Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1951121
A. Pardo
Abstract During his pontificate (1978‒2005), John Paul II always approached cinema in a positive way, different from the reluctance that, generally speaking and with nuances, the Catholic Church initially manifested towards it. Aware of the powerful influence the film medium has as agent of socialization and culturalization, John Paul II poses the ethical challenge of using film’s great potential to promote man and society. Analysing extensively Pope Wojtyła’s statements on cinema, this article identifies and systematically presents their main ethical ideas. John Paul II expresses a positive vision of the cinematographic medium. His teaching combines respect and admiration with critical analysis, trust with warnings, the defense of freedom with the call to social responsibility for film industry professionals as well as for viewers. The results of this first systematic research on John Paul II’s magisterium may open the way to future studies on the relationship between cinema and society, also on the links between the transcendentals of being (beauty, truth, goodness) and the artistic, socio-cultural and industrial approaches to cinema.
{"title":"Promoting culture and spirituality in an audiovisual society: Pope Saint John Paul II’s teachings on cinema","authors":"A. Pardo","doi":"10.1080/23753234.2021.1951121","DOIUrl":"https://doi.org/10.1080/23753234.2021.1951121","url":null,"abstract":"Abstract During his pontificate (1978‒2005), John Paul II always approached cinema in a positive way, different from the reluctance that, generally speaking and with nuances, the Catholic Church initially manifested towards it. Aware of the powerful influence the film medium has as agent of socialization and culturalization, John Paul II poses the ethical challenge of using film’s great potential to promote man and society. Analysing extensively Pope Wojtyła’s statements on cinema, this article identifies and systematically presents their main ethical ideas. John Paul II expresses a positive vision of the cinematographic medium. His teaching combines respect and admiration with critical analysis, trust with warnings, the defense of freedom with the call to social responsibility for film industry professionals as well as for viewers. The results of this first systematic research on John Paul II’s magisterium may open the way to future studies on the relationship between cinema and society, also on the links between the transcendentals of being (beauty, truth, goodness) and the artistic, socio-cultural and industrial approaches to cinema.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"194 - 222"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42014545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1967177
Yago de la Cierva, Samanta Rico Méndez, Paulina Guzik
Abstract In 2020, a Latin American university with a Catholic ethos suffered a crisis when the content of an online class on bioethics regarding homosexuality was posted on Twitter. This communications case study – in which names have been altered to protect confidentiality – describes the objective and subjective circumstances of the case, how the problem evolved, how different stakeholders reacted, and what the University did in order to cope with the crisis. It also narrates what the University did in the post-crisis period to prevent something similar from happening again. The study concludes with a brief analysis of the main takeaways that this case could offer to University authorities and, in general, to managers and communicators in Church-related institutions.
{"title":"A university crisis provoked by an online class: a communications case study on a social media turbulence","authors":"Yago de la Cierva, Samanta Rico Méndez, Paulina Guzik","doi":"10.1080/23753234.2021.1967177","DOIUrl":"https://doi.org/10.1080/23753234.2021.1967177","url":null,"abstract":"Abstract In 2020, a Latin American university with a Catholic ethos suffered a crisis when the content of an online class on bioethics regarding homosexuality was posted on Twitter. This communications case study – in which names have been altered to protect confidentiality – describes the objective and subjective circumstances of the case, how the problem evolved, how different stakeholders reacted, and what the University did in order to cope with the crisis. It also narrates what the University did in the post-crisis period to prevent something similar from happening again. The study concludes with a brief analysis of the main takeaways that this case could offer to University authorities and, in general, to managers and communicators in Church-related institutions.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"327 - 359"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47325857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1945936
Francesco Petricone
To what extent can social media affect the knowledge of the truth and how much can it fabricate truth? That is the question that Gabriele Cosentino’s book ‘Social Media and The Post-Truth World – The Global Dynamics of Disinformation’ attempts to answer. It discusses the topic of post-truth from a global perspective. In the six chapters that comprise the text, including the final chapter, the author identifies and describes the post-truth world order (Chapter 1) to then examine in the following chapters examples that he considers emblematic of the global phenomenon of post-truth and of the global dynamics of disinformation. And so, throughout more than one hundred forty pages, Cosentino analyzes the Russian-directed operations in the United States (Chapter 2) to influence the 2016 presidential election. Chapter 3 discusses the so-called Pizzagate phenomenon and the Great Replacement theory in connection with conspiracy theories, and Chapter 4 analyzes the 2014 disinformation campaign that Syria and Russia launched against the search and rescue organization called the White Helmets. Finally, Chapter 5 discusses the current problem of violence against the Rohingya Muslims in Myanmar, fostered by Facebook’s controversial role in facilitating hate speech and disinformation in the country, as well as what happened in Brazil during the 2018 general election, by way of Bolsonaro.
