In the German-language literature of the last twenty to thirty years, there has been a tendency to depict strangeness and integration. Through Melinda Nadj Abonji’s novel, this paper attempts to point out the phenomena that problematize integration and strangeness, which would be related to the space represented or which can be read from representations through space.
{"title":"Fremdheitsinszenierungen der deutschsprachigen Emigrationsrepräsentationen. Wege der Integration im Roman Tauben fliegen auf","authors":"Ferenc Vincze","doi":"10.1556/044.2022.00178","DOIUrl":"https://doi.org/10.1556/044.2022.00178","url":null,"abstract":"In the German-language literature of the last twenty to thirty years, there has been a tendency to depict strangeness and integration. Through Melinda Nadj Abonji’s novel, this paper attempts to point out the phenomena that problematize integration and strangeness, which would be related to the space represented or which can be read from representations through space.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48305821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
One characteristic of fiction is its ability to shape collective knowledge of the past, to create images of the past that can persist for generations – and as a consequence, for generations without direct experience, these images embody the past. In my study, I seek to answer the question how the memory of the transitions of power that ended the First World War is represented in contemporary Hungarian novels (published after 2000), and what other concepts are linked to the notion of the Treaty of Trianon. In the novels of Barbara Bauer, Zsuzsa Selyem, Magda Szabó, Andrea Tompa, János Térey and Gábor Vida, the theme is conveyed with different approaches, a varying significance, in a prose language that is distinctly different in each case, but at the same time is integral to the individual oeuvre of each author.
{"title":"“From now on, Kolozsvár is always the way the train takes us home…” •","authors":"Vallasek Júlia","doi":"10.1556/044.2022.00187","DOIUrl":"https://doi.org/10.1556/044.2022.00187","url":null,"abstract":"One characteristic of fiction is its ability to shape collective knowledge of the past, to create images of the past that can persist for generations – and as a consequence, for generations without direct experience, these images embody the past. In my study, I seek to answer the question how the memory of the transitions of power that ended the First World War is represented in contemporary Hungarian novels (published after 2000), and what other concepts are linked to the notion of the Treaty of Trianon. In the novels of Barbara Bauer, Zsuzsa Selyem, Magda Szabó, Andrea Tompa, János Térey and Gábor Vida, the theme is conveyed with different approaches, a varying significance, in a prose language that is distinctly different in each case, but at the same time is integral to the individual oeuvre of each author.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47968439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper demonstrates the application of surveying methodologies aiding the management of heritage properties, especially for UNESCO World Heritage sites. The objective of the current study is to provide an overview of the historical background of surveying a particular field of engineering and the related social environment. In Europe, all types of historic streets and avenues share a centuries-long common history. Investments financed by governments, capital or residential sources relating to these streets have provided opportunities for interesting architectural experiments. This study demonstrates the intensity of these investments and the morphological and functional changes in relation to their distance from the CBD. To achieve this objective, based on an on-line database of housing features and values, apartments (n = 1,031) from the range of Residential Real Estates in Teréz Town Budapest were collected. Data statistics tools included a Decision Tree and an Artificial Multi-layer Neural Network employed in order to analyse inequalities in price according to the condition of the property and available conveniences. The characteristics of monocentricity/polycentricity are shown to be adaptable elements that have been used historically in urban landscapes and can be implemented in urban design to enhance green spaces and improve the overall quality of urban life. As good examples, the Andrássy/Hübner - Court and the ICOMOS prize-winning renovation of the Wahrmann Palace are presented. Real estate can carry both real and philosophical meaning. Sometimes buildings express physical reality in the environment, at others, they have a symbolic meaning, e. g. an urban idyll, harmony with the habitat, local community, heritage property, wealth or poverty, integration or segregation of people or families. Functional changes support long-term decision-making for investors and city residents in search for better locations within global cityscapes.
