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The Annals of Clonmacnoise (1627) as a translation and an early modern history 《克隆马克噪音史》(1627)作为翻译和早期近代史
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.1
Denis Casey
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引用次数: 0
Robert O’Dwyer and his Irish-language opera Eithne (1909): some fresh considerations for the Irish language in an operatic setting Robert O'Dwyer和他的爱尔兰语歌剧《Eithne》(1909):在歌剧背景下对爱尔兰语的一些新思考
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.6
Gavan Ring
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引用次数: 0
Ploughing by the tail: a phantom phenomenon? 用尾巴犁地:幽灵现象?
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.4
Michelle O RIORDAN
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引用次数: 0
‘I don’t want the word of God in Irish. I want the word of Canon O’Leary!’: An tAthair Peadar Ó Laoghaire and his Irish translation of the Bible “我不想要爱尔兰语中的上帝之词。我想要Canon O'Leary的话!”:塔海尔·皮达尔·劳盖尔及其《圣经》的爱尔兰翻译
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.7
Dáibhí Ó Cróinín
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引用次数: 0
Clare Abbey, Clann Chraith and the coarb of St Breacán 克莱尔·艾比,克兰·克雷斯和圣·Breacán的玉米
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.2
Robert O’HALLORAN
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引用次数: 0
‘By Electric Telegraph’: telegraphic news in Ireland, c. 1850–80 “通过电报”:1850 - 1880年爱尔兰的电报新闻
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.5
Adrian Kirwan
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引用次数: 0
Gúaire geilt? 古艾尔好色?
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.3
Aogán Ó hIARLAITHE
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引用次数: 0
Léirmheasanna/Reviews 外观/评论
Q1 Arts and Humanities Pub Date : 2023-09-07 DOI: 10.3828/sh.2023.8
Ken Ó Donnchú, Breandán Ó Cróinín, Denis Casey, Conor McDonough, John Marshall, Mícheál Mac Craith, Marc Caball, Gillian O’Brien, Tríona Ní Shíocháin, Jonathan Cherry, Caoimhe Nic Lochlainn, Terry Clavin, Heather Jones, Conor Murray, David Clare
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引用次数: 0
Collection, space and display: a case-study in the symbolic materiality of print and manuscript cultures in seventeenth-century Ireland 收藏、空间和展示:17世纪爱尔兰印刷和手稿文化象征物质性的个案研究
Q1 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.3828/sh.2021.3
Marc Caball
On the basis of a case-study centred on the experience of Sir John Perceval (d.1686) of north Cork, it is argued that books and their spatial location constituted elements within a broader decorative ensemble expressive of cultural hegemony. Moreover, Perceval’s intellectually-diverse world of print is contrasted with the marginalised and geographically-adjacent sphere of Gaelic script as embodied by the poet and scribe Eoghan Ó Caoimh (d.1726). Notwithstanding the dynamic ideological significance of a text such as Keating’s Foras Feasa ar Éirinn, its first appearance in print in a 1723 English translation, is emblematic of the cultural and social authority of early modern print in a colonial milieu. Reference is made to the library of James Butler (d.1688), first duke of Ormond, and the Parisian book purchases of Francis FitzMaurice (d.1818) and his wife Anastasia (d.1799), third earl and countess of Kerry, by way of illustration of print’s uncontested dominance among elite Irish readers and patrons of the trade in books.
在以北科克的约翰·佩西瓦尔爵士(公元1686年)的经历为中心的案例研究的基础上,认为书籍及其空间位置构成了更广泛的装饰组合中的元素,表达了文化霸权。此外,珀西瓦尔的智力多样的印刷世界与诗人兼抄写员EoghanóCaoimh(1726年)所体现的盖尔语文字的边缘化和地理相邻的领域形成了鲜明对比。尽管基廷的《Foras Feasa arÉirinn》等文本具有动态的意识形态意义,但它在1723年的英译本中首次出现在印刷品中,它象征着殖民环境中早期现代版画的文化和社会权威。参考了奥蒙德第一公爵詹姆斯·巴特勒(1688年)的图书馆,以及弗朗西斯·菲茨莫里斯(1818年)和他的妻子、克里第三伯爵和伯爵夫人阿纳斯塔西娅(1799年)在巴黎购买的书籍,以说明印刷品在爱尔兰精英读者和图书贸易赞助人中无可争议的主导地位。
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引用次数: 0
Two seventeenth-century Franciscans from Thomond: Dermot McBruodin (d.1617) ‘the mad friar’ and Antonius Bruodin (c.1618-80)1 两位来自托蒙德的十七世纪方济各会教徒:德莫特·麦克布鲁丁(公元1617年)“疯狂修士”和安东尼乌斯·布鲁丁(约1618-80年)1
Q1 Arts and Humanities Pub Date : 2021-09-01 DOI: 10.3828/sh.2021.2
Luke McInerney
One of the most extraordinary stories to have survived from seventeenthcentury county Clare is that of Dermot McBruodin, the so-called ‘mad friar’ of Ennis. This story has received the attention of antiquaries and historians and has come down to us primarily in translated excerpts from the original Latin text. This article provides an account of the life and ministry of the Clare-born Franciscan friar, Dermot McBruodin, who returned to Ireland from studies in Spain in 1575. The author of this life was a kinsman and confrère who published it as part of a larger work in 1669. Presented here is a full translation of the life of Dermot McBruodin which details his arrest, trial and acquittal in 1603, along with a contextualisation of his life and activities. Also presented is a discussion about the author’s motivation for recording McBruodin’s life, which was written some 50 years after the friar’s death.
从十七世纪的克莱尔郡流传下来的最非凡的故事之一是德莫特·麦克布鲁丁的故事,他是所谓的恩尼斯的“疯狂修士”。这个故事引起了古董商和历史学家的注意,主要是在拉丁语原文的翻译摘录中流传下来的。这篇文章介绍了出生于克莱尔的方济各会修士德莫特·麦克布鲁丁的生活和事工,他于1575年从西班牙留学返回爱尔兰。《这一生》的作者是一位亲属和学者,他于1669年将其作为一部更大作品的一部分出版。这里提供了德莫特·麦克布鲁丁生平的完整译本,详细介绍了他在1603年被捕、审判和无罪释放的情况,以及他的生活和活动的背景。还讨论了作者记录麦克布鲁丁生平的动机,这本书是在这位修士去世约50年后写的。
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引用次数: 0
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