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“BANJIR DAN BANTUAN DI SURAKARTA” FILANTROPI DALAM BANJIR SOLO TAHUN 1966 “洪水和救济在苏拉卡塔”慈善洪水在1966年
Pub Date : 2022-07-28 DOI: 10.22515/isnad.v3i1.5255
N. Kholidah
ABSTRACTThis research discussed aboute the philanthropic practices that occurred in the Solo flood in 1966. The city of Solo and the surrounding area is an area that is often subject to flooding. This happens because Solo City is one of the areas crossed by the Bengawan Solo River, where Bengawan Solo is the longest river in Java Island. If at any time there is a significant increase in rainfall and for a long time, the worst risk caused is the occurrence of a flood disaster. One of the major floods that hit Solo City and the surrounding area was the flash flood that occurred in 1966. The incident hit six inner districts and caused considerable losses. The problem studied this time is how the philanthropic practices of the Indonesian people remain intertwined in the midst of unstable political conditions, because 1966 was a fairly crucial period.To conduct this research, the author used the historical research method. This method includes the selection of titles, data collection, criticism or selection and filtering of data, interpretation or interpretation of the data that has been obtained, and the last step is historiography or the stage of writing history. In addition to using historical research methods, the author also uses the concept of social roles as a theoretical basis in carrying out the research. The concept was chosen by the author because it is able to help the author in seeing how the role of each individual and group in the recovery of the Solo City Area and its surroundings after the flash flood disaster.The results of this reseach is explain how the flood disaster that hit the Solo region and its surroundings in 1966 could move a sense of humanity and empathy among the Indonesian people in the midst of unstable political conditions. Until the people of Solo City and also the surrounding areas who are victims of the disaster can bounce back from the slump caused by the flood disaster. The participation of the Indonesian people as a reaction to the flood event that hit Solo and its surroundings was able to restore the state of Solo City and the surrounding area as before.Keywords: Bengawan Solo, flood, philanthropy 
摘要本研究探讨了1966年索罗洪水中发生的慈善实践。索罗市及其周边地区是一个经常遭受洪水侵袭的地区。这是因为梭罗市是班加万梭罗河横跨的地区之一,而班加万梭罗河是爪哇岛最长的河流。如果在任何时候降雨量显著增加并持续很长一段时间,造成的最大风险是发生洪水灾害。1966年发生的山洪是袭击索罗市及其周边地区的主要洪水之一。这一事件袭击了六个内陆地区,造成了相当大的损失。这次研究的问题是,由于1966年是一个相当关键的时期,印尼人民的慈善实践是如何在不稳定的政治条件下保持相互交织的。为了进行本研究,笔者采用了历史研究法。这种方法包括题目的选择、资料的收集、对资料的批评或选择和过滤、对已获得的资料的解释或解释,最后一步是史学或写历史的阶段。在运用历史研究方法的同时,笔者也将社会角色的概念作为理论基础进行研究。作者之所以选择这个概念,是因为它能够帮助作者看到在山洪灾害之后,每个个体和群体在Solo City地区及其周边地区的恢复中所扮演的角色。这项研究的结果解释了1966年袭击梭罗地区及其周边地区的洪水灾害如何在不稳定的政治条件下感动印度尼西亚人民的人性和同情心。直到索罗市和周边受灾地区的人们能够从洪水灾害造成的低迷中恢复过来。印度尼西亚人民的参与作为对袭击梭罗及其周围地区的洪水事件的反应,使梭罗市和周围地区恢复了以前的状态。关键词:班加班Solo,洪水,慈善事业
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引用次数: 0
Tari Glipang Probolinggo: Kesenian Akulturatif Islam, Simbol Perlawanan, Hingga Media Hiburan
Pub Date : 2022-07-26 DOI: 10.22515/isnad.v3i1.5369
Hendra Afiyanto, Risa Winanti
This study is to reconstruct the Probolinggo Glipang Dance during the Dutch colonialism. The long life span makes Glipang Dance live in several different periods of time. It is interesting to study why this Glipang Dance is able to exist through several changes in the times. Is the existence of Glipang Dance related to its ability to negotiate its functions against the times? Does Glipang Dance have a different function according to the needs of the community in each changing era? For analysis, Malinowski's theory of Functionalism was used in looking at the function of Glipang Dance in each period. Historical methods are also used to help analyze Glipang