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Journal of Global Buddhism最新文献

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Translating Buddhism and the Politics of Ownership: Between Asia(s) and West(s) 佛教翻译与所有权政治:亚洲与西方之间
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.5281/zenodo.1494221
C. Starkey, Matt Coward-Gibbs
Corresponding author: Caroline Starkey, University of Leeds. Email: C.Starkey@leeds.ac.uk This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. http://creativecommons.org/licenses/by-nc/4.0/ ISSN 1527-6457 (online). All the articles within this volume deal, in some way, with the multi-dimensional and multi-scalar translation and transference of Buddhist practice that takes place between Asia and the West. The title of this volume is key to the methodological approach of all its contributors: translations between Asia(s) and West(s). Translation, as viewed by the authors here, is not a linear movement from point A to point B (reaching its zenith at point B) but a dynamic interaction which functions to provide a meeting place for exchange between cultures, communities, ethnicities, in-religious traditions, and between religions themselves. An interest in uncovering these varied points of cultural convergence underpins the approach which we as authors have applied in our research. Like many scholars of contemporary Buddhism, we have found theoretical grounding in the work of Thomas Tweed. His Crossing and Dwelling (2006) enacts our own approach to the study of Buddhism, and to and religion more generally, because it views religions as constantly changing in response to the specificities of location and culture. He notes within his definition that:
通讯作者:Caroline Starkey,利兹大学。电子邮件:C.Starkey@leeds.ac.uk本作品获得知识共享署名非商业4.0国际许可。http://creativecommons.org/licenses/by-nc/4.0/ISSN 1527-6457(在线)。这本书中的所有文章都在某种程度上涉及亚洲和西方之间发生的佛教实践的多维、多尺度的翻译和转移。本卷的标题是所有贡献者方法论方法的关键:亚洲和西方之间的翻译。本文作者认为,翻译不是从a点到B点的线性运动(在B点达到顶峰),而是一种动态的互动,它的作用是为文化、社区、种族、宗教传统和宗教之间的交流提供一个聚会场所。对揭示这些不同的文化融合点的兴趣是我们作为作者在研究中应用的方法的基础。像许多当代佛教学者一样,我们在特威德的著作中找到了理论基础。他的《穿越与居住》(2006)阐述了我们自己研究佛教的方法,以及更广泛地研究宗教的方法,因为它认为宗教随着地理和文化的特殊性而不断变化。他在定义中指出:
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引用次数: 0
Meditation, Buddhism, and Science. Edited by David McMahan and Erik Braun 冥想、佛教和科学。David McMahan和Erik Braun编辑
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.5281/ZENODO.2203761
Ira Helderman
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引用次数: 5
Dharmavidya’s Engagement with Honen: How a Contemporary British Pureland Buddhist Teacher retrieves his Japanese Spiritual Heritage Dharmavidya与Honen的交往:一位当代英国净土佛教教师如何找回他的日本精神遗产
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.5281/ZENODO.1494233
R. Ollier
The Pureland Buddhism of the contemporary British teacher and writer Dharmavidya David Brazier has been directly influenced by that of the medieval Japanese thinker, Hōnen. This article investigates the nature of this influence through an examination of two short texts, Dharmavidya’s Summary of Faith and Practice and Hōnen’s Ichimai Kishōmon. It suggests that the relationship between the two pieces of writing can be clarified by applying to them not only the traditional Buddhist concepts of upāya and senju , but also theoretical perspectives drawn from the work of the post-modernist philosopher and religious commentator, John D. Caputo. This approach shows that Dharmavidya leaves ‘open’ what the Pureland ritual of nembutsu chanting might mean for the devotees who practice it. The article also contends that, under Hōnen’s influence, Dharmavidya has produced a text that is radical and ‘post-secular’ in commending devotion rather than meditation as the primary practice of his Order of predominantly ‘Convert’ Buddhists.
