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Kat Holmes, Mismatch: How Inclusion Shapes Design (2018) 凯特·霍姆斯,《错配:包容如何塑造设计》(2018)
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-02-09
Daniele Savasta
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引用次数: 2
When We See Us: Coming 2 America and the Intricacies of Black Representation and Diasporic Conversation 当我们看到我们:来美国和黑人代表和散居对话的复杂性
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2021-06-01-03
Terri P. Bowles
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引用次数: 1
Building City Identities: A Consumer Perspective 建立城市身份:消费者视角
Pub Date : 1900-01-01 DOI: 10.23860/MGDR-2020-05-02-04
Delphine Godefroit-Winkel, Marie Schill, C. Longo, Martin Chour
and Arsel 2014). Our findings show that consumer residents’ attachments to cities depend not only on positive perceived characteristics of the city but also, paradoxically, on negative perceived
和Arsel 2014)。我们的研究结果表明,消费者居民对城市的依恋不仅取决于城市的积极感知特征,而且矛盾的是,也取决于城市的消极感知特征
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引用次数: 1
Toshiba's Approach to Customer Value Design 东芝的客户价值设计方法
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-02-06
Tatsuyuki Mikami
This paper describes the practice of "design thinking" in a Japanese company that tends to operate in an in-house-completed work context under a rigorously divided function-based vertical organization. In order to respond to significant shifts in the business environment accompanied by technological advances and changes in people's values, Toshiba introduced "Customer Value Design,” customized design thinking. Customer Value Design is characterized by "co-creation" of customers’ value with customers, "collaboration" in a Cross-Functional Team (CFT) of various experts transcending organizations and categories of expertise, and the "customer perspective" in co-creating experiential value, enterprise value, and social value. In order to compensate for the deficiencies in organizational culture, mindset, and literacy, and to promote penetration of design thinking, Toshiba simultaneously launched a foundation that integrates and promotes cooperation encompassing the three factors of "process," "people," and "place." The customized design thinking activated projects that realize value for various stakeholders through co-creation and collaboration from a customer perspective. With the aim of transforming marketing and development processes in response to the changing business situation, Customer Value Design provides an evolving system with iterative improvement through trial and error. These co-creative and collaborative efforts amplified various activities directed toward comprehensive open innovation inside and outside the company.
本文描述了一家日本公司的“设计思维”实践,该公司倾向于在一个严格划分的基于功能的垂直组织下,在内部完成的工作环境中运作。为了应对伴随着技术进步和人们价值观变化的商业环境的重大变化,东芝引入了“客户价值设计”,即定制化的设计思维。客户价值设计的特点是与客户“共同创造”客户价值,在跨职能团队(CFT)中超越组织和专业知识类别的各种专家进行“协作”,以及共同创造体验价值、企业价值和社会价值的“客户视角”。为了弥补组织文化、心态和素养方面的不足,促进设计思维的渗透,东芝同时推出了一个整合和促进合作的基金会,该基金会涵盖了“过程”、“人”和“地点”三个因素。定制化的设计思维激活了项目,从客户的角度出发,通过共同创造和协作,为各种利益相关者实现价值。客户价值设计旨在改变市场营销和开发流程,以响应不断变化的业务情况,提供了一个不断发展的系统,通过反复试验和错误进行改进。这些共同创造和协作的努力扩大了公司内外针对全面开放式创新的各种活动。
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引用次数: 1
Jeffrey Sachs, A New Foreign Policy: Beyond American Exceptionalism (2018) 杰弗里·萨克斯:《新外交政策:超越美国例外论》(2018)
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-04-04
Jonas Ecke
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引用次数: 2
Crazy Rich Asians: When Representation Becomes Controversial 疯狂的亚洲富人:当代表性变得有争议
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-03-03
Yikun Zhao
Abstract Crazy Rich Asians (2018) has been hailed as a symbol of diversity representation, but it has also been challenged for the lack of representativeness. This review analyzes the controversy from two aspects. It traces how this film was made into a progressive symbol of diversity representation through riding sociocultural trends about the rise of Asia and the anti-whitewashing campaign. It also shows that this film tells a classic Cinderella story with a contextual twist of the reversed power balance between the ‘East’ and the ‘West’. Overall, although this movie contributes to bringing attention to the long-existing void of Asian-American representation in Hollywood and beyond,, whether or not it deserves the acclaimed symbolic status remains questionable.
《摘金奇缘》(2018)被誉为多样性代表性的象征,但也因缺乏代表性而受到质疑。本文从两个方面分析了这一争议。它追溯了这部电影是如何通过驾驭有关亚洲崛起和反洗白运动的社会文化趋势而成为多元化代表的进步象征的。这也表明,这部电影讲述了一个经典的灰姑娘故事,背景是“东方”和“西方”之间权力平衡的逆转。总的来说,尽管这部电影有助于引起人们对亚裔美国人在好莱坞及其他地方长期存在的缺位的关注,但它是否配得上这种广受赞誉的象征地位仍然值得怀疑。
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引用次数: 5
Spatial and Non-Spatial Drivers for Design Thinking in Knowledge Ecosystems 知识生态系统中设计思维的空间和非空间驱动因素
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-02-02
O. Mengi
The concept of knowledge ecosystems is an emerging arena to reconsider the design thinking processes from a perspective which comprises different levels of knowledge interaction, and how those are regulated by different dimensions. The issue of design thinking is the most relevant for creative industries emerging around creativity and knowledge and providing innovation, change and impact through interaction, however, existing research inadequately connects design thinking both to physical and nonphysical dimensions of knowledge ecosystems. Despite knowledge interaction is vastly regarded as a face-to-face communication for design thinking at micro-scale, it appears and be proficient as it involves non-spatial drivers at various scales. Therefore, this paper provides a more comprehensive and multidisciplinary theoretical approach to this phenomenon, linking separate discourses revolve around different themes: spatiality of knowledge ecosystems, creative industries and design thinking. The paper aims to explore how different dimensions of knowledge ecosystems are influential on design thinking in terms of knowledge interaction and to investigate the key drivers for design thinking. The main evaluation suggests that a geographical proximity enables reduced cost, spontaneous knowledge exchange within ecosystems, however, proximity should not be described in only spatial terms as prior to the others. The findings reveal additional non-spatial drivers: social network, institutions, cognitive proximity and organizational proximity have essential contributions to design thinking processes in terms of knowledge interaction.
