This article reads the work of two contemporary Latinx poets, Daniel Borzutzky and Rosa Alcalá, who focus their writings on the most fragile aspects of the diasporic Latinx experience: trauma, loss of language, and, more generally, things that resist formulation and articulation. Reading their work as an archive of what is suppressed, resisted by language, and erased renders a provocative interpretation of what we think of as the Latinx archive and, thus, Latinx identity.
{"title":"The Ghosts of the Latinx Archive","authors":"Paula Cucurella","doi":"10.23870/marlas.369","DOIUrl":"https://doi.org/10.23870/marlas.369","url":null,"abstract":"This article reads the work of two contemporary Latinx poets, Daniel Borzutzky and Rosa Alcalá, who focus their writings on the most fragile aspects of the diasporic Latinx experience: trauma, loss of language, and, more generally, things that resist formulation and articulation. Reading their work as an archive of what is suppressed, resisted by language, and erased renders a provocative interpretation of what we think of as the Latinx archive and, thus, Latinx identity.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42024924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña/Review: La agencia femenina en la literatura ibérica y latinoamericana, ed. Elia Saneleuterio. 2020.","authors":"Luis Valeriano","doi":"10.23870/marlas.374","DOIUrl":"https://doi.org/10.23870/marlas.374","url":null,"abstract":"","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45065197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emilia Prieto Tugores en Repertorio Americano: Ironía y poética del pensar.","authors":"María Alejandra Solórzano Castillo","doi":"10.23870/marlas.298","DOIUrl":"https://doi.org/10.23870/marlas.298","url":null,"abstract":"","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44194462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resena / Book Review: Mujeres poetas de Costa Rica/Women Poets of Costa Rica, 1980-2020. Antologia bilingue/Bilingual Anthology. Ed. Arabella Salaverry. San Jose: El Atabal / Brimfield, MA: Casasola Editores, 2021.
{"title":"Review of Mujeres poetas de Costa Rica/Women Poets of Costa Rica, 1980-2020. Antología bilingüe/Bilingual Anthology, Arabella Salaverry, editor. 2021.","authors":"Consuelo Meza Márquez","doi":"10.23870/marlas.364","DOIUrl":"https://doi.org/10.23870/marlas.364","url":null,"abstract":"Resena / Book Review: Mujeres poetas de Costa Rica/Women Poets of Costa Rica, 1980-2020. Antologia bilingue/Bilingual Anthology. Ed. Arabella Salaverry. San Jose: El Atabal / Brimfield, MA: Casasola Editores, 2021.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48703705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Book Review/Resena de: Desde los margenes a la centralidad. Escritoras en la historia literaria de America Central. Eds. Consuelo Meza Marquez y Magda Zavala. Universidad Autonoma de Aguascalientes, 2019.
书评/评论：从边缘到中心。中美洲文学史上的女作家。编辑：Consuelo Meza Marquez和Magda Zavala。阿瓜斯卡连特斯自治大学，2019年。
{"title":"Review of Desde los márgenes a la centralidad. Escritoras en la historia literaria de América Central. 2019","authors":"Linda J. Craft","doi":"10.23870/marlas.365","DOIUrl":"https://doi.org/10.23870/marlas.365","url":null,"abstract":"Book Review/Resena de: Desde los margenes a la centralidad. Escritoras en la historia literaria de America Central. Eds. Consuelo Meza Marquez y Magda Zavala. Universidad Autonoma de Aguascalientes, 2019.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44076426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Los esfuerzos globales a favor de la igualdad de genero recobraron su impulso a partir de finales de la decada de 1970 de la mano de los nuevos movimientos sociales encabezados por mujeres de todas las edades en defensa sus derechos. A su vez, los mismos dieron cuenta del estancamiento del progreso adquirido en las decadas anteriores. Al igual que las experiencias de mujeres en otras profesiones, la vida de las profesoras universitarias en la mayor parte del mundo no ha estado exenta de desafios, particularmente en instituciones que historicamente priorizaron los intereses de sus homologos masculinos. Esta investigacion en curso sugiere que, a pesar de los avances logrados por las profesoras, las casas de estudio en America Latina siguen estando dominadas tanto administrativamente como politicamente por un orden patriarcal. Global efforts for gender equality regained momentum at the end of the 1970s from new social movements led by women of all ages in defense of their rights. The movements, in turn, revealed stagnation in the progress achieved in previous decades. Like the experiences of women in other professions, the lives of female university professors in most parts of the world have not been free of challenges, particularly in institutions that historically prioritized the interests of their male counterparts. This ongoing research suggests that, despite the progress made by women professors, centers of learning in Latin America continue to be dominated both administratively and politically by a patriarchal order.
