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Buried Words: a forum on sexuality, violence and Holocaust testimonies 被埋葬的话语:一个关于性、暴力和大屠杀证词的论坛
Q1 Arts and Humanities Pub Date : 2021-05-15 DOI: 10.1080/17504902.2021.1894018
D. Bergen, Sara E. Brown, Stephanie Corazza, P. David, H. Greenspan, Sara R. Horowitz
ABSTRACT This Forum is a discussion among six contributors deeply familiar with the challenges of analyzing survivor testimony, each with a distinct methodological approach to the topic of sexual violence and the Holocaust. Topics addressed in the discussion include the challenges posed by studying survivor testimonies to learn about sexual violence, the theme of silence and how scholars can mitigate the role they play in reinforcing it, how gender as a category of analysis intersects with other approaches, considerations related to age and memory, and the role of the audience in shaping how survivors communicate their experiences. The Forum discussion grew out of a scholarly conference held in Toronto in October 2018, titled Buried Words: A Workshop on Sexuality, Violence and Holocaust Testimonies. The workshop was organized by the Azrieli Foundation’s Holocaust Survivor Memoirs Program and was inspired by its publication of several memoirs detailing experiences of sexual abuse and violence and other sexual encounters during the Holocaust, including Buried Words: The Diary of Molly Applebaum. This Forum features several of the participating scholars in conversation, addressing important questions that arose during the workshop.
摘要本论坛由六位对分析幸存者证词的挑战非常熟悉的贡献者组成,他们对性暴力和大屠杀的主题都有不同的方法论方法。讨论中涉及的主题包括研究幸存者证词以了解性暴力所带来的挑战、沉默的主题以及学者如何减轻他们在强化性暴力中所扮演的角色、性别作为一个分析类别如何与其他方法交叉、与年龄和记忆相关的考虑、,以及观众在塑造幸存者如何交流他们的经历方面的作用。论坛的讨论源于2018年10月在多伦多举行的一次学术会议,题为“被埋葬的话语:性、暴力和大屠杀证词研讨会”。该研讨会由Azrieli基金会的大屠杀幸存者回忆录计划组织,其灵感来源于该基金会出版的几本回忆录,详细描述了大屠杀期间的性虐待、暴力和其他性遭遇,包括《被埋葬的话语:莫莉·阿普尔鲍姆日记》。本次论坛邀请了几位与会学者进行对话,讨论了研讨会期间出现的重要问题。
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引用次数: 1
Sexual abuse, sexual barter, and silence 性虐待,性交易,以及沉默
Q1 Arts and Humanities Pub Date : 2021-05-15 DOI: 10.1080/17504902.2021.1893300
D. Dwork
ABSTRACT Until recently, silence has shrouded the experience of sexual abuse of and sexual barter by Jewish adolescent boys during the Holocaust. Nate Leipciger’s memoir, The Weight of Freedom, published by the Azrieli Foundation in 2015, offers a rare window onto a phenomenon singularly absent from young Jewish males’ narratives and scholarship about their lives. This paper investigates Leipciger’s memoir closely, exploring the at once abusive and beneficial sexual relationships that Nate describes. And it reflects upon the silence — survivors’ silence and scholars’ silence — around these interactions, examining the prompts for it and shifting interpretations over time.
摘要直到最近,大屠杀期间犹太少年遭受性虐待和性交易的经历一直笼罩在沉默之中。Nate Leipciger的回忆录《自由的重量》由Azrieli基金会于2015年出版,为了解一种现象提供了一个难得的窗口,这种现象在年轻犹太男性关于他们生活的叙述和学术中是罕见的。本文对莱普奇格的回忆录进行了深入的调查,探讨了内特所描述的虐待和有益的性关系。它反思了围绕这些互动的沉默——幸存者的沉默和学者的沉默,研究了这种互动的诱因,并随着时间的推移改变了解释。
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引用次数: 1
Holocaust Memory and Britain’s Religious-Secular Landscape: Politics, Sacrality, and Diversity 大屠杀记忆与英国宗教世俗景观:政治、道德和多样性
Q1 Arts and Humanities Pub Date : 2021-04-22 DOI: 10.1080/17504902.2021.1917146
Hannah Holtschneider
This is a timely study that adds much nuance and insight to the continued debates about the place of the Holocaust in British public discourse. Eight chapters structured into two parts take the rea...
