Wilhelm Knappe (1855–1910), the first German administrator (imperial commissioner) assigned to the newly acquired Marshall Islands in 1886, created a photo album with pictures, presumably taken by New Zealand photographer Thomas Andrew in the same year. There are at least three existing copies of these albums and a bundle of loose photographs identical to those in the album in question. At the time of Knappe’s arrival in the Marshall Islands, Germany was still in the process of consolidating its newest colonial acquisition. The photographs show both Marshall Islanders untouched by Christian missions and colonial influence, and already ‘civilized’ Indigenous people from various atoll islands of the Ralik- and Ratak-group. The importance of this album results from the fact that it is one of the earliest pictorial records of the Marshall Islands and it probably represents the first documentation of German activities on the eastern Micronesian archipelago. This article highlights the history of the album and the photographs as well as their importance for a reconstruction of Marshall Islands’ history in the late nineteenth century.
{"title":"Wilhelm Knappe’s photo album as an early testimony of German colonization of the Marshall Islands1","authors":"Hermann Mückler","doi":"10.1386/nzps_00037_1","DOIUrl":"https://doi.org/10.1386/nzps_00037_1","url":null,"abstract":"Wilhelm Knappe (1855–1910), the first German administrator (imperial commissioner) assigned to the newly acquired Marshall Islands in 1886, created a photo album with pictures, presumably taken by New Zealand photographer Thomas Andrew in the same year. There are at least three existing copies of these albums and a bundle of loose photographs identical to those in the album in question. At the time of Knappe’s arrival in the Marshall Islands, Germany was still in the process of consolidating its newest colonial acquisition. The photographs show both Marshall Islanders untouched by Christian missions and colonial influence, and already ‘civilized’ Indigenous people from various atoll islands of the Ralik- and Ratak-group. The importance of this album results from the fact that it is one of the earliest pictorial records of the Marshall Islands and it probably represents the first documentation of German activities on the eastern Micronesian archipelago. This article highlights the history of the album and the photographs as well as their importance for a reconstruction of Marshall Islands’ history in the late nineteenth century.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44176352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Four early photographers are examined here in relation to their encounters with Tongans and Tonga. These photographers are Andrew Garrett, Gustav Adolph Riemer, Clarence Gordon Campbell and Walter Stanhope Sherwill. Garrett, an American natural historian who specialized in shells and fish, took two ambrotypes of Tongans in Fiji in 1868, which are two of the earliest Tongan photographs known. Riemer, born in Saarlouis, Germany, was a marine photographer on S.M.S. Hertha on an official diplomatic visit and took at least 28 photographs in Tonga in 1876. Campbell, a tourist from New York, took 25 culturally important photographs in 1902. Sherwill, a British subject born in India, moved to Tonga about the time of the First World War. He probably took many photographs with more modern equipment, but only two have been identified with certainty. This article presents information about the photographers and those depicted, where the original photographs can be found and the research that made it possible to glean cultural information from them. These early photographers are placed in the context of other more well-known early photographers whose works can be found in archives and libraries in New Zealand, Australia, Hawai‘i and Germany. In addition, summary information about two Tongan-born photographers is presented, as well as where their photographs/negatives can be found.
