Pub Date : 2022-05-01DOI: 10.1215/21582025-9710552
D. Dewan
This editor's introduction to the issue explores the instability of photography as a material object and as a concept and how photography in and of the geopolitical imaginary of Asia expands notions of the photographic.
{"title":"“Photography”: An Introduction","authors":"D. Dewan","doi":"10.1215/21582025-9710552","DOIUrl":"https://doi.org/10.1215/21582025-9710552","url":null,"abstract":"\u0000 This editor's introduction to the issue explores the instability of photography as a material object and as a concept and how photography in and of the geopolitical imaginary of Asia expands notions of the photographic.","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"369 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123484066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.1215/21582025-9710572
Rahul Sharma
This article examines the photographic paper and the colorant in an album of hand-colored photographs made in Japan and explores the interconnectedness between industry and the arts. To do so, it looks at the historical discourse over hand-coloring materials and follows the chain of manufacture for albumen paper in Europe, comparing both to the material evidence in the album. By doing so, this article shows that the networks of information transfer, labor, and capital worked in tandem to create the conditions of production for the photographs.
{"title":"Daubing Titipu: Transnational Material Contexts of Nineteenth-Century Hand-Colored Photography in Japan","authors":"Rahul Sharma","doi":"10.1215/21582025-9710572","DOIUrl":"https://doi.org/10.1215/21582025-9710572","url":null,"abstract":"\u0000 This article examines the photographic paper and the colorant in an album of hand-colored photographs made in Japan and explores the interconnectedness between industry and the arts. To do so, it looks at the historical discourse over hand-coloring materials and follows the chain of manufacture for albumen paper in Europe, comparing both to the material evidence in the album. By doing so, this article shows that the networks of information transfer, labor, and capital worked in tandem to create the conditions of production for the photographs.","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130986405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.1215/21582025-9710592
Özge Baykan Calafato
This portfolio looks at photographic self-representations of Turkish citizens of a newly established nation-state from the 1920s until the 1940s. The article explores the ways in which modern Turkish women and men performed their interpretation of the photogenic in photographic self-representations and how these self-representations negotiated the Kemalists' idea of modern citizenship in the early republican era. The desired selves performed in vernacular photographs were influenced not only by the Kemalist revolution but also by class aspirations of the citizens and wider sociocultural developments of the time. In addition, this portfolio reveals some of the complex circulation networks for photographic exchanges, as also suggested by inscriptions produced at the time, contributing to a deeper understanding as to how people constructed their interpretation of the photographic.
{"title":"Toward Understanding the Photogenic New Citizen: Performance in Vernacular Photography from the Early Turkish Republic, 1920s–1940s","authors":"Özge Baykan Calafato","doi":"10.1215/21582025-9710592","DOIUrl":"https://doi.org/10.1215/21582025-9710592","url":null,"abstract":"\u0000 This portfolio looks at photographic self-representations of Turkish citizens of a newly established nation-state from the 1920s until the 1940s. The article explores the ways in which modern Turkish women and men performed their interpretation of the photogenic in photographic self-representations and how these self-representations negotiated the Kemalists' idea of modern citizenship in the early republican era. The desired selves performed in vernacular photographs were influenced not only by the Kemalist revolution but also by class aspirations of the citizens and wider sociocultural developments of the time. In addition, this portfolio reveals some of the complex circulation networks for photographic exchanges, as also suggested by inscriptions produced at the time, contributing to a deeper understanding as to how people constructed their interpretation of the photographic.","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126450225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-202
Leilana Harris
{"title":"Two Leaves and a Bud: Tea and The Body Through a Colonial Lens","authors":"Leilana Harris","doi":"10.1215/215820251_11-2-202","DOIUrl":"https://doi.org/10.1215/215820251_11-2-202","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117297731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-206
Yingcai Su
{"title":"The Making of “Henri Cartier-Bresson: China 1948-1949, 1958”","authors":"Yingcai Su","doi":"10.1215/215820251_11-2-206","DOIUrl":"https://doi.org/10.1215/215820251_11-2-206","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134407133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-205
Jun Zubillaga-Pow
{"title":"Why Trans People Stand: The Performance of Postcoloniality and Power in Portraiture","authors":"Jun Zubillaga-Pow","doi":"10.1215/215820251_11-2-205","DOIUrl":"https://doi.org/10.1215/215820251_11-2-205","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121944826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-201
Yi Gu
{"title":"“Asia”: An Introduction","authors":"Yi Gu","doi":"10.1215/215820251_11-2-201","DOIUrl":"https://doi.org/10.1215/215820251_11-2-201","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133894273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-208
Yoshikai Kai
{"title":"Kaneko Ryūichi and the History of Japanese Photography","authors":"Yoshikai Kai","doi":"10.1215/215820251_11-2-208","DOIUrl":"https://doi.org/10.1215/215820251_11-2-208","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121233352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-204
Li-hsin Kuo
{"title":"Photojournalism and Social Movement as “Theatre”: A Critical Reading of “The Sunflower Movement” Photographs","authors":"Li-hsin Kuo","doi":"10.1215/215820251_11-2-204","DOIUrl":"https://doi.org/10.1215/215820251_11-2-204","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134132871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-21DOI: 10.1215/215820251_11-2-207
Yongquan Jin
{"title":"Cartier-Bresson is Here","authors":"Yongquan Jin","doi":"10.1215/215820251_11-2-207","DOIUrl":"https://doi.org/10.1215/215820251_11-2-207","url":null,"abstract":"","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131125613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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