社交媒体能在多大程度上影响人们对真相的认识，又能在多大程度上捏造真相?加布里埃尔·科森蒂诺(Gabriele Cosentino)的书《社交媒体和后真相世界——虚假信息的全球动态》(Social Media and the Post-Truth World - the Global Dynamics of Disinformation)试图回答这个问题。它从全球视角讨论了后真相的话题。在包含文本的六章中，包括最后一章，作者确定并描述了后真相世界秩序(第1章)，然后在接下来的章节中检查他认为象征后真相全球现象和虚假信息全球动态的例子。因此，在140多页的篇幅里，科森蒂诺分析了俄罗斯在美国指导的行动(第二章)，以影响2016年的总统选举。第3章讨论了所谓的披萨门现象和与阴谋论有关的大替代理论，第4章分析了2014年叙利亚和俄罗斯针对名为“白盔”的搜救组织发起的虚假信息运动。最后，第五章讨论了目前缅甸针对罗兴亚穆斯林的暴力问题，这是由于Facebook在促进该国仇恨言论和虚假信息方面的有争议作用，以及巴西在2018年大选期间通过博尔索纳罗发生的事情。
{"title":"Social Media and the Post-Truth World Order: The Global Dynamics of Disinformation","authors":"Francesco Petricone","doi":"10.1080/23753234.2021.1945936","DOIUrl":"https://doi.org/10.1080/23753234.2021.1945936","url":null,"abstract":"To what extent can social media affect the knowledge of the truth and how much can it fabricate truth? That is the question that Gabriele Cosentino’s book ‘Social Media and The Post-Truth World – The Global Dynamics of Disinformation’ attempts to answer. It discusses the topic of post-truth from a global perspective. In the six chapters that comprise the text, including the final chapter, the author identifies and describes the post-truth world order (Chapter 1) to then examine in the following chapters examples that he considers emblematic of the global phenomenon of post-truth and of the global dynamics of disinformation. And so, throughout more than one hundred forty pages, Cosentino analyzes the Russian-directed operations in the United States (Chapter 2) to influence the 2016 presidential election. Chapter 3 discusses the so-called Pizzagate phenomenon and the Great Replacement theory in connection with conspiracy theories, and Chapter 4 analyzes the 2014 disinformation campaign that Syria and Russia launched against the search and rescue organization called the White Helmets. Finally, Chapter 5 discusses the current problem of violence against the Rohingya Muslims in Myanmar, fostered by Facebook’s controversial role in facilitating hate speech and disinformation in the country, as well as what happened in Brazil during the 2018 general election, by way of Bolsonaro.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"408 - 411"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60111503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1969255
Cezary Kościelniak
{"title":"Benedikt XVI. Ein Leben [Benedict XVI, A Life]","authors":"Cezary Kościelniak","doi":"10.1080/23753234.2021.1969255","DOIUrl":"https://doi.org/10.1080/23753234.2021.1969255","url":null,"abstract":"","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"402 - 404"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42541064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1942104
Isabel Troconis
{"title":"Benedicto XVI. La biografía [Benedict XVI: The Biography]","authors":"Isabel Troconis","doi":"10.1080/23753234.2021.1942104","DOIUrl":"https://doi.org/10.1080/23753234.2021.1942104","url":null,"abstract":"","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"405 - 407"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46698153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1968769
Roustaveg Bibliothèque Gerome
Abstract The international press paid particular attention to Benedict XVI’s notes of 10 April 2019, on sexual abuse perpetrated by Catholic clergy. These notes are the personal thinking of the former Pope on the causes of the crisis and are entitled, ‘The Church and the scandal of sexual abuse’; their publication got the cover pages of the international press all over the world and drove criticism against the Pope Emeritus. Three news agencies, AFP, AP and Reuters, built up the narrative of the issue that was then reported by the international press, both secular and Catholic, which mostly uncritically assumed the biased reading of the issue presented. This research examines the media coverage of the issue in international English and French newspapers through a representative sample of 330 news items. The analysis focuses on the common places (topoi) and frames in the headlines/first paragraphs of news and editorial articles. Two hundred and thirty-eight of these news items (72% of those selected) did not even offer the link to the original notes. The case poses a question about the prejudices still hanging on in the mainstream newspapers about the figure of Ratzinger/Benedict XVI.
