Pub Date : 2024-04-02DOI: 10.34053/artivate.12.1.204
Peter Oluwagbenga Odewole
Extant literature has revealed the issue of gender inequality in art and design education and entrepreneurship. Given that gender inequality hinders socio-economic development in any nation, it is crucial to gather empirical evidence on whether the entrepreneurial potential of art and design students is influenced by gender. Hence, this study examined the relationship between art and design students’ gender and their entrepreneurial potential. Using a well-structured questionnaire, the study sampled 204 art and design undergraduate students from different higher institutions across Nigeria. Data were collected from participants using a questionnaire that included measures of their entrepreneurial traits. The hypothesized relationships among variables were tested based on Confirmatory Factor Analysis (CFA) and Structural Equation Modeling (SEM). The findings indicate that CFA and SEM results showed a good fit between the proposed model and the observed data for both female and male groups. This suggests that both genders of art and design students have significant potential to become entrepreneurs without any biases.
现有文献揭示了艺术设计教育和创业中的性别不平等问题。鉴于性别不平等阻碍了任何国家的社会经济发展，因此，收集有关艺术与设计专业学生的创业潜力是否受性别影响的实证证据至关重要。因此，本研究探讨了艺术设计专业学生的性别与其创业潜能之间的关系。本研究使用结构合理的问卷，从尼日利亚不同高等院校的 204 名艺术设计专业本科生中抽取样本。通过问卷收集了参与者的数据，其中包括对其创业特质的测量。根据确认性因子分析（CFA）和结构方程建模（SEM）检验了变量之间的假设关系。研究结果表明，CFA 和 SEM 结果表明，所提出的模型与观察到的女性和男性群体的数据之间拟合良好。这表明，艺术设计专业的男女学生都有成为企业家的巨大潜力，没有任何偏差。
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Pub Date : 2024-02-25DOI: 10.34053/artivate.12.1.203
Mark Clague
Written as a concise guide for students and working professionals, this article examines and critiques the “portfolio career” in arts professional development to offer an alternative conceptual strategy to forge a sustainable life. Eight modes of arts work are explored (performing, teaching, creating, writing, healing, manufacturing, distributing, and administering). The “Platform Career” is proposed as an extension of and possible solution to the shortcomings of the portfolio career. In the platform model, one professional activity serves as a financial base for the artist’s panoply of creative work, providing health insurance and other employment benefits plus additional financial stability to reduce financial and emotional precarity.
{"title":"From Portfolio to Platform Career","authors":"Mark Clague","doi":"10.34053/artivate.12.1.203","DOIUrl":"https://doi.org/10.34053/artivate.12.1.203","url":null,"abstract":"Written as a concise guide for students and working professionals, this article examines and critiques the “portfolio career” in arts professional development to offer an alternative conceptual strategy to forge a sustainable life. Eight modes of arts work are explored (performing, teaching, creating, writing, healing, manufacturing, distributing, and administering). The “Platform Career” is proposed as an extension of and possible solution to the shortcomings of the portfolio career. In the platform model, one professional activity serves as a financial base for the artist’s panoply of creative work, providing health insurance and other employment benefits plus additional financial stability to reduce financial and emotional precarity.","PeriodicalId":369301,"journal":{"name":"Artivate: A Journal of Entrepreneurship in the Arts","volume":"2 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140433070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-29DOI: 10.34053/artivate.12.1.210
Margaret J. Wyszomirski
Cases on Arts Entrepreneurship (Tonelli, M., & Heise, A. [Eds.]. [2023]. Cases on Arts Entrepreneurship. Edward Elgar Publishing) presents a collection of thirteen case studies that will be much appreciated by professors who teach and students who are studying entrepreneurship in the arts. Each case study exhibits a similar framework: a descriptive narrative that runs between seven and sixteen pages, including references; Teaching Notes that include an abstract, learning outcomes, keyword topics, discussion questions, a seventy-five-minute class plan, and supplemental readings (if any). The editors provide a brief introduction to the book’s purpose as well as a seven-page concluding chapter that identifies five themes that emerge across chapters: exposure to the arts at a young age, network and relationship building, kindness and collaboration, financial management, and balancing multiple income streams.
艺术创业案例》（Tonelli, M., & Heise, A. [Eds.]。[2023].艺术创业案例。Edward Elgar Publishing）收集了 13 个案例研究，将深受教授和研究艺术创业的学生的喜爱。每个案例研究都采用了类似的框架：描述性叙述，篇幅在 7 至 16 页之间，包括参考文献；教学说明，包括摘要、学习成果、关键词、讨论问题、75 分钟的课堂计划以及补充读物（如有）。编者简要介绍了本书的目的，并用七页篇幅总结了各章节中出现的五个主题：从小接触艺术、建立网络和关系、善意与合作、财务管理以及平衡多种收入来源。
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Pub Date : 2023-07-07DOI: 10.34053/artivate.11.3.193
Javier J. Hernández Acosta
This research analyses Maniobra, a cultural employment initiative that offers guaranteed income and additional support for three years to selected artists in Puerto Rico. Maniobra’s program design phase and preliminary first year results are analyzed through the author’s personal experience with the project as an arts entrepreneur and scholar. This reflection suggests how to address barriers facing artist initiatives with a lens of diversity, equity, and inclusion. A conceptual framework analyzes the preliminary impacts through a combination of artistic, personal, and economic well-being. The article also highlights the importance of institutional trust in artists and artistic work, expanding traditional philanthropy models.
