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How to face "design thinking": Human-centered problem solving and designer's attitude to approach 如何面对“设计思维”:以人为本的问题解决与设计师对方法的态度
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-02-05
Takehiko Yogo
In this moment the way of understanding the role of design is considerably different from the past. This commentary provides the issues and possibilities of "design thinking" from the viewpoint of GK Dynamics, which has long been engaged in design focusing on mobility through pondering about “design thinking" and how we are going to utilize it in business. The word "design thinking" has penetrated society and has been utilized in many scenes in companies and organizations, however various positive and negative opinions of its effectiveness exist. The interpretation of "design thinking" is diverse; some may believe it is "a way to solve problems using designers' thinking methods." The designer should already possess the ability in the first place. Also, one portion of the total solution does not have great value independently. Within a project, designers are required to have the ability to participate in the respective role of finding problems as a "design thinker," presenting solutions as "practical designers," and considering benefits as "users" in a timely manner. It is only now that the solution process as “design thinking” has been known widely, and whole society has recognized the importance and benefits of design, determining again the essence as "what to do" for various problems with human’s own imagination is getting significant.
在这个时刻,理解设计的作用的方式与过去有很大的不同。这篇评论从GK Dynamics的角度出发,通过对“设计思维”的思考,以及我们如何在商业中运用“设计思维”,提供了“设计思维”的问题和可能性。GK Dynamics长期从事以移动性为重点的设计。“设计思维”这个词已经渗透到社会中,并在公司和组织的许多场景中被使用,然而对其有效性存在各种积极和消极的意见。对“设计思维”的解释多种多样;有些人可能认为这是“用设计师的思维方法解决问题的一种方法”。设计师首先应该具备这种能力。而且,整个解决方案的某一部分单独没有很大的价值。在一个项目中,设计师需要有能力以“设计思考者”的身份发现问题,以“实践设计师”的身份提出解决方案,以“用户”的身份及时考虑利益。直到现在,作为“设计思维”的解决过程才被广泛地认识,整个社会都认识到设计的重要性和益处,用人类自己的想象力对各种问题重新确定“做什么”的本质才变得有意义。
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引用次数: 1
The Perceived Ethics of Artificial Intelligence 人工智能的感知伦理
Pub Date : 1900-01-01 DOI: 10.23860/MGDR-2020-05-02-03
Ross Murray
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引用次数: 2
Globalization Tropes in Films: A Focus on Crazy Rich Asians 电影中的全球化隐喻:聚焦疯狂的亚洲富人
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-03-01
N. Dholakia, Deniz Atik
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引用次数: 0
Rethink Everything 3: Markets, Globalization, Development 重新思考一切3:市场,全球化,发展
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2020-05-01-01
N. Dholakia, Deniz Atik
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引用次数: 3
Parag Khanna,Connectography: Mapping the Future of Global Civilization (2016) 帕拉格·康纳:《连接学:绘制全球文明的未来》(2016)
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-04-03
S. Sarkar
Parag Khanna’s world tour through “Connectography: Mapping the Future of Global Civilization” provides the reader with vivid details of a connected world that we live in. The prime message of this book is connecting the global nodes through building infrastructure starting from oil pipelines to fibre optic cables. Exploring diverse arenas, this book gives an overview why “connectivity” is important for the entire world and not only for the selected few. Khanna’s pervading visionary approach covers bits and pieces of almost everything to make the world connected for future prosperity. However, a question still remains about how consistently his views about connected world will hold amidst tensions in this geopolitical world.
Parag Khanna通过“连接学:绘制全球文明的未来”的世界之旅,为读者提供了我们生活在一个连接世界的生动细节。这本书的主要内容是通过建设从石油管道到光纤电缆的基础设施连接全球节点。这本书探讨了不同的领域,概述了为什么“连接”对整个世界都很重要,而不仅仅是对少数人。卡纳的远见卓识涵盖了几乎所有事物的点点滴滴,以使世界为未来的繁荣联系起来。然而,一个问题仍然存在,即在这个地缘政治紧张的世界中,他对互联世界的看法将如何始终如一。
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引用次数: 2
Representing Africa in the ‘Coming to America’ Films 在“来美国”电影中代表非洲
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2021-06-01-04
S. Bonsu, Delphine Godefroit-Winkel
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引用次数: 1
Michael Kwet, People’s Tech for People’s Power: A Guide to Digital Self Defense and Empowerment (2020) 迈克尔·奎特,《人民力量的人民技术:数字自卫和赋权指南》(2020年)
Pub Date : 1900-01-01 DOI: 10.23860/MGDR-2020-05-03-04
Gokcen Karanfil
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引用次数: 1
Race, Representation, Misrepresentation, Caricatured Consumption Tropes; and Serious Matters of Inequity and Precarity 种族,代表性,歪曲,讽刺消费修辞;以及严重的不平等和不稳定问题
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2021-06-01-01
N. Dholakia, Deniz Atik
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引用次数: 1
Linda Welters and Abby Lillethun, Fashion History: A Global View (2018) Linda Welters和Abby Lillethun,时尚历史:全球视角(2018)
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-01-06
Zeynep Ozdamar-Ertekin
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引用次数: 2
On the Banality of Transnational Film 论跨国电影的平庸性
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-03-02
Ian Reyes, J. Wyatt
Abstract “Breakthrough” global blockbusters like Black Panther (2018) and Crazy Rich Asians (2018) create disturbances among critics and firms forced to wonder if such ripples of diversity will become waves of new cinema wiping out the hegemony of Hollywood and the global West. In this essay, we establish the context for this phenomenon in terms of film’s historical relationship to marketing. Through this context, we theorize a transnational aesthetic for global blockbusters, one that may serve to limit ripples of diversity, breaking waves of change against the rocks of a banal cinema of Americanized nothingness.
《黑豹》(2018)和《摘金奇人》(2018)等“突破性”全球大片在影评人和电影公司中引起了骚动,他们不得不怀疑,这种多样性的涟漪是否会成为新电影的浪潮,摧毁好莱坞和全球西方的霸权。在本文中,我们从电影与市场营销的历史关系的角度来建立这一现象的背景。在这种背景下,我们对全球大片的跨国审美进行了理论化,这种审美可能有助于限制多样性的涟漪,打破变化的浪潮,对抗美国化虚无的平庸电影的岩石。
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引用次数: 3
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Markets, Globalization & Development Review
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