Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.155-186
Patricia Guill-Garcia
With new technologies rapidly developing and the growing relevance of communicative competence in language education, Virtual Exchanges (VEs) are receiving increased attention in research within the framework of the Interaction Hypothesis. One of the intrinsic elements of interaction is Negotiation of Meaning (NoM), a process in which students attempt to solve communicative issues. Nevertheless, few studies have scrutinised how students solve these breakdowns in VE interaction. The purpose of this paper is to identify the most employed resolution strategies in three online audio-visual interactions. The participants are university students from Japan and Spain who carried out one-hour Zoom interactions. Methodology-wise, Clavel-Arroitia’s categorisation was adapted to the purposes of this study in order to identify the strategies in the corpus. The results illustrate how certain factors (language proficiency, cultural background, and communicative dynamics, among others) condition the strategies employed, emphasising the complexity of foreign language learners’ interaction.
{"title":"“Sorry, one more time”: The Role of Resolution Strategies in a Virtual Exchange partnership","authors":"Patricia Guill-Garcia","doi":"10.24197/ersjes.44.2023.155-186","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.155-186","url":null,"abstract":"With new technologies rapidly developing and the growing relevance of communicative competence in language education, Virtual Exchanges (VEs) are receiving increased attention in research within the framework of the Interaction Hypothesis. One of the intrinsic elements of interaction is Negotiation of Meaning (NoM), a process in which students attempt to solve communicative issues. Nevertheless, few studies have scrutinised how students solve these breakdowns in VE interaction. The purpose of this paper is to identify the most employed resolution strategies in three online audio-visual interactions. The participants are university students from Japan and Spain who carried out one-hour Zoom interactions. Methodology-wise, Clavel-Arroitia’s categorisation was adapted to the purposes of this study in order to identify the strategies in the corpus. The results illustrate how certain factors (language proficiency, cultural background, and communicative dynamics, among others) condition the strategies employed, emphasising the complexity of foreign language learners’ interaction.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"155 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.283-286
Robert F. Yeager
{"title":"Book review: Emily Houlik-Ritchey (2023). Imagining Iberia in English and Castilian Medieval Romance","authors":"Robert F. Yeager","doi":"10.24197/ersjes.44.2023.283-286","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.283-286","url":null,"abstract":"","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135883969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.35-56
Aitor Ibarrola Armendáriz
The belated publication of Sherman Alexie’s story “The Sin Eaters” as part of the collection The Toughest Indian in the World (2000) is worthy of the interest of biographic-textual scholars for its singularity. Not only did the author delay its appearance due to the very sinister tone of the story, but he decided to include it at the very heart of a collection, which is very different both stylistically and thematically. Paradoxically, however, the dystopian vision of the United States in the late 1950s offered by “The Sin Eaters” is an effective “counterweight” to the rest of the materials compiled in the collection. Assisted by the ideas of experts in the field of dystopian fiction, the article analyzes the story as an adequate counterpart and complement to the other, more promising, pictures offered in the volume.