{"title":"Política de género en la educación superior latinoamericana. Los desafíos que enfrentan las profesoras","authors":"M. F. Astiz","doi":"10.23870/marlas.337","DOIUrl":"https://doi.org/10.23870/marlas.337","url":null,"abstract":"Los esfuerzos globales a favor de la igualdad de genero recobraron su impulso a partir de finales de la decada de 1970 de la mano de los nuevos movimientos sociales encabezados por mujeres de todas las edades en defensa sus derechos. A su vez, los mismos dieron cuenta del estancamiento del progreso adquirido en las decadas anteriores. Al igual que las experiencias de mujeres en otras profesiones, la vida de las profesoras universitarias en la mayor parte del mundo no ha estado exenta de desafios, particularmente en instituciones que historicamente priorizaron los intereses de sus homologos masculinos. Esta investigacion en curso sugiere que, a pesar de los avances logrados por las profesoras, las casas de estudio en America Latina siguen estando dominadas tanto administrativamente como politicamente por un orden patriarcal. Global efforts for gender equality regained momentum at the end of the 1970s from new social movements led by women of all ages in defense of their rights. The movements, in turn, revealed stagnation in the progress achieved in previous decades. Like the experiences of women in other professions, the lives of female university professors in most parts of the world have not been free of challenges, particularly in institutions that historically prioritized the interests of their male counterparts. This ongoing research suggests that, despite the progress made by women professors, centers of learning in Latin America continue to be dominated both administratively and politically by a patriarchal order.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45587608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Responding to the 2020 COVID-19 pandemic, when news of quarantines, shutdowns, and sheltering-in-place mandates abounded, the organizers of the tenth fashion congress of Ixel Moda in Cartagena, Colombia, decided collectively to develop the content for an unprecedented five-day, 3-dimensional virtual gathering that brought together artisans, designers, chefs, scholars, and other creators from throughout the globe. The event would provide the scenario for exchanges on many facets of Latin American culture—food, music, film, fashion, politics, museum exhibits, performance, decorative arts, sustainability, tourism, and advertising—in the midst of a difficult period. This essay explores Ixel Online 2020 as a showcasing of the creative arts, includes the voices of the cultural organizers, and proposes this event as a model for increased international dialog during a global crisis. Como respuesta a la pandemia de COVID-19 de 2020, cuando abundaron las noticias de cuarentenas, cierres y mandatos de refugiarse en casa, los organizadores del decimo congreso de Ixel Moda en Cartagena, Colombia, decidieron colectivamente desarrollar el programa de un encuentro virtual sin precedentes de cinco dias y a 3 dimensiones que reunio a artesanos, disenadores, chefs, academicos y otros creadores de todo el mundo. El evento proporcionaria el escenario para intercambios sobre muchas facetas de la cultura latinoamericana —comida, musica, cine, moda, politica, exposiciones de museos, performance, artes decorativas, turismo y publicidad— en medio de un periodo dificil. Este ensayo explora Ixel Online 2020 como una muestra de las artes creativas, incluye las voces de los organizadores culturales y propone este evento como un modelo para un mayor dialogo internacional durante una crisis global.
为了应对2020年COVID-19大流行，当有关隔离、关闭和就地安置的消息铺天盖地时，在哥伦比亚卡塔赫纳举行的第十届Ixel Moda时尚大会的组织者决定共同开发内容，这是一次前所未有的为期五天的三维虚拟聚会，汇集了来自世界各地的工匠、设计师、厨师、学者和其他创作者。这次活动将为拉丁美洲文化的许多方面——食品、音乐、电影、时尚、政治、博物馆展览、表演、装饰艺术、可持续发展、旅游和广告——在困难时期进行交流提供机会。本文探讨了Ixel Online 2020作为创意艺术的展示，包括文化组织者的声音，并建议将此活动作为全球危机期间加强国际对话的典范。2020年2019冠状病毒病(COVID-19)大流行的共同调查，全国各地的通报，全国各地的难民和家庭的任务，哥伦比亚卡塔赫纳全国卫生大会的组织机构，决定通过一个三维的方式，将工人、医生、厨师、学者和其他世界卫生组织的专家聚集在一起，共同开展全国卫生保健方案的虚拟案例研究。El evento proporcionaria El scenario para intercambios sobre。Este enesayo探索Ixel Online 2020 comestuesta de las arts创意，包括las声音，组织和文化，通过将estuestevent推广到comcomo，在全球危机期间进行国际对话的模式。
