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“Screen on the Chum”: Social Reconstruction and Mobile Film Propaganda in the North of the Ob region in the 1930s “盘面上的银幕”:20世纪30年代鄂北区的社会重构与流动电影宣传
Q3 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.20874/2071-0437-2023-61-2-16
M. Agapov
Drawing on the example of agitation and propaganda campaigns carried out in the north of the Ob region in the 1930s among the indigenous population, a specific tool of the Soviet ideological indoctrination of the Great Break period — a mobile cinema (installations designed to screen silent and sound films to a small audience in open areas and in premises not equipped with stationary film projectors) — has been comprehensively studied. The mobile cinema is considered as one of the varieties of cultural management technologies that are equally characteristic of all states and empires of the modern era, including the USSR, where, due to the existence of state ideology and low literacy of the population, it was even more important than other cultural technologies. The management supported and strengthened the centralized power, serving as a complement to force and coercion. Based on the materials of the State Archive of the Socio-Political History of the Tyumen Region, it has been es-tablished that the first mobile cinema in the north of the Ob region was created under the auspices of the Commit-tee of the North under the All-Russian Central Executive Committee of the USSR, but it reached its fullest flou-rishing in the area during the period when the region came under the jurisdiction of the Chief Directorate of the Northern Sea Route (1935–1938). The repertoire of a mobile cinema was compiled centrally, and it included popular science and feature films, united by a common goal, which was the ideological indoctrination of the audi-ence. For representatives of the indigenous peoples of the North, movie screening itself was the most important experience of joining a new life, akin to the rite of initiation. Indigenous peoples were most interested in movies that narrated about their own daily life: hunting, fishing, travelling. Mobile cinemas were moved around the north by sled and specially equipped boats. The work of a mobile cinema in the north of the Ob region was associated with constant overcoming of a number of problems: the shortage of films, frequent breakdowns of movie cameras, and the lack of qualified projectionists. Nevertheless, mobile cinemas made significant contribution to the mo-dernization of everyday life and worldview of the indigenous peoples of the Ob North.
以20世纪30年代在鄂毕格地区北部土著居民中进行的鼓动和宣传运动为例,全面研究了苏联在大分裂时期进行意识形态灌输的一种具体工具- -流动电影院(在露天地区和没有固定电影放映机的场所向少数观众放映无声和有声电影的装置)。移动电影被认为是现代所有国家和帝国的文化管理技术品种之一,包括苏联,由于国家意识形态的存在和人口的低识字率,它甚至比其他文化技术更重要。管理支持和加强了中央集权,是对武力和胁迫的补充。基于材料的国家档案馆的社会政治历史秋明地区es-tablished,第一移动影院Ob地区北部的主持下成立的Commit-tee北在苏联的俄罗斯中央执行委员会,但达到它最大的繁华地区期间,地区的首席理事会管辖了北海航线(1935 - 1938)。移动影院的保留节目是集中编排的,包括科普和故事片,它们有一个共同的目标,那就是向观众灌输思想。对于北方土著人民的代表来说,电影放映本身就是加入新生活的最重要的经历,类似于入会仪式。土著人民最感兴趣的是讲述他们自己日常生活的电影:狩猎、捕鱼、旅行。移动电影院由雪橇和专门装备的船只在北部移动。在Ob地区北部建立流动电影院的工作涉及不断克服一些问题:胶片短缺、电影摄影机经常故障和缺乏合格的放映员。然而,流动电影院对鄂北土著人民的日常生活和世界观的现代化作出了重大贡献。
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引用次数: 0
On the issue of construction of social memory: anthropology of the “Perm-36” museum 论社会记忆的建构问题:“彼尔姆-36”博物馆的人类学
Q3 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.20874/2071-0437-2023-61-2-18
S. Riazanova
The study does not imply either documentation of the repressions, or working in the field of oral history. The article provides a vision of how the key figures in the history of the museum form its history and image. The source base includes a series of expert interviews with the founders and administrators of the museum at various stages of its existence, and a number of concepts for the arrangement of Perm-36 during various years, as well as Internet and media publications, allowing to verify the obtained data. The text attempts to reconstruct the his-tory of the formation and functioning of the Perm-36 museum, highlighting the periods of its activity associated with a change in leadership and the appointment of a number of new employees in its management and research structures. In the process of the analysis, the author compares various perspectives on what is the purpose of the museum located at the site of the camp, and what is the place of the museum in the socio-political reality. The analy-sis is based on the identification of groups of statements related to various aspects of creation and functioning of the Perm-36 memorial complex. The museum is considered as a place of application of multidirectional efforts of various actors, which provokes significant changes in approaches to its arrangement and to its functions in the public space. The concept of “demiurge” is introduced to designate a social agent who constructs the space of historical and social memory based on its own ideas and vision. Public figures, researchers and museum employees, who play a signifi-cant role in determining the structure of museum collections, ways of their presentation and types of social activities, are seen as the key factor that shapes the image of the museum in the region, nationally, and internationally. The material base in this situation appears secondary to the methods of its interpretation, principles of selecting items, and the use of supplementary means for their exhibiting. Research interests, social agenda and personal ambitions of the main actors become determinant for the formation of the museum chronotope.
