Pub Date : 2021-12-24DOI: 10.5429/2079-3871(2021)v11i2.10en
Michael Ahlers
Mao's Little Red BookFish of Michigan Field GuideData QualitySharePoint 2013 Field GuideManaging RecordsInnovation in MusicUnderstanding Records, Second EditionStories in StoneA Field Guide to LiesNashville CatsCritical Approaches to the Production of Music and SoundUnderstanding RecordsOn RecordThe Field Guide to Understanding Human ErrorForensic Evidence Field GuideEverything in its Right PlaceWatching NaturePhonopoeticsThe Bloomsbury Handbook of Music ProductionUnderstanding and Crafting the MixMastering in MusicThe Sibley Guide to Bird Life & BehaviorPortishead's DummyThe Field Guide to Human Error InvestigationsPete Dunne's Essential Field Guide CompanionA Field Guide to Hummingbirds of North AmericaField HydrogeologyThe Family Tree Cemetery Field GuidePeterson Field Guide to Bird Sounds of Western North AmericaBirds of North AmericaA Field Guide to ILANDingThe Beginner's Guide to the Akashic RecordsMixing MusicCaterpillars of Eastern North AmericaField Guide to Covering Local NewsA Field Guide for GenealogistsEMS Documentation Field GuideBlockchainSound as Popular CultureBritain's Spiders
{"title":"REVIEW I Understanding Records. A Field Guide to Recording Practice","authors":"Michael Ahlers","doi":"10.5429/2079-3871(2021)v11i2.10en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i2.10en","url":null,"abstract":"Mao's Little Red BookFish of Michigan Field GuideData QualitySharePoint 2013 Field GuideManaging RecordsInnovation in MusicUnderstanding Records, Second EditionStories in StoneA Field Guide to LiesNashville CatsCritical Approaches to the Production of Music and SoundUnderstanding RecordsOn RecordThe Field Guide to Understanding Human ErrorForensic Evidence Field GuideEverything in its Right PlaceWatching NaturePhonopoeticsThe Bloomsbury Handbook of Music ProductionUnderstanding and Crafting the MixMastering in MusicThe Sibley Guide to Bird Life & BehaviorPortishead's DummyThe Field Guide to Human Error InvestigationsPete Dunne's Essential Field Guide CompanionA Field Guide to Hummingbirds of North AmericaField HydrogeologyThe Family Tree Cemetery Field GuidePeterson Field Guide to Bird Sounds of Western North AmericaBirds of North AmericaA Field Guide to ILANDingThe Beginner's Guide to the Akashic RecordsMixing MusicCaterpillars of Eastern North AmericaField Guide to Covering Local NewsA Field Guide for GenealogistsEMS Documentation Field GuideBlockchainSound as Popular CultureBritain's Spiders","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91306886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.5429/2079-3871(2021)v11i2.6en
A. Werner
{"title":"Resistance in Maxida Märak’s album Utopi","authors":"A. Werner","doi":"10.5429/2079-3871(2021)v11i2.6en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i2.6en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91358485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.5429/2079-3871(2021)v11i2.1en
K. Zemke, Daniel Hernandez
{"title":"Special Issue: Popular Music, Decolonization, and Indigenous Studies","authors":"K. Zemke, Daniel Hernandez","doi":"10.5429/2079-3871(2021)v11i2.1en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i2.1en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88006522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.5429/2079-3871(2021)v11i2.9en
Marie Thompson
{"title":"REVIEW I Hungry Listening: Resonant Theory for Indigenous Sound Studies","authors":"Marie Thompson","doi":"10.5429/2079-3871(2021)v11i2.9en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i2.9en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81958305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-15DOI: 10.5429/2079-3871(2021)v11i1.4en
Magdalena Fürnkranz
Cultural workers are affected more than many other working populations by the pandemic COVID-19. Especially, live music as an antidote to crisis highlights the benefits of performing art in times of isolation; a practice that risks normalizing the idea that musicians are performing for free. This article discusses the intersection of live music with social and cultural issues, focusing on Vienna’s popular music scene. I begin my inquiry with an insight into the area of live music research, based on the works of Philip Auslander and Simon Frith. Throughout the text, I turn a critical eye to the broad impacts of the pandemic on music-making, the ways in which the potentials of emerging communities are leading to changed forms of appreciation, and emphasize the “sense of community” (Auslander) by way of three case studies. Ultimately, I aim to shed light on the strategies through which musicians deal with the crisis.
{"title":"Creative Crisis? Performing Artists in Vienna’s Live Music Scene in the Age of COVID-19","authors":"Magdalena Fürnkranz","doi":"10.5429/2079-3871(2021)v11i1.4en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.4en","url":null,"abstract":"Cultural workers are affected more than many other working populations by the pandemic COVID-19. Especially, live music as an antidote to crisis highlights the benefits of performing art in times of isolation; a practice that risks normalizing the idea that musicians are performing for free. This article discusses the intersection of live music with social and cultural issues, focusing on Vienna’s popular music scene. I begin my inquiry with an insight into the area of live music research, based on the works of Philip Auslander and Simon Frith. Throughout the text, I turn a critical eye to the broad impacts of the pandemic on music-making, the ways in which the potentials of emerging communities are leading to changed forms of appreciation, and emphasize the “sense of community” (Auslander) by way of three case studies. Ultimately, I aim to shed light on the strategies through which musicians deal with the crisis.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"46 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77278060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-15DOI: 10.5429/2079-3871(2021)v11i1.1en
Mary Fogarty
{"title":"Editorial Introduction: A Backstage Pass to the Journal","authors":"Mary Fogarty","doi":"10.5429/2079-3871(2021)v11i1.1en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.1en","url":null,"abstract":"","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"90 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80468650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-15DOI: 10.5429/2079-3871(2021)v11i1.5en
Melanie Ptatscheck
The COVID-19 crisis places an unprecedented strain on an industry already characterised by poor mental health due to challenging working conditions, including the difficulty of sustaining a living, anti-social working hours, exhaustion, and the inability to plan time and future. This article discusses the current mental health conditions of musicians in dealing with the exceptional situation through a retrospective perspective on those affected. Based on a qualitative interview study conducted with EDM DJs during the first lockdown in Germany, I use three exemplary cases to give insights into their individual experienced living environments and working conditions. I show how the COVID-19 crisis is related to their previous life situation, mental state, and personal self-perceptions as DJs. I further argue that the current crisis may not only have a negative impact on the (already poor) mental health of creative professionals but may also bring health-promoting potential.