{"title":"Refashioning Collaborations: Crossing Borders During the Pandemic","authors":"R. Root, Stephanie Saunders","doi":"10.23870/marlas.361","DOIUrl":"https://doi.org/10.23870/marlas.361","url":null,"abstract":"Responding to the 2020 COVID-19 pandemic, when news of quarantines, shutdowns, and sheltering-in-place mandates abounded, the organizers of the tenth fashion congress of Ixel Moda in Cartagena, Colombia, decided collectively to develop the content for an unprecedented five-day, 3-dimensional virtual gathering that brought together artisans, designers, chefs, scholars, and other creators from throughout the globe. The event would provide the scenario for exchanges on many facets of Latin American culture—food, music, film, fashion, politics, museum exhibits, performance, decorative arts, sustainability, tourism, and advertising—in the midst of a difficult period. This essay explores Ixel Online 2020 as a showcasing of the creative arts, includes the voices of the cultural organizers, and proposes this event as a model for increased international dialog during a global crisis. Como respuesta a la pandemia de COVID-19 de 2020, cuando abundaron las noticias de cuarentenas, cierres y mandatos de refugiarse en casa, los organizadores del decimo congreso de Ixel Moda en Cartagena, Colombia, decidieron colectivamente desarrollar el programa de un encuentro virtual sin precedentes de cinco dias y a 3 dimensiones que reunio a artesanos, disenadores, chefs, academicos y otros creadores de todo el mundo. El evento proporcionaria el escenario para intercambios sobre muchas facetas de la cultura latinoamericana —comida, musica, cine, moda, politica, exposiciones de museos, performance, artes decorativas, turismo y publicidad— en medio de un periodo dificil. Este ensayo explora Ixel Online 2020 como una muestra de las artes creativas, incluye las voces de los organizadores culturales y propone este evento como un modelo para un mayor dialogo internacional durante una crisis global.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41494942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The melodramatic narrative mode creates complex realities and news events as logical and consumable stories. This article considers the ways that popular media portray the cases of Sandra Avila Beltran and Laura Zuniga, both arrested on drug-related charges in separate incidents that overlap with narconarratives. My analysis demonstrates that Avila Beltran’s and Zuniga’s life stories intrigued audiences because, in the context of melodramas, women as criminals is an attractive trope that counters expected “feminine” behavior and challenges constructions of national ideals and respectable femininity. While Avila Beltran embodies a femme fatale figure, Zuniga maps to an ingenue. These tropes of idealized femininity soften the transgressive acts of the two women suspected of participating in criminality associated with the transnational drug trade, which is coded as masculine. Their narratives redefine melodramatic gendered performance in the context of a hypermasculine narcoculture that thrives in an age of globalization and neoliberal policies. Their stories are emblematic of the ways that women in narcoculture are narrated, revealing cultural anxieties about changing gender roles in the context of political instability and excessive violence. El modo narrativo melodramatico convierte realidades complejas y eventos noticiosos en historias logicas y consumibles. Este articulo considera las formas en que los medios populares retratan los casos de Sandra Avila Beltran y Laura Zuniga, ambas arrestadas por cargos relacionados con las drogas en incidentes separados que coinciden en parte con las narconarrativas. Mi analisis demuestra que las historias de Avila Beltran y Zuniga intrigaron al publico porque, en el contexto de los melodramas, las mujeres como criminales es un tropo atractivo que contrarresta el esperado comportamiento “femenino” y desafia las construcciones de los ideales nacionales y la feminidad respetable. Mientras Avila Beltran encarna una figura de la femme fatale, Zuniga se deviene una ingenua. Estos tropos de feminidad idealizada suavizan los actos transgresores de las dos mujeres sospechosas de participar en la criminalidad asociada al trafico transnacional de drogas, que esta codificado como masculino. Sus narrativas redefinen la actuacion melodramatica de genero en el contexto de una narcocultura hipermasculina que prospera en una era de globalizacion y politicas neoliberales. Sus historias son emblematicas de las formas en que se les narran a las mujeres en la narcocultura, revelando ansiedades culturales sobre el cambio de roles de genero en el contexto de inestabilidad politica y excesiva violencia.