这项研究并不意味着对压抑的记录,也不意味着在口述历史领域工作。本文提供了博物馆历史上的关键人物如何形成其历史和形象的视角。资料来源包括一系列专家对博物馆在其存在的各个阶段的创始人和管理人员的采访,以及在不同年份安排Perm-36的一些概念,以及互联网和媒体出版物,允许验证所获得的数据。本文试图重建彼尔姆-36博物馆的形成和运作的历史,强调其活动时期与领导层的变化以及在其管理和研究结构中任命一些新员工有关。在分析的过程中,作者比较了各种观点,关于集中营遗址博物馆的目的是什么,以及博物馆在社会政治现实中的地位是什么。分析是基于对与彼尔姆-36号纪念建筑群的创造和功能的各个方面相关的陈述组的识别。博物馆被认为是各种参与者多向努力的应用场所,这引发了其在公共空间中的安排和功能的重大变化。引入“造物主”(demiurge)的概念,指定一个以自己的想法和愿景构建历史和社会记忆空间的社会主体。公众人物、研究人员和博物馆员工在决定博物馆藏品的结构、展示方式和社会活动类型方面发挥着重要作用,他们被视为塑造博物馆在地区、国家和国际上形象的关键因素。在这种情况下,物质基础似乎次于其解释方法,选择物品的原则以及使用辅助手段进行展示。主要参与者的研究兴趣、社会议程和个人抱负成为博物馆计时器形成的决定因素。
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引用次数: 0
The charioteering in the Bronze Age societies of the Southern Trans-Urals as a social phenomenon 南跨乌拉尔地区青铜器时代社会中的驭车现象
Q3 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.20874/2071-0437-2023-61-2-3
E. Kupriyanova
The sites of the Sintashta and Petrovka archaeological cultures of the Bronze Age of the Southern Trans-Urals (Russia) have been traditionally considered as part of the realm of chariot cultures of early Indo-European communities. The analysis of the finds demonstrates that the phenomenon of charioteering carried an important symbolic role in the paradigm of the steppe communities of the Bronze Age. Numerous finds of chariot fragments, elk antler cheekpieces, paired horse sacrifices, remote combat weapons in cemeteries of Stepnoye I, Stepnoye VII, and Krivoe Ozero have been repeatedly subjected to scientific investigation. Collective burials have been discov-ered, in which even women and young children are accompanied by weapons, cheekpieces, fragments of chari-ots and sacrificial horses. Based on this, we have concluded that the community of “charioteers” included mem-bers of a certain clan, possibly related to the production and use of chariots, horse training, etc. At the same time, however, individual burials of adult men with elements of a chariot complex have also been found, which occupied central positions in kurgans; those men could have been actual chariot warriors. Recent findings provide a vivid evidence for this. In the field season of 2021, the Sintashta burial complex (kurgan 33) was investigated in the Stepnoye I cemetery, the central burial of which contained a skeleton of a 35–50 year old man who had a round healed hole in his skull. Theoretically, such an injury could have been caused by a battle axe, similar to ones found at the sites of the Sintashta and Petrovka Cultures. Furthermore, abnormal osteophytosis growths have been recorded on all areas of the man's spine, which could have resulted from both injury and high pressure on spine caused by driving a chariot. One elk antler cheekpiece (an element of horse bridle) was found in the burial, along with numerous bones of sacrificial animals. All details of the burial rite indicate that the buried man was a sig-nificant person for the community, probably a charioteer warrior. Previously obtained AMS dates attribute the Sin-tashta complexes of the Stepnoye I cemetery to the range of about 1950–1850 BC. Thus, the newly investigated kurgan 33 of the Stepnoye I cemetery respresents another piece of evidence indicating the existence of chariot cul-ture among the steppe communities of the Bronze Age in the Southern Trans-Urals.