{"title":"The Notes of Benedict XVI on abuse by Catholic Clergy: an analysis of English and French media coverage in the international press","authors":"Roustaveg Bibliothèque Gerome","doi":"10.1080/23753234.2021.1968769","DOIUrl":"https://doi.org/10.1080/23753234.2021.1968769","url":null,"abstract":"Abstract The international press paid particular attention to Benedict XVI’s notes of 10 April 2019, on sexual abuse perpetrated by Catholic clergy. These notes are the personal thinking of the former Pope on the causes of the crisis and are entitled, ‘The Church and the scandal of sexual abuse’; their publication got the cover pages of the international press all over the world and drove criticism against the Pope Emeritus. Three news agencies, AFP, AP and Reuters, built up the narrative of the issue that was then reported by the international press, both secular and Catholic, which mostly uncritically assumed the biased reading of the issue presented. This research examines the media coverage of the issue in international English and French newspapers through a representative sample of 330 news items. The analysis focuses on the common places (topoi) and frames in the headlines/first paragraphs of news and editorial articles. Two hundred and thirty-eight of these news items (72% of those selected) did not even offer the link to the original notes. The case poses a question about the prejudices still hanging on in the mainstream newspapers about the figure of Ratzinger/Benedict XVI.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"285 - 310"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44877672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1964373
Jasbeer Musthafa Mamalipurath
Abstract Pope Francis has gained a title as ‘the Pope of Surprises’ for his unprecedented and unconventional papal narratives, personal viewpoints, and equally electrifying mediatised public appearances. One of these surprises was his videotaped appearance on TED. By adopting postsecularism as a conceptual framework, this study examines the dominant discursive features in Pope Francis’ TED Talks. Three main types of narrative features were found: emphasis on the postsecular solidarity between the religious and the secular, negotiating religious doctrinal engagement in public spheres, and finally, de-emphasising the papal magisterial authority. While the surface language of the Pope’s TED Talks operates in a postsecular inclusive discursive spirit, its ontological roots are nevertheless cemented in a Catholic epistemology and a faith-motivated claim for moral theology. The similarities between Christian sermons and TED’s communicative norms and practices make the Pope’s new rhetoric possible without excessive attenuation of the Catholic vocabulary.
{"title":"Postsecular rhetoric of the Pope: a discourse analysis of Pope Francis’ TED Talks","authors":"Jasbeer Musthafa Mamalipurath","doi":"10.1080/23753234.2021.1964373","DOIUrl":"https://doi.org/10.1080/23753234.2021.1964373","url":null,"abstract":"Abstract Pope Francis has gained a title as ‘the Pope of Surprises’ for his unprecedented and unconventional papal narratives, personal viewpoints, and equally electrifying mediatised public appearances. One of these surprises was his videotaped appearance on TED. By adopting postsecularism as a conceptual framework, this study examines the dominant discursive features in Pope Francis’ TED Talks. Three main types of narrative features were found: emphasis on the postsecular solidarity between the religious and the secular, negotiating religious doctrinal engagement in public spheres, and finally, de-emphasising the papal magisterial authority. While the surface language of the Pope’s TED Talks operates in a postsecular inclusive discursive spirit, its ontological roots are nevertheless cemented in a Catholic epistemology and a faith-motivated claim for moral theology. The similarities between Christian sermons and TED’s communicative norms and practices make the Pope’s new rhetoric possible without excessive attenuation of the Catholic vocabulary.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"250 - 266"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46369002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1957962
Judith I. Udechukwu
Abstract Research has well documented the evidence of the growth of prosperity gospel churches across the globe, but there is a dearth of studies that investigate the interface between culture and exploitative rhetoric among African prosperity gospel ministers. Examining the concept of making sacrificial offerings in the traditional African context, I theorize that culture has significant influence on the exploitative power of prosperity gospel ministers by the following considerations: the African tradition of consulting oracles for solution to spiritual and physical problems, the cultural practice of making sacrificial offerings to the gods in exchange for favor, and the poor socio-economic condition of many prosperity gospel adherents in Africa. This study highlights the use of the rhetoric of spiritual engagement and liberation for audience manipulation, examines the idea of the pure gift, proposes some ethical questions that should govern the prosperity movement, and underscores the need for scholarly engagement.
