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Journalists in media companies: Proposals for an anthropology of their work 媒体公司的记者:关于他们工作人类学的建议
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/23753234.2023.2170897
F. Pérez-Latre, C. Sádaba-Chalezquer, X. Bringué
Abstract The crisis triggered by the effects of Covid-19 has created a new context for work among journalists. High unemployment rates in Europe, particularly worrying among the youth, are yet another reason to think about working conditions in the media sector, which has been considered crucial to the health of democratic societies. The practice of communication professions has privileged activity, production, and fast publication, which now takes place in multiple media, mobile and social platforms. According to different research, distrust in media content seems to be growing. Is there a relationship between these two problems? Are there ways in line with the anthropology of work that could help to regain trust? The academic literature has studied the crisis of trust in institutions and has also explored the work of journalists. However, there are not many studies that bridge the structural crisis of trust in the media and the working conditions of professionals. This article seeks to contribute to alleviating this gap. It proposes three possible lines of argument to develop the anthropological keys to the work of journalists: a recovery of time, making research the working method; a primacy of audiences; and a need to stress the personal growth of professionals.
摘要新冠肺炎影响引发的危机为记者的工作创造了新的环境。欧洲的高失业率,尤其是年轻人的担忧,是考虑媒体部门工作条件的另一个原因,媒体部门被认为对民主社会的健康至关重要。传播职业的实践具有特权活动、制作和快速出版,现在这种活动在多个媒体、移动和社交平台上进行。根据不同的研究,对媒体内容的不信任似乎在增长。这两个问题之间有关系吗?有没有符合工作人类学的方法可以帮助重新获得信任?学术文献研究了对机构的信任危机,也探讨了记者的工作。然而,没有多少研究能够弥合对媒体信任和专业人员工作条件的结构性危机。这篇文章试图为缓解这一差距做出贡献。它提出了三条可能的论点,以发展记者工作的人类学钥匙:时间的恢复,使研究成为工作方法;受众至上;以及需要强调专业人员的个人成长。
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引用次数: 0
Using YouTube as a digital pulpit. The most influential Catholic youtubers in Spanish speaking countries: Who they are and how they communicate 利用YouTube作为数字讲坛。西班牙语国家最有影响力的天主教youtube用户:他们是谁,他们是如何交流的
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/23753234.2023.2174889
Carmen Fuente-Cobo, Luis Gutiérrez-de-Cabiedes, Ana Visiers Elizaincin
Abstract The communication of religious ideas has followed a path that is similar to the dissemination of other types of content. The Internet and social networks have enabled the appearance of new Catholic preachers with intense activity and a high number of followers on their channels. YouTube has been no exception to this communication trend. Some of the religious communicators who use this social network have in fact become the natural heirs to the former TV preachers, or televangelists. Others have adapted their religious discourse to the narratives of these channels, addressing young audiences who are familiar with the new languages. Still others have launched channels on YouTube in order to broaden the audience of their usual liturgical and clerical activities. They are the new influencers in the religious realm, capable of multiplying audiences, establishing dialogues with them, and generating engagement. This article shows the results of an analysis of the Spanish-speaking Catholic communicators with the largest number of followers on YouTube. Based on a sample of videos with the most views, conclusions have been drawn about profiles, followers, subjects, production, positioning, generating engagement, and relationships with audiences.
宗教思想的传播遵循着与其他类型内容传播相似的路径。互联网和社交网络使得活跃度高、追随者众多的新天主教传教士得以出现。YouTube也不例外。一些使用这个社交网络的宗教传播者实际上已经成为前电视布道者或电视布道者的自然继承人。其他人则将他们的宗教话语改编成这些频道的叙事,面向熟悉新语言的年轻观众。还有一些人在YouTube上开通了频道,以扩大他们日常礼仪和神职活动的受众。他们是宗教领域的新影响者,能够增加受众,与他们建立对话,并产生参与。本文显示了对YouTube上拥有最多粉丝的西班牙语天主教传播者的分析结果。根据观看次数最多的视频样本,得出了关于个人资料、关注者、主题、制作、定位、产生参与以及与观众关系的结论。
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引用次数: 0
Beauty and Life. Exploring the anthropology behind the fine arts 美丽与生活。探索美术背后的人类学
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2108471
T. Galanti
I believe that artists, like certain madmen, have within them the seed of a very distant memory, something that happened before all stories. Beauty is the spark of everything. I, here, believe that in certain men a memory is left, grainy, gone into the subconscious. These men look at everything as it really is, before the thing that happened, and that changed everything.
