Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.03
Richard J. Savery
Artiin is an interactive computer music system for live performance and composition of EDM. Artiin is able to function as an autonomous musical creator with no human-input, or can generate one or more streams in response to human input: for example creating a ride cymbal pattern influenced by an incoming bass pattern. The system shows how developments in interactive music can be repurposed for a system designed to meet a DJs workflow. This article explores the design of Artiin as well as musical concepts that underpin this work and other systems that influenced its development. Artiin was designed by the author in Max for Live, with multiple custom externals written in Java. While the system is currently used by multiple musicians, it is not publicly available.
Artiin是一个交互式计算机音乐系统，用于现场表演和EDM作曲。Artiin能够在没有人为输入的情况下作为一个自主的音乐创作者，或者可以根据人为输入生成一个或多个流:例如，创建受传入低音模式影响的骑钹模式。该系统展示了如何将交互式音乐的发展重新用于设计满足dj工作流程的系统。本文探讨了Artiin的设计，以及支撑这项工作的音乐概念和影响其发展的其他系统。Artiin是由作者在Max for Live中设计的，带有多个用Java编写的自定义外部。虽然该系统目前被多名音乐家使用，但尚未公开。
{"title":"An Interactive Algorithmic Music System for EDM","authors":"Richard J. Savery","doi":"10.12801/1947-5403.2018.10.01.03","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.03","url":null,"abstract":"Artiin is an interactive computer music system for live performance and composition of EDM. Artiin is able to function as an autonomous musical creator with no human-input, or can generate one or more streams in response to human input: for example creating a ride cymbal pattern influenced by an incoming bass pattern. The system shows how developments in interactive music can be repurposed for a system designed to meet a DJs workflow. This article explores the design of Artiin as well as musical concepts that underpin this work and other systems that influenced its development. Artiin was designed by the author in Max for Live, with multiple custom externals written in Java. While the system is currently used by multiple musicians, it is not publicly available.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81755100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.04
Ryan Ross Smith, Shawn Lawson
This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.
{"title":"Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum","authors":"Ryan Ross Smith, Shawn Lawson","doi":"10.12801/1947-5403.2018.10.01.04","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.04","url":null,"abstract":"This article examines the development of the audiovisual duo Obi-Wan Codenobi and The Wookie (authors Shawn Lawson and Ryan Ross Smith respectively). The authors trace a now four-year trajectory of technological and artistic development, while highlighting the impact that a more recent physical displacement has had on the creative and collaborative aspects of the project. We seek to reflect upon the creative and technological journey through our collaboration, including Lawson’s development of The Force, an OpenGL shader-based live-coding environment for generative visuals, while illuminating our experiences with, and takeaways from, live coding in practice and performance, EDM in general and algorave culture specifically.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77288384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.10
Lee Cheng
{"title":"Teaching Live Coding of Electronic Dance Music: A Case Study","authors":"Lee Cheng","doi":"10.12801/1947-5403.2018.10.01.10","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.10","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"386 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80773519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.06
Charles De Ledesma
{"title":"Weekend Societies: Electronic Dance Music Festivals And Event-Cultures (ed. Graham St John)","authors":"Charles De Ledesma","doi":"10.12801/1947-5403.2018.10.01.06","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.06","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82307325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.02
Joanne L. Armitage
Algorave presents itself as a community that is open and accessible to all, yet historically, there has been a lack of diversity on both the stage and dance floor. Through women-only workshops, mentoring and other efforts at widening participation, the number of women performing at algorave events has increased. Grounded in existing research in feminist technology studies, computing education and gender and electronic music, this article unpacks how techno, social and cultural structures have gendered algorave. These ideas will be elucidated through a series of interviews with women participating in the algorave community, to centrally argue that gender significantly impacts an individual’s ability to engage and interact within the algorave community. I will also consider how live coding, as an embodied techno-social form, is represented at events and hypothesise as to how it could grow further as an inclusive and feminist practice.
{"title":"Spaces to Fail in: Negotiating Gender, Community and Technology in Algorave","authors":"Joanne L. Armitage","doi":"10.12801/1947-5403.2018.10.01.02","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.02","url":null,"abstract":"Algorave presents itself as a community that is open and accessible to all, yet historically, there has been a lack of diversity on both the stage and dance floor. Through women-only workshops, mentoring and other efforts at widening participation, the number of women performing at algorave events has increased. Grounded in existing research in feminist technology studies, computing education and gender and electronic music, this article unpacks how techno, social and cultural structures have gendered algorave. These ideas will be elucidated through a series of interviews with women participating in the algorave community, to centrally argue that gender significantly impacts an individual’s ability to engage and interact within the algorave community. I will also consider how live coding, as an embodied techno-social form, is represented at events and hypothesise as to how it could grow further as an inclusive and feminist practice.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"635 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72400773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-22DOI: 10.12801/1947-5403.2018.10.01.14
Alexandra Cardenas
{"title":"Live Coding: A New Approach to Musical Composition","authors":"Alexandra Cardenas","doi":"10.12801/1947-5403.2018.10.01.14","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.14","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"75 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86386671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：