四位早期的摄影师在这里被审视他们与汤加人和汤加人的相遇。这些摄影师是Andrew Garrett、Gustav Adolph Riemer、Clarence Gordon Campbell和Walter Stanhope Sherwill。Garrett是一位专门研究贝壳和鱼类的美国自然历史学家，他于1868年在斐济拍摄了两张汤加人的模型，这是已知最早的两张汤加照片。里默出生于德国萨尔卢伊斯，是赫塔号的一名海洋摄影师，曾进行正式外交访问，1876年在汤加拍摄了至少28张照片。来自纽约的游客坎贝尔在1902年拍摄了25张具有重要文化意义的照片。Sherwill是一名出生在印度的英国人，大约在第一次世界大战期间搬到了汤加。他可能用更现代化的设备拍摄了许多照片，但只有两张照片被确定。本文介绍了摄影师和被描绘者的信息，在哪里可以找到原始照片，以及从中收集文化信息的研究。这些早期摄影师被放在其他更知名的早期摄影师的背景下，他们的作品可以在新西兰、澳大利亚、夏威夷和德国的档案馆和图书馆中找到。此外，还提供了关于两名汤加出生的摄影师的简要信息，以及他们的照片/底片可以在哪里找到。
{"title":"Early photographers encounter Tongans","authors":"A. Kaeppler","doi":"10.1386/nzps_00038_1","DOIUrl":"https://doi.org/10.1386/nzps_00038_1","url":null,"abstract":"Four early photographers are examined here in relation to their encounters with Tongans and Tonga. These photographers are Andrew Garrett, Gustav Adolph Riemer, Clarence Gordon Campbell and Walter Stanhope Sherwill. Garrett, an American natural historian who specialized in shells and fish, took two ambrotypes of Tongans in Fiji in 1868, which are two of the earliest Tongan photographs known. Riemer, born in Saarlouis, Germany, was a marine photographer on S.M.S. Hertha on an official diplomatic visit and took at least 28 photographs in Tonga in 1876. Campbell, a tourist from New York, took 25 culturally important photographs in 1902. Sherwill, a British subject born in India, moved to Tonga about the time of the First World War. He probably took many photographs with more modern equipment, but only two have been identified with certainty. This article presents information about the photographers and those depicted, where the original photographs can be found and the research that made it possible to glean cultural information from them. These early photographers are placed in the context of other more well-known early photographers whose works can be found in archives and libraries in New Zealand, Australia, Hawai‘i and Germany. In addition, summary information about two Tongan-born photographers is presented, as well as where their photographs/negatives can be found.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47992230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article looks at rare Kodachrome film taken across Oceania, mostly shot by a skilled amateur filmmaker, Edmund Zacher, to document the circumnavigation of the famous clipper Yankee. There are three intertwined lines of inquiry traced here. The first explores relations between US imperialism, moving image media and a popular imaginary, considering how experiences of virtual travel engage with cultural ideology. The second examines how this footage may be interpreted: how might critical frameworks brought to bear on amateur non-fiction differ from those commonly applied to professional and narrative fiction film? A key reference point is the theory of cinematic gesture developed by Giorgio Agamben, who expands on the work of Gilles Deleuze and his notion of the movement image. This stress on gesture and on the mediality of moving images leads towards a third key area under consideration: colour and the (then) new medium of Kodachrome. Homing in on relations between colour stock and motion picture realism, this study explores the ways that Kodachrome colour might have affected broader perceptions of the world itself.
{"title":"Exquisite wonder: Colour film, realism and the Yankee voyage, 1936–38","authors":"Jeffrey Geiger","doi":"10.1386/NZPS_00015_1","DOIUrl":"https://doi.org/10.1386/NZPS_00015_1","url":null,"abstract":"This article looks at rare Kodachrome film taken across Oceania, mostly shot by a skilled amateur filmmaker, Edmund Zacher, to document the circumnavigation of the famous clipper Yankee. There are three intertwined lines of inquiry traced here. The first explores relations between US imperialism, moving image media and a popular imaginary, considering how experiences of virtual travel engage with cultural ideology. The second examines how this footage may be interpreted: how might critical frameworks brought to bear on amateur non-fiction differ from those commonly applied to professional and narrative fiction film? A key reference point is the theory of cinematic gesture developed by Giorgio Agamben, who expands on the work of Gilles Deleuze and his notion of the movement image. This stress on gesture and on the mediality of moving images leads towards a third key area under consideration: colour and the (then) new medium of Kodachrome. Homing in on relations between colour stock and motion picture realism, this study explores the ways that Kodachrome colour might have affected broader perceptions of the world itself.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46206300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article looks at salient interpersonal uses and meanings of two prominent Tok Pisin social relations nouns ‐ wantok ('friend', 'same language speaker') and lain ('group', 'family', 'clan') ‐ which it is proposed exemplify key cultural Melanesian concepts in some anthropological literature of the area. Whereas certain aspects of language use in Tok Pisin were identified as potentially divisive and socially harmful, some scholars endeavoured to identify a group of concepts indicative of culturally specific Melanesian values. For example, the words wantok and lain were claimed to jointly represent 'the value of the clan' across Melanesian societies, while embodying and supporting a distinct world-view of the Melanesian peoples. This article studies two Tok Pisin texts which focus on the cultural significance of concepts of wantok and lain in their rural/traditional environment. While the first text offers a native speaker's insight into the social significance of the cultural expression wantok sistem ('system favouring friends'), the other one details the roles of lain in the passage of a bride-price ceremony. Given that both texts presuppose the cultural background of rural Tok Pisin, a brief look at some characteristic usage of the two words in electronic media suggests that certain aspects of traditional uses and meanings of these words may be extended and employed to conceptualize new social and political phenomena.