南跨乌拉尔(俄罗斯)青铜时代的辛塔什塔和彼得罗夫卡考古文化遗址传统上被认为是早期印欧社区战车文化领域的一部分。对这些发现的分析表明,战车现象在青铜器时代草原社会的范式中具有重要的象征作用。在斯特普诺耶1号、斯特普诺耶7号和克里沃奥泽罗的墓地中发现了大量的战车碎片、麋鹿角脸颊、成对的马祭、远程战斗武器,这些都是科学调查的对象。人们还发现了集体埋葬,在集体埋葬中,甚至妇女和儿童也有武器、颧骨、马车碎片和祭祀用的马。据此,我们认为“车夫”群体包括某一氏族的成员,可能与战车的生产和使用、马匹的训练等有关。然而,与此同时,也发现了带有战车复杂元素的成年男子墓葬,这些墓葬占据了库尔干的中心位置;这些人可能是真正的战车战士。最近的研究结果为这一点提供了生动的证据。在2021年的野外季节,在斯特普诺耶1号墓地对辛塔什塔墓群(kurgan 33)进行了调查,中心墓葬中有一具35-50岁男子的骨架,头骨上有一个愈合的圆孔。从理论上讲,这样的伤口可能是由一把战斧造成的,类似于在辛塔什塔和彼得罗夫卡文化遗址中发现的战斧。此外,在该男子脊柱的所有区域都记录了异常的骨赘生长,这可能是由于驾驶战车造成的脊柱损伤和高压造成的。在墓葬中发现了一块麋鹿角颊片(马笼头的组成部分),以及许多祭祀动物的骨头。埋葬仪式的所有细节都表明,被埋葬的人对社区来说是一个重要的人物,很可能是一个驾驭战车的战士。先前获得的AMS日期将Stepnoye I墓地的Sin-tashta建筑群的范围定为大约公元前1950-1850年。因此,新调查的斯特普诺耶1号墓地的库尔干33号代表了另一个证据,表明在南跨乌拉尔地区青铜时代的草原社区中存在着战车文化。
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引用次数: 0
The Neolithic and Early Metal complexes of the Chepkul 5 settlement in the North of the An-dreevskaya Lake System 安德雷耶夫斯卡亚湖系统北部切普库尔5号定居点的新石器时代和早期金属复合体
Q3 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.20874/2071-0437-2023-61-2-2
V. Zakh, M. I. Efremov
The problems of development of the early Neolithic and Early Metal Age complexes in the Tobol-Ishim interfluve are still insufficiently studied. A certain understanding of the cultural and historical processes that took place during these periods can be based on the materials of the multi-layered settlement of Chepkul 5, located on the territory of the Andreevskaya lake system near the city of Tyumen. The purpose of this work is to introduce into scientific discourse the research materials of the early Neolithic and Bayryk Culture complexes. Within the Neolithic pottery complex of Chepkul 5, it is possible to conditionally distinguish groups of vessels comparable to the ware of the Boborykino, Koshkino, Basyanovo and comb types, which find similarities in the vast territory from the eastern slopes of the Urals to the Baraba forest-steppe, and from the Lower Ob River to the steppes of Kazakhstan. Stone tools of such complexes, including Chepkul 5, contain points with high steep retouch, oblique points on blades, and geometric microliths. The presence of lips (overhangs) on the rims on the inside of the vessels, and certain other characteristics of ceramics, bring the analysed complex closer to the ware of the Boborykino Culture of the Yurtobor 3 settlement [Zakh, 1995]. Considering the date from charcoal from the settlement of Yurtobor 3 — 6591–6478 cal BC (UPI-559) [Zakh, 1995, 2009] — the time of existence of the settlement Chepkul 5 in the early Neolithic can be correlated with the end of the humid stage and the beginning of the dry period (8.2–5.5 cal ka BP) [Zach, 2021]. According to the location of the pits in the trench of the Early Metal Period dwelling 2 of Chepkul 5, which contained pottery with comb-pit and large-stroke ornamentation, the building can be reconstructed as a semi-dugout with a pillar-frame structure, with an area of about 40 m2. Similar structures, ware, stone and clay sinkers and other items belong to the Bayryk Culture, are dated to the 3rd mil. BC and can be considered together with the Ishim complexes of the Alexandrovo stage of the Ekaterinino Cultures within the comb-pit community of the 3rd mil. BC. However, the complexes of the Tobol and Ishim regions belong to different cultures, as evidenced by the complete absence of clay sinkers in the Ishim region and in the territories to the east. The presence of the latter, as well as drawings on dishes and petroglyphs in the Early Metal Period cultures of Trans-Urals, suggests that the population of the Tobol region was engaged in drive hunting for waterfowl during molting [Zakh, 2022], which could not but affect its cultural specificity.
关于Tobol-Ishim间带新石器时代早期和早期金属时代复合体的发展问题,目前还没有得到充分的研究。对这些时期发生的文化和历史进程的一定理解可以基于Chepkul 5的多层定居点的材料,该定居点位于秋明市附近的Andreevskaya湖系统的领土上。这项工作的目的是将新石器时代早期和拜莱克文化复合体的研究材料引入科学论述。在切普库尔5号新石器时代的陶器群中,有可能有条件地区分出与Boborykino、Koshkino、Basyanovo和comb类型陶器相当的器皿群,这些器皿在从乌拉尔山脉东坡到巴拉巴森林草原,从鄂毕河下游到哈萨克斯坦草原的广阔地区发现了相似之处。这些复杂的石器,包括切普库尔5号,包含了高陡的修饰点,刀片上的斜点和几何微石。容器内部边缘上嘴唇(突出部分)的存在,以及陶瓷的某些其他特征,使分析的复合体更接近于Yurtobor 3定居点的Boborykino文化的陶器[Zakh, 1995]。考虑到尤尔托博尔3号定居点的木炭日期- 6591-6478 cal BC (UPI-559) [Zakh, 1995,2009] -新石器时代早期Chepkul 5号定居点的存在时间可以与湿润阶段的结束和干燥时期的开始(8.2-5.5 cal ka BP)相关联[Zach, 2021]。根据切普库尔5号早期金属时期住宅2的沟槽中坑的位置,其中含有梳坑和大笔画纹饰的陶器,该建筑可重建为柱-框架结构的半防空洞,面积约40平方米。类似的结构,陶器,石头和粘土下沉器以及其他物品属于Bayryk文化,可以追溯到公元前3世纪,并且可以与公元前3世纪的巢坑社区内Ekaterinino文化的Alexandrovo阶段的Ishim复合体一起考虑。然而,托博尔和伊希姆地区的建筑群属于不同的文化,伊希姆地区和东部地区完全没有粘土下沉器就是证据。后者的存在,以及在跨乌拉尔早期金属时期文化中盘子和岩画上的绘画,表明Tobol地区的人口在换毛期间从事狩猎水禽的活动[Zakh, 2022],这不能不影响其文化特殊性。
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引用次数: 0
