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Ancient Manuscripts in Digital Culture最新文献

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Learning from Jesus’ Wife: What Does Forgery Have to Do with the Digital Humanities? 向耶稣的妻子学习:伪造与数字人文科学有什么关系?
Pub Date : 2019-05-14 DOI: 10.1163/9789004399297_013
James Mcgrath
Early in the summer of 2016, interest in the papyrus fragment known as the Gospel of Jesus’ Wife had begun to wane. Then investigative journalist Ariel Sabar published an article unveiling a great deal of truly fascinating evidence that he had uncovered, related not only to the Gospel of Jesus’ Wife itself, but also the person who we can now say was almost certainly responsible for the forgery. The article told of connections with sex and pornography, scams and financial catastrophes, which made the real story behind the text seem even more sensational than the contents of the papyrus fragment itself.1 Since then, still other new texts have come to light and made news headlines, including purported additional Dead Sea Scrolls, and what has been hailed as the oldest papyrus mentioning Jerusalem.2 Israeli prime minister Benjamin Netanyahu appealed to the latter within days of the news of the fragment first appearing, as he responded to a proposed UNESCO declaration about the purported lack of ancient Jewish connection to the Temple Mount. Meanwhile, the Jordanian Department of Antiquities finally offered its assessment that the lead codices, touted by David Elkington as dating from the time when Jesus was alive, are modern fakes, a conclusion that most discussion of them online had already drawn.3 These and many other examples illustrate how the work of scholarship on ancient history intersects with contemporary concerns,
2016年初夏,人们对被称为《耶稣的妻子福音》的莎草纸碎片的兴趣开始减弱。随后,调查记者Ariel Sabar发表了一篇文章,揭露了他发现的大量真正引人入胜的证据,这些证据不仅与《耶稣的妻子福音书》本身有关,而且与我们现在可以说几乎可以肯定是伪造福音书的人有关。这篇文章讲述了与性和色情、诈骗和金融灾难的联系,这使得文本背后的真实故事似乎比莎草纸碎片本身的内容更耸人听闻从那以后,还有其他新的文本出现并成为新闻头条,包括据称额外的死海古卷,以及被誉为提到耶路撒冷的最古老的莎草纸。残片首次出现的消息传出几天后,以色列总理本雅明·内塔尼亚胡(Benjamin Netanyahu)向后者发出呼吁,以回应联合国教科文组织(UNESCO)提出的一项声明,该声明声称古代犹太人与圣殿山缺乏联系。与此同时,约旦古物部最终给出了它的评估,认为大卫·埃尔金顿吹捧的主要抄本可以追溯到耶稣在世的时代,是现代的赝品,这一结论在网上的大多数讨论中已经得出这些和许多其他的例子说明了古代历史的学术研究是如何与当代研究相交叉的,
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引用次数: 0
Digitization and Manuscripts as Visual Objects: Reflections from a Media Studies Perspective 数字化与手稿作为视觉对象:媒介研究视角下的反思
Pub Date : 2019-05-14 DOI: 10.1163/9789004399297_003
L. Lied
At the time of writing this essay, libraries and collections worldwide are slowly, but steadily, in the process of digitizing their manuscript collections and making them available online.1 The Bibliothèque nationale de France in Paris, the Vatican Library in Rome, and the British Library in London have been in the process of digitizing their manuscript repositories for quite a while.2 In recent years, several other holders of large manuscript repositories have announced that they will digitize their collections, in whole or in part; among them the National Library of Greece in Athens.3 In addition to the growing digital repositories of major libraries and collections, a series of other online sites have also provided digital images and new tools for exploring manuscripts. Sites, such as E-ktobe, aim to provide digital images and searchable information for all Syriac manuscripts4 and the Hill Museum & Manuscript Library (HMML) has recently launched an online read-
