次数: 1
Od psychoanalizy po filmoterapię. Recenzja książki Kino, film, psychologia, red. Agnieszka Ogonowska, seria Psychologia Stosowana, Wydawnictwo Edukacyjne [2018], ss. 320
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.18
E. Szponar
.
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引用次数: 0
Rzecz jako „sposób na szarość, lekarstwo na beznadzieję” w prozie dla młodzieży Katarzyny Ryrych Katarzyna Ryrych青年散文中的“灰色之路,治愈绝望”
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.14
J. Kajstura
Thing as a „Cure to Fray, a Cure for Hopelessness” in the Prose of Katarzyna Ryrych The article is an attempt to read books for young adult written by Katarzyna Ryrych – Pepa w raju,Król,Denim blue, by using the category of non-anthropocentric humanism. The tekst refers to a Przemysław Czapliński’s literary studies concentrating around things in modern literature. Katarzyna Ryrych presents the problems of modern teenagers, but she is aslo concentrate around everyday objects, clothes, souvenirs, and utensils. Ryrych used things to create heroes’ characteristics, describe their problems, and show interpersonal relationships. The author, according to Bjørnar Olsen’s theory, shows the influence of objects on the creation of the human psyche. Practices in relation to material objects, however, do not lead to materialism for the practices in relation to things are in a sense the learning of another person, remembering him, building relationships with another person.
Katarzyna Ryrych散文中的“治愈悲伤,治愈绝望”这篇文章试图通过非人类中心主义的范畴来阅读KatarzynaRyrych——Pepa-wraju、Król、Denim-blue为年轻人写的书。特克斯特指的是普热米斯瓦夫·查普林斯基的文学研究,集中在现代文学中。Katarzyna Ryrych讲述了现代青少年的问题,但她也专注于日常用品、衣服、纪念品和餐具。Ryrych用事物来塑造英雄的特征,描述他们的问题,并展示人际关系。作者根据比约纳尔·奥尔森的理论,展示了物体对人类心理创造的影响。然而,与实物有关的实践并不能导致物质主义,因为与事物有关的实践在某种意义上是对另一个人的学习,记住他,与另一个人建立关系。
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引用次数: 0
Pomysł i piękno: o wybranych książkach autorskich Iwony Chmielewskiej 思想与美:关于Iwona Chmielewska的精选书籍
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.11
Alina Brzuska-Kępa
Idea and Beauty in Iwona Chmielewska’s PicturebooksA few years ago Iwona Chmielewska, Torunian artist and creator of the picturebooks could speak that the hardest thing is to be a Prophet in his own country. She was the author much more known on the publishing market in South Korea than in Poland. However, her books gradually accustom Polish publishers and readers to their ineptitude, ingenuity, poetry and creativity. An article is a short analysis of the selected (including unpublished yet in Poland) books by Chmielewska for creative workshop of their author: ideas for an intriguing content, poetic image and the specific architecture of the whole picturebook as artifact.
几年前,图画书的创造者、都灵艺术家伊沃纳·奇米列沃斯卡曾说过,在自己的国家做先知是最困难的事情。她在韩国出版界的知名度远高于波兰。然而,她的书逐渐让波兰出版商和读者习惯了她的笨拙、独创性、诗意和创造力。一篇文章是对Chmielewska为其作者的创意研讨会挑选的(包括尚未在波兰出版的)书籍的简短分析:有趣的内容,诗意的图像和整个图画书的特定建筑作为工艺品的想法。
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引用次数: 1
Z Joanną Rusinek rozmawia Katarzyna Kotaba Katarzyna Kotaba与Joanna Rusinek会谈
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.17
Katarzyna Kotaba, Joanna Rusinek
.
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引用次数: 0
Dekonstrukcja i próba restytucji świata. Recenzja książki Małgorzaty Wójcik-Dudek W(y)czytać Zagładę. Praktyki postpamięci w polskiej literaturze XXI wieku dla dzieci i młodzieży, Wydawnictwo Uniwersytetu Śląskiego [2016], ss. 336. 解构并试图恢复世界。对马戈扎塔·沃伊奇克·杜德克(y)czytaćZagładń一书的评论。《21世纪波兰儿童和青年文学中的后记忆实践》,西里西亚大学出版社[2016],ss。336
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.15
A. Karczewska
.
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引用次数: 0
Twórcza działalność na rzecz książki dla dzieci Krystyny Lipki-Sztarbałły
Pub Date : 2018-11-30 DOI: 10.24917/23534583.6.13
A. Boguszewska
Krystyna Lipka-Sztarbałło’s creation for children bookShaping full personality includes an introduction to cultural messages understanding and requires preparation from the earliest years of life. The use of picture books and book illustrations as the key assumption in visual education of children. Picture books represent the first artistic medium as the primary carrier of aesthetic values and a potential chance to stimulate cognitive, social development of a child. History of Polish picture book dates back to the turn of XIX and XX centuries. However, the realizations gaining more widespread range occurred much later. Krystyna Lipko-Sztarbałło, a graphic artist and an animator of Polish book for children, has been of key importance for the development of Polish picture book for the last twenty-odd years. The significance of the illustrations book in child development is proven by the examples of graphic designs taken from Krystyna Lipka-Sztarbałło’s works.
Krystyna Lipka Sztarbał322; o为儿童创作的《塑造完整的个性》一书介绍了文化信息的理解,需要从生命的最初几年就做好准备。使用图画书和书籍插图作为儿童视觉教育的关键假设。图画书是第一种艺术媒介,是审美价值的主要载体,也是刺激儿童认知和社会发展的潜在机会。波兰图画书的历史可以追溯到十九世纪和二十世纪之交。然而,获得更广泛范围的实现发生在很久以后。Krystyna Lipko Sztarbało是一位平面艺术家,也是波兰儿童图书的动画师,在过去二十多年里,她对波兰图画书的发展起着至关重要的作用。Krystyna Lipka Sztarbał322; o作品中的平面设计实例证明了插图书在儿童发展中的重要性。
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Annales Universitatis Paedagogicae Cracoviensis Studia Poetica
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