Sable in the traditional culture of the Buryats 布里亚特传统文化中的黑貂
Q3 Arts and Humanities Pub Date : 2023-06-15 DOI: 10.20874/2071-0437-2023-61-2-12
A. Badmaev
The work is aimed at identifying the image of the sable in the traditional worldview and rituals of the Buryats. The chronological boundaries of the study are determined by the time of functioning and translation of the com-plex of traditional beliefs and rituals among the Buryats — the end of the 19th — middle of the 20th century. Geo-graphically, the study is focused on the Baikal region, which encompasses the ethnic Buryatia. Linguistic, folklore and ethnographic sources have been used for this research. Comparison-collation and structural-semiotic meth-ods have been used to explore the research topic. As a result of assessing the utilitarian value of the sable, it has been determined that the animal's fur was used in sewing winter outerwear and hats, and its meat was occasion-ally eaten, as well as applied in folk and veterinary medicine. The all-Mongolian origin of the term for sable, and its gender nominations, is proved. It is assumed that this predator could be revered as a totem by some of the ancestors of the Buryats of the pre-Baikal clans. It has been found that in the traditional Buryat culture, the image of sable was ambiguous. In the traditional views of the Buryats, sable was endowed with a heavenly nature. It acted as a female symbol. At the same time, a negative characteristic of this fur-bearing animal has been deter-mined: it was associated with the chthonic world. In the traditional family ritual of the Buryats, a sable fetish was associ-ated with the image of this fur-bearing animal, which performed a protective function for children and represented a female image. The sable skin was an attribute of the shaman: for some black shamans, it represented the emblem of the clan. Furthermore, in the shamanic ritual of the Buryats, a fetish, embodying the shaman's spirit-assistant, was as-sociated with this animal. In shamanic poetics, the soul of a deceased shaman turned into a sable; this predatory animal was endowed with the function of a shaman's transport in his mystical travels to other worlds.
该作品旨在识别布里亚特人传统世界观和仪式中黑貂的形象。研究的时间界限取决于布里亚特人传统信仰和仪式的复杂功能和翻译的时间- 19世纪末至20世纪中叶。在地理上,这项研究的重点是贝加尔湖地区,其中包括布里亚特民族。语言学、民俗学和民族志的资料都被用于这项研究。本文采用比较-整理法和结构-符号学方法对研究课题进行了探讨。通过对貂皮的实用价值进行评估,人们认为貂皮被用于缝制冬季外套和帽子,貂皮肉偶尔被食用,也被用于民间和兽药。证明了“貂”一词的全蒙古起源及其性别提名。据推测,这种掠食者可能被贝加尔湖前部落的布里亚特人的一些祖先奉为图腾。研究发现,在传统的布里亚特文化中,貂的形象是模糊的。在布里亚特人的传统观念中,貂皮被赋予了天神的属性。它是女性的象征。与此同时,这种毛皮动物的一个负面特征也被确定:它与土著世界有关。在布里亚特人的传统家庭仪式中,对貂的崇拜与这种毛茸茸的动物的形象联系在一起,貂具有保护儿童的功能,代表了女性的形象。貂皮是萨满的一种属性:对一些黑人萨满来说,它代表了氏族的象征。此外,在布里亚特人的萨满仪式中,一种象征萨满精神助手的恋物与这种动物有关。在萨满诗学中,已故萨满的灵魂变成了黑貂;这种掠食性动物被赋予了萨满前往其他世界的神秘旅行的运输工具的功能。
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引用次数: 0
Sacred objects from the sites of the Sargatka Culture in the context of interaction of the forest-steppe population with the nomads of the Ural-Kazakh steppes 在森林草原人口与乌拉尔-哈萨克草原游牧民族互动的背景下,来自萨尔加特卡文化遗址的圣物
Q3 Arts and Humanities Pub Date : 2023-03-15 DOI: 10.20874/2071-0437-2023-60-1-5
M.M. Prokonova
The paper concerns the stone altars, clay dishes, and censers from the sites of the Sargatka Culture of the Early Iron Age. Analysis of their morphological features is carried out, as well as of the dynamics of changes in the forms, the context of their deposition in burials, and specifics of their use. As the result, the reasons for the appearance of these products in the forest-steppe zone of the Tobol-Irtysh and Baraba areas (Western Siberia) are clarified and their subsequent distribution in the given region is traced. Stone altars of types I, II, and IV started appearing in the 5th–4th cc. BC in the Irtysh Basin and Baraba regions as a consequence of the Saka mi-gration. Transformation of the religious and mythological views of the Sargatka population, as a result of the inter-actions of the Tobol-Irtysh communities with the nomads of the Ural-Kazakhstan steppes, led to the appearance of new rituals requiring small stone altars for their performance, due to which there was a growing demand for these products among local communities. However, by the 4th c. BC the production of altars in the Kazakhstan center ceased due to the decline of the Early Saka Culture. From this time, the population of the Sargatka Culture began making local copies of small type I altars from stone, although their production in the Sargatka area was difficult due to the lack of sandstone outcrops, which facilitated the use of more accessible material — clay, as reflected in the appearance of clay dishes of types III–V in the territory of