知识生态系统的概念是一个新兴的领域,它从包含不同层次的知识交互的角度重新考虑设计思维过程,以及这些过程如何受到不同维度的调节。设计思维的问题与围绕创意和知识出现的创意产业最为相关,并通过互动提供创新、变化和影响,然而,现有的研究没有充分地将设计思维与知识生态系统的物理和非物理维度联系起来。尽管知识交互在微观尺度上被广泛认为是设计思维的面对面交流,但由于它涉及到不同尺度的非空间驱动因素,它显得很熟练。因此,本文为这一现象提供了一个更全面和多学科的理论方法,将围绕不同主题的独立话语联系起来:知识生态系统的空间性,创意产业和设计思维。本文旨在探讨不同维度的知识生态系统如何从知识交互的角度对设计思维产生影响,并探讨设计思维的关键驱动因素。主要评价表明,地理上的接近性可以降低生态系统内的成本和自发的知识交流,但是,接近性不应该仅仅以空间术语来描述,而优先于其他方面。研究结果表明,社会网络、制度、认知接近性和组织接近性等非空间驱动因素对知识交互方面的设计思维过程有重要贡献。
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引用次数: 1
How Is Design Thinking Applied at R & D Stage in the Japanese Electronics Industry? 设计思维在日本电子工业的研发阶段是如何应用的?
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-02-04
Y. Morinaga
This paper clarifies how design thinking is applied at the research and development stage in the Japanese electronics industry through the Survey on Research Activities of Private Firms by the Ministry of Education, Culture, Sports, Science and Technology. Specifically, three questions are explored. Firstly, to what extent are the companies utilizing design thinking at the research and development stage? Secondly, which aspects of design thinking are they focusing on? Thirdly, is there a difference in how design thinking is used in different product fields? The paper concludes that the utilization degree of design thinking is generally not so high. Especially, designer’s role of opinion adjustment by taking advantage of their visualization ability is hardly utilized. In addition, there is a difference in the usage of design thinking based on different product field. Especially, in the electronic parts and devices industry, consciousness to utilize design thinking is relatively high. On the contrary, in precision machinery industry, the priority of design thinking in the use of designers is relatively low.
本文通过日本教育、文化、体育、科学和技术部对私营企业研究活动的调查,阐明了设计思维如何在日本电子工业的研发阶段得到应用。具体来说,本文探讨了三个问题。首先,公司在研发阶段运用设计思维的程度如何?其次,他们关注的是设计思维的哪些方面?第三,在不同的产品领域中,设计思维的运用是否存在差异?本文的结论是,设计思维的利用程度普遍不高。尤其是设计师利用自己的视觉化能力来调节意见的作用很少得到发挥。此外,基于不同的产品领域,设计思维的使用也存在差异。特别是在电子元器件行业,运用设计思维的意识是比较高的。相反,在精密机械行业中,设计思维在设计师运用中的优先级相对较低。
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引用次数: 2
The Introduction of the Philosophy of Sufficiency Economy and Its Application to Consumer Context 充足经济哲学的引入及其在消费者语境中的应用
Pub Date : 1900-01-01 DOI: 10.23860/mgdr-2019-04-01-04
Sasawan Heingraj, Suwakitti Amornpan
Thailand was one of the potential causes of the 1997 East Asian economic recession due to its lack of readiness in dealing with globalization. In fact, globalization can generate double-edged effects on a country’s economic condition. While it can mitigate global inequality and poverty, it can also be considered as the determinant of trade imbalances, income inequality, and deterioration of natural resources. In order to enhance a balanced and sustainable development at society and country level, we believe that the well-being of each individual should be taken into consideration. This article introduces the concept of Philosophy of Sufficiency Economy (PSE) which highlights foundation building, enhancing immunities, and resilience in a globalized and modernized economic condition with the objectives of generating self-realization and resilient and sustainable development. Moreover, PSE consists of three intertwined concepts that are moderation, reasonableness, and self-immunity, together with two basic conditions, which are knowledge and morality. This concept of PSE can offer individuals a moderate “way of life,” as well as an ability to protect and defend themselves from any unfavorable factors associated with the rapid changing economic conditions.
泰国是1997年东亚经济衰退的潜在原因之一,因为它在应对全球化方面缺乏准备。事实上,全球化对一个国家的经济状况会产生双刃剑效应。虽然它可以减轻全球不平等和贫困,但它也可以被视为贸易不平衡、收入不平等和自然资源恶化的决定因素。为了在社会和国家一级加强平衡和可持续的发展,我们认为应该考虑到每个人的福祉。本文介绍了自给经济哲学(PSE)的概念,强调在全球化和现代化的经济条件下建立基础,增强免疫力和弹性,以实现自我实现和弹性可持续发展的目标。PSE由适度、合理、自我免疫三个相互交织的概念以及知识和道德两个基本条件构成。PSE的这个概念可以为个人提供一种适度的“生活方式”,以及保护和保护自己免受与快速变化的经济条件相关的任何不利因素的能力。
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引用次数: 1
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