谢尔曼·阿列克谢(Sherman Alexie)的故事《食罪者》(The Sin Eaters)作为《世界上最艰难的印度人》(2000)的一部分姗姗来迟的出版，值得传记文本学者们的兴趣，因为它的独特性。作者不仅因为这个故事的邪恶基调而推迟了它的出现，而且他决定把它放在一个集的核心，这在风格和主题上都非常不同。然而，矛盾的是，《食罪者》提供的20世纪50年代末美国的反乌托邦愿景，是对该合集中其他材料的有效“平衡”。在反乌托邦小说领域专家的观点的帮助下，本文分析了这个故事，认为它是书中提供的另一个更有前途的图片的充分对应和补充。
{"title":"“The Sin Eaters” by Sherman Alexie: A Dystopian Island in a Mostly Auspicious Archipelago","authors":"Aitor Ibarrola Armendáriz","doi":"10.24197/ersjes.44.2023.35-56","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.35-56","url":null,"abstract":"The belated publication of Sherman Alexie’s story “The Sin Eaters” as part of the collection The Toughest Indian in the World (2000) is worthy of the interest of biographic-textual scholars for its singularity. Not only did the author delay its appearance due to the very sinister tone of the story, but he decided to include it at the very heart of a collection, which is very different both stylistically and thematically. Paradoxically, however, the dystopian vision of the United States in the late 1950s offered by “The Sin Eaters” is an effective “counterweight” to the rest of the materials compiled in the collection. Assisted by the ideas of experts in the field of dystopian fiction, the article analyzes the story as an adequate counterpart and complement to the other, more promising, pictures offered in the volume.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.261-281
Silvia Hernández Hellín
In 1995, Jennifer A. González coined the concept of “autotopography” to refer to those collections of objects which contain autobiographical information and may therefore become “museums of the self.” This paper analyzes Patti Smith’s M Train as an autotopographical narrative in which the author displays (through text and photography) the many objects that connect her to the past, acting as triggers for her memories and as repositories of identity. This article stresses that looking into the nature of autobiographical objects, and their links to the different ways of remembering, will allow us to further understand how lives are constituted on the page.
1995年，Jennifer A. González创造了“autoterrain”的概念，指的是那些包含自传信息的物品集合，因此可能成为“自我的博物馆”。本文将帕蒂·史密斯的《M列车》作为一种自地形叙事进行分析，作者(通过文字和摄影)展示了许多将她与过去联系起来的物品，这些物品是她记忆的触发器，也是身份的存储库。本文强调，探究自传体对象的本质，以及它们与不同记忆方式的联系，将使我们进一步了解生活是如何在书页上构成的。
{"title":"“The Things I Touched Were Living“: Autotopography, memory, and identity in Patti Smith's M Train","authors":"Silvia Hernández Hellín","doi":"10.24197/ersjes.44.2023.261-281","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.261-281","url":null,"abstract":"In 1995, Jennifer A. González coined the concept of “autotopography” to refer to those collections of objects which contain autobiographical information and may therefore become “museums of the self.” This paper analyzes Patti Smith’s M Train as an autotopographical narrative in which the author displays (through text and photography) the many objects that connect her to the past, acting as triggers for her memories and as repositories of identity. This article stresses that looking into the nature of autobiographical objects, and their links to the different ways of remembering, will allow us to further understand how lives are constituted on the page.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135882963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.187-212
Ana Abril Hernández
This article examines Kate Chopin’s second novel, The Awakening, in conjunction with a graphic novel of this work developed by Rebecca Migdal in The Graphic Canon, Vol. 3 and aims to study the use of silences in Chopin’s novel and the graphic version. This analysis examines non-linguistic communication presented in Chopin’s novel in the figure of her literary alter ego, Edna Pontellier. The methodological framework of this investigation draws on intermedial semiotics with the aim of discussing the use of the literary resource of silence as a visual communicating device in Chopin’s cornerstone of feminist literature The Awakening.
{"title":"“The Voice of the Sea Speaks to the Soul“: Voicing Silence in Kate Chopin’s The Awakening and in Rebecca Migdal’s Graphic Adaptation","authors":"Ana Abril Hernández","doi":"10.24197/ersjes.44.2023.187-212","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.187-212","url":null,"abstract":"This article examines Kate Chopin’s second novel, The Awakening, in conjunction with a graphic novel of this work developed by Rebecca Migdal in The Graphic Canon, Vol. 3 and aims to study the use of silences in Chopin’s novel and the graphic version. This analysis examines non-linguistic communication presented in Chopin’s novel in the figure of her literary alter ego, Edna Pontellier. The methodological framework of this investigation draws on intermedial semiotics with the aim of discussing the use of the literary resource of silence as a visual communicating device in Chopin’s cornerstone of feminist literature The Awakening.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.237-259
María Valero Redondo
My aim in this article is to argue that Henry James’s Washington Square (1880) is an unacknowledged reworking of Jane Austen’s Mansfield Park (1814). To this purpose, I have analyzed both narratives as fictions of domestic alienation in which the heroines refuse to allow their individuality to be subdued by; (a) patriarchal authority and parental mismanagement; (b) the interferences and meddlings of their manipulative aunts; or (c) the libertine corruption of their deceitful suitors. Although they have been subjected to coercion and manipulation, Fanny Price and Catherine Sloper rebel against the pressures of parental authority and emerge as the true preservers of moral integrity.
