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Impact evaluation of the turnaround arts pilot program: an interrupted time series analysis 转折艺术试点计划的影响评估:间断时间序列分析
Q1 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1080/10632913.2023.2285497
Bri’Ann F. Wright
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引用次数: 0
Divisive concepts laws and music education: PK-20 music educators’ perceptions and discourses 有分歧的概念法与音乐教育:PK-20音乐教育工作者的看法和论述
Q1 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1080/10632913.2023.2286598
K. Salvador, Andrew Bohn, Anne Martin
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引用次数: 0
Art education en las nubes (in the clouds): pandemic programming and a legacy of learning at the Emma S. Barrientos Mexican American Cultural Center 云中的艺术教育:埃玛-S-巴连托斯墨西哥裔美国人文化中心的大流行病计划和学习遗产
Q1 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/10632913.2023.2281385
Cassie Lynn Smith
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引用次数: 0
Appraising metropolitan arts education partnerships: a policy analysis 都市艺术教育合作评估:政策分析
Q1 Arts and Humanities Pub Date : 2023-11-03 DOI: 10.1080/10632913.2023.2277941
Ryan D. Shaw, Cara Faith Bernard
AbstractOver the past 20 years, some of the most notable arts education policy initiatives have taken place in urban areas with the creation of metropolitan arts education partnerships. Aside from a few impact studies and isolated reports, little research exists that specifically analyzes their policy implications. Therefore, the purpose of this study was to describe the formation of high-profile metropolitan arts education partnerships. Research questions were: 1) What stakeholders are involved and how do they interact? 2) How are the metropolitan arts partnerships framed?, and 3) What are the goals and metrics associated with the partnerships? Using a policy-focused multiple case study approach, data collection included document analysis and interviews with key stakeholders from five partnerships. There were a variety of structures behind the partnerships, and stakeholders described interactions in terms of collective impact and negotiations over agendas. Partnerships were framed around equitable access to arts education alongside more sentimentalized rhetoric about the power of the arts. Finally, partnerships collected data on both arts-specific and non-arts-specific metrics to track progress.Keywords: Arts partnershipsthird space policymakingaccessequityurban education Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 As we discuss later, the resulting policy effort is sometimes a named initiative (“Creative Advantage”) or results in a new formation of an entity that manages the effort (“Ingenuity”). We discuss the variation later in the paper, but for the sake of simplicity, we use the terms “partnership” and “initiative” interchangeably.
在过去的20年里,一些最引人注目的艺术教育政策举措发生在城市地区,建立了大都市艺术教育合作伙伴关系。除了一些影响研究和孤立的报告外,很少有研究专门分析它们的政策影响。因此,本研究的目的是描述高知名度都市艺术教育伙伴关系的形成。研究问题是:1)哪些利益相关者参与其中,他们如何相互作用?2)大都会艺术伙伴关系是如何构建的?3)与合作伙伴关系相关的目标和指标是什么?数据收集采用以政策为重点的多案例研究方法,包括文件分析和与五个伙伴关系的主要利益相关者的访谈。伙伴关系背后有各种各样的结构,利益相关者从集体影响和议程谈判的角度描述了相互作用。伙伴关系的框架是围绕公平获得艺术教育的机会,以及对艺术力量的更多愁善感的言论。最后,合作伙伴收集了特定艺术和非特定艺术指标的数据,以跟踪进展。关键词:艺术合作第三空间政策制定可及性城市教育披露声明作者未发现潜在利益冲突。注1:正如我们稍后讨论的那样,最终的政策努力有时是一个命名的计划(“创造性优势”),或者导致一个管理工作的实体的新形成(“独创性”)。我们将在本文后面讨论这种变化,但是为了简单起见,我们可以互换地使用术语“伙伴关系”和“主动性”。
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引用次数: 0
An entertainment-education policy approach to teach campus literacy, safety, and social norms 一个娱乐教育政策的方法,教校园扫盲,安全和社会规范
Q1 Arts and Humanities Pub Date : 2023-10-03 DOI: 10.1080/10632913.2023.2262110
Jacob D. Holster, Bryan E. Nichols, Fouz Aljameel, Austin Norrid