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Pub Date : 2023-07-07DOI: 10.34053/artivate.11.3.197
Adrienne Callander, Johanna K. Taylor, Paul Bonin-Rodriguez, E. Taylor, Neville Vakharia, Diane Ragsdale, José Valentino Ruiz-Resto, Gary Beckman, Linda Essig
We invited past, present, and future Artivate editors to contribute to a glossary collectively, futurecasting the central ideas advancing our field. Their provocations shared here help us build forward together.
{"title":"Editorial Perspectives","authors":"Adrienne Callander, Johanna K. Taylor, Paul Bonin-Rodriguez, E. Taylor, Neville Vakharia, Diane Ragsdale, José Valentino Ruiz-Resto, Gary Beckman, Linda Essig","doi":"10.34053/artivate.11.3.197","DOIUrl":"https://doi.org/10.34053/artivate.11.3.197","url":null,"abstract":"We invited past, present, and future Artivate editors to contribute to a glossary collectively, futurecasting the central ideas advancing our field. Their provocations shared here help us build forward together.","PeriodicalId":369301,"journal":{"name":"Artivate: A Journal of Entrepreneurship in the Arts","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133340228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-07DOI: 10.34053/artivate.11.3.206
Adrienne Callander, Johanna K. Taylor, Javier J. Hernández Acosta
Maniobra is a cultural employment initiative providing guaranteed income and additional support for artists and collectives in Puerto Rico over three years. The initiative is profiled in an article in this issue of Artivate by Javier J. Hernández Acosta, who is involved as both an arts entrepreneur launching the program through the Centro de Economía Creativa and as a scholar. A selection of the arts programs operating with Maniobra support is profiled here alongside the artists and collectives leading the work.
Maniobra是一项文化就业倡议，为波多黎各的艺术家和集体提供三年的收入保障和额外支持。Javier J. Hernández Acosta在本期《Artivate》的一篇文章中介绍了该计划，他既是通过Economía创意中心发起该计划的艺术企业家，也是一名学者。在Maniobra的支持下，艺术项目的选择在这里与艺术家和领导工作的集体一起被介绍。
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Pub Date : 2023-07-07DOI: 10.34053/artivate.11.3.194
M. Jordan
The conceptual framing of artist activists as arts entrepreneurs is pivotal to this study’s analysis of artists’ political organizing during the overlapping moments of the Covid-19 pandemic and the Trump presidential era. However, artist activism as a form of arts entrepreneurship is underexplored in the arts entrepreneurship literature. To address this gap, I conduct a side-by-side comparison of key principles in the arts entrepreneurship and social movement literatures to establish a transdisciplinary theoretical baseline that supports my argument that artist activism is a vital form of arts entrepreneurship. I then analyze interviews with twenty-seven artist activists who cultivated and exercised actions for “changing the future” (Koppl & Minniti, 2008a, 17) during this period and apply my findings to further expand the taxonomy of arts entrepreneurship first developed by Chang and Wyszomirski (2015) beyond management process to vehicle for institutional change. In addition to connecting arts entrepreneurship to the social movement literature and conceptualizing artist activism as a form of arts entrepreneurship, I identify strategies and tactics employed by US artist activists in their creation of both economic and social value in the 2020-2022 period.
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Pub Date : 2023-07-07DOI: 10.34053/artivate.11.3.192
A. Whitaker
This paper redefines hybrid practice as a form of creative institutional design rooted in the problems of dealing with multiple forms of value, an area in which the arts offer pioneering cases for general theory-building around external amalgamation of existing legal forms, internal design within hybrid legal forms, and field-building across communities and economic systems. Informed by, but distinct from, implicitly neoliberal and social-impact literatures on institutional entrepreneurship, hybridity, and agency, this framework extends theories of effectuation to argue for a view of arts entrepreneurship as a laboratory for complex problem-solving both within and well beyond the arts.
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Pub Date : 2023-02-13DOI: 10.34053/artivate.11.2.184
Kathryn Brown
An arts entrepreneurship professor reviews Jason White's Innovation in the Arts: Concepts, Theories, and Practices.
一位艺术创业学教授评论了杰森·怀特的《艺术创新:概念、理论和实践》。
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Pub Date : 2022-07-28DOI: 10.34053/artivate.11.1.173
Wen Guo
Centering around three concepts: artists, money, and entrepreneurial action, Creative Infrastructure: Artists, Money, and Entrepreneurial Action by Linda Essig elaborates on essential concepts, competing theories, and diverse perspectives of arts entrepreneurship as both a scholarly field and creative praxis. By elucidating the conundrums and complexities between the principles of the capitalist economy and the needs of artists to be flourishing, Essig uses a critical lens to free the concept of entrepreneurship and arts from the domination of the hierarchical Western-centric social and economic systems, offering a holistic, sustainable, and equitable approach to perceiving and practicing arts entrepreneurship.
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