{"title":"“Undiverted Hearts”: Domestic Alienation and Moral Integrity in Jane Austen’s Mansfield Park and Henry James’s Washington Square","authors":"María Valero Redondo","doi":"10.24197/ersjes.44.2023.237-259","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.237-259","url":null,"abstract":"My aim in this article is to argue that Henry James’s Washington Square (1880) is an unacknowledged reworking of Jane Austen’s Mansfield Park (1814). To this purpose, I have analyzed both narratives as fictions of domestic alienation in which the heroines refuse to allow their individuality to be subdued by; (a) patriarchal authority and parental mismanagement; (b) the interferences and meddlings of their manipulative aunts; or (c) the libertine corruption of their deceitful suitors. Although they have been subjected to coercion and manipulation, Fanny Price and Catherine Sloper rebel against the pressures of parental authority and emerge as the true preservers of moral integrity.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"0 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.81-110
Irene López
This article explores animal metaphors in episodes of gender-based violence reported in Spanish and Canadian newspapers. It analyzes the most common zoomorphic representations of female victims in real cases of gender-based violence documented in the news in Spain and Canada from 2006 to 2022. The research shows how the bestial iconography articulates discourses of gender-based violence and how the male perpetrator sees the abused woman through an animal lens to dehumanize, sexualize, exert, and even justify his violent actions.
{"title":"An Analysis of Animal Metaphors in Episodes of Gender Violence Reported in Spanish and Canadian Newspapers","authors":"Irene López","doi":"10.24197/ersjes.44.2023.81-110","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.81-110","url":null,"abstract":"This article explores animal metaphors in episodes of gender-based violence reported in Spanish and Canadian newspapers. It analyzes the most common zoomorphic representations of female victims in real cases of gender-based violence documented in the news in Spain and Canada from 2006 to 2022. The research shows how the bestial iconography articulates discourses of gender-based violence and how the male perpetrator sees the abused woman through an animal lens to dehumanize, sexualize, exert, and even justify his violent actions.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.133-153
Ester Díaz Morillo
Old Possum’s Book of Practical Cats (1939) de T. S. Eliot adquirió mayor popularidad tras ser adaptado a musical por Andrew Lloyd Webber (1981). El entretenimiento popular fue para Eliot una fuente de inspiración, lo que hace especialmente interesante examinar el proceso contrario: ver cómo su poesía ha inspirado otras artes y cómo esta adaptación ha interpretado o transferido el ritmo y sentido del humor de Practical Cats. Este artículo se centra en cómo el musical Cats de Lloyd Webber está en continuidad con las teorías de Eliot sobre drama, música y baile, especialmente influenciadas por el music hall.