the Baraba and Irtysh Basin. Connection between the local and imported products is indicated by the traces of their similar use. From the 3rd c. BC, scarce altars of type I could make their way into the Sargatka context as a result of close contacts with the population of the Upper Ob Basin, among whom these objects were widespread up until the 3rd–2nd cc. BC. The appearance of type III stone altars and type VI clay dishes in the complexes of the Sargatka Culture of the Tobol and Irtysh Ba-sins in the 5th–4th and 4th–3rd cc. BC might have been caused by the migration of a small group of nomads of the Southern Urals, or by close contacts with the population of the Gorokhovo Culture. Type V altars also were bor-rowed from the bearers of the Gorokhovo Culture. Their appearance may indicate the process of assimilation of the newly arrived Sargatka population in the Tobol Basin. In the 4th c. BC, clay dishes of type I appeared in the Irtysh Basin. From the 3rd c. BC, as a result of the intensification of contacts between the local population and nomads of the Sarmatian origin, these products became more widespread, while ceramic censers and clay dishes of type II also appeared.
这篇论文涉及了早期铁器时代萨尔加特卡文化遗址的石坛、粘土盘和香炉。对它们的形态特征进行了分析,以及形式变化的动态,它们在墓葬中沉积的背景,以及它们的使用细节。结果,澄清了这些产品出现在托波尔-额尔齐斯和巴拉巴地区(西伯利亚西部)森林草原地带的原因,并追踪了它们在该地区的后续分布。I、II和IV型石坛在公元前5 - 4世纪开始出现在额尔齐斯河盆地和巴拉巴地区,这是萨卡人迁徙的结果。由于托博尔-额尔吉斯人社区与乌拉尔-哈萨克斯坦草原的游牧民族的相互作用,萨尔加特卡人口的宗教和神话观点发生了转变,导致出现了需要小型石坛进行表演的新仪式,因此当地社区对这些产品的需求日益增长。然而,到公元前4世纪,由于早期萨卡文化的衰落,哈萨克斯坦中心的祭坛生产停止了。从那时起,萨尔加特卡文化的人口开始用石头制作小型I型祭坛的本地复制品,尽管由于缺乏砂岩露头,萨尔加特卡地区的生产很困难,这有助于使用更容易获得的材料-粘土,这反映在巴拉巴和伊尔齐斯盆地地区III-V型粘土盘的出现。本地产品和进口产品之间的联系是通过它们相似用途的痕迹来表明的。从公元前3世纪开始,由于与上鄂盆地居民的密切接触,稀缺的I型祭坛可以进入萨尔加特卡的环境,直到公元前3 - 2世纪,这些物品在他们中间普遍存在。公元前5 - 4世纪和公元前4 - 3世纪,托博尔和额尔齐斯巴辛斯的萨尔加特卡文化复合体中出现了III型石坛和VI型粘土盘,这可能是由乌拉尔南部一小群游牧民族的迁移造成的,或者是与Gorokhovo文化人口的密切接触造成的。V型祭坛也是从Gorokhovo文化的承担者那里借来的。它们的出现可能表明了托博尔盆地新来的萨尔加特人的同化过程。公元前4世纪,额尔齐斯盆地出现了I型粘土盘。从公元前3世纪开始,由于当地居民与萨尔马提亚游牧民族之间联系的加强,这些产品变得更加广泛,同时也出现了陶瓷香炉和粘土盘。
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引用次数: 0
Analysis of the shapes of clay vessels from the Chekanovsky Log-2 burial ground of the An-dronovo (Fedorovo) Culture in the foothills of Altai 阿尔泰山麓费多罗沃文化Chekanovsky Log-2墓地粘土器皿形状分析
Q3 Arts and Humanities Pub Date : 2023-03-15 DOI: 10.20874/2071-0437-2023-60-1-3
I. Savko, P. Kholoshin, M. Demin, S. Sitnikov
The shapes of 32 vessels from the burials of Chekanovsky Log-2 cemetery were examined by a technique applied within the historical-and-cultural approach to study pottery shapes. The analysis was carried out at the levels of general proportionality of the shape, its natural structure, and the formedness of the functional parts. The aim of the study was to characterize the pottery traditions of the Andronovo population in terms of pottery shaping and to clarify their cultural dynamics. As the result, two mass traditions were identified, manifested by vessels of similar overall proportionality (35–36 degrees) but of two different structural types: ‘Lip+Neck+Pre-Shoulder+ Body+Body Base’ (5 parts) and ‘Lip+Pre-Shoulder+Body+Body Base’ (4 parts). Comparative analysis of the ves-sels from two excavated sections of the burial ground (northern and southern), making use of the information about other morphological features of the vessels (decoration and surface treatment), as well as about the speci-fics of the burial ritual, enabled revealing the dynamics in the development of the considered pottery traditions and the cultural composition of the population that used the burial ground. It appears that the vessels of 5-part shapes with a fully formed body and a more pronounced neck tend to the classical Andronovo (Fedorovo) period. They are characterized by burnished surface and ornamentation with fine-toothed stamps in a variety of geometric mo-tifs. The vessels of these shapes prevail in the burials of the northern dig, which demonstrated considerable cul-tural homogeneity. The vessels of 5-part shapes with a partly-formed body and a lower neck, along with 4-part shapes, probably became more widespread in the Late Fedorovo period. These items were less thoroughly bur-nished, but, more often, smoothed, with simplified ornamentation applied with a coarse-toothed or smooth stamp. These traditions are represented to a greater extent in the southern dig, which, in addition, appeared to be not so homogeneous due to the distribution of squater pots of various structures. This peculiarity may attest to the in-creasing complexity of the cultural composition of the population and intensification of cultural contacts at the late stage of the burial ground.
