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Investigating Holocaust portrayal; a case study in a grade ten Ontario social studies course curriculum and advised textbook 调查大屠杀的描述;安大略省十年级社会研究课程和建议教材的个案研究
Q1 Arts and Humanities Pub Date : 2023-03-17 DOI: 10.1080/17504902.2023.2190644
Maya Gal
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引用次数: 0
Good: a harrowing insight into the ‘banality of evil’ 善:对“平庸的恶”的痛苦洞察
Q1 Arts and Humanities Pub Date : 2023-02-15 DOI: 10.1080/17504902.2023.2178701
D. Adamson
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引用次数: 0
To remember or not to remember? The Germans, National Socialism, and the Holocaust – a typology 记得还是不记得?德国人、国家社会主义和大屠杀——一种类型学
Q1 Arts and Humanities Pub Date : 2022-12-19 DOI: 10.1080/17504902.2022.2159175
Anke Fiedler
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引用次数: 1
Teacher decision making in teaching about the Holocaust through art 通过艺术进行大屠杀教学中的教师决策
Q1 Arts and Humanities Pub Date : 2022-12-12 DOI: 10.1080/17504902.2022.2156235
J. Bell, C. Schaffer, Kim Gangwish
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引用次数: 0
Holocaust memory and political legitimacy in contemporary Europe 大屠杀记忆与当代欧洲的政治合法性
Q1 Arts and Humanities Pub Date : 2022-11-02 DOI: 10.1080/17504902.2022.2116539
Jelena Subotić
ABSTRACT This article analyzes how Holocaust memory serves to consolidate political legitimacy in contemporary Europe. In the aftermath of communism, post-communist states performatively adopted the established Western memory canon while rejecting much of its focus on the uniqueness of Jewish suffering. Instead, they refocused the gaze on the suffering of non-Jewish national majorities. This approach provided cover and protection to Western governments, which have been reluctant to seriously address national mythologies that emphasize resistance and downplay complicity and collaboration in the Holocaust. Holocaust memory became decoupled from the Holocaust and is better understood through the prism of contemporary European politics.
本文分析了大屠杀记忆如何在当代欧洲巩固政治合法性。共产主义结束后,后共产主义国家在表演上采纳了既定的西方记忆经典,同时拒绝了它对犹太人苦难独特性的关注。相反,他们将目光重新聚焦在非犹太民族多数的苦难上。这种方法为西方政府提供了掩护和保护,西方政府一直不愿认真对待强调抵抗和淡化大屠杀同谋和合作的民族神话。大屠杀记忆与大屠杀脱钩,通过当代欧洲政治的棱镜可以更好地理解。
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引用次数: 3
Introduction to the issue: Coloniality and Holocaust memory in Central and Eastern Europe 问题导论:中欧和东欧的殖民和大屠杀记忆
Q1 Arts and Humanities Pub Date : 2022-11-02 DOI: 10.1080/17504902.2022.2116538
Emily-Rose Baker, Isabel Sawkins
ABSTRACT This introduction to the issue establishes the overlapping theoretical and historical context for the contributions to follow, including the enduring ideological separation of Holocaust memory in the European East and West and increased scholarly attention paid to issues of memorialization and colonialism within Holocaust studies. By attending to specific case studies of Central and Eastern European Holocaust literature, film, music, and memorials, the contributors to this issue illuminate memory cultures in the region that variously complicate – and at times overtly challenge – local state-sponsored revisionism of the Holocaust on the one hand, and the colonizing gaze of the West on the other.
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引用次数: 1
Holocaust testimony or ‘Soviet Epic’: Svetlana Alexievich’s polyphonic texts 大屠杀证词或“苏联史诗”:斯维特拉娜·阿列克谢耶维奇的复调文本
Q1 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1080/17504902.2022.2116542
Sue Vice
ABSTRACT This article examines the wartime fate of the Jews in Belarus as it is represented in Svetlana Alexievich's ‘documentary fiction’. It asks whether the Jewish experience, as reported by survivors, rescuers and bystanders, is presented as part of a broad Soviet history, or, as western readers might expect, as a central part of the Holocaust. The article considers whether this question can be addressed in literary terms by analysing Alexievich’s use of a wide range of social utterances in the composition of her works, to determine whether such polyphony gives expression to Jewish voices or erases their distinctiveness
本文考察了斯维特拉娜·阿列克谢耶维奇的“纪实小说”所代表的白俄罗斯犹太人的战时命运。它提出的问题是,幸存者、救援者和旁观者所描述的犹太人经历,是作为广泛的苏联历史的一部分,还是像西方读者可能期望的那样,作为大屠杀的核心部分。本文通过分析阿列克谢耶维奇在作品中广泛使用的社会话语,来考虑这个问题是否可以用文学术语来解决,以确定这种复调是表达了犹太人的声音还是消除了他们的独特性
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引用次数: 1
Decolonizing remembrance in Eastern Europe: commemorating the Holocaust in post-communist Romania 东欧非殖民化纪念:后共产主义罗马尼亚大屠杀纪念
Q1 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1080/17504902.2022.2116544
C. Levick
ABSTRACT Examination of regime changes in Eastern Europe reveals significant insights into the development of post-communist politics of memory and commemoration. It also allows for meaningful conversations about events that had been historically ignored or redefined by state narratives during communism, including the active involvement of Eastern European countries in the Holocaust. The Elie Wiesel Memorial House in Sighetu Marmației (2002) and the Holocaust Memorial in Bucharest (2009), both in Romania, will be analyzed within the larger framework of a current decolonial conceptualization of former Eastern European state socialist regimes, and their cultural and political experiences at the periphery of Europe.