Dance in the past. There are 3 (three) findings in this study. First, the beginning of Glipang Dance's entry into Probolinggo was identified as Islamic-Culture or Islamic acculturative art. The people of Probolinggo, which is majority Islamic, make Glipang Dance have to adapt itself to the religious conditions of the community. Second, in the period of colonialism, Glipang Dance served as a medium for spreading the ideology of resistance. Third, the existence of Glipang Dance until now because of its ability to add to its function in society, namely as an entertainment medium.Key Words: Arts; Existence; Function Changes; Glipang 
本研究旨在重建荷兰殖民时期的Probolinggo Glipang舞蹈。漫长的生命周期使得格利邦舞在几个不同的时期生活。格力梆子为什么能在时代的变迁中得以存在,这是一件很有趣的研究。格利邦舞的存在是否与它与时代协商功能的能力有关?在每一个时代的变迁中,格利邦舞是否会根据社会的需要而有不同的功能?为了进行分析,我们运用马林诺夫斯基的功能主义理论来考察每个时期的格利邦舞的功能。历史的方法也被用来帮助分析过去的格利邦舞。在这项研究中有3个发现。首先,格利邦舞进入Probolinggo的开始就被认定为伊斯兰文化或伊斯兰异文化艺术。Probolinggo的居民大部分是伊斯兰教徒,因此格利邦舞蹈必须适应当地的宗教环境。其次,在殖民主义时期,格利邦舞是传播抵抗思想的媒介。第三,格力浜舞之所以存在到现在,是因为它有能力增加它在社会中的功能,即作为一种娱乐媒介。关键词:艺术;存在;功能变化;Glipang
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引用次数: 1
Sufisme dan Perubahan Sosial: Kaum Tarekat dan Dinamika Sosial Keagamaan 苏菲主义与社会变革:Tarekat和宗教社会动力学
Pub Date : 2022-01-24 DOI: 10.22515/isnad.v2i1.3579
M. Khamim
Social change is a necessity. Every shift that occurs in society will trigger change. Religion is basically independent, which theoretically can be involved in terms of mutual influence with socio-economic realities. As an independent unit, for its adherents, religion has a high probability of determining patterns of human behavior and the form of social structures. In this way, religious teachings have the possibility to encourage or even restrain the process of social change. The existence of Sufism and tarekat in social life has an important role in social processes, one of which is social change. Through a qualitative descriptive approach with a research library that refers to related sources, this paper provides important point that tarekat has a dual function, namely as a religious-spiritual moral movement that directs its followers to always be close to God, and as a social and political social movement that helps guide its followers to have social sensitivity and care about social conditions, through the practice of teachings or doctrines that have been taught by tarekat organization.
社会变革是必要的。社会上发生的每一次转变都会引发变化。宗教基本上是独立的,理论上可以与社会经济现实相互影响。作为一个独立的单位,对其信徒来说,宗教很有可能决定人类行为的模式和社会结构的形式。这样,宗教教义就有可能鼓励甚至抑制社会变革的进程。苏非主义和极端主义在社会生活中的存在对社会进程具有重要作用,其中之一就是社会变革。本文通过一个参考相关资料的研究库,通过定性描述的方法,提供了一个重要的观点,即塔雷卡特具有双重功能,即作为一种宗教精神道德运动,指导其追随者始终接近上帝,作为一种社会和政治社会运动,帮助引导其追随者具有社会敏感性和关心社会状况。通过实践塔吉克组织所教导的教义或教义。
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引用次数: 3
Jaringan dan Kiprah Orang Arab di Teluk Palu, 1830-1930
Pub Date : 2022-01-24 DOI: 10.22515/isnad.v2i1.4857
Mohammad Sairin
This paper discusses the life of Arabs in Palu Bay in 1830-1930. There are two aspects thatmust be investigated, namely how the Arabs network in Palu Bay and how they contribute to thecommunity in Palu Bay. This paper used historical method by using oral sources and written sources.Oral sources are through interviews with Arab families in Palu while written sources were archives ofofficial colonial government publications, manuscripts, books, journals and scientific works. Thefindings in this study are: First, Arabs in Palu Bay have kinship networks and trade networks with otherregions in the archipelago such as Makassar, Manado, Bolaang Mongondow, Buol, Tomini Bay, Java,Kalimantan and Singapore. They also formed a kinship network by marrying local noblewomen. Second,the gait and contribution of Arabs in Palu Bay can be seen from their activities in the field of da'wah andIslamic symbols, politics, and the economy. Their presence has left a cultural heritage, includingmosques, schools, and maulid ceremonies.
