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Shopping as popular culture in America: a study of changing representations and practices before 1920 作为美国流行文化的购物:对1920年前不断变化的表征和实践的研究
Q2 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/2373518X.2022.2079309
Vicki Howard
ABSTRACT This thought piece focuses on the emergence of shopping as a popular cultural form in the United States in the period roughly before 1920. Drawing on both the history of these practices and the popular cultural images they generated, it argues that while economic exchanges have always had the potential for cultural conflict, resistance, or negotiation, shopping’s emergence as a popular leisure pastime and a pleasurable entertainment was closely tied to transformations in the commercial landscape in the last quarter of the nineteenth century. It contributes to debates over the degree of agency afforded those who create/consume/participate in popular culture.
这篇思想文章关注的是大约在1920年之前,购物作为一种流行文化形式在美国的出现。根据这些实践的历史和它们产生的流行文化形象,它认为,尽管经济交流总是有文化冲突、抵制或谈判的潜力,但购物作为一种流行的休闲消遣和愉快的娱乐方式的出现与19世纪最后25年商业景观的转变密切相关。它引发了关于创造/消费/参与流行文化的人的能动性程度的争论。
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引用次数: 0
Robot salesmen: automated food retailing in the United States, 1925–39 机器人推销员:1925–39年美国食品自动化零售
Q2 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/2373518X.2022.2044196
D. Huppatz
ABSTRACT Over the past decade, self-service checkouts and app-based platforms have sparked a renewed interest in automated shopping. Yet the promise of an automated retail future – efficient, convenient and cheaper – has a long history, little examined by historians. As an initial study of this phenomenon, this article focuses on food vending machines in the United States from 1925 to 1939, an era when the hopes and hype of an automated future were high. Industry boosters argued that the new ‘robot salesmen’ would not only eliminate intermediaries such as store clerks and cashiers (and their associated labour costs) but that automated technologies would eventually replace traditional stores. Through an analysis of industry journals, collectors’ catalogues and the popular press, this article examines the rhetoric surrounding the potential of food distribution via machines. This hype is tested against the reality that some automated retail technologies succeeded while others failed.
摘要在过去的十年里,自助结账和基于应用程序的平台重新激发了人们对自动购物的兴趣。然而,自动化零售的未来——高效、方便、便宜——有着悠久的历史,历史学家很少对此进行研究。作为对这一现象的初步研究,本文关注1925年至1939年美国的食品自动售货机,当时人们对自动化的未来寄予厚望,大肆宣传。行业支持者认为,新的“机器人推销员”不仅会消除店员和收银员等中介机构(及其相关的劳动力成本),而且自动化技术最终会取代传统商店。通过对行业期刊、收藏家目录和大众媒体的分析,本文探讨了围绕机器食品配送潜力的修辞。这种炒作是针对一些自动化零售技术成功而另一些技术失败的现实进行测试的。
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引用次数: 1
The Price of Bread: Regulating the Market in the Dutch Republic 面包的价格:调控荷兰共和国的市场
Q2 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/2373518x.2022.2120290
James Davis
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引用次数: 0
Polite practices of acquisition: how German elites shopped for clothes, 1770–1820 收购的礼貌做法:德国精英如何购买衣服,1770–1820
Q2 Arts and Humanities Pub Date : 2021-09-02 DOI: 10.1080/2373518X.2022.2114679
Anne Sophie Overkamp
ABSTRACT This article discusses the ways in which German landed elites acquired clothing in the late eighteenth and early nineteenth centuries. To explore their practices of acquisition and engagement with the world of goods, the article draws on a wide range of archival material: private and mercantile correspondence, account books, and merchants' bills. It identifies how contemporaries learned about fashions, the role played by artisans and shopkeepers as arbiters of taste, and how friends, relatives, and agents assisted in the procurement of goods. By highlighting how notions of rank, status, and taste influenced consumer choices, and how traditional and modern practices interlinked, the article offers a corrective to the (assumed) “backwardness” of German retailing and shopping practices, revealing a set of practices and motivations which look remarkably similar to those seen in Britain, France, and the Low Countries.