我相信,艺术家们,就像某些疯子一样,内心深处有一种遥远记忆的种子,一种发生在所有故事之前的东西。美是一切事物的火花。I、 在这里,相信在某些男人身上,一段记忆是模糊的,进入了潜意识。在事情发生之前,这些人看待一切,这改变了一切。
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引用次数: 0
Con la religión hemos dado, Sancho. Framing de la religión en editoriales de prensa de cuatro periódicos españoles 宗教给了我们,桑丘。四家西班牙报纸社论中的宗教框架
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2089902
Marc Carroggio
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引用次数: 0
Papi, Vaticano, comunicazione. Esperienze e riflessioni [Popes, Vatican, Communication. Experiences and Reflections] 教皇,梵蒂冈,通讯。[教皇,梵蒂冈,交流。经验与思考]
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2089187
Yago de la Cierva
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引用次数: 0
The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power 监视资本主义时代:在新的权力前沿为人类未来而战
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2086891
Cristian Mendoza
This book by Shoshana Zuboff, professor emeritus at Harvard Business School, can be counted among the studies that denounce the existence of social oppression of the individual. It is not difficult to suppose that the author seeks to free us from the institutional control exercised, in this case, by the Internet industry and social networks. The old books of political philosophy that proposed to free the individual from social institutions, as JeanJacques Rousseau and his disciples did in their day, also had a warning tone. Zuboff takes up this urgency a few centuries later to remind us that the use of digital tools is neither neutral nor innocuous, but responds to the economic design of those who own these tools. ‘The fact that what is called the technological development of modern times has been so largely oriented economically to profit-making is one of the fundamental facts of the history of technology’ (22). The social institutions of the digital world use and control us to obtain economic results, hence the title ‘surveillance capitalism’. ‘I consider surveillance capitalism’s operations as a challenge to the elementary right to the future tense, which accounts for the individual’s ability to imagine, intend, promise, and construct a future’ (25).
哈佛商学院名誉教授Shoshana Zuboff的这本书可以算作谴责个人社会压迫存在的研究之一。不难想象,作者试图将我们从互联网行业和社交网络的制度控制中解放出来。正如让·雅克·卢梭和他的弟子们当时所做的那样,那些提出将个人从社会制度中解放出来的政治哲学旧书也带有警告的语气。几个世纪后,祖博夫提出了这一紧迫性,提醒我们数字工具的使用既不是中立的,也不是无害的,而是对拥有这些工具的人的经济设计的回应。”所谓的现代技术发展在很大程度上以营利为经济导向,这是技术史的基本事实之一。数字世界的社会机构利用和控制我们来获得经济成果,因此被称为“监视资本主义”我认为监视资本主义的运作是对未来时态基本权利的挑战,未来时态解释了个人想象、意图、承诺和构建未来的能力”(25)。
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引用次数: 1
Cinema and human dignity: Pope Francis’s cinematic proposal and its relationship with filmic personalism 电影与人的尊严:教皇方济各的电影提议及其与电影人格主义的关系
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2104739
José-Alfredo Peris-Cancio, G. Marco
Abstract This article considers whether the Pope Francis’s proposal in his approach to cinema as a subject for reflection, i.e., as a suitable media for presenting ideas, can be related to an interpretation of the best cinema that highlights the dignity of the person, particularly the most fragile and defenceless, and which thereby helps us train our gaze on true humanity. To answer this question, the meaning of Hollywood’s ‘filmic personalism’ as a cinematic philosophy and its relationship with film studies will be analysed. Following from this, the cinematographic phenomenology of film studies of French personalism will be related to Hollywood’s film personalism to show that there are elements of deep convergence around defending cinema as an art that serves personal dignity, despite certain aspects of difference. This will be particularly visible in the interrelationship that can be traced between Italian neorealism and Hollywood filmic personalism, proving that neorealism was a form of personalism for some Italian writers. At the same time, we keep in mind that there are current expressions of filmic personalism. We conclude with solid arguments that are given to establish an approach between the cinematic proposal of Pope Francis and filmic personalism.