本文论述了1830-1930年间阿拉伯人在帕卢湾的生活。有两个方面必须调查,即阿拉伯人如何在帕卢湾建立网络,以及他们如何为帕卢湾的社区做出贡献。本文采用了口述资料和书面资料相结合的历史研究方法。口头资料来自对帕卢阿拉伯家庭的采访,而书面资料来自殖民政府官方出版物、手稿、书籍、期刊和科学著作的档案。本研究发现:首先,帕卢湾的阿拉伯人与群岛上的其他地区,如望加锡、万鸦老、博朗蒙贡都、布尔、托米尼湾、爪哇、加里曼丹和新加坡有亲属网络和贸易网络。他们还通过与当地贵妇结婚形成了亲属关系。其次,阿拉伯人在帕卢湾的步态和贡献可以从他们在达瓦和伊斯兰符号、政治和经济领域的活动中看出。他们的存在留下了文化遗产,包括清真寺、学校和宗教仪式。
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引用次数: 1
PERJUANGAN MENCARI RUANG: Jedoran, Media Islamisasi, Dan Peminggiran Kesenian Islam Tulungagung 1970-1982 空间斗争:Jedoran、媒体伊斯兰化和1970年至1982年伊斯兰艺术鉴赏家
Pub Date : 2022-01-24 DOI: 10.22515/isnad.v2i1.4906
Muna Roidatul Hanifah
This study is a concrete effort to trace the dynamics of Jedoran Tulungagung 1970-1982. Thistemporal term became the starting point for the paradigm shift of the Tulungagung people in interpretingIslamic art. The emergence of the 'Popular' prayer reduced the public's interest in Jedoran as anacculturative (Islamic and Javanese) shalawat art which has contributed to the history of Islamizationin Tulungagung. The study used historical research methodologies, namely: heuristics, source criticism,interpretation, and historiography. The results of this study indicate that there is one major narrativethat masterminds the dim existence of Jedoran from the Tulungagung art scene. This factor was the entryof the “Popular Islam” paradigm, which at that time was rapidly developing through radio, televisionand mobile phones in almost all parts of Indonesia. This has gradually resulted in the decline in people'sappetite for acculturative Islamic arts such as Jedoran. This factor is supported by two other situations,namely the cultural atmosphere in Tulungagung in general after 1965 and the difficulty in studyingJedoran which makes regeneration difficult.