摘要本文讨论了18世纪末19世纪初德国土地精英获取服装的方式。为了探索他们获取和接触商品世界的实践,这篇文章借鉴了广泛的档案材料:私人和商业信件、账簿和商人的账单。它确定了同时代人是如何了解时尚的,工匠和店主作为品味仲裁者所扮演的角色,以及朋友、亲戚和代理人如何协助采购商品。通过强调等级、地位和品味的概念如何影响消费者的选择,以及传统和现代实践如何相互关联,这篇文章纠正了德国零售和购物实践的(假定的)“落后”,揭示了一系列与英国、法国和低收入国家非常相似的实践和动机。
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引用次数: 0
Tea, coffee or printed cotton? Farm households’ consumption of goods in Northern Sweden, 1760–1820 茶、咖啡还是印花棉布?瑞典北部农户的商品消费,1760-1820
Q2 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/2373518X.2021.1921445
Marie Ulväng
ABSTRACT This article explores the landowning farm households’ consumption of foreign and manufactured goods in the hinterland of northern Sweden in 1770 to 1820. A set of probate inventories shows that the farmers in this particular area – a remote but central transit area for goods between the Norwegian coast and southern Sweden – were part of the general historiography of consumption. However, the findings of tea and coffee utensils, porcelain, printed cotton, silk fabrics and worsted fabrics show that their consumer behaviour – defined as ‘semi-industrious’ – was shaped by the area’s characteristics. The farmers increased their market participation and consumption of goods without breaking their existing consumption culture. They simply acquired more of the same – worsted fabrics for clothing and accessories in printed cotton and silk fabrics. The pattern of consumption is explained by the area’s firm population structure, strong class barriers and practical aspects such as poor housing. The manufactured fabrics responded to many purposes in the farmers’ day-to-day lives. The worsted fabrics were durable, warm and exclusive and the accessories fashionable. Compared with tea and coffee utensils, porcelain, clothing was a versatile belonging that did not need a home to be shown.
本文研究了1770年至1820年瑞典北部腹地土地农户对外国商品和制成品的消费情况。一组遗嘱清单显示,这一特定地区的农民——挪威海岸和瑞典南部之间的一个偏远但中心的货物运输地区——是消费的一般历史的一部分。然而,茶和咖啡器具、瓷器、印花棉布、丝绸织物和精纺织物的发现表明,他们的消费行为——被定义为“半勤劳”——是由该地区的特点决定的。农民在不打破原有消费文化的前提下,增加了市场参与和商品消费。他们只是获得了更多的相同的精纺织物,用于服装和印花棉和丝绸织物的配件。这种消费模式是由该地区稳固的人口结构、强烈的阶级壁垒和实际因素(如恶劣的住房)来解释的。制造的织物满足了农民日常生活中的许多用途。精纺面料经久耐用,保暖独特,配饰时尚。与茶具、咖啡器、瓷器相比,衣服是一种多功能的物品,不需要一个家来展示。
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引用次数: 0
Women in British window display during the 1920s and 1930s 20世纪二三十年代英国橱窗里的女性
Q2 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/2373518X.2021.1982532
K. Meakin
ABSTRACT This paper examines the role of women in window display in Britain during the 1920s and 1930s. Window display in 1920s Britain was very much men’s work. Even when women were encouraged by those outside the profession, they were not necessarily encouraged by those within it. In 1923 the daily press and women’s journals devoted space to the debate on window dressing as an ideal and suitable profession for women. However, the editorial of Display, the official organ of the British Association of Display Men, disagreed. Display believed that women were unsuccessful at window dressing, justified by claiming they did not have the natural ability to create artistic ‘open’ displays. Although the article’s author claimed they welcomed women, they believed many who had attempted it had to give it up, with their windows lacking strength and character. Nevertheless, there were successful professional female display practitioners. This paper discusses the role of women in British display, from early pioneers such as Ethel Wimhurst in 1919 to the brash American Martha Harris, who impacted on London display in the early 1930s. They and others railed against the odds to have rich and fulfilling careers.