{"title":"Never Waste a Crisis!? – The Impact of the COVID-19 Crisis on the Mental Health of EDM DJs","authors":"Melanie Ptatscheck","doi":"10.5429/2079-3871(2021)v11i1.5en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.5en","url":null,"abstract":"The COVID-19 crisis places an unprecedented strain on an industry already characterised by poor mental health due to challenging working conditions, including the difficulty of sustaining a living, anti-social working hours, exhaustion, and the inability to plan time and future. This article discusses the current mental health conditions of musicians in dealing with the exceptional situation through a retrospective perspective on those affected. Based on a qualitative interview study conducted with EDM DJs during the first lockdown in Germany, I use three exemplary cases to give insights into their individual experienced living environments and working conditions. I show how the COVID-19 crisis is related to their previous life situation, mental state, and personal self-perceptions as DJs. I further argue that the current crisis may not only have a negative impact on the (already poor) mental health of creative professionals but may also bring health-promoting potential.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85419618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-15DOI: 10.5429/2079-3871(2021)v11i1.7en
Wonseok Lee, Grace Y. Kao
K-pop (Korean Pop Music) fans and artists have become visible political actors in the Black Lives Matter (BLM) Movement in the US in 2020. We investigate why K-pop fans and musicians mobilized to support BLM and, more generally, minority rights in the US by focusing on BTS fans, known as ARMY. We argue that the relationship between K-pop fans and artists is not unilateral, but mutual. Diverse voices and power differentials among K-pop fans exist, but were unified during this time. For example, the Black ARMY not only reminded other fans of racism within the fandom, but also asked BTS and their fellow ARMYs to support BLM. By considering K-pop as a battlefield of consent and resistance, we examine how K-pop and its fandoms has the potential for affecting local and national politics outside of South Korea.
{"title":"“Make It Right”: Why #BlackLivesMatter(s) to K-pop, BTS, and BTS ARMYs","authors":"Wonseok Lee, Grace Y. Kao","doi":"10.5429/2079-3871(2021)v11i1.7en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.7en","url":null,"abstract":"K-pop (Korean Pop Music) fans and artists have become visible political actors in the Black Lives Matter (BLM) Movement in the US in 2020. We investigate why K-pop fans and musicians mobilized to support BLM and, more generally, minority rights in the US by focusing on BTS fans, known as ARMY. We argue that the relationship between K-pop fans and artists is not unilateral, but mutual. Diverse voices and power differentials among K-pop fans exist, but were unified during this time. For example, the Black ARMY not only reminded other fans of racism within the fandom, but also asked BTS and their fellow ARMYs to support BLM. By considering K-pop as a battlefield of consent and resistance, we examine how K-pop and its fandoms has the potential for affecting local and national politics outside of South Korea.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"137 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77285649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-15DOI: 10.5429/2079-3871(2021)v11i1.3en
Iain A. Taylor, S. Raine, C. Hamilton
Since the advent of the COVID-19 pandemic, live music spaces – and the practices which produce them as economically viable – have found themselves in crisis. In spite of a UK government announcement on the 25th of July 2020 which allocated £2.25 million to support 150 music venues across the country, the processes of allocation, the conditions under which this emergency funding is allocated, and capacity to secure medium-to-long-term sustainability of the live music industries in the UK, remains unclear. In this paper, we present a Lefebvrian analysis of live music, highlighting the complex ways in which space is produced and consumed within a live music environment. By extending this framing to consider Lefebvre’s conceptualisation of dominated and appropriated space, we argue that the economic viability of live music stems from its spatiality, and that ongoing responses to the crisis require greater sensitivity to the spatial practices of music production and consumption.
{"title":"Crisis as a Catalyst for Change: COVID-19, Spatiality and the UK Live Music Industry","authors":"Iain A. Taylor, S. Raine, C. Hamilton","doi":"10.5429/2079-3871(2021)v11i1.3en","DOIUrl":"https://doi.org/10.5429/2079-3871(2021)v11i1.3en","url":null,"abstract":"Since the advent of the COVID-19 pandemic, live music spaces – and the practices which produce them as economically viable – have found themselves in crisis. In spite of a UK government announcement on the 25th of July 2020 which allocated £2.25 million to support 150 music venues across the country, the processes of allocation, the conditions under which this emergency funding is allocated, and capacity to secure medium-to-long-term sustainability of the live music industries in the UK, remains unclear. In this paper, we present a Lefebvrian analysis of live music, highlighting the complex ways in which space is produced and consumed within a live music environment. By extending this framing to consider Lefebvre’s conceptualisation of dominated and appropriated space, we argue that the economic viability of live music stems from its spatiality, and that ongoing responses to the crisis require greater sensitivity to the spatial practices of music production and consumption.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82570352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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