Pub Date : 2019-11-11DOI: 10.12801/1947-5403.2019.11.01.08
Anita Jóri
{"title":"Popular Viennese Electronic Music, 1990–2015: A Cultural History (Ewa Mazierska)","authors":"Anita Jóri","doi":"10.12801/1947-5403.2019.11.01.08","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.08","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72677756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-15DOI: 10.12801/1947-5403.2019.11.01.16
S. Lavoie
In this commentary I will discuss the technical implementation of sound spatialisation in EDM (electronic dance music) performance practice and outline my compositional approaches involving these techniques. The use of space as a musical parameter in EDM is becoming more common as the accessibility of the technology increases. The technical means of performance and the sonic material combine to create a unique musical aesthetic and listening experience in EDM culture. An historical overview of compositions using spatial considerations as a main musical parameter will situate my work within this artistic practice. Different implementations and propositions of sound spatialisation, as well as the principal locations dedicated to this form of activity will be discussed to contextualise my work. A fundamental part of my research concerns the use of spatialisation tools and techniques to enhance EDM through an immersive sound experience. Concepts and notions of musical 'flow’ and live improvisation have shaped this research and the compositional and performance aesthetics that have come to underpin my creative practice. Furthermore, the idea of immersivity and the sublime have informed my compositional thinking, and this will be assessed in relation to my objective to create an enhanced listening experience in my live performances. A discussion of the blurred roles of composer/producer/performer will demonstrate how I consider my live performance practice to redefine what a composer of EDM can be. Thus, I consider this research to propose a viable model for modern EDM composers.
{"title":"My Practice of Live Performance of Spatial Electronic Dance Music","authors":"S. Lavoie","doi":"10.12801/1947-5403.2019.11.01.16","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.16","url":null,"abstract":"In this commentary I will discuss the technical implementation of sound spatialisation in EDM (electronic dance music) performance practice and outline my compositional approaches involving these techniques. The use of space as a musical parameter in EDM is becoming more common as the accessibility of the technology increases. The technical means of performance and the sonic material combine to create a unique musical aesthetic and listening experience in EDM culture. An historical overview of compositions using spatial considerations as a main musical parameter will situate my work within this artistic practice. Different implementations and propositions of sound spatialisation, as well as the principal locations dedicated to this form of activity will be discussed to contextualise my work. \u0000 \u0000 \u0000A fundamental part of my research concerns the use of spatialisation tools and techniques to enhance EDM through an immersive sound experience. Concepts and notions of musical 'flow’ and live improvisation have shaped this research and the compositional and performance aesthetics that have come to underpin my creative practice. Furthermore, the idea of immersivity and the sublime have informed my compositional thinking, and this will be assessed in relation to my objective to create an enhanced listening experience in my live performances. A discussion of the blurred roles of composer/producer/performer will demonstrate how I consider my live performance practice to redefine what a composer of EDM can be. Thus, I consider this research to propose a viable model for modern EDM composers.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87207543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.09
Toby Young
{"title":"Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance (Mark J. Butler)","authors":"Toby Young","doi":"10.12801/1947-5403.2018.10.01.09","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.09","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86885960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.01
Alex McLean, Giovanni Fanfani, Ellen Harlizius-Klück
This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introduced, with some visual and audio examples. Cyclic metrical patterns in ancient Greek are then explored in detail, particularly the metrical transformations of Epiplokē. Finally, this jump between contemporary and ancient practice leads us to consider algorave itself as a Luddite movement, its proponents engaged in an unravelling of technology.
{"title":"Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding","authors":"Alex McLean, Giovanni Fanfani, Ellen Harlizius-Klück","doi":"10.12801/1947-5403.2018.10.01.01","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.01","url":null,"abstract":"This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introduced, with some visual and audio examples. Cyclic metrical patterns in ancient Greek are then explored in detail, particularly the metrical transformations of Epiplokē. Finally, this jump between contemporary and ancient practice leads us to consider algorave itself as a Luddite movement, its proponents engaged in an unravelling of technology.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86869204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.08
Andreas Rauh
{"title":"Popular Music, Digital Technology and Society (Nick Prior)","authors":"Andreas Rauh","doi":"10.12801/1947-5403.2018.10.01.08","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.08","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88299296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.00
Shelly Knotts, N. Collins
{"title":"Introduction to Algorithmic EDM","authors":"Shelly Knotts, N. Collins","doi":"10.12801/1947-5403.2018.10.01.00","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.00","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72682691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.15
Chris Keifer
{"title":"Luuma, Between Code and Controllerism","authors":"Chris Keifer","doi":"10.12801/1947-5403.2018.10.01.15","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.15","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83765424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.11
Emilio Ocelotl, Luis N. Del Angel, M. Teixido
{"title":"Saboritmico: A Report from the Dance Floor in Mexico","authors":"Emilio Ocelotl, Luis N. Del Angel, M. Teixido","doi":"10.12801/1947-5403.2018.10.01.11","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.11","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85662435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：