{"title":"Uneasy Lies the Head That Wears a Crown: Narcoqueens, Beauty Queens and Melodrama in Narconarratives","authors":"M. Ruiz","doi":"10.23870/marlas.360","DOIUrl":"https://doi.org/10.23870/marlas.360","url":null,"abstract":"The melodramatic narrative mode creates complex realities and news events as logical and consumable stories. This article considers the ways that popular media portray the cases of Sandra Avila Beltran and Laura Zuniga, both arrested on drug-related charges in separate incidents that overlap with narconarratives. My analysis demonstrates that Avila Beltran’s and Zuniga’s life stories intrigued audiences because, in the context of melodramas, women as criminals is an attractive trope that counters expected “feminine” behavior and challenges constructions of national ideals and respectable femininity. While Avila Beltran embodies a femme fatale figure, Zuniga maps to an ingenue. These tropes of idealized femininity soften the transgressive acts of the two women suspected of participating in criminality associated with the transnational drug trade, which is coded as masculine. Their narratives redefine melodramatic gendered performance in the context of a hypermasculine narcoculture that thrives in an age of globalization and neoliberal policies. Their stories are emblematic of the ways that women in narcoculture are narrated, revealing cultural anxieties about changing gender roles in the context of political instability and excessive violence. El modo narrativo melodramatico convierte realidades complejas y eventos noticiosos en historias logicas y consumibles. Este articulo considera las formas en que los medios populares retratan los casos de Sandra Avila Beltran y Laura Zuniga, ambas arrestadas por cargos relacionados con las drogas en incidentes separados que coinciden en parte con las narconarrativas. Mi analisis demuestra que las historias de Avila Beltran y Zuniga intrigaron al publico porque, en el contexto de los melodramas, las mujeres como criminales es un tropo atractivo que contrarresta el esperado comportamiento “femenino” y desafia las construcciones de los ideales nacionales y la feminidad respetable. Mientras Avila Beltran encarna una figura de la femme fatale, Zuniga se deviene una ingenua. Estos tropos de feminidad idealizada suavizan los actos transgresores de las dos mujeres sospechosas de participar en la criminalidad asociada al trafico transnacional de drogas, que esta codificado como masculino. Sus narrativas redefinen la actuacion melodramatica de genero en el contexto de una narcocultura hipermasculina que prospera en una era de globalizacion y politicas neoliberales. Sus historias son emblematicas de las formas en que se les narran a las mujeres en la narcocultura, revelando ansiedades culturales sobre el cambio de roles de genero en el contexto de inestabilidad politica y excesiva violencia.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49542965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Interview by Maria Cecilia Azar and selection from Latinx poet Janel Pineda's Lineage of Rain (2021)
Maria Cecilia Azar的采访和拉丁裔诗人Janel Pineda的《雨的血统》（2021）精选
{"title":"Espacio Creación / Creation Space","authors":"María Roof, M. C. Azar, J. Pineda","doi":"10.23870/marlas.366","DOIUrl":"https://doi.org/10.23870/marlas.366","url":null,"abstract":"Interview by Maria Cecilia Azar and selection from Latinx poet Janel Pineda's Lineage of Rain (2021)","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44489032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Using Roger Rouse’s (2002) theoretical conceptualization of migration as circuits and border, this essay analyzes two documentary Central American-Mexican films on migration, Tin Dirdamal’s De nadie (2005) and Marcela Zamora Chamorro’s Maria en tierra de nadie (2011). The films represent and engender circuits rooted in basic humanity and seek to recuperate a humanitarian model that establishes an ethics of relationality grounded in human rights as opposed to a necropolitical one derived from violence and consumption. Both documentaries become a form of resistance against a necropolitical system that consumes and destroys human life, through their ability to prompt viewers to recognize and apprehend the migrants’ situations. By employing testimonial and affective strategies, the films attempt emotional identification and affective transmission between the viewer and the films’ subjects, at the risk of replicating the very notion they are fighting. The films challenge viewers to comprehend the humanity shared by self and Other. Such a demand threatens the gore capitalist model of power that enables the violence, precarity, and vulnerability that migrants face during their journey. Utilizando la conceptualizacion teorica de Roger Rouse (2002) de la migracion como circuitos y frontera, este ensayo analiza dos documentales centroamericano-mexicanos sobre la migracion, De nadie (2005) de Tin Dirdamal y Maria en tierra de nadie (2011) de Marcela Zamora Chamorro. Las peliculas representan y engendran circuitos arraigados en la humanidad basica y buscan recuperar un modelo humanitario que establezca una etica de relacionalidad basada en los derechos humanos, frente a una necropolitica derivada de la violencia y el consumo. Ambos documentales se convierten en una forma de resistencia contra un sistema necropolitico que consume y destruye la vida humana, a traves de su capacidad para mover a los espectadores a reconocer y aprehender las situaciones de los migrantes. Mediante el empleo de estrategias testimoniales y afectivas, las peliculas intentan la identificacion emocional y la transmision afectiva entre el espectador y los sujetos de las peliculas, a riesgo de replicar la nocion misma que estan atacando. Las peliculas retan a los espectadores a comprender la humanidad compartida por uno mismo y el Otro. Tal demanda amenaza el modelo capitalista gore de poder que permite la violencia, la precariedad y la vulnerabilidad que enfrentan los migrantes durante su viaje.