{"title":"Surveying methods and instruments for heritage properties, using decision tree and Artificial Neural network analysis","authors":"Livia Roka-Madarasz","doi":"10.1556/044.2022.00180","DOIUrl":"https://doi.org/10.1556/044.2022.00180","url":null,"abstract":"This paper demonstrates the application of surveying methodologies aiding the management of heritage properties, especially for UNESCO World Heritage sites. The objective of the current study is to provide an overview of the historical background of surveying a particular field of engineering and the related social environment. In Europe, all types of historic streets and avenues share a centuries-long common history. Investments financed by governments, capital or residential sources relating to these streets have provided opportunities for interesting architectural experiments. This study demonstrates the intensity of these investments and the morphological and functional changes in relation to their distance from the CBD. To achieve this objective, based on an on-line database of housing features and values, apartments (n = 1,031) from the range of Residential Real Estates in Teréz Town Budapest were collected. Data statistics tools included a Decision Tree and an Artificial Multi-layer Neural Network employed in order to analyse inequalities in price according to the condition of the property and available conveniences. The characteristics of monocentricity/polycentricity are shown to be adaptable elements that have been used historically in urban landscapes and can be implemented in urban design to enhance green spaces and improve the overall quality of urban life. As good examples, the Andrássy/Hübner - Court and the ICOMOS prize-winning renovation of the Wahrmann Palace are presented. Real estate can carry both real and philosophical meaning. Sometimes buildings express physical reality in the environment, at others, they have a symbolic meaning, e. g. an urban idyll, harmony with the habitat, local community, heritage property, wealth or poverty, integration or segregation of people or families. Functional changes support long-term decision-making for investors and city residents in search for better locations within global cityscapes.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41579888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
By comparing the colored etching Aigentliche Vorstell- und Beschreibung der fürnehmsten in Europa befindlicher Land-Völcker, Augsburg around 1700, and the journal Acta Comparationis Litterarum Universarum, Kolozsvár around 1880, imagology, a research area of comparative cultural and literary studies, can be discussed in a comparative manner. Based on the findings of this comparison, the article seeks answers to questions about the scientific location and the task of Hungarian studies outside of Hungary.
通过比较1700年左右在奥格斯堡Land-Völcker的欧罗巴的彩色版画Aigentliche Vorstell-und Beschreibung der fürnehmsten和1880年左右在Kolozsvár出版的《比较文学学报》，可以比较地讨论意象学这一比较文化和文学研究领域。基于这一比较结果，本文试图回答有关匈牙利研究在匈牙利境外的科学位置和任务的问题。
{"title":"Das Bild Ungarns in Österreich","authors":"K. Kókai","doi":"10.1556/044.2022.00177","DOIUrl":"https://doi.org/10.1556/044.2022.00177","url":null,"abstract":"By comparing the colored etching Aigentliche Vorstell- und Beschreibung der fürnehmsten in Europa befindlicher Land-Völcker, Augsburg around 1700, and the journal Acta Comparationis Litterarum Universarum, Kolozsvár around 1880, imagology, a research area of comparative cultural and literary studies, can be discussed in a comparative manner. Based on the findings of this comparison, the article seeks answers to questions about the scientific location and the task of Hungarian studies outside of Hungary.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44228284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Károly Kós and Henri Godbarge were both architects with strong ideas on local roots. Following the Arts & Craft and Art nouveau movements, they respectively contributed to the Transylvanism and néo-basque styles, which have many things in commun, particularly a special connection to the Orient(s), to social and family realities and to the ancestors.
Károly Kós和Henri Godbarge都是扎根于当地的建筑师。在工艺美术和新艺术运动之后，他们分别为特兰西瓦尼主义和巴斯克风格做出了贡献，这两种风格有许多共同之处，特别是与东方、社会和家庭现实以及祖先的特殊联系。
{"title":"Károly Kós. Henri Godbarge","authors":"Henri de Montety","doi":"10.1556/044.2022.00217","DOIUrl":"https://doi.org/10.1556/044.2022.00217","url":null,"abstract":"Károly Kós and Henri Godbarge were both architects with strong ideas on local roots. Following the Arts & Craft and Art nouveau movements, they respectively contributed to the Transylvanism and néo-basque styles, which have many things in commun, particularly a special connection to the Orient(s), to social and family realities and to the ancestors.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43378672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper explores the problem of the source value of charters from the point of view of research in linguistic history. Charters written in Latin often contain elements of the vulgar language (in this case, Hungarian). Only four authentic Hungarian charters have survived from the 11th century in their original form. Therefore, we have also included the non-authentic and non-original charters of the 11th century in our research over the recent decades.These charters may contain 4–5 chronological layers, and so our task is to separate them. Charters of uncertain status cannot be analysed using the same methodological principles as the authentic and original charters. This paper discusses the methodological principles that may facilitate the identification of the source value of these charters for historical linguistics. Although these principles are defined based on charters from Hungary, due to their universal nature a significant portion of them may also be used successfully in other regions of medieval European charter research.