{"title":"Wantok and Lain ‐ a look at two Melanesian cultural concepts in two Tok Pisin texts","authors":"Paweł Kornacki","doi":"10.1386/nzps_00002_1","DOIUrl":"https://doi.org/10.1386/nzps_00002_1","url":null,"abstract":"Abstract This article looks at salient interpersonal uses and meanings of two prominent Tok Pisin social relations nouns ‐ wantok ('friend', 'same language speaker') and lain ('group', 'family', 'clan') ‐ which it is proposed exemplify key cultural Melanesian\u0000 concepts in some anthropological literature of the area. Whereas certain aspects of language use in Tok Pisin were identified as potentially divisive and socially harmful, some scholars endeavoured to identify a group of concepts indicative of culturally specific Melanesian values. For example,\u0000 the words wantok and lain were claimed to jointly represent 'the value of the clan' across Melanesian societies, while embodying and supporting a distinct world-view of the Melanesian peoples. This article studies two Tok Pisin texts which focus on the cultural significance of concepts of\u0000 wantok and lain in their rural/traditional environment. While the first text offers a native speaker's insight into the social significance of the cultural expression wantok sistem ('system favouring friends'), the other one details the roles of lain in the passage of a bride-price ceremony.\u0000 Given that both texts presuppose the cultural background of rural Tok Pisin, a brief look at some characteristic usage of the two words in electronic media suggests that certain aspects of traditional uses and meanings of these words may be extended and employed to conceptualize new social\u0000 and political phenomena.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48555398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this article, I argue that art can enable a critique of museological conventions, along with related ideas of natural history and extinction, which together have structured practices of preserving and representing departed species as scientific specimens. I draw on the case of the huia specifically, a bird species endemic to New Zealand, which became extinct in the early twentieth century, as a result of multiple ecological, cultural, political and economic forces stemming from colonization. I suggest the preservation of individual huia birds in the form of scientific specimens demonstrates how Victorian aesthetics and ideas about the natural world shaped the modality through which non-human life was, and to some extent still is, recorded and portrayed according to particular archival norms. Utilizing concepts from recent scholarship in the field of extinction studies, I critically consider how the works of two artists which feature the huia, challenge the traditions of the museum and the archive. First, I examine how Fiona Pardington's photography of huia specimens frames the species as a life form that became extinct in a context scarred by the complex and violent entanglement of people and nature. Second, I show how a work of sound art by Sally Ann McIntyre, which is centred on the inaudible recordings of huia specimens played on Kapiti Island, the bird's original habitat, highlights that extinction results in the loss of multispecies relationality.
摘要在这篇文章中，我认为艺术可以批判博物馆学的传统，以及自然史和灭绝的相关思想，这些思想共同构成了将逝去的物种作为科学标本保存和表现的结构化实践。我特别引用了huia的例子，它是新西兰特有的一种鸟类，由于殖民化产生的多种生态、文化、政治和经济力量，在20世纪初灭绝。我认为，以科学标本的形式保存个别辉亚鸟，表明了维多利亚时代的美学和关于自然世界的思想是如何塑造非人类生命过去和现在（在某种程度上）根据特定档案规范记录和描绘的形态的。利用最近灭绝研究领域的学术概念，我批判性地思考了两位艺术家的作品是如何挑战博物馆和档案馆的传统的。首先，我研究了Fiona·帕丁顿（Fiona Pardington）拍摄的huia标本是如何将该物种塑造成一种在人与自然复杂而暴力的纠缠中灭绝的生命形式的。其次，我展示了Sally Ann McIntyre的一件声音艺术作品，该作品以在该鸟的原始栖息地Kapiti岛上播放的huia标本的听不见的录音为中心，强调了灭绝会导致多物种相对性的丧失。
{"title":"The silence of the huia: Bird extinction and the archive","authors":"C. Boyle","doi":"10.1386/nzps_00008_1","DOIUrl":"https://doi.org/10.1386/nzps_00008_1","url":null,"abstract":"Abstract In this article, I argue that art can enable a critique of museological conventions, along with related ideas of natural history and extinction, which together have structured practices of preserving and representing departed species as scientific specimens. I draw\u0000 on the case of the huia specifically, a bird species endemic to New Zealand, which became extinct in the early twentieth century, as a result of multiple ecological, cultural, political and economic forces stemming from colonization. I suggest the preservation of individual huia birds in the\u0000 form of scientific specimens demonstrates how Victorian aesthetics and ideas about the natural world shaped the modality through which non-human life was, and to some extent still is, recorded and portrayed according to particular archival norms. Utilizing concepts from recent scholarship\u0000 in the field of extinction studies, I critically consider how the works of two artists which feature the huia, challenge the traditions of the museum and the archive. First, I examine how Fiona Pardington's photography of huia specimens frames the species as a life form that became extinct\u0000 in a context scarred by the complex and violent entanglement of people and nature. Second, I show how a work of sound art by Sally Ann McIntyre, which is centred on the inaudible recordings of huia specimens played on Kapiti Island, the bird's original habitat, highlights that extinction results\u0000 in the loss of multispecies relationality.