本文利用罗杰·鲁斯（2002年）对移民作为回路和边界的理论概念进行了分析，分析了中美洲-墨西哥两部关于移民的纪录片，Tin Dirdamal's de Noda（2005年）和Marcela Zamora Chamorro的《无人区的玛丽亚》（2011年）。这些电影代表和创造了根植于基本人道主义的圈子，并试图恢复一种人道主义模式，这种模式建立了一种以人权为基础的关系伦理，而不是一种源于暴力和消费的尸检伦理。这两部纪录片都成为对消耗和破坏人类生命的尸检制度的一种抵抗形式，因为它们有能力促使观众承认和逮捕移民的处境。通过使用证词和情感策略，电影试图在观众和电影主题之间进行情感认同和情感传播，冒着复制他们正在战斗的非常概念的风险。这些电影挑战观众理解自己和他人共享的人性。这种需求威胁到戈尔资本主义的权力模式，使移民在旅行中面临暴力、不稳定和脆弱性。本文以罗杰·鲁斯（2002年）对移民的理论概念化为回路和边界，分析了马塞拉·萨莫拉·查莫罗（Marcela Zamora Chamorro）的两部关于中美洲-墨西哥移民的纪录片《无人区》（2005年）和《无人区的玛丽亚》（2011年）。电影代表并产生了植根于基本人类的回路，并试图恢复一种人道主义模式，该模式建立了一种基于人权的关系伦理，而不是暴力和消费造成的尸检。这两部纪录片都成为对消耗和破坏人类生命的尸检制度的一种抵抗形式，因为它们有能力促使观众承认和理解移民的处境。通过使用证词和情感策略，电影试图在观众和电影主题之间进行情感识别和情感传播，冒着复制他们正在攻击的概念本身的风险。电影挑战观众理解自己和他人共享的人性。这种需求威胁到戈尔的资本主义权力模式，这种模式允许移民在旅行中面临暴力、不稳定和脆弱性。
{"title":"Empathetic and Affective Circuits in Marcela Zamora Chamorro’s María en tierra de nadie and Tin Dirdamal’s De nadie","authors":"Jared List","doi":"10.23870/marlas.354","DOIUrl":"https://doi.org/10.23870/marlas.354","url":null,"abstract":"Using Roger Rouse’s (2002) theoretical conceptualization of migration as circuits and border, this essay analyzes two documentary Central American-Mexican films on migration, Tin Dirdamal’s De nadie (2005) and Marcela Zamora Chamorro’s Maria en tierra de nadie (2011). The films represent and engender circuits rooted in basic humanity and seek to recuperate a humanitarian model that establishes an ethics of relationality grounded in human rights as opposed to a necropolitical one derived from violence and consumption. Both documentaries become a form of resistance against a necropolitical system that consumes and destroys human life, through their ability to prompt viewers to recognize and apprehend the migrants’ situations. By employing testimonial and affective strategies, the films attempt emotional identification and affective transmission between the viewer and the films’ subjects, at the risk of replicating the very notion they are fighting. The films challenge viewers to comprehend the humanity shared by self and Other. Such a demand threatens the gore capitalist model of power that enables the violence, precarity, and vulnerability that migrants face during their journey. Utilizando la conceptualizacion teorica de Roger Rouse (2002) de la migracion como circuitos y frontera, este ensayo analiza dos documentales centroamericano-mexicanos sobre la migracion, De nadie (2005) de Tin Dirdamal y Maria en tierra de nadie (2011) de Marcela Zamora Chamorro. Las peliculas representan y engendran circuitos arraigados en la humanidad basica y buscan recuperar un modelo humanitario que establezca una etica de relacionalidad basada en los derechos humanos, frente a una necropolitica derivada de la violencia y el consumo. Ambos documentales se convierten en una forma de resistencia contra un sistema necropolitico que consume y destruye la vida humana, a traves de su capacidad para mover a los espectadores a reconocer y aprehender las situaciones de los migrantes. Mediante el empleo de estrategias testimoniales y afectivas, las peliculas intentan la identificacion emocional y la transmision afectiva entre el espectador y los sujetos de las peliculas, a riesgo de replicar la nocion misma que estan atacando. Las peliculas retan a los espectadores a comprender la humanidad compartida por uno mismo y el Otro. Tal demanda amenaza el modelo capitalista gore de poder que permite la violencia, la precariedad y la vulnerabilidad que enfrentan los migrantes durante su viaje.","PeriodicalId":36126,"journal":{"name":"Middle Atlantic Review of Latin American Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48315182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：