这是一项及时的研究,为关于大屠杀在英国公共话语中地位的持续辩论增添了许多细微之处和见解。本文共分八章,分为两个部分。。。
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引用次数: 2
‘In any case, you believe him one hundred percent, everything he says.’ Trustworthiness in Holocaust survivor talks with high school students in Germany “无论如何,你百分之百地相信他所说的一切。大屠杀幸存者与德国高中生的对话
Q1 Arts and Humanities Pub Date : 2021-04-20 DOI: 10.1080/17504902.2021.1915016
A. Ballis, Lisa Schwendemann
ABSTRACT Our study will turn to one Jewish male Holocuast survivor who visited ten high schools in Germany from January to March 2020. Based on the results of empirical and theoretical considerations of testifying, a communicative model was considered appropriate for understanding the encounter. Of special concern was to what extent trustworthiness was constructed during these talks by students. A mixed methods approach was chosen, combining testimony analysis with empirical tools in social science. The result of the study points to the students’ trust in the survivor story, which is supported by the school institution and by the survivor’s narration, his rhetorical strategies, and his personality.
摘要我们的研究对象是一名犹太男性Holocuast幸存者,他于2020年1月至3月访问了德国的十所高中。基于作证的经验和理论考虑的结果,交际模式被认为是理解遭遇的合适模式。特别值得关注的是,学生们在这些讲座中建立了多大程度的可信度。选择了一种混合方法,将证词分析与社会科学中的实证工具相结合。研究结果表明,学生对幸存者故事的信任得到了学校制度、幸存者的叙述、他的修辞策略和他的个性的支持。
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引用次数: 3
Et in Ashkenazia ego: Utopias of the Holocaust? 等在阿什肯纳齐亚自我:大屠杀的乌托邦?
Q1 Arts and Humanities Pub Date : 2021-04-19 DOI: 10.1080/17504902.2021.1910438
A. Stähler
ABSTRACT This article interrogates examples of alternative histories in contemporary British Jewish writing which redraw and reinterpret the topography of the Holocaust. More specifically, it explores the tensions which arise in Clive Sinclair’s short story ‘Ashkenazia’ (1980) and Dan Jacobson’s novel The God-Fearer (1992) between notions of a Jewish heterotopia, the re-inscription of historical topographies, and the imaginary of the Holocaust. Set in an imaginary Jewish state, which is mapped onto the pre-existing Jewish topography of the loosely defined Ashkenaz of historical reality, both texts unfold alternative histories which, though imagined, nevertheless cannot un-think the historical occurrence of the Holocaust.
摘要本文探讨了当代英国犹太人写作中的另类历史的例子,这些历史重新描绘和解释了大屠杀的地形。更具体地说,它探讨了克莱夫·辛克莱(Clive Sinclair)的短篇小说《阿什肯纳齐亚》(Ashkenazia)(1980年)和丹·雅各布森(Dan Jacobson)的小说《上帝的恐惧者》(1992年)中出现的犹太异托邦概念、历史地形的重新铭文和大屠杀想象之间的紧张关系。这两部文本都以一个想象中的犹太国家为背景,映射到历史现实中定义松散的阿什肯纳兹的预先存在的犹太地形上,展开了另类历史,尽管这些历史是想象中的,但却无法想象大屠杀的历史发生。
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引用次数: 0
The era of the expert: dementia, remembrance, and jurisprudence in Atom Egoyan’s Remember (2015) 专家的时代:阿托姆·伊戈扬的《记忆》中的痴呆、记忆与法理学
Q1 Arts and Humanities Pub Date : 2021-04-03 DOI: 10.1080/17504902.2019.1637494
Daniel H. Magilow
ABSTRACT Recent trials of elderly Holocaust perpetrators have foregrounded an epistemological problem with consequences for future prosecutions: what status do witness testimonies, survivor memoirs, and blurry photographs have as the Holocaust’s final witnesses die off? This article interprets Atom Egoyan’s Remember (2015), a Holocaust revenge fantasy whose geriatric protagonist suffers from dementia. Dementia becomes a metaphor for memory’s unreliability and its challenges for Holocaust jurisprudence. Through plot twists predicated upon viewers’ willingness to misperceive familiar tropes of Holocaust cinema as fact, Remember thematizes the need for a jurisprudence based on expertise, not witness testimony, even in an age skeptical of expertise.