摘要本文认为,教皇方济各在将电影作为一个反思的主题,即作为一个展示思想的合适媒体的方法中提出的建议,是否可以与对最好的电影的解读有关,这种电影突出了人的尊严,尤其是最脆弱和最无助的人,从而帮助我们培养对真正人性的凝视。为了回答这个问题,我们将分析好莱坞“电影个人化”作为一种电影哲学的意义及其与电影研究的关系。据此,法国个人化电影研究的电影现象学将与好莱坞的电影个人化相关联,以表明尽管在某些方面存在差异,但在捍卫电影作为一种服务于个人尊严的艺术方面,存在着深刻的趋同因素。这一点在意大利新现实主义和好莱坞电影个人化之间的相互关系中尤为明显,证明了新现实主义是一些意大利作家的个人化形式。同时,我们要记住,电影个人化的表现形式是当下的。最后,我们提出了坚实的论据,以在教皇方济各的电影建议和电影个人化之间建立一种方法。
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引用次数: 0
Investigating the meaning of work: From allusive images to paradoxes 探究作品的意义:从影射意象到悖论
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2111972
Giorgio Faro
Abstract In this article I wish to shed light on the meaning of work, which contributes to a deep understanding of ourselves, our identity, our dignity, and our desire for happiness, by specifying some intrinsic virtues: industriousness, professionalism (both technical and moral), and the spirit of service. Two opposing interpretations are to be avoided: the merely functional, minimalist interpretation (Aristotelian in origin); and the emphatic, excessive interpretation of ‘workism’ (connected to the scientific revolution and scientism, as human dominance over nature through work). In the conclusion, I instead emphasize Aristotle, pointing out that, in work, all three dynamic dimensions of the human being that he theorized are included: alongside the productive dimension (poiesis), we in fact find the moral dimension (praxis) and the speculative dimension (theoria), which Aristotle (but not his successors) believed were implicated in every activity. This makes it possible to highlight the multifaceted semantics of work. I anticipate that I will often turn to fiction and to the extreme experiences of the gulags and concentration camps to make this essay more compelling.
在这篇文章中,我希望阐明工作的意义,它有助于深刻理解我们自己,我们的身份,我们的尊严,我们对幸福的渴望,具体说明一些内在的美德:勤奋,专业(技术和道德),以及服务精神。两种相反的解释是要避免的:仅仅是功能性的,极简主义的解释(亚里士多德的起源);以及对“工作主义”(与科学革命和科学主义有关,认为人类通过工作支配自然)的过分强调的解释。在结论中,我转而强调亚里士多德,指出在工作中,他理论化的人类的所有三个动态维度都包括在内:除了生产维度(poiesis),我们实际上还发现了道德维度(praxis)和思测维度(theoria),亚里士多德(但不是他的继任者)认为它们与每一种活动都有关联。这使得突出工作的多面语义成为可能。为了让这篇文章更引人注目,我预计我会经常求助于小说,以及古拉格和集中营的极端经历。
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引用次数: 0
Articulating the Church's story as legal defendant in abuse claims: Can the Magisterium help? 阐述教会在虐待指控中作为合法被告的故事:主教能帮忙吗?
