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Saints and Stirrers: Christianity, Conflict, and Peacemaking in New Zealand, 1814–1945, Geoffrey Troughton (ed.) (2017) 《圣徒与煽动者:1814-1945年新西兰的基督教、冲突与缔造和平》,杰弗里·特劳顿主编(2017)
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.1386/nzps_00061_5
Martin H. Prior
Review of: Saints and Stirrers: Christianity, Conflict, and Peacemaking in New Zealand, 1814–1945, Geoffrey Troughton (ed.) (2017)Wellington: Victoria University Press, 288 pp.,ISBN 978 1 77656 164 3 (pbk), NZ$40 Pursuing Peace in Godzone: Christianity and the Peace Tradition in New Zealand, Geoffrey Troughton and Philip Fountain (eds) (2018)Wellington: Victoria University Press, 272 pp.,ISBN 978 1 77656 182 7 (pbk), NZ$40
回顾:圣徒和激流:基督教,冲突,和和平在新西兰,1814-1945,杰弗里·特劳顿(编)(2017)惠灵顿:维多利亚大学出版社,288页,ISBN 978 1 77656 164 3 (pbk), NZ$40在Godzone追求和平:基督教和和平传统在新西兰,杰弗里·特劳顿和菲利普·方廷(编)(2018)惠灵顿:维多利亚大学出版社,272页,ISBN 978 1 77656 182 7 (pbk), NZ$40
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引用次数: 1
The Pacific Insular Case of American Samoa: Land Rights and Law in Unincorporated US Territories, Line-Noue Memea Kruse (2018) 美属萨摩亚太平洋岛屿案:美国未合并领土的土地权利和法律,Line Noue Memea Kruse(2018)
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.1386/nzps_00054_5
Iati Iati
Review of: The Pacific Insular Case of American Samoa: Land Rights and Law in Unincorporated US Territories, Line-Noue Memea Kruse (2018)Cham: Palgrave Macmillan, 211 pp.,ISBN 978 3 31969 970 7 (hbk), €124.79
《美属萨摩亚太平洋岛屿案例:未合并美国领土的土地权利和法律》,《美属萨摩亚太平洋岛屿案例评论》,Line-Noue Memea Kruse (2018)Cham: Palgrave Macmillan出版社,211页,ISBN 978 3 31969 970 7 (hbk), 124.79欧元
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引用次数: 0
Corinne David-Ives, 1961–2021 科琳·大卫·艾夫斯,1961-2021
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.1386/nzps_00050_7
I. Conrich, Paola Della Valle
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引用次数: 0
Rev. John Burton frames the Fiji Methodist Mission, 1924 1924年,约翰·伯顿牧师为斐济卫理公会传教团做框架
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00036_1
C. Weir
In his role as General Secretary of the Australasian Methodist Missionary Society in the 1920s and 1930s, Reverend John W. Burton travelled each winter to one of the ‘mission fields’ in the South Pacific to inspect the mission’s activities, and to encourage and advise. Accompanying him was his camera; Burton had long been an enthusiastic photographer. Following his 1924 visit to Fiji he created two albums of his photographs, one illustrating the indigenous Fijian mission, the other the Indian mission. This article focuses on the ‘social biography’ of the photographs, and examines Burton’s choice and balance of subjects in each album, which cover educational and other mission activities, village and town scenes, landscapes and individual and group portraits. It also considers the placement and message in context of many of the individual photographs when they were later reproduced to illustrate stories in the mission magazine, Missionary Review, of which Burton was the Editor.
在20世纪20年代和30年代,约翰·w·伯顿牧师作为澳大利亚卫理公会传教士协会的秘书长,每年冬天都会前往南太平洋的一个“传教地”,检查传教活动,并鼓励和建议。陪伴他的是他的照相机;伯顿一直是一位热情的摄影师。1924年访问斐济后,他制作了两本摄影画册,一本是斐济土著使团,另一本是印度使团。本文着重于这些照片的“社会传记”,并考察了伯顿在每张相册中对主题的选择和平衡,这些主题涵盖了教育和其他使命活动,村庄和城镇场景,风景以及个人和群体肖像。它还考虑了许多个人照片的位置和信息,这些照片后来被复制为传教杂志《传教士评论》(Missionary Review)的故事,伯顿是该杂志的编辑。
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引用次数: 0
Transcending the colonial gaze: Empathy, agency and community in the South Pacific photography of John Watt Beattie1 超越殖民凝视:约翰·瓦特·贝蒂南太平洋摄影中的同情、代理和社区1
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00035_1
T. Brown
For three months in 1906, John Watt Beattie, the noted Australian photographer – at the invitation of the Anglican Bishop of Melanesia, Cecil Wilson – travelling on the church vessel the Southern Cross, photographed people and sites associated with the Melanesian Mission on Norfolk Island and present-day Vanuatu and Solomon Islands. Beattie reproduced many of the 1500-plus photographs from that trip, which he sold in various formats from his photographic studio in Hobart, Tasmania. The photographs constitute a priceless collection of Pacific images that began to be used very quickly in a variety of publications, with or without attribution. I shall examine some of these photographs in the context of the ethos of the Melanesian Mission, British colonialism in the Solomon Islands, and Beattie’s previous photographic experience. I shall argue that Beattie first exhibited a colonial gaze of objectifying his dehumanized exotic subjects (e.g. as ‘savages’ and ‘cannibals’) but with increased familiarity with them, became empathetic and admiring. In this change of attitude, I argue that he effectively transcended his colonial gaze to produce photographs of great empathy, beauty and longevity. At the same time, he became more critical of the colonial enterprise in the Pacific, whether government, commercial or church.