这项研究是追踪1970-1982年Jedoran Tulungagung动态的具体努力。这个时间术语成为了图伦加贡人解释伊斯兰艺术的范式转变的起点。“大众”祈祷的出现降低了公众对Jedoran作为一种文化融合(伊斯兰和爪哇)沙拉瓦艺术的兴趣,这种艺术对Tulungagung的伊斯兰化历史做出了贡献。本研究采用了历史研究方法,即:启发式、来源批评、解释和史学。本研究的结果表明,有一个主要的叙事,策划了从图龙岗艺术场景中模糊存在的Jedoran。这一因素是“ - œPopular伊斯兰”模式的进入,当时该模式通过广播、电视和移动电话在印度尼西亚几乎所有地区迅速发展。这逐渐导致人们对伊斯兰艺术(如Jedoran)等多元文化的兴趣下降。这一因素得到了另外两种情况的支持,即1965年之后Tulungagung的总体文化氛围和对jedoran的研究困难使得再生困难。
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引用次数: 0
Pengembangan Buku Suplemen Elektronik Materi: Sejarah Banjir dan Pembangunan Saluran Air di Tulungagung Tahun 1939-1986 Untuk Pembelajaran Sejarah Kelas X IIS 3 SMA Katolik ST. Thomas Aquino Tulungagung 电子材料补充手册的发展:1939-1986年图伦加贡的洪水历史和输水管道建设,用于天主教圣托马斯·阿奎诺·图伦加贡三年级X历史学习
Pub Date : 2022-01-24 DOI: 10.22515/isnad.v2i1.4905
Galih Fajar Sukoco
Technology has been growing and has also penetrated into the field of education. Theuse of technology in the field of education is now being intensively promoted to facilitate thelearning process, as well as in learning history. This research and development aims to produceteaching materials in the form of an electronic Supplementary Book for the History of Floods andWaterways Construction in 1939-1986 in Tulungagung for students of class X IPS 3, SMA CatholicSt. Thomas Aquino Tulungagung. This teaching material is in the form of an E-book which wasdeveloped through the Anyflip application and Canva to achieve the desired final product. Themethod used is Sukmadinata's research and development model which initially has ten steps buthas been modified by the researcher into five steps. The results of this research and developmentshow that the validation of the material gets a value of 91.6%. While the media validation obtaineda value of 90% and the effectiveness test of teaching materials was 91%. From the overall results,it can be said that this Electronic Supplement Book teaching material product is very valid (worthy)to be used as supporting teaching materials in the process of learning history of specialization inthe classroom.
科技不断发展,也渗透到教育领域。技术在教育领域的应用现在正得到大力推广,以促进学习过程和学习历史。本研究开发的目的,是为天主教天主教会圣三一班学生制作《图伦加贡1939-1986年洪水与水道建设史》电子教材。托马斯·阿基诺。本教材是通过Anyflip应用程序和Canva开发的电子书形式,以实现所需的最终产品。使用的方法是Sukmadinata的研究和开发模型,最初有十个步骤,但被研究者修改为五个步骤。研究开发结果表明,该材料的验证率为91.6%。媒体验证的合格率为90%,教材有效性测试的合格率为91%。从总体结果来看,可以说该电子补编教材产品是非常有效的(值得)作为课堂上专业史学习过程中的辅助教材。
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引用次数: 0
Transmigrasi Lokal di Lampung: Varian Kebijakan Perpindahan Penduduk di Indonesia 楠榜当地移民:印度尼西亚移民政策的变体
Pub Date : 2022-01-24 DOI: 10.22515/isnad.v2i1.3661
Aan Budianto, Muhamad Bisri Mustofa, Uswatun Hasanah
This study aims to explore the background of the implementation of local transmigration policies in Lampung. Lampung area that has been since the colonial era has become a destination for population displacement called colonization, continues to experience an increase in the number of residents until the beginning of the independence period. The existence of a self-initiated transmigration policy caused Lampung to experience a surge in the population. The result of the analysis of this study is that the impact of population transfer to Lampung until the 1950s is getting out of control. Seen from the increasing number of forests cut down by the migrants. Another problem arises with the gathering of the community from Java. Many areas in Lampung later like to become a Colony of Java, such as Gading Rejo, Pringsewu, Kalirejo and Metro. On the other hand, the northern part of Lampung is not touched once. The unrest of the natives ulun Lampung was also contained in the customary congress in Palembang who wanted to organize Lampung with a local migration program. Starting from the 1970s, Lampung Tranmigrasi began to display results in the 1990s where the northern Lampung region began to show development. In central and southern Lampung which was dominated by agriculture, in northern Lampung began to grow community plantations. Besides, other businesses such as trade and transportation were more stretched in Lampung in the 1990s.