{"title":"The source value of early charters of uncertain chronological status in historical linguistics and onomastics","authors":"Melinda Szőke","doi":"10.1556/044.2022.00161","DOIUrl":"https://doi.org/10.1556/044.2022.00161","url":null,"abstract":"This paper explores the problem of the source value of charters from the point of view of research in linguistic history. Charters written in Latin often contain elements of the vulgar language (in this case, Hungarian). Only four authentic Hungarian charters have survived from the 11th century in their original form. Therefore, we have also included the non-authentic and non-original charters of the 11th century in our research over the recent decades.These charters may contain 4–5 chronological layers, and so our task is to separate them. Charters of uncertain status cannot be analysed using the same methodological principles as the authentic and original charters. This paper discusses the methodological principles that may facilitate the identification of the source value of these charters for historical linguistics. Although these principles are defined based on charters from Hungary, due to their universal nature a significant portion of them may also be used successfully in other regions of medieval European charter research.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42944915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the discourse of 20th and 21st century Hungarian literary history writing the aspect of regionality is recurrently present, primarily in relation to minority/ethnic Hungarian literature. The positions and relations of these literatures can be inferred not only from the perspective of their naming and designation, but also from the way they are discussed or even represented as books. The study attempts to show the regionality formations in the history of Hungarian literature, which in mutual reflection, overlapping and displacement, have tried to gain a dominant position in the discourse on Hungarian literature. As a point of comparison, the essay also includes the regionality phenomena of Romanian literature in the field of interpretation.
{"title":"Regionalitätskonzepte – Ungarische Literaturgeschichtsschreibung nach 1945 im Kontext der rumänischen Literaturgeschichte","authors":"Ferenc Vincze","doi":"10.1556/044.2022.00197","DOIUrl":"https://doi.org/10.1556/044.2022.00197","url":null,"abstract":"In the discourse of 20th and 21st century Hungarian literary history writing the aspect of regionality is recurrently present, primarily in relation to minority/ethnic Hungarian literature. The positions and relations of these literatures can be inferred not only from the perspective of their naming and designation, but also from the way they are discussed or even represented as books. The study attempts to show the regionality formations in the history of Hungarian literature, which in mutual reflection, overlapping and displacement, have tried to gain a dominant position in the discourse on Hungarian literature. As a point of comparison, the essay also includes the regionality phenomena of Romanian literature in the field of interpretation.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67632630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Hungarian Playwrights' Association was founded on 7 January, 1904, with the aim of providing moral and financial protection to theatre authors and the developing Hungarian stage. In its first incarnation it lasted until March 1919, and was subsequently re-established in December 1920. Like so many associations at that time, the Association was dissolved by ministerial decree on 8 December, 1950. The legal situation of playwrights at the time, along with the lack of adequate representation of their interests, prompted the Hungarian cultural sector to protect their rights by setting up an appropriate body of self-representation, following the examples of foreign countries. The association is of great importance in the history of the self-organisation and interest representation of Hungarian artists, as it was the first such independent Hungarian representative body.