1906年,著名的澳大利亚摄影师约翰·瓦特·比蒂(John Watt Beattie)应美拉尼西亚圣公会主教塞西尔·威尔逊(Cecil Wilson)的邀请,花了三个月的时间乘坐教会船只“南十字号”(Southern Cross),在诺福克岛(Norfolk Island)和今天的瓦努阿图(Vanuatu)和所罗门群岛(Solomon Islands)拍摄了与美拉尼西亚传教会有关的人物和地点。比蒂复制了那次旅行中1500多张照片中的许多照片,并在他位于塔斯马尼亚州霍巴特的摄影工作室以各种形式出售。这些照片构成了无价的太平洋图像集,很快就开始在各种出版物中使用,有或没有署名。我将在美拉尼西亚传教会的精神、所罗门群岛的英国殖民主义和贝蒂以前的摄影经历的背景下研究其中的一些照片。我认为,贝蒂首先表现出一种殖民式的凝视,将他的非人性化的异国主题物化(例如,“野蛮人”和“食人族”),但随着对他们的熟悉程度增加,他变得同情和钦佩。在这种态度的转变中,我认为他有效地超越了他的殖民眼光,创作出了具有巨大同情心、美感和长寿的照片。与此同时,他对太平洋地区的殖民企业,无论是政府、商业还是教会,都变得更加批评。
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引用次数: 0
Te Ao Tawhito: The Old World 3000 bc–ad 1830, Atholl Anderson (2018) 特奥-塔威托:公元前3000年-公元1830年,阿索尔·安德森(2018)
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00043_4
N. Jones, Charlotte Muru-Lanning, Marama Muru-Lanning
Review of: Te Ao Tawhito: The Old World 3000 bc–ad 1830, Atholl Anderson (2018)Wellington: Bridget Williams Books, 216 pp.,ISBN 978 1 98853 335 3 (pbk), NZ$59.99 Te Ao Hou: The New World 1820–1920, Judith Binney, Vincent O’Malley and Alan Ward (2018)Wellington: Bridget Williams Books, 200 pp.,ISBN 978 1 98853 340 7 (pbk), NZ$59.99 Te Ao Hurihuri: The Changing World 1920–2014, Aroha Harris with Melissa Matutina Williams (2018)Wellington: Bridget Williams Books, 176 pp.,ISBN 978 1 98853 345 2 (pbk), NZ$59.99
评论:《陶:旧世界》(Te Ao Tawhito:The Old World),公元前3000年-公元1830年,阿索尔·安德森(Atholl Anderson)(2018)惠灵顿:布里奇特·威廉姆斯出版社,216页,国际标准书号978 1 98853 335 3(pbk),59.99新西兰元《陶侯:新世界》1820–1920,朱迪斯·宾尼(Judith Binney)、文森特·奥马利(Vincent O'Malley)和艾伦·沃德(Alan Ward,Aroha Harris与Melissa Matutina Williams(2018)惠灵顿:Bridget Williams Books,176页,ISBN 978 1 98853 345 2(pbk),59.99新西兰元
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引用次数: 1
My father’s Pitcairn 我父亲是皮特凯恩
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00042_7
John Scheckter
This examination of personal correspondence reveals not only how material exchanges were established between a small Pacific island and a burgeoning superpower, but also how a discourse network developed to support a friendly, informative relationship over 35 years. In 1958, my father, Spencer Scheckter, in New Jersey, United States, began a correspondence with John and Bernice Christian, on Pitcairn Island, that lasted until Bernice died in 1993. As the manager of a small-town department store, my father asked practical questions and solved logistical problems. A small trade developed: Spencer sent clothing and machine parts, and the Christians returned wood carvings and other souvenirs. The discourse network revealed in the material exchange rarely permits emotional depth or complexity, so that its shape is readily apparent – and its boundaries as well. On Pitcairn, the time period of the correspondence will later come under legal scrutiny, beginning in 1997, with allegations of rape and sexual abuse that eventually came to trial in 2004. While the investigations implicated the entire culture of the island, the Christians’ bounded discourse offers, perhaps more usefully, a clear picture of the complicated, interwoven negotiations that ageing individuals were required to perform in a small, closed society.