本研究旨在探讨南榜地方移民政策实施的背景。南榜地区自殖民时代以来一直是人口迁移的目的地,称为殖民化,直到独立时期开始,居民人数继续增加。自我发起的移民政策的存在导致楠榜岛的人口激增。这项研究的分析结果是,直到20世纪50年代人口转移到楠榜的影响正在失控。从越来越多的森林被移民砍伐来看。另一个问题是来自Java社区的聚集。南榜的许多地区后来都变成了爪哇的殖民地,比如加丁雷霍、普林塞乌、卡利雷霍和麦德龙。另一方面,楠榜岛的北部没有被碰过一次。乌伦楠榜当地人的骚乱也包含在巨港的惯例会议中,他们想要用当地的移民计划来组织楠榜。从20世纪70年代开始,南榜transmigrasi项目开始取得成果,90年代南榜北部地区开始出现发展。在以农业为主的楠榜中部和南部,楠榜北部开始种植社区种植园。此外,在上世纪90年代,南榜的贸易和运输等其他行业更为紧张。
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引用次数: 2
Pakan: Pasar Tradisional Rakyat Bukittinggi Pada Abad ke-19
Pub Date : 2021-12-30 DOI: 10.22515/isnad.v2i2.4904
Suci Kurnia Putri
Bukittinggi sebagai salah satu kota terbesar di Sumatera Barat terletak di tempat yang strategis yang menguntungkan mereka secara ekonomi dari dulu hingga sekarang. Berawal dari Nagari Kurai, yang terletak di Kawasan Luhak Agam. Yang terdiri dari lima jorong, yang mana nantinya dari Nagari kecil inilah lahir Kota Bukittinggi jauh sebelum datangnya Belanda, juga lahirlah sebuah Pakan (pasar) di Bukik Kubangan Kabau. Perkembangan Pasar Bukittinggi yang cepat, juga terlibatnya pemerintahan Hindia-Belanda dalam perkembangan dan pengelolaan Pasar Bukittinggi, pun dengan Penghulu Nagari Kurai, yang mana menghasilkan pasar, yang tertata secara administratif maupun dalam pengelolaan keuangannya.
布吉廷高原是苏门答腊西部最大的城市之一,其战略位置从过去到现在都对其有利。它始于宗教世界的Nagari Kurai。它由利马乔朗(lima jorong)组成,这些乔朗后来在荷兰人到来之前就出生在布吉尼特高地,在Kabau的Bukik沼泽上也出现了一个市场。迅速发展的布吉和荷兰政府也参与了布吉高市场的发展和管理,其中包括首席法官纳格里·库雷(na加里·Kurai),他创造了一个市场,在行政上和财务上都有组织。
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引用次数: 0
Transformasi UU Agraria Tahun 1870 Ke UUPA 1960 Pada Masa Dekolonisasi Kepemilikan Tanah Pasca Kemerdekaan di Indonesia 1870年至1960年,在印度尼西亚独立后的土地所有权被取消殖民
Pub Date : 2021-12-30 DOI: 10.22515/isnad.v2i2.4854
Slamet Catur Pamungkas
Hukum Agraria di Indonesia pada masa kolonial hingga pasca kolonial bisa diidentifikasi pada dua fase, yaitu Hukum Agraria Kolonial dan Hukum Agraria Nasional. Hukum Agraria Kolonial sendiri berlaku sebelum Indonesia merdeka, bahkan masih tetap digunaka setelahnya, sebelum diundangkannya UU agraria yang baru, sedangkan Hukum Agraria Nasional adalah hukum agrarian yang dikeluarakan oleh pemerintah Indonesia Tahun 1960 yaitu UUPA 1960. Hukum Agraria pada masa Kolonial barawal pada tahun 1870an ketika pemerintahan Hindia Belanda mengumumkan akan deberlakukanya kebijakan ekonomi liberal, hal tersebut berdampak pada pemerintahan Hindia Belanda yang menjadi lebih terbuka bagi masuknya penanaman modal asing untuk masuk ke Indoneisa termasuk kepada sektor perkebunan. Masuknya sistem pertanahan kolonial ini mengubah sistem kepemilikan tanah di Indonesia menjadi bersifat dualisme yaitu peraturan agraria yang bersumber pada hukum adat yang harus bertumpang tindih dengan Hukum Agraria barat, hal ini mengakibatkan masyarakat pribumi harus tunduk pada kedua hukum yang berlaku tersebut. Pada masa setalah proklamasi perubahan mendasar dilakukan oleh pemerintaah Indonesia terutama dalam sumber-sumber ekonominya dengan melakukan nasionalisasi aset negara, salah satunya adalah tanah. Guna menasionalsasikan aset-aset tanah tersebut pemerintah Indonesia membuat undang-undang untuk menasionalisasikan tanah perkebunan Belanda. setelah penasionalisasian aset tanah, pemerintah Indonesai membuat undang-undang pokok agrarianya sendiri untuk mengantikan undang-undang agraria yang sebelumnya masih digunakan, karena Hukum Agrarian yang dugunakan pasca kemeredekaan di indonesia susunanya sebagian besar masih didasarkan dari tujuan pemerintah kolonial yang mana susunan tersebut masih sangat merugikan bagi kepentingan bangsa Indonesia. Dengan di undangkannya UUPA 1960 maka bangsa Indonesia telah mempunyai hukum agraria yang sifatnya Nasional baik dari segi formal maupun dari segi materilnya dan UUPA Nasional yang baru telah menjamin kepastin hukum tanah bagi rakyat Indonesia.