切坎诺夫斯基Log-2墓地的32个墓葬容器的形状被一种应用于研究陶器形状的历史和文化方法的技术所检验。分析是在形状的一般比例,其自然结构和功能部分的形式的水平上进行的。这项研究的目的是描述安德罗诺沃人在陶器成型方面的陶器传统,并阐明他们的文化动态。结果,确定了两种传统的人群,表现为总体比例相似(35-36度)的血管,但有两种不同的结构类型:“嘴唇+脖子+前肩+身体+身体基础”(5个部分)和“嘴唇+前肩+身体+身体基础”(4个部分)。对两个出土墓区(北部和南部)的器皿进行对比分析,利用有关容器的其他形态特征(装饰和表面处理)以及有关埋葬仪式的具体信息,揭示了被认为是陶器传统的发展动态以及使用墓区的人口的文化构成。这些血管由五部分组成,具有完全成形的身体和更明显的颈部,似乎倾向于古典的安德罗诺沃(费多诺沃)时期。它们的特点是表面光滑,装饰有各种几何图案的细齿邮票。这些形状的容器在北部挖掘的墓葬中普遍存在,这表明了相当大的文化同质性。在费多罗沃晚期,五分形的血管与部分形成的身体和较低的颈部,以及四分形的血管可能变得更加普遍。这些物品没有经过彻底的抛光,但更多时候是光滑的,用粗糙的齿或光滑的印章进行简化的装饰。这些传统在南方的挖掘中得到了更大程度的体现,此外,由于各种结构的方形罐的分布,南方的挖掘似乎不那么均匀。这一特点可能证明了人口文化构成的日益复杂,以及墓葬后期文化接触的加强。
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引用次数: 0
The weapon complex of the Northern Altai population in the Xianbei period (on materials from the necropolis of Karban-I) 鲜卑时期阿尔泰北部人口的武器综合体(基于卡尔班一号墓地资料)
Q3 Arts and Humanities Pub Date : 2023-03-15 DOI: 10.20874/2071-0437-2023-60-1-6
N. Seregin, M. Demin, S. Matrenin
The paper is aimed at introducing into the scientific discourse and complex interpretation of the weapon items discovered during excavations of the sites of the Bulan-Koby archaeological culture of the Karban-I ne-cropolis. This site, which comprises a series of burial mounds of the Great Migration Period, was partially investi-gated by the expedition of Barnaul State Pedagogical Institute in 1989–1990. The complex is located on the left bank of the Katun River, 1.7 km north-west of Kuyus village, in Chemalsky District of the Altai Republic. Weapons were found in five undisturbed male burials of the Xianbei period (mounds № 9, 11, 14, 33, 39). The finds ana-lyzed include long-range and close-range weapons: five compound bows; 14 iron arrowheads; four iron combat knives; and one dagger. Morphological analysis and classification of the objects, as well as their comparison with known artefacts of the last quarter of the 1st mil. BC — the first half of the 1st mil. AD from the sites of Central, Inner, and North Asia became the basis for conclusions concerning the determination of the dating of the pro-ducts. It has been found that the complex of weapons of the nomads who built the necropolis of the Bulan-Koby Culture at the mouth of the Karban River, was aimed at efficient countering of a lightly protected enemy and was appropriate for light cavalry and infantry. It includes both the already well-known (Xiungny) and new (local) modifi-cations of the offensive weapons. In terms of its diversity and level of development, this set of weaponry was sig-nificantly inferior to the military arsenals of the Xiongnu and Xianbei periods, as well as that of the population of the Bulan-Koby Culture of the late 3rd — 5th c. AD. The body of the conclusions made permits it to assume that the considered corpus of weapons reflects the initial stage of the evolution of the armament of the Altai population in the first half of the 1st mil. AD. The published materials expand the source base for the study of warfare of the population of Northern Altai in the Xianbei period. The obtained results of the chronological interpretation of diffe-rent categories of weapons can be used to refine the periodization of the sites of the Belo-Bom stage (2nd — 1st half of the 4th c. AD) of the Bulan-Koby Culture.