{"title":"Exploring the intersectionality of culture, sacrificial offering, and exploitative prosperity gospel rhetoric in Africa","authors":"Judith I. Udechukwu","doi":"10.1080/23753234.2021.1957962","DOIUrl":"https://doi.org/10.1080/23753234.2021.1957962","url":null,"abstract":"Abstract Research has well documented the evidence of the growth of prosperity gospel churches across the globe, but there is a dearth of studies that investigate the interface between culture and exploitative rhetoric among African prosperity gospel ministers. Examining the concept of making sacrificial offerings in the traditional African context, I theorize that culture has significant influence on the exploitative power of prosperity gospel ministers by the following considerations: the African tradition of consulting oracles for solution to spiritual and physical problems, the cultural practice of making sacrificial offerings to the gods in exchange for favor, and the poor socio-economic condition of many prosperity gospel adherents in Africa. This study highlights the use of the rhetoric of spiritual engagement and liberation for audience manipulation, examines the idea of the pure gift, proposes some ethical questions that should govern the prosperity movement, and underscores the need for scholarly engagement.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"267 - 284"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42188996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1960874
Antonio Sánchez-Escalonilla
Abstract The guilt-ridden character archetype is a recurring premise in Clint Eastwood’s cinema, recognizable in the inner conflicts of the protagonists of iconic titles, such as Unforgiven (1992), Mystic River (2003), Million Dollar Baby (2004) and Gran Torino (2008). According to Scott, Unforgiven marks the beginning of the filmmaker's authorship stage, where scenarios of diverse genres, such as road movie, war cinema or gangster plots introduce protagonists who coincide in their need for purification. This paper aims to explore the construction of characters carried out in the four titles aforementioned, by means of a script analysis methodology based on the dynamics of conflicts and on the classic concepts of hybris, hamartia and catharsis. This analysis points to a double purpose. On the one hand, it highlights the purification sought by the protagonists of Clint Eastwood and its relationship with the Christian moral context in which the characters arise, as Roche & Hösle notice. On the other hand the analysis points out the social extension of the concept of catharsis addressed by the filmmaker, especially critical when exposing the fragility of the American Dream and its modern traumas.
{"title":"Absolving the American guilt: forgiveness and purification in Clint Eastwood’s cinema","authors":"Antonio Sánchez-Escalonilla","doi":"10.1080/23753234.2021.1960874","DOIUrl":"https://doi.org/10.1080/23753234.2021.1960874","url":null,"abstract":"Abstract The guilt-ridden character archetype is a recurring premise in Clint Eastwood’s cinema, recognizable in the inner conflicts of the protagonists of iconic titles, such as Unforgiven (1992), Mystic River (2003), Million Dollar Baby (2004) and Gran Torino (2008). According to Scott, Unforgiven marks the beginning of the filmmaker's authorship stage, where scenarios of diverse genres, such as road movie, war cinema or gangster plots introduce protagonists who coincide in their need for purification. This paper aims to explore the construction of characters carried out in the four titles aforementioned, by means of a script analysis methodology based on the dynamics of conflicts and on the classic concepts of hybris, hamartia and catharsis. This analysis points to a double purpose. On the one hand, it highlights the purification sought by the protagonists of Clint Eastwood and its relationship with the Christian moral context in which the characters arise, as Roche & Hösle notice. On the other hand the analysis points out the social extension of the concept of catharsis addressed by the filmmaker, especially critical when exposing the fragility of the American Dream and its modern traumas.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"157 - 174"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43961125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/23753234.2021.1949364
Min-Hsiu Liao
Abstract This article regards museums of world religions as intersemiotic sites where the knowledge of individual religions as well as religion as a broad concept is socially constructed. It examines the role of verbal interpretations in co-constructing knowledge of religion with other visual and spatial semiotics. The case study is based on a comparison of the text panels and the display cases on Christianity in two museums: St Mungo Museum of Religious Life and Art (SMM) in Glasgow, and Museum of World Religions (MWR) in Taipei. The methodology combines the micro-level analysis of theme-rheme pattern in information progression, logical-semantic relations in verbal-visual interaction, and a pragmatic account of the two epistemic communities in which the museums are situated. The results suggest that through the interaction between the text panels, labels, and individual objects, each museum has construed its own material definition of religion. Specifically, Christianity is construed as a phenomenon perceived by Christians in SMM, whereas in MWR, the knowledge of Christianity develops from the holy scriptures.
{"title":"Christianity on display: a semiotic study of two museums of world religions (Glasgow, Taipei)","authors":"Min-Hsiu Liao","doi":"10.1080/23753234.2021.1949364","DOIUrl":"https://doi.org/10.1080/23753234.2021.1949364","url":null,"abstract":"Abstract This article regards museums of world religions as intersemiotic sites where the knowledge of individual religions as well as religion as a broad concept is socially constructed. It examines the role of verbal interpretations in co-constructing knowledge of religion with other visual and spatial semiotics. The case study is based on a comparison of the text panels and the display cases on Christianity in two museums: St Mungo Museum of Religious Life and Art (SMM) in Glasgow, and Museum of World Religions (MWR) in Taipei. The methodology combines the micro-level analysis of theme-rheme pattern in information progression, logical-semantic relations in verbal-visual interaction, and a pragmatic account of the two epistemic communities in which the museums are situated. The results suggest that through the interaction between the text panels, labels, and individual objects, each museum has construed its own material definition of religion. Specifically, Christianity is construed as a phenomenon perceived by Christians in SMM, whereas in MWR, the knowledge of Christianity develops from the holy scriptures.","PeriodicalId":36858,"journal":{"name":"Church, Communication and Culture","volume":"6 1","pages":"383 - 401"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47281364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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