在写这篇文章的时候,世界各地的图书馆和收藏馆正在缓慢但稳定地将他们的手稿馆藏数字化,并使它们在网上可用巴黎的法国国家图书馆、罗马的梵蒂冈图书馆和伦敦的大英图书馆对手稿库进行数字化已经有一段时间了近年来,其他几家大型手稿库的持有者已经宣布,他们将对全部或部分馆藏进行数字化;除了主要图书馆和馆藏日益增长的数字资源库之外,一系列其他在线网站也提供了数字图像和探索手稿的新工具。E-ktobe等网站旨在为所有叙利亚手稿提供数字图像和可搜索信息,希尔博物馆和手稿图书馆(hml)最近推出了在线阅读
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引用次数: 0
Visualizing Data in the Quantitative Comparison of Ancient Texts: a Study of Paul, Epictetus, and Philodemus 古代文本定量比较中的可视化数据:保罗、爱比克泰德和菲洛德摩斯的研究
Pub Date : 2019-05-14 DOI: 10.1163/9789004399297_010
Paul Robertson
In a recent monograph,1 I argued for formal overlaps between several roughly contemporary texts in what I termed a shared “socio-literary sphere”: the letters of the Christian apostle Paul, the Stoic popular philosopher Epictetus’ Discourses, and the Epicurean scholar Philodemus’ On Death and On Piety. Further, certain other writings – Seneca’s Natural Questions, Letter to the Hebrews, and 4 Maccabees – were likewise found to have formal similarities close to Paul’s letters. These findings stood in contrast to several other types of texts often likened to Paul’s letters, such as formal Greco-Roman orations (e.g., Aelius Aristides’ Panathenaic Orations, Dio Chrysostom’s orations) and sectarian Jewish literature (e.g., the Damascus Document), which were found in fact to be quite dissimilar to Paul’s letters. This comparative project was based on a polythetic approach to classification, whereby each text was defined not by essential terms such as genre or ethnicity but by a wide set of non-essential literary criteria. These criteria were inductively derived, formal, second-order characteristics that I hand-coded into spreadsheets and visualized graphically. In this way, providing second-order criteria that I inductively derived and empirically applied, I demonstrated that certain texts should be understood as closely related, based on methods and findings that were transparent, quantifiable, and therefore able to be visualized clearly. I further argued that this type of approach and conclusion was preferable to previous, existing approaches based on more essentialized understandings of literature.2 In other words, I provided second-order theorization, application, and data-based conclusions from the digital humanities around biblical literature in its literary, ancient Mediterranean context.
在最近的一篇专著中,我论证了几个大致同时代的文本之间的正式重叠,我称之为共享的“社会文学领域”:基督教使徒保罗的书信,斯多葛派流行哲学家爱比克泰德的《话语》,以及伊壁鸠鲁学派学者菲洛德摩斯的《论死亡和论虔诚》。此外,某些其他的作品——塞内加的《自然问题》、《希伯来书》和《马加比书》——也被发现在形式上与保罗的书信有相似之处。这些发现与其他几种类型的文本形成鲜明对比,这些文本通常被比作保罗的书信,例如正式的希腊罗马演讲(例如,阿利乌斯·阿里斯蒂德的泛雅典娜演讲,迪奥·金口的演讲)和宗派犹太文学(例如,大马士革文件),这些发现实际上与保罗的信件非常不同。这个比较项目是基于一种综合的分类方法,即每个文本不是由体裁或种族等基本术语定义,而是由一套广泛的非基本文学标准定义。这些标准是归纳推导出来的、正式的、二阶的特征,我将其手工编码到电子表格中,并以图形方式可视化。通过这种方式,我提供了我归纳推导和经验应用的二阶标准,我证明了某些文本应该被理解为密切相关的,基于透明的、可量化的方法和发现,因此能够清晰地可视化。我进一步认为,这种类型的方法和结论优于先前的,现有的基于对文献更本质的理解的方法换句话说,我提供了关于古代地中海文学背景下圣经文学的数字人文学科的二阶理论、应用和基于数据的结论。
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引用次数: 0
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Ancient Manuscripts in Digital Culture
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