t·s·艾略特(T. S. Eliot)的《老负鼠实用猫书》(Old Possum’s Book of Practical Cats, 1939)在安德鲁·劳埃德·韦伯(Andrew Lloyd Webber)改编成音乐剧(1981)后获得了更大的人气。对艾略特来说，流行的娱乐是灵感的来源，这使得研究相反的过程变得特别有趣:看看他的诗歌如何启发了其他艺术，以及这部改编作品如何诠释或转移了《实用猫》的节奏和幽默感。这篇文章的重点是劳埃德·韦伯的音乐剧《猫》如何与艾略特的戏剧、音乐和舞蹈理论保持连续性，特别是受音乐厅的影响。
{"title":"Of the Awefull Afterlife of Cats. From the Illustrated Book to the Stage","authors":"Ester Díaz Morillo","doi":"10.24197/ersjes.44.2023.133-153","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.133-153","url":null,"abstract":"Old Possum’s Book of Practical Cats (1939) de T. S. Eliot adquirió mayor popularidad tras ser adaptado a musical por Andrew Lloyd Webber (1981). El entretenimiento popular fue para Eliot una fuente de inspiración, lo que hace especialmente interesante examinar el proceso contrario: ver cómo su poesía ha inspirado otras artes y cómo esta adaptación ha interpretado o transferido el ritmo y sentido del humor de Practical Cats. Este artículo se centra en cómo el musical Cats de Lloyd Webber está en continuidad con las teorías de Eliot sobre drama, música y baile, especialmente influenciadas por el music hall.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135887951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.117-135
Silvia Gregorio Sainz
This article analyses the introduction and use of the word descamisado(s) in newspapers around London during the Spanish Liberal Triennium. It focuses on how the term was introduced, the editors’ sources of information, and the evolution of its meaning, paying attention to the representation of the radical liberals involved and the events portrayed. As previous studies centred on the use of the term by Peronism, this draws on the references found in London periodicals at that time. A critical review provides information on the press’ role during the liberal revolutions and might bring to light the importance of translation in newspapers.
{"title":"The Spanish Descamisado(s): Zero-Translating in the London Papers during the Liberal Triennium (1820-1823)","authors":"Silvia Gregorio Sainz","doi":"10.24197/ersjes.44.2023.117-135","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.117-135","url":null,"abstract":"This article analyses the introduction and use of the word descamisado(s) in newspapers around London during the Spanish Liberal Triennium. It focuses on how the term was introduced, the editors’ sources of information, and the evolution of its meaning, paying attention to the representation of the radical liberals involved and the events portrayed. As previous studies centred on the use of the term by Peronism, this draws on the references found in London periodicals at that time. A critical review provides information on the press’ role during the liberal revolutions and might bring to light the importance of translation in newspapers.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-18DOI: 10.24197/ersjes.44.2023.57-79
Miguel Sanz Jiménez
This paper studies the Spanish translation of William Styron’s The Confessions of Nat Turner. It observes the effects that institutional and self-censorship have had in Andrés Bosch’s version, first published in 1968 by Lumen as Las Confesiones de Nat Turner. Presented as the fictional autobiography of a historical figure, the novel is based on a failed revolt that took place in a Virginia plantation in 1831. The source context is described and contrasted with the target one, paying attention to the paratexts that have conditioned the novel’s reception in Spain. Accessing the General Archive of the Administration shows that Bosch’s translation was self-censored in a possible attempt to avoid the institutional intervention that would have delayed the book’s publication. Research also shows that this same version is the one being republished in the early twenty-first century.
{"title":"Revisiting The Confessions of Nat Turner: Censorship in its Spanish Translation","authors":"Miguel Sanz Jiménez","doi":"10.24197/ersjes.44.2023.57-79","DOIUrl":"https://doi.org/10.24197/ersjes.44.2023.57-79","url":null,"abstract":"This paper studies the Spanish translation of William Styron’s The Confessions of Nat Turner. It observes the effects that institutional and self-censorship have had in Andrés Bosch’s version, first published in 1968 by Lumen as Las Confesiones de Nat Turner. Presented as the fictional autobiography of a historical figure, the novel is based on a failed revolt that took place in a Virginia plantation in 1831. The source context is described and contrasted with the target one, paying attention to the paratexts that have conditioned the novel’s reception in Spain. Accessing the General Archive of the Administration shows that Bosch’s translation was self-censored in a possible attempt to avoid the institutional intervention that would have delayed the book’s publication. Research also shows that this same version is the one being republished in the early twenty-first century.","PeriodicalId":36364,"journal":{"name":"ES Review","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135888224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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