最近对老年大屠杀肇事者的审判突显了一个认识论问题,它会对未来的起诉产生影响:随着大屠杀最后的证人去世,证人证词、幸存者回忆录和模糊照片的地位如何?本文解读了Atom Egoyan的《Remember》(2015),这是一部关于大屠杀复仇的奇幻小说,主人公是老年痴呆症患者。痴呆症成为记忆的不可靠性及其对大屠杀法理学的挑战的隐喻。通过情节的曲折,观众愿意将熟悉的大屠杀电影的比喻误解为事实,《记忆》主题化了对基于专业知识的法理学的需求,而不是证人证词,即使在一个对专业知识持怀疑态度的时代。
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引用次数: 2
Nursing ethics and the Holocaust: pilot of an innovation in teaching 护理伦理与大屠杀:教学创新试点
Q1 Arts and Humanities Pub Date : 2021-03-29 DOI: 10.1080/17504902.2021.1906077
L. Shields, J. Manning, M. Mcallister, D. O'Brien, Kirril Shields, T. Emeto, Donna Lee Brien, J. Murray, S. Benedict
ABSTRACT More nurses than doctors killed in the Holocaust but are little studied. In Nazi ‘euthanasia’ institutional patients, with others, were killed by nurses. A German film, Fog in August (2016), tells of a boy caught in Nazi ‘euthanasia’. We piloted the film to increase knowledge about nurses in Nazi ‘euthanasia’. In Australia, 21 participants (health professionals, community members) completed pre-and-post questionnaires testing levels of knowledge. Knowledge increased – median post-score (1.75) > pre-score (1.0), median of differences 0.5 (p = 0.001). This film effectively increased knowledge, and the study methods worked. We will develop a project to teach nurses about genocides.
摘要在大屠杀中被杀害的护士比医生多,但研究很少。在纳粹的“安乐死”制度中,病人和其他人一起被护士杀害。德国电影《2016年8月的雾》告诉了一个男孩被纳粹“安乐死”的故事。我们试映了这部电影,以增加对纳粹“安乐死”中护士的了解。在澳大利亚,21名参与者(卫生专业人员、社区成员)完成了问卷调查前后的知识水平测试。知识增加-后得分中位数(1.75)>前得分中位数(1.0),差异中位数0.5(p=0.001)。这部电影有效地增加了知识,研究方法奏效了。我们将开发一个项目,向护士传授有关种族灭绝的知识。
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引用次数: 1
‘You are requested to ascertain the nationality of Jews residing in Guernsey’: analysing an artefact of collaboration from the Channel Island of Guernsey, 1933–1940 “请查明居住在根西岛的犹太人的国籍”:分析1933-1940年根西海峡岛合作的一件文物
Q1 Arts and Humanities Pub Date : 2021-03-19 DOI: 10.1080/17504902.2021.1894831
Gilly Carr
ABSTRACT This paper presents the first ever analysis of the 1930s logbooks of the aliens in the Channel Island of Guernsey; logbooks termed here as ‘objects of collaboration’ because of the role they played in the persecution and deportation of the island’s Jews. When placed in context, they highlight both the complicity of the local authorities and show how Britain failed Jewish refugees. This paper also suggests why Jews decided to register as such when they had no identifying paperwork. Close inspection of the logbooks facilitates new suggestions regarding the differential treatment of categories of Jews by the German occupying authorities.
