Pub Date : 2021-09-01DOI: 10.1525/DCQR.2021.10.3.10
Jesús Martínez Saucedo
{"title":"A Eulogy for My Father","authors":"Jesús Martínez Saucedo","doi":"10.1525/DCQR.2021.10.3.10","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.3.10","url":null,"abstract":"","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"13 5 1","pages":"10-18"},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89931151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.1525/dcqr.2021.10.3.117
Ezequiel Korin
Since 2003, journalists in Venezuela have been censored by the government, either directly or indirectly, through legal and paralegal means. As such, they have learned to tread carefully between self-censorship and retaliation, greatly impacting the way journalism is practiced there. This evocative autoethnography explores the experience of a recent émigré of Venezuela to the United States interviewing journalists in his former home country. The emergence of elements that rearticulate the sense of belonging in the interviewer are used as touch points to a reality presumably left behind, but ultimately lying dormant, ready to resurface at a moment’s notice.
{"title":"Inter/Viewing from Afar","authors":"Ezequiel Korin","doi":"10.1525/dcqr.2021.10.3.117","DOIUrl":"https://doi.org/10.1525/dcqr.2021.10.3.117","url":null,"abstract":"Since 2003, journalists in Venezuela have been censored by the government, either directly or indirectly, through legal and paralegal means. As such, they have learned to tread carefully between self-censorship and retaliation, greatly impacting the way journalism is practiced there. This evocative autoethnography explores the experience of a recent émigré of Venezuela to the United States interviewing journalists in his former home country. The emergence of elements that rearticulate the sense of belonging in the interviewer are used as touch points to a reality presumably left behind, but ultimately lying dormant, ready to resurface at a moment’s notice.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"30 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84407221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/DCQR.2021.10.2.33
Wesley Johnson
This mystory explores alienation in a law enforcement family and anti-racist allyship after the 2012 murder of Florida teen Trayvon Martin. Situated within key circuit of culture moments of identity and representation, I use the popular song “What It Means” by Drive-By Truckers (2016) and my personal experience to address whiteness. Colorblindness and fragility are twin components of whiteness in post-racial America that animate alienation and allyship. Both embodied analyses of pop culture and personal experience describe white identity and white privilege at the interpersonal and intercultural level.
这个故事探讨了2012年佛罗里达州少年特雷沃恩·马丁(Trayvon Martin)被谋杀后，执法家庭和反种族主义联盟之间的疏离。在身份和代表性的文化时刻的关键环路中，我用2016年Drive-By Truckers的流行歌曲“What It Means”和我的个人经历来解决白人问题。在后种族歧视时代的美国，色盲和脆弱是白人的两个组成部分，助长了异化和盟友关系。流行文化的具体分析和个人经验都在人际和跨文化层面上描述了白人身份和白人特权。
{"title":"Black and Blue","authors":"Wesley Johnson","doi":"10.1525/DCQR.2021.10.2.33","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.2.33","url":null,"abstract":"This mystory explores alienation in a law enforcement family and anti-racist allyship after the 2012 murder of Florida teen Trayvon Martin. Situated within key circuit of culture moments of identity and representation, I use the popular song “What It Means” by Drive-By Truckers (2016) and my personal experience to address whiteness. Colorblindness and fragility are twin components of whiteness in post-racial America that animate alienation and allyship. Both embodied analyses of pop culture and personal experience describe white identity and white privilege at the interpersonal and intercultural level.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"44 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83491273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/DCQR.2021.10.2.68
Cassidy D. Ellis, L. Brown
Through centering the Florida Panhandle and using MTV’s Floribama Shore as an entry point, this essay articulates a Floridian-Southern identity. We organize this project around three themes that are heavily present in both Floribama Shore and our personal experiences as Floridian-Southerners: intra-regional tensions around religion, gender performances, and reproductive politics. Through layering our experiences among vignettes from Floribama Shore, we make visible the relationship between the consumption of popular media, the representations of Floridian-Southerners in popular media, the social and cultural regulation of hegemonic Southern deportment, and our own Floridian-Southern identity.