摘要本文考察了20世纪二三十年代英国女性在橱窗展示中的作用。20世纪20年代的英国,橱窗展示在很大程度上是男人的工作。即使女性受到行业外人士的鼓励,她们也不一定受到行业内人士的鼓励。1923年,日报和女性期刊专门讨论了橱窗着装作为女性理想和合适的职业的问题。然而,英国展示人协会的官方机构《展示》的社论不同意这一观点。Display认为,女性在橱窗打扮方面并不成功,理由是她们没有创造艺术“开放”展示的天生能力。尽管这篇文章的作者声称他们欢迎女性,但他们认为许多尝试过的人不得不放弃,因为她们的窗户缺乏力量和个性。尽管如此,还是有一些成功的专业女性展示从业者。本文讨论了女性在英国展览中的作用,从1919年的埃塞尔·维姆赫斯特(Ethel Wimhurst)等早期先驱到20世纪30年代初影响伦敦展览的傲慢的美国人玛莎·哈里斯(Martha Harris)。他们和其他人反对拥有丰富而有成就感的事业。
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引用次数: 0
Couture clothes for show: the Incorporated Society of London Fashion Designers promotional designs for British cotton, wool and synthetic fibres, 1940s–1960s 时装秀:伦敦时装设计师协会为英国棉花、羊毛和合成纤维设计的促销设计,1940年代至1960年代
Q2 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/2373518X.2021.2004709
C. Ness
ABSTRACT Following World War II, the Incorporated Society of London Fashion Designers (INCSOC) collaborated with British textile manufacturers and the Board of Trade in a bid to stimulate the war-ravaged economy through export orders of British fashions and fabrics until the early 1960s. British couture was considered the ‘shop-window’ for a campaign that began with the founding of INCSOC in 1942 and the production of designs for the Utility clothing scheme. INCSOC worked with the International Wool Secretariat (IWS), the Cotton Board and the British Man-Made Fibres Federation producing designs using fabrics provided by the textile companies who frequently funded the cost of production. The fashion press helped promote the resulting designs, fashion shows and displays along with ready-to-wear and wholesale fashion companies where the bulk of potential orders lay. Royalty and celebrity were regularly photographed and filmed attending fashion shows or wearing British designs in British fabrics to endorse promotions involving INCSOC. Primary sources, including surviving examples of INCSOC couture, provide evidence here for investigating how often the designs, in each of the fibres, were made for the couturiers bi-annual collections or were just for showing through promotional campaigns.
第二次世界大战后,直到20世纪60年代初,伦敦时装设计师协会(INCSOC)与英国纺织品制造商和贸易委员会合作,通过出口英国时装和面料的订单来刺激饱受战争蹂躏的经济。1942年,INCSOC成立,并为实用服装计划设计服装,英国时装被认为是一场运动的“橱窗”。INCSOC与国际羊毛秘书处(IWS)、棉花委员会和英国人造纤维联合会合作,使用经常资助生产成本的纺织公司提供的面料进行设计。时尚媒体与成衣和时装批发公司一起,帮助推广了由此产生的设计、时装秀和展示,这些公司是潜在订单的主要来源。皇室和名人经常被拍摄和拍摄参加时装秀或穿着英国设计的英国面料,以支持与INCSOC有关的促销活动。第一手资料,包括现存的INCSOC高级定制服装的例子,为调查每一种纤维的设计是为时装设计师两年一次的时装系列制作的频率,还是只是为了在促销活动中展示的频率提供了证据。
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引用次数: 0
Blinded by science? Constructing truth and authority in early twentieth-century Virol advertisements 被科学蒙蔽了双眼?二十世纪初维罗尔广告的真实性与权威性建构
Q2 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/2373518X.2021.1983343
L. O’Hagan
ABSTRACT This paper conducts a case study of the marketing of Virol – a malt extract preparation that was popular in early twentieth-century Britain – using advertisements from British newspapers. Using multimodal critical discourse analysis, it explores how marketers drew upon linguistic/semiotic resources to embed Virol in discourses of scientific knowledge and how these discourses were made to appear true. Through targeted marketing campaigns, Virol established consumer bases framed around three health concerns: malnutrition, constipation and anxiety. Using testimonies, buzzwords, photographs and infographics, Virol created an illusion of scientific rationality, yet the studies or authority figures behind their findings were never explicitly specified, leaving consumers to make assumptions about the product’s benefits using their own limited understandings. As women were the primary household shoppers, ‘scientific motherhood’ (and ‘wifehood’) was also drawn upon, producing a dichotomy that framed women as responsible for their families’ health, yet incapable of this responsibility without expert intervention.