本文旨在介绍在卡尔班-尼-克罗波利斯的Bulan-Koby考古文化遗址发掘过程中发现的武器物品的科学话语和复杂解释。该遗址由大迁徙时期的一系列墓地组成,1989-1990年,巴尔瑙尔国立教育研究所的探险队对该遗址进行了部分调查。该综合体位于阿尔泰共和国Chemalsky区的Katun河左岸,距Kuyus村西北1.7公里。在鲜卑时期的五个未被破坏的男性墓葬中发现了武器(土墩号9、11、14、33、39)。分析的发现包括远程和近距离武器:五个复合弓;铁箭头14个;四把铁制作战刀;还有一把匕首。这些物品的形态分析和分类,以及它们与来自中亚、内亚和北亚遗址的公元前1世纪上半叶至公元前1世纪上半叶的已知人工制品的比较,成为确定产品年代的结论的基础。在卡尔班河口建造布兰-科比文化墓地的游牧民族的武器组合被发现是为了有效地对抗缺乏保护的敌人,适合轻骑兵和步兵使用。它包括已经众所周知的(匈尼)和新的(本地)修改的进攻性武器。就其多样性和发展水平而言,这套武器装备明显不如匈奴和鲜卑时期的军事武器库,也不如公元3世纪末至5世纪的布兰-科比文化人口。所作结论的主体允许假定所考虑的武器种类反映了公元1世纪上半叶阿尔泰人口武器发展的初始阶段。出版的资料为鲜卑时期阿尔泰北部人口战争的研究扩大了来源基础。对不同种类武器的年代解释所获得的结果可用于细化布兰-科比文化贝罗-博恩阶段(公元4世纪下半叶-上半叶)遗址的年代划分。
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引用次数: 0
“Field Journals” of ethnologist R.G. Kuzeev: archaeographic and source-study characteristics 民族学家R.G.库泽耶夫的“田野期刊”:考古和来源研究特征
Q3 Arts and Humanities Pub Date : 2023-03-15 DOI: 10.20874/2071-0437-2023-60-1-18
R. Sadikov
The process of rapid development of the ethnological research, taking place currently, necessitated the search for new sources. Among them, of a great value are the records from expeditions of researchers of the past, which bear witness to the ethnographic realities of the respective time. From this point of view, the field notes (notebooks and journals) of Rail Gumerovich Kuzeev (1929–2005) — an outstanding Russian ethnologist, founder of the ethnographic sciences in Bashkortostan, who greatly contributed to the development of the problems of ethnogenesis and ethnic history of the Bashkirs and other Turkic peoples,— have priceless scientific value. The field records from the expeditions of the scientist in 1953–1982 to all major ethnographic and local groups of the Bashkirs are now reposited in the Scientific Archive of the Ufa Federal Research Center of the Russian Academy of Sciences. The notes are made in special notebooks issued by the Academy of Sciences of the USSR for documenting materials of expeditions. In addition to the text (narration of observations, description of ethnographic objects and phenomena, transcripts of conversations with informants, etc.), they also contain many graphic representations (drawings, plans, diagrams). The notes and drawings are made in ink and pencil; in the latest documents, with a ballpoint pen. The aim of the work is to identify their archaeographic features and source-study value (ethnographic and historical evidence, methodology of the scholar's fieldwork). The textual analysis of R.G. Kuzeyev's field notes showed that they captured unique information on the history and ethnography of the Bashkir people, concerning ethnogenesis, migration, tribal structure, ancestral symbols, genealogies, social organization, land ownership, arts and crafts, clothing and ornaments, dwelling, economic activities and trades, traditional festivals and ceremonies, and toponyms. From the source-study perspective, they are of obvious interest to the ethnologists, ethnographers, and socio-cultural anthropologists, as well as to the folklorists (they contain texts of many historical and toponymic legends and tales), archaeologists, especially those dealing with the ‘archaeology of the modern period’ (there is information about old Bashkir settlements, summer camps, abandoned cemeteries), local historians and genealogists (information about history of the settlements, generation lists), etc.
