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Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān最新文献

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Instruments That Overwhelm the Voices and Other Factors [fols. 37a–37b; ZY 46] 压倒声音和其他因素的乐器[页]。37 a-37b;ZY 46)
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引用次数: 0
The Preference of Speech over Muteness [fols. 5b–7b; ZY 3, 11–2] 说话对沉默的偏好[下]。5 b-7b;[3, 11-2]
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引用次数: 0
The Definitions of al-surayjī, al-mākhūrī, al-mujannab, and al-mukhālif [fols. 102a–103b; ZY 111–2]
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引用次数: 0
The Frets, Their Names, Placements, Tying Them on the Finger Board, and Their Functions [fols. 88b–89b; ZY 98–9] 烦躁,他们的名字,位置,绑在手指板上,和他们的功能[页]。88 b - 89 b;ZY 98 - 9)
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引用次数: 0
Murāsala, mubāyana, and mumāthala [fols. 42b–43a; ZY 51–2]
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引用次数: 0
Mention of the Umayyad Caliphs Who Sang [fol. 59a; ZY 68] 提到倭马亚哈里发谁唱[傻瓜]。59岁;ZY 68]
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引用次数: 0
The Meanings of Melodies [fols. 9a–9b; ZY 15] 旋律的意义[页]9 a-9b;ZY 15]
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引用次数: 0
Tools to Use to Test the Person Who Pretends to Know the Science of Music [fols. 66b–67a; ZY 78–9] 用来测试假装懂音乐科学的人的工具。66 b - 67 a;ZY 78 - 9)
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引用次数: 0
The Names of the First Male Singers in Early Islam [fol. 18b; ZY 25] 早期伊斯兰教第一批男歌手的名字[假]。18 b;ZY 25)
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引用次数: 0
Who Are Better: The Singers of Persia, India, or Byzantium [fols. 53b–54a; ZY 62] 谁更好:波斯,印度或拜占庭的歌手[页。53 b-54a;ZY 62]
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引用次数: 0
期刊
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān
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