从殖民时期到殖民后的印尼农业法可以在两个阶段确定,即殖民农业法和国家农业法。殖民时期的农业法在印尼独立之前就已经存在,甚至在新的农业法实施之前还在使用,而国家农业法是1960年印尼政府颁布的农业法律,即UUPA 1960年。19世纪70年代早期这种殖民土地制度的引入使印度尼西亚的土地所有权制度变成了一种二元论制度,其根源是一种与西方耕作法重叠的部落法,这使土著人民服从这两种法律。在印度尼西亚政府宣布基本变革后,主要是通过将国家资产(其中之一是土地)国有化,在其经济资源上实施了重大变革。为了将这些土地资产国有化,印尼政府通过了一项法律,将荷兰种植园国有化。在将土地资产国有化后,印尼政府制定了其最基本的农业法规,以遏制过去的农业法,因为后种族隔离法主要是基于殖民政府的目标,而这些安排仍然对印尼人民的利益造成严重损害。1960年,印度尼西亚民族颁布了一项民族农业法,在正式和物质上都具有国家约束力,新的国家法律为印度尼西亚人民确保了土地法律的合法性。
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引用次数: 1
Syiar Dalam Alunan Syair: Nasyid Seni Dakwah Islam di Bandung Tahun 1990-2004
Pub Date : 2021-12-30 DOI: 10.22515/isnad.v2i2.4853
Reni Mardiani
This research explains the art of nasyid music as an art of Islamic dakwah in Bandung from 1990 to 2004, which was initially introduced as a chant to give speeches for Islamic student activists along with the spirit of defending Palestine and Afghanistan. This research uses historical method, namely topic choice, heuristics, source criticism, interpretation and historiography. The results of this study show that in its development nasyid is considered an art of music to offer resistance to Western music which affects young people, especially in urban areas. Nasyid has become a modern Islamic music which has become one of the alternative music streams to convey Islamic preaching in addition to the art of entertainment, so that nasyid has become an influential dakwah art for the people of Bandung, especially young people, many of whom are more familiar with Islam until they migrate. In 2004 nasyid in Bandung experienced ups and downs in which nasyid became a national festival, but nasyid began to be neglected due to the existence of popular Indonesian musicians who began releasing religious albums.
该研究将nasyid音乐艺术解释为1990年至2004年在万隆举行的伊斯兰dakwah艺术,该艺术最初是与捍卫巴勒斯坦和阿富汗的精神一起作为伊斯兰学生运动家演讲的圣歌引入的。本研究采用史学方法,即选题法、启发式法、资料批评法、解释法和史学法。这项研究的结果表明,在其发展过程中,nasyid被认为是一种音乐艺术,以抵抗影响年轻人的西方音乐,特别是在城市地区。Nasyid已经成为一种现代伊斯兰音乐,除了娱乐艺术之外,它还成为传达伊斯兰教义的另类音乐流之一,因此Nasyid已经成为万隆人民,特别是年轻人的一种有影响力的dakwah艺术,他们中的许多人在移民之前对伊斯兰教更熟悉。2004年在万隆举行的nasyid经历了起伏,nasyid成为了全国性的节日,但由于印度尼西亚流行音乐家的存在,开始发行宗教专辑,nasyid开始被忽视。
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引用次数: 0
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Al-Isnad: Journal of Islamic Civilization History and Humanities
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