S Queer lives are in constant conversation with failure. But what use is this to queer folk? This paper considers the queer performance rave INFERNO’s takeover of the Institute of Contemporary Art in London. In an examination of the rave’s serendipitous network of deep affective relations, gestures, and affordances I articulate how failure functions within such a space. Moving past binary orientations of failure against or as a preference to success I examine Nick Finegan’s ‘Theseus on the Heap’ (2019) – a hellish collage of ancient Greek myth and tragedy. I put forward the following thesis. By performing failure as a modality, the performers and rave participants explored a tension between the failure of and their re-emergance. By cleaving to these moments from the rave I hope this paper offers some lines of flight away from normate models of success-failure but also encourages a return to the ephemera of queer performance and live art in these times of pandemic and
酷儿的生活总是在与失败对话。但这对同性恋有什么用呢?本文研究了酷儿表演狂欢INFERNO对伦敦当代艺术学院的收购。在对锐舞中偶然形成的深层情感关系、姿态和启示的考察中，我阐明了失败是如何在这样一个空间中发挥作用的。抛开失败与成功的二元倾向，我来看看尼克·费尼根(Nick Finegan)的《堆上的忒修斯》(Theseus on the Heap, 2019)，这是一部地狱般的古希腊神话和悲剧拼贴画。我提出了以下论点。通过将失败作为一种形式来表演，表演者和狂欢参与者探索了失败与重新出现之间的紧张关系。我希望这篇文章能提供一些从成功-失败的正常模式中逃离出来的线索，但也鼓励在这个流行和流行的时代回归到短暂的酷儿表演和现场艺术
{"title":"INFERNO: Catastrophically Queer","authors":"M. Bell","doi":"10.4000/agon.8829","DOIUrl":"https://doi.org/10.4000/agon.8829","url":null,"abstract":"S Queer lives are in constant conversation with failure. But what use is this to queer folk? This paper considers the queer performance rave INFERNO’s takeover of the Institute of Contemporary Art in London. In an examination of the rave’s serendipitous network of deep affective relations, gestures, and affordances I articulate how failure functions within such a space. Moving past binary orientations of failure against or as a preference to success I examine Nick Finegan’s ‘Theseus on the Heap’ (2019) – a hellish collage of ancient Greek myth and tragedy. I put forward the following thesis. By performing failure as a modality, the performers and rave participants explored a tension between the failure of and their re-emergance. By cleaving to these moments from the rave I hope this paper offers some lines of flight away from normate models of success-failure but also encourages a return to the ephemera of queer performance and live art in these times of pandemic and","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130167681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Rater sa vie, c’est déjà ça. »","authors":"E. Baudou, Quentin Rioual","doi":"10.4000/agon.9112","DOIUrl":"https://doi.org/10.4000/agon.9112","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126817592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Failure and failing, an ethos of the (self) exiled? The case of the playwright William Saroyan","authors":"Charikleia Magdalini Kefalidou","doi":"10.4000/agon.8325","DOIUrl":"https://doi.org/10.4000/agon.8325","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116431928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jugements sur les ratages de spectacles et cycle de vie des compagnies","authors":"Daniel Urrutiaguer","doi":"10.4000/agon.8560","DOIUrl":"https://doi.org/10.4000/agon.8560","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115829093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"S’associer pour mieux rater. Duo auteur dramatique/metteur en scène et dynamique créative du rater réciproque","authors":"Élise Deschambre","doi":"10.4000/agon.8520","DOIUrl":"https://doi.org/10.4000/agon.8520","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125034138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entretien avec Bruno Tackels : « Le rater ce n’est pas qu’un événement, c’est un mode d’être et de créer »","authors":"B. Tackels, E. Baudou","doi":"10.4000/agon.8384","DOIUrl":"https://doi.org/10.4000/agon.8384","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121486549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le rater mieux, selon Robyn Orlin","authors":"Myriam Blœdé","doi":"10.4000/agon.9090","DOIUrl":"https://doi.org/10.4000/agon.9090","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129596921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"À propos du pfüsch","authors":"Clémentine Cluzeaud","doi":"10.4000/agon.8644","DOIUrl":"https://doi.org/10.4000/agon.8644","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123058401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L’envers du décor. Ragnar Kjartansson et les clichés","authors":"Hélisenne Lestringant","doi":"10.4000/agon.8434","DOIUrl":"https://doi.org/10.4000/agon.8434","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131243254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le rater au cœur des nouvelles écritures comme stratégie pour réinventer la création circassienne à Montréal","authors":"M. Perahia","doi":"10.4000/agon.8498","DOIUrl":"https://doi.org/10.4000/agon.8498","url":null,"abstract":"","PeriodicalId":356222,"journal":{"name":"Agôn. Revue des arts de la scène","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128614815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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