摘要:本文对二十世纪早期英国流行的一种麦芽提取物制剂Virol的营销进行了案例研究,并利用英国报纸上的广告进行了营销。使用多模态批评话语分析,它探讨了营销人员如何利用语言/符号学资源将病毒嵌入科学知识的话语中,以及如何使这些话语看起来真实。通过有针对性的营销活动,Virol围绕三种健康问题建立了消费者基础:营养不良、便秘和焦虑。通过证词、流行语、照片和信息图表,维罗尔创造了一种科学合理性的幻觉,然而,他们的发现背后的研究或权威人物从未明确说明,让消费者根据自己有限的理解对产品的好处做出假设。由于妇女是家庭的主要购物者,"科学的母性"(和"成为妻子")也被引用,产生了一种二分法,即妇女对其家庭健康负责,但如果没有专家的干预,妇女无法承担这一责任。
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引用次数: 9
‘A stairway that does its own climbing’: the department store escalator and the promises of modernity, 1900–1950 “自己爬上去的楼梯”:百货公司的自动扶梯和现代化的承诺,1900-1950
Q2 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/2373518X.2021.1984688
S. Elvins
ABSTRACT This article explores the history of the department store escalator in the first half of the twentieth century in the United States. Department stores were crucial in adopting new technologies in the city. Many people first encountered ‘moving staircases’ in the aisles of the store. The installation of new escalators became an occasion for celebration, as stores emphasized their modernity and commitment to progress. Familiarity with riding on escalators could separate the urban sophisticate from the country bumpkin. Well into the 1940s, crowds greeted escalators with enthusiasm. For retailers, the technology offered new possibilities for store layouts and convenience for shoppers and employees. As the escalator became standard equipment in the modern store, the potential dangers posed to riders were downplayed.
本文探讨了20世纪上半叶美国百货公司自动扶梯的历史。百货公司在该市采用新技术方面起着至关重要的作用。许多人第一次遇到“移动的楼梯”是在商店的过道里。新自动扶梯的安装成为了一个庆祝的场合,因为商店强调了它们的现代性和对进步的承诺。对乘坐自动扶梯的熟悉程度可能会将这位城市老谋深算的人与乡下乡巴佬区分开来。早在20世纪40年代,人们就热情地迎接自动扶梯。对于零售商来说,这项技术为商店布局提供了新的可能性,也为购物者和员工提供了便利。随着自动扶梯成为现代商店的标准设备,对乘客构成的潜在危险被淡化了。
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引用次数: 0
‘One big club of which we are all members’: management and work culture in New Zealand department stores, c. 1910–1960 “一个我们都是会员的大俱乐部”:1910-1960年左右新西兰百货公司的管理和工作文化
Q2 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/2373518X.2021.1935113
E. Roberts
ABSTRACT This paper examines the work and work culture of department store salespeople in New Zealand department stores. Following the management advice of American, British, and Australian experts New Zealand store managers cultivated the notion of a store family and imported welfare work practices aimed at creating happy employees and a culture of consumption and modernity. The organization of New Zealand department stores was formally similar to those in the United States and Australia, but most stores were smaller with fewer than 500 employees. Departments in New Zealand stores were smaller and the role of buyers as department managers was attenuated. In this setting the efforts of management to cultivate a store family and a workplace social life that spanned departments were successful.
本文考察了新西兰百货公司销售人员的工作和工作文化。根据美国、英国和澳大利亚专家的管理建议,新西兰商店经理培养了商店家庭的概念,并引入了福利工作实践,旨在创造快乐的员工以及消费和现代文化。新西兰百货公司的组织形式与美国和澳大利亚类似,但大多数商店规模较小,员工不到500人。新西兰商店的部门规模较小,买家作为部门经理的作用减弱。在这种背景下,管理层为培养跨部门的商店家庭和工作场所社交生活所做的努力是成功的。
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引用次数: 1
期刊
History of Retailing and Consumption
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