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46888537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Special Issue: 'Language and Translation in the Pacific'","authors":"A. Marco, E. Federici, Anne Magnan-Park","doi":"10.1386/nzps_00001_2","DOIUrl":"https://doi.org/10.1386/nzps_00001_2","url":null,"abstract":"","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43834808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The form and function of female aggression have been for many years an important social issue that demands investigation. Many studies of female aggression have focused on the perpetration and victimization of girls and young women from western countries. As a result, existing theoretical models and empirical foundations of girls' aggression are based on these defining constructs. The purpose of this article is twofold. The present study of adolescent females in the Cook Islands seeks to understand the role that perpetrators play in the type and the target of aggressive behaviour. It also examines the qualitative findings of girls' aggressive behaviour by boys, girls and their teachers and its gendered relationship inside the Cook Islands environment. The outcomes inspect the cultural context of girls in the Cook Islands that make their understanding and experiences of physical aggression and relational aggression unique and highlight the difficulties of young women positioned themselves between Cook Islands traditional values and asserting their contemporary Cook Islands' identity. The discussion highlights that aggression by girls in the Cook Islands is derived from a particular past and present that can in turn shape understandings of addressing aggression in the future.
{"title":"A critical view of female aggression and the implications of gender, culture and a changing society: A Cook Islands perspective","authors":"Angela Page, A. Ava","doi":"10.1386/nzps_00007_1","DOIUrl":"https://doi.org/10.1386/nzps_00007_1","url":null,"abstract":"Abstract The form and function of female aggression have been for many years an important social issue that demands investigation. Many studies of female aggression have focused on the perpetration and victimization of girls and young women from western countries. As a result,\u0000 existing theoretical models and empirical foundations of girls' aggression are based on these defining constructs. The purpose of this article is twofold. The present study of adolescent females in the Cook Islands seeks to understand the role that perpetrators play in the type and the target\u0000 of aggressive behaviour. It also examines the qualitative findings of girls' aggressive behaviour by boys, girls and their teachers and its gendered relationship inside the Cook Islands environment. The outcomes inspect the cultural context of girls in the Cook Islands that make their understanding\u0000 and experiences of physical aggression and relational aggression unique and highlight the difficulties of young women positioned themselves between Cook Islands traditional values and asserting their contemporary Cook Islands' identity. The discussion highlights that aggression by girls in\u0000 the Cook Islands is derived from a particular past and present that can in turn shape understandings of addressing aggression in the future.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42093212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A most curious image: Indigeneity, sign language and early Māori postcards","authors":"I. Conrich","doi":"10.1386/nzps_00006_7","DOIUrl":"https://doi.org/10.1386/nzps_00006_7","url":null,"abstract":"","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41735245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Barriers to acquiring and using a shared sign language alienate deaf children and adults from their fundamental human rights to communication, education, social and economic participation, and access to services. International data collected by the World Federation of the Deaf (WFD) identify that in economically developing countries, deaf individuals are at particularly high risk of marginalization, which applies to countries in the Pacific region. This report provides a snapshot of the status of deaf people as sign language users in six Pacific nations: Fiji, Papua New Guinea (PNG), Samoa, Solomon Islands, Timor Leste and Kiribati. Information was contributed by sign language interpreters from these countries during a panel convened at the first Oceania regional conference of the World Association of Sign Language Interpreters, in Fiji, 2018. The report outlines conditions for education through sign language and the emergence of sign language interpreting as a means of increasing access and social equity for deaf people in these countries, albeit this remains largely on a voluntary basis. While Fiji and PNG governments have recognized the status of sign languages in their respective countries and allocated some resources to the inclusion of sign language users, practical support of deaf sign language users tends to be progressed on grounds of disability rights rather than language rights; e.g., several Pacific countries have ratified the United Nations Convention on the Rights for People with Disabilities, which includes provisions for sign language users, and deaf advocacy efforts have gained political traction from alliance with disability organizations.