{"title":"“Eat, Pray, Party!”","authors":"Cassidy D. Ellis, L. Brown","doi":"10.1525/DCQR.2021.10.2.68","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.2.68","url":null,"abstract":"Through centering the Florida Panhandle and using MTV’s Floribama Shore as an entry point, this essay articulates a Floridian-Southern identity. We organize this project around three themes that are heavily present in both Floribama Shore and our personal experiences as Floridian-Southerners: intra-regional tensions around religion, gender performances, and reproductive politics. Through layering our experiences among vignettes from Floribama Shore, we make visible the relationship between the consumption of popular media, the representations of Floridian-Southerners in popular media, the social and cultural regulation of hegemonic Southern deportment, and our own Floridian-Southern identity.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"91 1","pages":"68-80"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76586951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/DCQR.2021.10.2.97
J. Rudnick
{"title":"Review: Finding Agency and Humanity in The Queer Life of Things: Performance, Affect, and the More-than-Human, by Anne M. Harris and Stacy Holman Jones","authors":"J. Rudnick","doi":"10.1525/DCQR.2021.10.2.97","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.2.97","url":null,"abstract":"","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"117 1","pages":"97-100"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86144208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/DCQR.2021.10.2.7
L. Mattson
Growing up in Florida as a queer subject, I bounced from disaster to disaster. The annual hurricane season reminds me of this vulnerability, despite my racial and class privilege to background my precarity. Through reflection, the hurricane brings me home. In this autoethnography of queer survival, I approach identity disclosure as a process of negotiation and regulation. With ecological and queer temporalities, I explore the elemental interconnections of identity, space, and time. Further, the concept of queer ecological temporality expands the present moment to encompass disasters both past and future in an era of political and climate uncertainty.
{"title":"Hurricanes as a Call to Remember","authors":"L. Mattson","doi":"10.1525/DCQR.2021.10.2.7","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.2.7","url":null,"abstract":"Growing up in Florida as a queer subject, I bounced from disaster to disaster. The annual hurricane season reminds me of this vulnerability, despite my racial and class privilege to background my precarity. Through reflection, the hurricane brings me home. In this autoethnography of queer survival, I approach identity disclosure as a process of negotiation and regulation. With ecological and queer temporalities, I explore the elemental interconnections of identity, space, and time. Further, the concept of queer ecological temporality expands the present moment to encompass disasters both past and future in an era of political and climate uncertainty.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"46 1","pages":"7-14"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89989692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/DCQR.2021.10.2.101
Shohini Ghosh
{"title":"Review: The Irresistible World of Tawaifs: History, Imagination, and a Web of Stories Tawaifnama, by Saba Dewan","authors":"Shohini Ghosh","doi":"10.1525/DCQR.2021.10.2.101","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.2.101","url":null,"abstract":"","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"41 3 1","pages":"101-106"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88743297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/dcqr.2021.10.2.15
Rachel E. Silverman
Since 2016, the city of Orlando, FL, has remembered the Pulse nightclub massacre through memorial projects honoring the victims and survivors. The process of remembering and memorializing trauma is contentious; debates over how, where, who, and what to remember are about emotions, economics, and politics. Knowing that meaning making and memory are ongoing processes, I use the circuit of culture model to navigate my city’s processes and places of memorializing by visiting and interpreting different sites of memory. I argue for the power of the vernacular memorial, rather than the state-sanctioned, as a more inclusive, living form of memory.
{"title":"Memorializing Pulse","authors":"Rachel E. Silverman","doi":"10.1525/dcqr.2021.10.2.15","DOIUrl":"https://doi.org/10.1525/dcqr.2021.10.2.15","url":null,"abstract":"Since 2016, the city of Orlando, FL, has remembered the Pulse nightclub massacre through memorial projects honoring the victims and survivors. The process of remembering and memorializing trauma is contentious; debates over how, where, who, and what to remember are about emotions, economics, and politics. Knowing that meaning making and memory are ongoing processes, I use the circuit of culture model to navigate my city’s processes and places of memorializing by visiting and interpreting different sites of memory. I argue for the power of the vernacular memorial, rather than the state-sanctioned, as a more inclusive, living form of memory.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"72 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76068152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1525/DCQR.2021.10.2.59
S. J. Sanders, Anjuliet G. Woodruffe
This essay explores the logic of capitalism that shapes the experiences of a precarious Black Miami teen in the OWN television series David Makes Man. Analyzing seven episodes of the first season, we develop the concept of home-schooling to describe hustlin’ as a capitalist logic operating within Florida public housing and meritocracy as a capitalist logic celebrated at an elite magnet school to reveal imaginative possibilities of survival in Miami. In this essay, we engage the circuit of culture to interrogate issues of racialized-class in the television series and within a broader social context.
{"title":"Home-Schooling in David Makes Man","authors":"S. J. Sanders, Anjuliet G. Woodruffe","doi":"10.1525/DCQR.2021.10.2.59","DOIUrl":"https://doi.org/10.1525/DCQR.2021.10.2.59","url":null,"abstract":"This essay explores the logic of capitalism that shapes the experiences of a precarious Black Miami teen in the OWN television series David Makes Man. Analyzing seven episodes of the first season, we develop the concept of home-schooling to describe hustlin’ as a capitalist logic operating within Florida public housing and meritocracy as a capitalist logic celebrated at an elite magnet school to reveal imaginative possibilities of survival in Miami. In this essay, we engage the circuit of culture to interrogate issues of racialized-class in the television series and within a broader social context.","PeriodicalId":36478,"journal":{"name":"Departures in Critical Qualitative Research","volume":"35 1","pages":"59-67"},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81793260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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