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Orsa Maggiore, editrice di Radclyffe Hall 大熊星座,拉德克莱夫大厅的编辑
Q3 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.6092/ISSN.2283-9364/13073
Valentina Sonzini
In 1946, the Edizioni dell’Orsa maggiore started to publish all the Radlyffe Hall’s books. The Author has been censored in England and her first literary work, The Well of Loneliness, became an incredible success (the first edition in England has been published in 1928 and in Italy in 1930 by the publisher Modernissima). In Italy, Hall is known thanks to two traslators (both are linked to Gian Dauli and the publisher Corbaccio): Annie Lami and, above all, Mimi Oliva Lentati (the leader of Editrice dell’Orsa maggiore). The present article is about the little publisher Orsa and its brief, but very important for italian lesbian movement, history.
1946年,奥尔萨马giore出版社开始出版拉德利夫霍尔的所有书籍。作者在英国受到审查,她的第一部文学作品《孤独之井》(The Well of Loneliness)取得了令人难以置信的成功(第一版于1928年在英国出版,1930年由出版商Modernissima在意大利出版)。在意大利,霍尔之所以为人所知,要归功于两位译者(他们都与Gian Dauli和出版商Corbaccio有联系):安妮·拉米(Annie Lami)和米米·奥利瓦·伦塔蒂(Mimi Oliva Lentati)(编辑部负责人)。这篇文章是关于小出版商Orsa和它的简短,但非常重要的意大利女同性恋运动的历史。
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引用次数: 0
Francesco Lumachi: contributo alla biografia di un libraio editore fiorentino d’inizio Novecento Francesco Lumachi:对20世纪早期佛罗伦萨图书出版商传记的贡献
Q3 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.6092/ISSN.2283-9364/13071
G. Grifoni
Francesco Lumachi, the small Florentine bookseller who made his debut on the Italian publishing scene in 1900, despite belonging to an entrepreneurial reality, that of booksellers-publishers, anchored more to the past than to the future, is considered to have inaugurated, together with the new century, the modern book. With intuition and audacity, he was the first to contribute to the notoriety of authors destined to impose themselves on the culturalscene for their innovative qualities, and with refined aesthetic taste he published volumes of typographical elegance and sometimes also of unconventional form. As a true “friend of books”, as he liked to define himself, he was also the storyteller of amusing bibliographical stories. A multifaceted figure who always remained shrouded in mystery, due to his shy and modest nature, his brief professional career with dramatic results, and the probable loss ofhis personal and work papers. In an attempt to fill the biographical gap, this contribution presents the results of archival research that, for the first time,digs into Francesco Lumachi’s family roots and his schooling, a background from which unpublished elements emerge and, at the same time, a range of questions susceptible to further investigation, together with personality traits that find points of contact in editorial and existential choices, such as inconsistencies and fascinations that can be justified by the historical context of reference. The work also avails itself of an iconographic collection, also partly unpublished, as evidence and proof of the topics dealt with.
佛罗伦萨小书商弗朗西斯科·卢马奇(Francesco Lumachi)于1900年在意大利出版界首次亮相,尽管他属于一种企业家的现实,但书商-出版商的现实,更多地依赖于过去而不是未来,被认为与新世纪一起开创了现代书籍。凭借直觉和大胆,他是第一个为那些注定要以其创新品质在文化舞台上强加自己的作家的名声做出贡献的人,并且凭借精致的审美品味,他出版了大量印刷精美的书籍,有时也有非传统的形式。作为一个真正的“书之友”,正如他喜欢定义自己的那样,他也是一个有趣的书目故事的讲述者。由于他害羞和谦虚的天性,他短暂而富有戏剧性的职业生涯,以及他可能丢失的个人和工作文件,他总是笼罩在神秘之中。为了填补传记方面的空白,本书介绍了档案研究的结果,首次深入挖掘了弗朗西斯科·卢马奇的家庭根源和他的学校教育,一个未发表的背景,同时,一系列有待进一步调查的问题,以及在编辑和存在选择中找到联系点的个性特征。例如,可以通过参考的历史背景来证明不一致和迷人。该工作还利用自己的肖像集,也部分未发表,作为证据和证明的主题处理。
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引用次数: 0
Bibliografia degli autori italiani
Q3 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.6092/ISSN.2283-9364/13079
A. Serrai
The paper proposes, also as support of the National Library Service, the creation of a national repertoire that chronologically indexes the editorial production of the Italian authors, both handwritten and printed. The repertoire, entitled Bibliographic Dictionary of Italian Authors, would offer systematic evidence of the works of each Italian author, with a hypothetical regional structure.
