Pub Date : 2022-10-25DOI: 10.1080/23268263.2022.2137970
Kris Danford, Lee K Roosevelt, A. Vroom, Lisa Harris, R. Zielinski
ABSTRACT Little data exists on vocalization during birth. What research does exist supports the notion that vocalizing can be a useful tool to birthing people. Similar to many childbirth courses, theatre-based voice training includes a strong focus on physical release and ease to function as a fruitful foundation for easy vocalization. Additionally, this type of training places specific focus on the use of sound and cultivates the ability to use the voice freely and without inhibition. This study hypothesized that using theatre-based voice techniques during childbirth would reduce the perception of pain during labor and improve women’s sense of autonomy during the experience. To explore this hypothesis, two groups of pregnant people were taught theatre-based voice exercises and researchers collected data on their experiences after their births. Broadly, this study suggests that theatre and voice-based experiences have the potential to improve women’s overall satisfaction with their birth experience and presents an important, cross-disciplinary application to voice work.
{"title":"Impolite Birth: Theatre Voice Training and the Experience of Childbirth","authors":"Kris Danford, Lee K Roosevelt, A. Vroom, Lisa Harris, R. Zielinski","doi":"10.1080/23268263.2022.2137970","DOIUrl":"https://doi.org/10.1080/23268263.2022.2137970","url":null,"abstract":"ABSTRACT Little data exists on vocalization during birth. What research does exist supports the notion that vocalizing can be a useful tool to birthing people. Similar to many childbirth courses, theatre-based voice training includes a strong focus on physical release and ease to function as a fruitful foundation for easy vocalization. Additionally, this type of training places specific focus on the use of sound and cultivates the ability to use the voice freely and without inhibition. This study hypothesized that using theatre-based voice techniques during childbirth would reduce the perception of pain during labor and improve women’s sense of autonomy during the experience. To explore this hypothesis, two groups of pregnant people were taught theatre-based voice exercises and researchers collected data on their experiences after their births. Broadly, this study suggests that theatre and voice-based experiences have the potential to improve women’s overall satisfaction with their birth experience and presents an important, cross-disciplinary application to voice work.","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":"17 1","pages":"167 - 181"},"PeriodicalIF":0.6,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41763984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-24DOI: 10.1080/23268263.2022.2138114
Kevin Kemler
{"title":"Inclusivity and Equality in Performance Training: Teaching and Learning for Neuro and Physical Diversity","authors":"Kevin Kemler","doi":"10.1080/23268263.2022.2138114","DOIUrl":"https://doi.org/10.1080/23268263.2022.2138114","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46722190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-24DOI: 10.1080/23268263.2022.2138116
Joanna Cazden
{"title":"The Voice Catchers: How Marketers Listen In to Exploit Your Feelings, Your Privacy, and Your Wallet","authors":"Joanna Cazden","doi":"10.1080/23268263.2022.2138116","DOIUrl":"https://doi.org/10.1080/23268263.2022.2138116","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44450971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-07DOI: 10.1080/23268263.2022.2130294
A. Preeshl
{"title":"Gullah-Geechee Accents in English on Daufuskie and Sapelo Islands","authors":"A. Preeshl","doi":"10.1080/23268263.2022.2130294","DOIUrl":"https://doi.org/10.1080/23268263.2022.2130294","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":"1 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42713029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-06DOI: 10.1080/23268263.2022.2131226
C. Bassham
{"title":"The Hy Life: Reflections on a Hybrid Voice Teacher Training Event","authors":"C. Bassham","doi":"10.1080/23268263.2022.2131226","DOIUrl":"https://doi.org/10.1080/23268263.2022.2131226","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":"17 1","pages":"221 - 230"},"PeriodicalIF":0.6,"publicationDate":"2022-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43557663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-25DOI: 10.1080/23268263.2022.2123091
Tara McAllister-Viel
Simon Masterton grew up in Scotland and trained at Cambridge University, the Royal Academy of Music, and NIDA. He is a production voice coach, teaches spoken voice and music, and is certified in Knight Thompson Speechwork. Simon has been Acting Head of Voice at WAAPA, Perth, and Acting Head of MFA Voice, at NIDA in Sydney. He has also taught at Sydney Actors School, Actors Centre Australia, Sydney Theatre School, Toi Whakaari, and Cal State University, Long Beach. He trains teachers through the NIDA MFA Voice program, Knight Thompson Speechwork courses, and his company, This is Not a Drill. Simon is an Associate Editor of the Voice and Speech Review.
Simon Masterton在苏格兰长大，曾在剑桥大学、皇家音乐学院和NIDA接受培训。他是一名制作配音教练，教授口语和音乐，并获得奈特-汤普森演讲工作室的认证。Simon曾担任珀斯WAAPA的代理语音主管和悉尼NIDA的MFA语音代理主管。他还曾在悉尼演员学校、澳大利亚演员中心、悉尼戏剧学校、Toi Whakaari和加州州立大学长滩分校任教。他通过NIDA MFA Voice项目、Knight Thompson Speechwork课程和他的公司This is Not a Drill培训教师。西蒙是《声音与演讲评论》的副主编。
{"title":"Sounding Bodies: Identity, Injustice, and the Voice","authors":"Tara McAllister-Viel","doi":"10.1080/23268263.2022.2123091","DOIUrl":"https://doi.org/10.1080/23268263.2022.2123091","url":null,"abstract":"Simon Masterton grew up in Scotland and trained at Cambridge University, the Royal Academy of Music, and NIDA. He is a production voice coach, teaches spoken voice and music, and is certified in Knight Thompson Speechwork. Simon has been Acting Head of Voice at WAAPA, Perth, and Acting Head of MFA Voice, at NIDA in Sydney. He has also taught at Sydney Actors School, Actors Centre Australia, Sydney Theatre School, Toi Whakaari, and Cal State University, Long Beach. He trains teachers through the NIDA MFA Voice program, Knight Thompson Speechwork courses, and his company, This is Not a Drill. Simon is an Associate Editor of the Voice and Speech Review.","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":"17 1","pages":"253 - 255"},"PeriodicalIF":0.6,"publicationDate":"2022-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49612680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-19DOI: 10.1080/23268263.2022.2125147
S. Cooke
{"title":"Rhythm in Acting and Performance: Embodied Approaches and Understandings","authors":"S. Cooke","doi":"10.1080/23268263.2022.2125147","DOIUrl":"https://doi.org/10.1080/23268263.2022.2125147","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46524942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.1080/23268263.2022.2112644
Lydia Flock, Stephen King
{"title":"Vocal Manual Therapy: the Consent EQUATION (And Why You Should Care About It)","authors":"Lydia Flock, Stephen King","doi":"10.1080/23268263.2022.2112644","DOIUrl":"https://doi.org/10.1080/23268263.2022.2112644","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43628333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-17DOI: 10.1080/23268263.2022.2110181
Rockford Sansom
{"title":"Embracing the Interdisciplinary and Global Nature of Voice Studies","authors":"Rockford Sansom","doi":"10.1080/23268263.2022.2110181","DOIUrl":"https://doi.org/10.1080/23268263.2022.2110181","url":null,"abstract":"","PeriodicalId":36249,"journal":{"name":"Voice and Speech Review","volume":"16 1","pages":"269 - 273"},"PeriodicalIF":0.6,"publicationDate":"2022-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44969266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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