当代英国教师和作家达马维迪亚·大卫·布拉泽的净土宗受到了中世纪日本思想家Hōnen的直接影响。本文通过两篇短文,即Dharmavidya的《信仰与实践概要》和Hōnen的《Ichimai Kish 333; mon》来考察这种影响的性质。这表明,这两篇文章之间的关系可以通过不仅应用传统的佛教概念upāya和senju,还可以从后现代主义哲学家和宗教评论家John D.Caputo的作品中获得理论视角来阐明。这种方法表明,Dharmavidya“开放”了净地念经仪式对修行者的意义。文章还认为,在Hōnen的影响下,Dharmavidya创作了一部激进和“后世俗”的文本,称赞虔诚而非冥想是他主要“皈依”佛教徒的主要实践。
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引用次数: 0
Charismatic Monks of Lanna Buddhism, by Paul Cohen 保罗·科恩的《兰纳佛教的魅力僧侣》
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.5281/2203769
A. Horstmann
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引用次数: 0
Adapting the Dharma: Buddhism and Contemporary Theatre Training 改编佛法:佛教与当代戏剧训练
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.5281/ZENODO.1683670
Deborah Middleton, Daniel Plá
In this paper, we explore two examples of Western theatre practice which draw directly on Buddhist monastic dance. Examining Chogyam Trungpa Rinpoche’s Mudra Space Awareness alongside Mexican theatre director Nicolas Nunez’s Citlalmina allows us to consider the ways in which aspects of Buddhism might be conveyed within performative form, and to consider these practices as translations from Vajrayana Buddhism. This discussion opens into a consideration of the ways in which Buddhism and theatre might be seen to be mutually enriching, and to share certain common potentials as vehicles for cultivation.
在本文中,我们探讨了西方戏剧实践中直接借鉴佛教寺院舞蹈的两个例子。将乔扬创巴仁波切的《手印空间意识》与墨西哥戏剧导演尼古拉斯·努涅斯的《西特拉米娜》结合起来,让我们思考佛教在表演形式中传达的方式,并将这些实践视为金刚乘佛教的翻译。这一讨论开启了对佛教和戏剧相互丰富的方式的思考,并分享了作为培养工具的某些共同潜力。
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引用次数: 0
Seeing Like the Buddha: Enlightenment through Film, by Francesca Cho 像佛一样看:电影中的启蒙,弗朗西斯卡·赵
Q1 Arts and Humanities Pub Date : 2018-11-04 DOI: 10.5281/ZENODO.1476862
Ron Green
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引用次数: 0
Educating Monks: Minority Buddhism on China’s Southwest Border, by Thomas A. Borchert 《僧人教育:中国西南边境的少数民族佛教》,作者:Thomas A. Borchert
Q1 Arts and Humanities Pub Date : 2018-11-04 DOI: 10.5281/ZENODO.1476868
Zhengyi Ma
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引用次数: 0
The Birth of Insight: Meditation, Modern Buddhism, and the Burmese Monk Ledi Sayadaw, by Erik Braun 《顿悟的诞生:冥想、现代佛教和缅甸僧人勒迪·赛亚多》,作者:埃里克·布劳恩
Q1 Arts and Humanities Pub Date : 2018-11-04 DOI: 10.5281/ZENODO.1476860
Michael W. Charney
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引用次数: 0
Tibet and China’s Orientalists: Knowledge, Power, and the Construction of Minority Identity 西藏与中国的东方主义者:知识、权力与少数民族认同的建构
Q1 Arts and Humanities Pub Date : 2018-11-04 DOI: 10.5281/ZENODO.1475934
Jo Marie Powers
This article explores the salience of Edward Said's characterization of European Orientalists to contemporary Chinese academics working on Tibetan Buddhism. While Said's work has been criticized for selective citations and for focusing on work that is long out of date, Orientalist tropes are pervasive in current tibetological work published in China, including articles in purportedly scholarly journals. This work is closely connected with government propaganda, and it is often explicitly directed by members of the government to further agendas of suppression. Equally importantly, the article examines the ways in which Tibetans are presented with a version of their religion that bears little or no resemblance to how they traditionally have understood it; but it is also an image that Tibetans are increasingly being coerced to endorse.
本文探讨了萨义德对欧洲东方学家的刻画对当代中国藏传佛教研究学者的重要意义。尽管赛义德的作品因选择性引用和关注早已过时的作品而受到批评,但东方主义的比喻在中国出版的当前藏学作品中普遍存在,包括据称是学术期刊上的文章。这项工作与政府宣传密切相关,经常受到政府成员的明确指示,以进一步推动镇压议程。同样重要的是,这篇文章考察了藏人面对他们的宗教版本的方式,这些版本与他们传统上对宗教的理解几乎没有相似之处;但这也是西藏人越来越被迫认可的形象。
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引用次数: 0
Buddhism in America: Global Religion, Local Contexts, by Scott Mitchell 《美国的佛教:全球宗教,地方背景》,Scott Mitchell著
Q1 Arts and Humanities Pub Date : 2018-11-04 DOI: 10.5281/ZENODO.1476864
Funie Hsu
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引用次数: 0
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Journal of Global Buddhism
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