{"title":"Chapters from the history of the Hungarian Playwrights' Union: The Hungarian Playwrights' Association from its conception until its foundation (1898–1904)","authors":"Emese Lengyel","doi":"10.1556/044.2022.00175","DOIUrl":"https://doi.org/10.1556/044.2022.00175","url":null,"abstract":"The Hungarian Playwrights' Association was founded on 7 January, 1904, with the aim of providing moral and financial protection to theatre authors and the developing Hungarian stage. In its first incarnation it lasted until March 1919, and was subsequently re-established in December 1920. Like so many associations at that time, the Association was dissolved by ministerial decree on 8 December, 1950. The legal situation of playwrights at the time, along with the lack of adequate representation of their interests, prompted the Hungarian cultural sector to protect their rights by setting up an appropriate body of self-representation, following the examples of foreign countries. The association is of great importance in the history of the self-organisation and interest representation of Hungarian artists, as it was the first such independent Hungarian representative body.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47772314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research project Chapters from the History of 20th Century Hungarian Operetta: The Operetta Art of Ákos Buttykay has as its subject the operetta art of Ákos Buttykay (1871–1935), who was unjustly disqualified from the operetta canon. The subject is highly topical and necessary since the reconstruction of the history of 20th-century Hungarian operetta has been complicated by the fact that, with the exception of a few popular and well-known operetta composers – including Pál Ábrahám (Paul Abraham), Imre Kálmán (Emmerich Kálmán) and Ferenc Lehár (Franz Lehár) – the oeuvre and biography of the composers who were instrumental in the development of the Hungarian operetta style have yet to be reviewed. This shortcoming became evident to me during my research into the history of 20th century Hungarian operetta and the reconstruction of Buttykay's career and operetta works – using archival sources and contemporary press sources – is the first step towards filling this gap. I chose Buttykay mainly on the basis of my preliminary research and findings, as a composer who had written dozens of operettas and whose name was associated with the most successful operettas of the Hungarian musical stages in the first half of the 20th century.
{"title":"“Operetta and me? … Never!…” – On the trail of a forgotten operetta composer, Ákos Buttykay (1871–1935)","authors":"Emese Lengyel","doi":"10.1556/044.2022.00200","DOIUrl":"https://doi.org/10.1556/044.2022.00200","url":null,"abstract":"The research project Chapters from the History of 20th Century Hungarian Operetta: The Operetta Art of Ákos Buttykay has as its subject the operetta art of Ákos Buttykay (1871–1935), who was unjustly disqualified from the operetta canon. The subject is highly topical and necessary since the reconstruction of the history of 20th-century Hungarian operetta has been complicated by the fact that, with the exception of a few popular and well-known operetta composers – including Pál Ábrahám (Paul Abraham), Imre Kálmán (Emmerich Kálmán) and Ferenc Lehár (Franz Lehár) – the oeuvre and biography of the composers who were instrumental in the development of the Hungarian operetta style have yet to be reviewed. This shortcoming became evident to me during my research into the history of 20th century Hungarian operetta and the reconstruction of Buttykay's career and operetta works – using archival sources and contemporary press sources – is the first step towards filling this gap. I chose Buttykay mainly on the basis of my preliminary research and findings, as a composer who had written dozens of operettas and whose name was associated with the most successful operettas of the Hungarian musical stages in the first half of the 20th century.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47514010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A fundamental segment of contemporary Hungarian prose literature has attempted to represent and textually portray the change in political regimes which took place in 1989. The dictatorship, the totalitarian system and the subsequent transition period proved to be excellent raw material; resulting in a very different kind of prose which, when compared to previous representations of Transylvania, elicits attention on the one hand by being distinctly separate from the assumption of an ideological role, and on the other hand by creating the given linguistic and fictional space through continuous transition(s), (inter-ethnic) in-betweenness and the relevance of otherness.
{"title":"The representation of the 1989 regime change in contemporary Hungarian prose texts","authors":"É. Bányai","doi":"10.1556/044.2022.00214","DOIUrl":"https://doi.org/10.1556/044.2022.00214","url":null,"abstract":"A fundamental segment of contemporary Hungarian prose literature has attempted to represent and textually portray the change in political regimes which took place in 1989. The dictatorship, the totalitarian system and the subsequent transition period proved to be excellent raw material; resulting in a very different kind of prose which, when compared to previous representations of Transylvania, elicits attention on the one hand by being distinctly separate from the assumption of an ideological role, and on the other hand by creating the given linguistic and fictional space through continuous transition(s), (inter-ethnic) in-betweenness and the relevance of otherness.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48597189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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