作为对国家图书馆服务的支持,本文建议创建一个国家曲目,按时间顺序索引意大利作者的编辑作品,包括手写和印刷。这份名为《意大利作家书目词典》的汇编将提供每个意大利作家作品的系统证据,并提供一个假设的区域结构。
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引用次数: 0
A rare illuminated normative codex from the Florentine Renaissance: the 1472 Statute of the Confraternity of Santa Maria Assunta in San Pier Gattolino 来自佛罗伦萨文艺复兴时期的一份罕见的有照明的规范手抄本:1472年圣玛丽亚·阿松塔在圣码头加图里诺的协会章程
Q3 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.6092/ISSN.2283-9364/13066
Francesco Salvestrini
The paper analyses the content of the so far unknown Florentine confraternal statute of the lay company of Santa Maria Assunta in San Pier Gattolino. It traces the history of this church and the brotherhood that produced the statute book in the 15th century, and explains the relationship between text and illuminated images. The report highlights that both the rules and the pictures formed part of an integrated message contributing to the practical application of the laws and increasing the symbolic value of them.
本文分析了迄今为止尚不为人所知的圣玛丽亚·阿松塔在圣码头加托利诺的居士公司的佛罗伦萨兄弟法规的内容。它追溯了这座教堂的历史和15世纪制作法令书的兄弟会,并解释了文本和照明图像之间的关系。报告强调,这些规则和图片构成了一个综合信息的一部分,有助于法律的实际应用,并增加了它们的象征价值。
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引用次数: 0
I beni culturali quale anima del mondo 文化遗产是世界的灵魂
Q3 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.6092/ISSN.2283-9364/13075
A. Serrai
Examination and discussion of the specific nature of the Cultural property, in relation to their misterious origin and their current mental function, both in connection with the development of a specific stage of civilization and the needs of the modern man.
审查和讨论文化财产的具体性质,涉及其神秘的起源和目前的心理功能,既与文明的特定阶段的发展有关,也与现代人的需要有关。
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引用次数: 0
La mia biblioteca 我的图书馆
Q3 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.6092/ISSN.2283-9364/13080
L. Canfora
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引用次数: 0
Roberto Calasso, Come ordinare una biblioteca , Milano, Adelphi, 2020 罗伯托·卡拉索,《如何订购图书馆》,米兰,阿德菲,2020年
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.6092/ISSN.2283-9364/12031
A. Serrai
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引用次数: 0
Mauro Chiabrando, Il particolare superfluo. Atlante delle minuzie editoriali , Milano, Luni; [Riva del Garda], Associazione librai antiquari, Italia, 2019 毛罗·奇亚布兰多,多余的细节。编辑细枝大节地图集,米兰,卢尼;意大利古董商协会,2019年
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.6092/ISSN.2283-9364/12029
R. Cesana
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引用次数: 0
Dei «Bibliotecarj» del Giornale de’ letterati d’Italia 《意大利文学报》的图书管理员
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.6092/ISSN.2283-9364/11995
A. Moroni
Created as a tool for the revitalization and renewal of Italian culture in the eighteenth century, the Giornale de’ letterati d’Italia represents one of the most mature and significant experiences of erudite Italian journalism. The magazine, in volume XXV, presents an accurate system of indexes, among which stands out the systematic one, articulated in 16 classes. The essay, afteran introduction concerning the most relevant structural, content and bibliographical characters of the Journal, proposes an analysis of the contributions classified under Bibliotecarj, with regard to tomes I-XXIV. The aim is twofold: on the one hand, to illustrate the nature and typology of the contents highlighted; on the other, to reconstruct the bibliographical-library orientations and trends associated with the journal and the cultural elites it represents. In conclusion, we will provide three indexes: the first one, articulated in 8 sections corresponding to the different configurations with which the literary evidence found during the research has been categorized; the second will concern the published and unpublished works found; to conclude the index of names.
作为18世纪复兴和更新意大利文化的工具,《意大利信函》代表了意大利新闻业最成熟、最重要的经验之一。该杂志第二十五卷提出了一套准确的指标体系,其中最突出的是系统的指标体系,分为16个等级。本文在介绍了本刊最相关的结构、内容和书目特征之后,提出了对按Bibliotecarj分类的1 - 24卷的贡献的分析。其目的是双重的:一方面,说明突出内容的性质和类型;另一方面,重建与期刊及其所代表的文化精英相关的书目图书馆取向和趋势。总之,我们将提供三个指标:第一个指标,分为8个部分,对应于研究中发现的文学证据的不同配置进行分类;二是发现已发表和未发表的作品;总结人名索引。
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引用次数: 0
Bibliotheken und die Ökonomie des Wissens 1450-1850: Internationale Tagung, April 2019, Sárospatak (Ungarn) , édité par Frédéric Barbier, István Monok et Andrea Seidler, Budapest, Magyar Tudományos Akadémia Könyvtár és Információs Központ, 2020
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.6092/ISSN.2283-9364/12022
Alfredo Serrai
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引用次数: 0
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