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2111975
Joseph Lee
Abstract Catholic entities are being sued for personal injury compensation arising from sexual abuse perpetrated by church personnel. In some jurisdictions, the situation has deteriorated because of changes to the statute of limitations, the naming of an entity to sue, the setting aside of previous settlements, and abuse compensation law firms. Oftentimes there are overstated, doubtful or apparently false claims, and disturbing decisions. There is a feeling of being cornered with minimal prospects for change. How and what does the Church communicate when its predicament is frequently not ‘right and just?’ This article scrutinizes such powerlessness using the Magisterium of the Catholic Church on the truth of social communications. The Church insists on a proper understanding of truth and its uses. Despite the new adverse realities, the Church’s responses should communicate the truth in love. The article begins an analysis of various factors and recent changes causing the Church to find itself in a no-win situation. Next, several significant yet alternative perspectives are presented. Finally, there is an investigation of the magisterial teachings of the Catholic Church on the truth of social communications which offer a theological context to rethink the Church’s current circumstances.
摘要天主教实体因教会工作人员实施性虐待而被起诉,要求赔偿人身伤害。在一些司法管辖区,由于诉讼时效的修改、起诉实体的指定、撤销先前的和解以及滥用赔偿律师事务所,情况有所恶化。经常会有夸大、可疑或明显虚假的说法,以及令人不安的决定。有一种被困在角落里的感觉,改变的前景微乎其微。当教会的困境经常不“正确和公正”时,教会如何以及如何沟通这篇文章利用天主教会对社会传播真理的权威来审视这种无力感。教会坚持正确理解真理及其用途。尽管有新的不利现实,教会的回应应该传达爱的真理。文章首先分析了导致教会陷入双赢局面的各种因素和最近的变化。接下来,介绍了几个重要但可供选择的观点。最后,对天主教会关于社会交往真理的权威教义进行了调查,为重新思考教会的现状提供了神学背景。
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引用次数: 0
Colloquy with Juan José García-Noblejas on understanding communication from the perspective of Aristotle's Poetics 从亚里士多德的《诗学》看交际
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/23753234.2022.2111315
Enrique Fuster
Abstract In this interview we will explore García-Noblejas’ thought on public communication, which is deeply marked by his interpretation of Aristotle’s Poetics and influenced by some contemporary thinkers. For García-Noblejas, communication is a service and a form of practical knowledge with five dimensions: ethics, politics, rhetoric, aesthetics, and poetics. Poetics is the most important of these, since its symbolic perspective of the representation of human actions allows us to deeply understand the narrative and dramatic texts typical of journalism, advertising, and propaganda, as well as written and audiovisual fiction. Poetics is the art of creating “possible worlds” in which the reader/spectator recognizes himself (or herself) and with which he dialogues starting from his own identity. García-Noblejas defends public communication that is based on the gift of self and looks to community fruitfulness. He also discusses some frequent pathologies in the media. Finally, he proposes his theory of the Second Navigation to discern the meaning of a text and explains why it is necessary to give a transcendent meaning to the Aristotelian concept of catharsis.
摘要在本次访谈中,我们将探讨加西亚的公共传播思想,这一思想以他对亚里士多德诗学的阐释为深刻标志,并受到一些当代思想家的影响。对加西亚来说,沟通是一种服务,是一种实践知识的形式,具有五个维度:伦理、政治、修辞、美学和诗学。诗学是其中最重要的,因为它对人类行为表现的象征性视角使我们能够深入理解新闻、广告和宣传以及书面和视听小说中典型的叙事和戏剧文本。诗学是创造“可能世界”的艺术,读者/观众在其中认识自己,并从自己的身份开始与之对话。García-Noblejas为基于自我天赋的公共沟通辩护,并期待社区的成果。他还讨论了媒体上常见的一些病态现象。最后,他提出了他的第二导航理论来辨别文本的意义,并解释了为什么有必要赋予亚里士多德的宣泄概念一种超越意义。
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引用次数: 0
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Church, Communication and Culture
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