当前民族学研究的快速发展要求民族学研究必须寻找新的来源。其中,具有重要价值的是过去研究人员的考察记录,这些记录见证了各自时代的民族志现实。从这个角度来看,Rail Gumerovich Kuzeev(1929-2005)的现场笔记(笔记本和日志)具有无价的科学价值。他是一位杰出的俄罗斯民族学家,是巴什科尔托斯坦民族志科学的创始人,对巴什基尔人和其他突厥民族的民族发生和民族历史问题的发展做出了巨大贡献。科学家在1953-1982年对巴什基尔所有主要人种学和地方群体的实地考察记录现在重新存放在俄罗斯科学院乌法联邦研究中心的科学档案中。这些笔记是在苏联科学院为记录考察资料而发行的特别笔记本上记录的。除了文字(观察的叙述,对民族志对象和现象的描述,与线人的对话记录等)之外,它们还包含许多图形表示(图纸,计划,图表)。笔记和图画是用墨水和铅笔做的;在最新的文件中,用的是圆珠笔。这项工作的目的是确定它们的考古特征和来源研究价值(人种学和历史证据,学者实地调查的方法)。对R.G.库泽耶夫野外笔记的文本分析表明,它们捕捉到了关于巴什基尔人的历史和民族志的独特信息,包括民族起源、迁徙、部落结构、祖先符号、家谱、社会组织、土地所有权、艺术和手工艺、服装和装饰品、住所、经济活动和贸易、传统节日和仪式以及地名。从来源研究的角度来看,它们显然对民族学家、民族志学家、社会文化人类学家、民俗学家(它们包含许多历史和地名传说和故事的文本)、考古学家(特别是那些处理“现代考古学”的考古学家)、当地历史学家和家谱学家(关于定居点历史的信息、夏令营、废弃的墓地)、生成列表),等等。
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引用次数: 0
A.B. Anokhin's letter “On shamanism among the Altai tribes” A.B. Anokhin的信《论阿尔泰部落的萨满教》
Q3 Arts and Humanities Pub Date : 2023-03-15 DOI: 10.20874/2071-0437-2023-60-1-16
A. Malinov
The paper is dedicated to Andrey Viktorovich Anokhin, a renowned scholar of shamanism of the Turkic peoples of Siberia. The paper precedes publication of A.V. Anokhin's letter to ethnographer Lev Yakovlevich Sternberg discovered in the St. Petersburg Branch of the Archive of RAS. The main subject of the letter is female characters-deities in Altai shamanism, with whom Kam enters into an intimate relationship. Anokhin elaborates on this subject using examples primarily from Teleut shamanism, and only briefly mentions shamanic practices of the Shorians, Kumandins, and other peoples of Southern Siberia. Anokhin's material is supplemented by information from his unpublished “Report on Teleut Shamanism” (1912) and his article “The Soul and Its Properties in the Perception of the Teleuts” (1929). In particular, information is given about female deities residing in the fourth celestial sphere (kat); Enem-Jajuchy — the Mother of the Creator; daughters of Eligeni, dwelling on the fourteenth celestial sphere (kat); and about female ancestors worshipped by the Teleuts. The letter of Anokhin was written during a school expedition led by him in the Teleut village of Cherga in the Altai Mountains. In the letter itself, Anokhin gave details of the female characters inhabiting the third, fourth, seventh, and fourteenth celestial spheres (kat). It is noted that in the beginning of the research work initiated by G.N. Potanin, Anokhin started recording Turkic and Mongolian folklore in Southern Siberia and Mongolia, but the Russian Committee for the Study of Central and Eastern Asia of the Imperial Academy of Sciences, which funded the expedition, was interested in the study of shamanistic cult. For this reason, shamanism of the Turkic peoples of the Altai, including the Teleuts, became the main direction of Anokhin's research. The letter by Anokhin is a fragment of the correspondence between the two scientists, partly already published, that started in connection with publication of Anokhin's main work “Materials on Shamanism of the Altaians” (1924). The letter by Anokhin coincides with the publication of the book and represents the answer to a question of L.Y. Sternberg probably posed during the preparation of this publication.
这篇论文是献给安德烈·维克托罗维奇·阿诺欣的,他是西伯利亚突厥民族萨满教的著名学者。这篇论文是在俄罗斯科学院档案馆圣彼得堡分馆发现的阿诺欣写给民族志学家列弗·雅科夫莱维奇·斯滕伯格的信发表之前发表的。这封信的主要主题是阿尔泰萨满教中的女性角色——神,与他们建立了亲密的关系。Anokhin详细阐述了这个主题,主要使用特留特萨满教的例子,只是简单地提到了Shorians, Kumandins和西伯利亚南部其他民族的萨满教实践。阿诺欣的资料还补充了他未发表的《特留特人萨满教报告》(1912)和他的文章《特留特人感知中的灵魂及其属性》(1929)。特别是关于居住在第四天界(kat)的女性神灵的信息;enm - jajuchy——造物主之母;艾利格尼的女儿们,居住在第十四天球(kat);以及特留特人崇拜的女性祖先。阿诺欣的这封信是他在阿尔泰山脉的切尔加特柳特村带领学校远征时写的。在信中,Anokhin详细描述了居住在第三、第四、第七和第十四天球(kat)的女性角色。值得注意的是,在G.N.波塔宁发起的研究工作开始时,阿诺钦开始记录西伯利亚南部和蒙古的突厥和蒙古民间传说,但资助这次探险的帝国科学院的俄罗斯中亚和东亚研究委员会对萨满教的研究感兴趣。因此,包括特留特人在内的阿尔泰突厥民族的萨满教成为阿诺欣研究的主要方向。阿诺欣的这封信是两位科学家之间通信的片段,其中一部分已经出版,开始于阿诺欣的主要著作《阿尔泰萨满教材料》(1924年)的出版。Anokhin的信与这本书的出版时间一致,代表了L.Y. Sternberg可能在准备这本书时提出的问题的答案。
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Vestnik Archeologii, Antropologii i Etnografii
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