对东欧政权更迭的考察揭示了对后共产主义记忆和纪念政治发展的重要见解。它还允许就共产主义时期被国家叙事历史上忽视或重新定义的事件进行有意义的对话,包括东欧国家积极参与大屠杀。位于罗马尼亚的Sighetu Marmației的Elie Wiesel纪念馆(2002年)和布加勒斯特的大屠杀纪念馆(2009年)将在当前前东欧国家社会主义政权的非殖民化概念及其在欧洲外围的文化和政治经历的大框架内进行分析。
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引用次数: 0
‘The barn is burning’: Polish popular music and memory of the Holocaust in the twenty-first century “谷仓在燃烧”:21世纪波兰流行音乐与大屠杀记忆
Q1 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1080/17504902.2022.2116546
Tomasz Łysak
ABSTRACT There are three important phenomena in the lyrics of popular Polish songs about the Holocaust. Firstly, there is local resistance to the conflation of the town of Oświęcim with the former Auschwitz-Birkenau concentration camp. Secondly, the memory of the Jedwabne pogrom is used as a yardstick for contemporary societal evils and to comment upon the chasm between conservative and liberal segments in Polish society. Thirdly, the Catholic pro-life movement juxtaposes abortion and the Holocaust. These songs were released after the publication of Jan T. Gross’s Neighbors (2000) but there is a disparity in how the genocidal past is treated.
波兰关于大屠杀的流行歌曲的歌词中有三个重要现象。首先,当地反对将Oświęcim镇与前奥斯威辛-比克瑙集中营合并。其次,对耶德瓦布内大屠杀的记忆被用作衡量当代社会罪恶的标准,并用来评论波兰社会中保守派和自由派之间的鸿沟。第三,天主教反堕胎运动将堕胎与大屠杀相提并论。这些歌曲是在简·t·格罗斯的《邻居》(2000)出版后发行的,但在如何对待种族灭绝的过去方面存在差异。
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引用次数: 0
Skirting the abyss: Eastern European space and the limits of German Holocaust memory 绕过深渊:东欧空间和德国大屠杀记忆的极限
Q1 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.1080/17504902.2022.2116545
Jenny Watson
ABSTRACT This article discusses some of the ambivalences that arise in Western efforts to represent Eastern Europe in the context of Holocaust memory. Focusing on German-language literature, I examine how tropes of boundlessness, violence and contamination derived from the pre-WWI colonialist vision of 'the East' reassert themselves in various eras of representation, including recent works inspired by contemporary historiography. While the embrace of 'discoveries' about the history of the Holocaust in Eastern Europe signals an appetite among the German-speaking public to do away with historical ignorance, these discursive continuities suggest that the appetite for alterity is undiminished. The adoption of the term “Bloodlands” from Timothy Snyder's book of the same name is a case study in how fresh perspectives on Holocaust history can be decontextualized and co-opted, contributing to an imaginary landscape that is remarkably unchanged in the German context.
摘要本文讨论了西方在大屠杀记忆背景下代表东欧的努力中出现的一些矛盾心理。以德语文学为中心,我研究了源自一战前殖民主义“东方”愿景的无边界、暴力和污染的比喻如何在不同的表现时代重新出现,包括受当代史学启发的近期作品。尽管对东欧大屠杀历史的“发现”的接受表明,讲德语的公众渴望摆脱历史上的无知,但这些话语的连续性表明,对矛盾的渴望并没有减弱。蒂莫西·斯奈德(Timothy Snyder)同名书中“血腥之地”一词的采用,是一个案例研究,说明如何对大屠杀历史的新观点进行去文本化和选择,从而形成一个在德国背景下显著不变的想象景观。
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引用次数: 1
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Holocaust Studies
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