对个人信件的研究不仅揭示了一个太平洋小岛和一个新兴的超级大国之间是如何建立物质交流的,还揭示了35年来话语网络是如何发展起来支持友好、信息丰富的关系的。1958年,我的父亲,美国新泽西州的Spencer Scheckter,开始与皮特凯恩岛的John和Bernice Christian通信,一直持续到1993年Bernice去世。作为一家小镇百货公司的经理,我父亲提出了一些实际问题,并解决了物流问题。一个小贸易发展起来:斯宾塞寄来了衣服和机器零件,基督徒还回了木雕和其他纪念品。在物质交流中所揭示的话语网络很少允许情感的深度或复杂性,因此它的形状很容易显现——它的边界也很明显。关于皮特凯恩,从1997年开始,信件的时间段将受到法律审查,强奸和性虐待指控最终于2004年受审。虽然调查涉及该岛的整个文化,但基督徒的有限话语或许更有用,清晰地描绘了老年人在一个封闭的小社会中需要进行的复杂、交织的谈判。
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引用次数: 0
Early Māori photography as commodified object: Mementoes, miniatures and material culture 早期Māori摄影商品化对象:纪念品,微缩和物质文化
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00039_1
I. Conrich
During the late nineteenth and early twentieth centuries, there was a boom in the different forms of material culture of the photographic image with the emergence of cheap methods for its mass (re)production. The material culture extended into postcards, illustrated books, magic lantern slides and stereoviews, but also into the much-less discussed area of souvenir china. These commodified objects of illustrated porcelain were popular mementoes of places visited, physical reminders of spaces encountered, made possible through newly developing modes of leisure culture and organized travel. Edwardian New Zealand was no exception, where images of the Māori were a striking presence within its visual culture. This was a country that was beginning to promote its cultural uniqueness partly through its Indigenous population, with early tourism literature referring to the country as Maoriland. New Zealand souvenirs depicted images of the Māori and Māoritanga (Māori culture) on decorative china essentially for consumption by local tourists and travellers. This article considers these commodified objects in the context of photography as material culture, exploring their social biography and the manner in which the images were reproduced and altered. It contends that in addressing keepsake china as objects bearing photographic images, and in positioning these souvenirs as popular artefacts within a scopic culture, a more complex argument of variant readings emerges.
在19世纪末和20世纪初,随着大量(再)生产的廉价方法的出现,不同形式的照相图像物质文化出现了繁荣。物质文化延伸到明信片、插图书、幻灯幻灯片和立体视图,也延伸到很少被讨论的纪念品中国领域。这些插图瓷器的商品是参观过的地方的流行纪念品,是遇到的空间的物理提醒,通过新发展的休闲文化和有组织的旅行模式成为可能。爱德华七世时代的新西兰也不例外,Māori的图像在其视觉文化中是一个引人注目的存在。这是一个开始通过其土著人口来推广其文化独特性的国家,早期的旅游文献将该国称为毛利兰。新西兰纪念品将Māori和Māoritanga (Māori文化)的图像描绘在装饰瓷器上,主要供当地游客和旅行者消费。本文将这些在摄影背景下被商品化的物品视为物质文化,探索它们的社会传记以及图像被复制和改变的方式。文章认为,在将中国纪念品定位为带有摄影图像的物品,并将这些纪念品定位为大范围文化中的流行工艺品时,出现了一种更复杂的不同解读的论点。
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引用次数: 0
Special Issue: Photography in the Pacific Part 2 特刊:太平洋摄影第2部分
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00034_2
Prue Ahrens, Max Quanchi, Heather L. Waldroup
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引用次数: 0
Out of the box, onto the web: Digitizing images in the Tuzin Archive for Melanesian Anthropology 开箱即用,上网:图津美拉尼西亚人类学档案馆的图像数字化
Q2 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.1386/nzps_00040_7
Cristela Garcia-Spitz, K. Creely
How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.
二十世纪的民族志照片在二十一世纪是如何获得和表现的?这份来自加州大学圣地亚哥图书馆图津美拉尼西亚人类学档案馆的报告概述了档案馆中的摄影材料、安排和文件类型,随后总结了医生西尔维斯特·兰伯特、人类学家罗杰·基辛和哈罗德·谢夫勒等人对照片的具体数字化项目。通过数字化和在线访问的过程,民族志照片得到了转变,并可能以新的方式被发现和背景化。这些数字化项目利用新技术并形成广泛的合作,融合了人类学和档案实践,也提出了伦理问题。这是对数字化内容的深入研究,以及如何描述数字化内容,以重新/创造意义和背景,并为这些图像带来新的生命。
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引用次数: 0
期刊
Journal of New Zealand and Pacific Studies
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