本文首次分析了20世纪30年代根西海峡岛外星人的日志;这些日志在这里被称为“合作对象”,因为它们在迫害和驱逐岛上的犹太人中发挥了作用。放在大背景下看,它们既突出了地方当局的共谋,也显示了英国是如何辜负犹太难民的。这篇论文还提出了为什么犹太人在没有身份证明文件的情况下决定以这样的身份登记。仔细检查这些日志有助于对德国占领当局对不同类别犹太人的差别待遇提出新的建议。
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引用次数: 0
‘In the liveliest place, my mother's bosom, there was death’ – mother-daughter relationships in the work of Rachel Nemesh, Second-Generation Holocaust survivor “在最热闹的地方,我母亲的怀里,有死亡”——大屠杀第二代幸存者雷切尔·内梅什笔下的母女关系
Q1 Arts and Humanities Pub Date : 2021-02-03 DOI: 10.1080/17504902.2021.1882770
Shahar Marnin-Distelfeld
ABSTRACT This article focuses on the artwork of Israeli artist, Rachel Nemesh, a Second-Generation Holocaust Survivor. The assemblage to be discussed was exhibited in her solo exhibition, One Flesh, in 2020. The corpus analysis will be divided into four themes: (a) The Big Mother – works describing the elderly mother of Nemesh in a monumental manner; (b) Pieta versions – works focusing on bodily scenes of mother and daughter closely tangled; (c) Body-Parts: works showing randomly detached body organs; (d) Domestic Space – the artist's mother in her home. The study will be framed by two main fields: art centering on the Holocaust and feminist ideas focusing on mother-daughter relationships. Theoretical and visual examination will be enhanced by interviews with the artist aiming at profoundly decoding her artwork, claimed to resonate a feminine artistic language. An attempt to formulate an original interpretation of Holocaust Second-Generation's art, combined with a feminist point of view, will be made here. Rachel Nemesh's artwork is being investigated here for the very first time.
本文关注以色列艺术家雷切尔·内梅什(Rachel Nemesh)的艺术作品,她是一名第二代大屠杀幸存者。她将在2020年的个展《一体》(One Flesh)中展出这组作品。语料库分析将分为四个主题:(a)大母亲-以不朽的方式描述涅梅什年迈的母亲的作品;(b) Pieta版本-作品集中于母亲和女儿紧密纠缠的身体场景;(c)身体部位:表现随机分离的身体器官的作品;(d)家庭空间-艺术家的母亲在家中。该研究将以两个主要领域为框架:以大屠杀为中心的艺术和以母女关系为重点的女权主义思想。对艺术家的采访将加强理论和视觉检查,旨在深刻解读她的艺术作品,声称共鸣女性艺术语言。本文将结合女权主义的观点,尝试对大屠杀第二代的艺术进行原创性的解读。雷切尔·内梅什的作品首次在这里接受调查。
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引用次数: 1
From the past to the future through literature: the motif of secrecy in Holocaust literature for children 通过文学从过去走向未来:大屠杀儿童文学中的秘密主题
Q1 Arts and Humanities Pub Date : 2021-01-15 DOI: 10.1080/17504902.2020.1863072
Orna Levin, L. Baratz
ABSTRACT This paper examines children's Holocaust literature as a mechanism for dealing with a traumatic past. The study's corpus includes 131 books, in which secrecy is a central motif. In 51 of these books, hiding is an essential part of the protagonist’s secret. The research approach was qualitative, employing both hermeneutic and content analysis of these texts. Three literary devices were revealed, each of which represents a principal component of the literary construct. These literary devices shape the secrecy-theme, and enable the processing to the traumatic past functions as a tool for distinguishing and distancing the present from the traumatic event.
摘要本文探讨了儿童大屠杀文学作为处理创伤过去的机制。该研究的语料库包括131本书,其中保密是一个中心主题。在其中51本书中,隐藏是主人公秘密的重要组成部分。研究方法是定性的,同时采用解释学和对这些文本的内容分析。揭示了三种文学手法,每一种都代表着文学结构的主要组成部分。这些文学手段塑造了保密主题,并使对创伤过去的处理成为区分和疏远创伤事件的工具。
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引用次数: 0
期刊
Holocaust Studies
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