{"title":"Sign language interpreting in the Pacific: A snapshot of progress in raising the participation of deaf people","authors":"Rachel McKee, J. Iseli, Angela K. Murray","doi":"10.1386/nzps_00005_1","DOIUrl":"https://doi.org/10.1386/nzps_00005_1","url":null,"abstract":"Abstract Barriers to acquiring and using a shared sign language alienate deaf children and adults from their fundamental human rights to communication, education, social and economic participation, and access to services. International data collected by the World Federation\u0000 of the Deaf (WFD) identify that in economically developing countries, deaf individuals are at particularly high risk of marginalization, which applies to countries in the Pacific region. This report provides a snapshot of the status of deaf people as sign language users in six Pacific nations:\u0000 Fiji, Papua New Guinea (PNG), Samoa, Solomon Islands, Timor Leste and Kiribati. Information was contributed by sign language interpreters from these countries during a panel convened at the first Oceania regional conference of the World Association of Sign Language Interpreters, in Fiji, 2018.\u0000 The report outlines conditions for education through sign language and the emergence of sign language interpreting as a means of increasing access and social equity for deaf people in these countries, albeit this remains largely on a voluntary basis. While Fiji and PNG governments have recognized\u0000 the status of sign languages in their respective countries and allocated some resources to the inclusion of sign language users, practical support of deaf sign language users tends to be progressed on grounds of disability rights rather than language rights; e.g., several Pacific countries\u0000 have ratified the United Nations Convention on the Rights for People with Disabilities, which includes provisions for sign language users, and deaf advocacy efforts have gained political traction from alliance with disability organizations.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45348254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract An increasing number of Japanese ethnographers have conducted fieldwork research in Pacific Islands in the last few decades, which has resulted in a growing corpus of ethnographic literature. This is partly related to the historical role that Japan has played in the Pacific and partly to its geographical proximity to the area. While this geo-historical advantage combines with the availability of ethnographic works produced by non-Japanese scholars, the latter remain largely unable to access anthropological literature only available in Japanese. This not only limits the international circulation of ethnographies produced by Japanese anthropologists of the Pacific, but also the possibility of engaging with a larger body of anthropological traditions and, thus, with the overall project of 'World Anthropologies'. This article discusses the reasons why Japanese ethnographies of the Pacific provide not only a technical advantage for non-Japanese scholars of Pacific Islands but also a qualitative difference in terms of anthropological perspectives. In particular, it examines the differential impact of different colonial and postcolonial debates on Japanese and anglophone anthropology in relation to ethnographies of urban Melanesia.
{"title":"Japanese ethnographies of the Pacific: Language, politics and perspective","authors":"R. Maggio","doi":"10.1386/nzps_00003_1","DOIUrl":"https://doi.org/10.1386/nzps_00003_1","url":null,"abstract":"Abstract An increasing number of Japanese ethnographers have conducted fieldwork research in Pacific Islands in the last few decades, which has resulted in a growing corpus of ethnographic literature. This is partly related to the historical role that Japan has played in\u0000 the Pacific and partly to its geographical proximity to the area. While this geo-historical advantage combines with the availability of ethnographic works produced by non-Japanese scholars, the latter remain largely unable to access anthropological literature only available in Japanese. This\u0000 not only limits the international circulation of ethnographies produced by Japanese anthropologists of the Pacific, but also the possibility of engaging with a larger body of anthropological traditions and, thus, with the overall project of 'World Anthropologies'. This article discusses the\u0000 reasons why Japanese ethnographies of the Pacific provide not only a technical advantage for non-Japanese scholars of Pacific Islands but also a qualitative difference in terms of anthropological perspectives. In particular, it examines the differential impact of different colonial and postcolonial\u0000 debates on Japanese and anglophone anthropology in relation to ethnographies of urban Melanesia.","PeriodicalId":37507,"journal":{"name":"Journal of New Zealand and Pacific Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48288991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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