AbstractThis study represents an application of the entertainment education approach utilizing aspects of arts education to deliver campus policy and protocols to a population of incoming first year students at new student orientation. Consistent with previous applications in research, these theatrical entertainment messages were combined with a post-show discussion followed by a post-show survey. Data for this study consisted of those three elements (the show, the discussion, and the survey) and we describe these data using AI-based content analyses and network modeling. We report on the recall of campus information including emergency phone numbers and on questions of campus policy regarding student behavior. For this population, we recommend a dual-pronged approach where the meaning related to the information is provided during the heightened period of audience involvement during NSO, and recall is supported through targeted resource communication in the following months and/or through first-year seminar courses. The prevalence and specificity of student responses lends toward the consideration of policies for new students related to the limitation of logistical obstacles, and multifaceted approaches to the dissemination of health-related information, and crisis response formats.Keywords: Arts entertainmentaudience engagementaudience recallcampus policycampus safetyentertainment educationpolicytopic modeling Disclosure statementNo potential conflict of interest was reported by the authors.
摘要本研究代表了娱乐教育方法的应用,利用艺术教育的各个方面向新生入学的一年级学生传达校园政策和协议。与先前的研究应用一致,这些戏剧娱乐信息与演出后的讨论相结合,然后是演出后的调查。本研究的数据包括这三个元素(节目、讨论和调查),我们使用基于人工智能的内容分析和网络建模来描述这些数据。我们报告校园信息的召回,包括紧急电话号码和关于学生行为的校园政策问题。对于这一人群,我们建议采取双管齐下的方法,即在NSO期间观众参与的高度时期提供与信息相关的意义,并在接下来的几个月里通过有针对性的资源沟通和/或通过第一年的研讨会课程来支持回忆。学生反应的普遍性和特殊性有助于考虑与后勤障碍限制有关的新生政策,以及传播与健康有关的信息的多方面方法和危机应对形式。关键词:艺术娱乐观众参与观众回忆校园政策校园安全娱乐教育政策话题建模披露声明作者未报告潜在利益冲突
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引用次数: 0
The place of the arts within integrated education 艺术在综合教育中的地位
Q1 Arts and Humanities Pub Date : 2023-09-22 DOI: 10.1080/10632913.2023.2260917
Raquel Sanz-Camarero, Jairo Ortiz-Revilla, Ileana M. Greca
AbstractIf we are to address the complex needs of contemporary education, then reflection on the arts when talking about integrated education is somewhat logical and should be considered as one principal objective of Arts Education. Current educational policies at the international level point toward a more integrated education, however, there is no consensus over a real arts integration, nor significant reflection within the classroom. This situation has worsened over recent years, even when the arts are being incorporated in some models of integrated education in full expansion. In this study, we present a state of the question of the place of the arts in integrated education. To do so, we place arts integration within its historical context, and define and explain four major problems (instrumentalization of the arts, undervaluation of the arts, poor teacher training, neglecting evaluation). We then go on to present the significance of the arts within integration as the basic axis of the existing theoretical discourse in the literature, defining five styles of integration according to their significance (subordinated or service-based, peripheral, collaborative, leading role, artistic). Finally, we compile and discuss the main approaches to have arisen in the context of arts integration. This study may be added to the contributions in defense of arts integration, rescuing and clarifying the currently submerged and confused debate, in order to restore its full potential in accordance with the new social and political demands.Keywords: Integrated educationdisciplinary integrationarts integrationstate of the question Disclosure statementThe authors report there are no competing interests to declare.Notes1 ‘The arts’, a less restrictive term widely used in the literature, is employed when discussing integration. Nevertheless, the term ‘art’ is retained whenever used in the original source material. In addition, due to the authors’ training and artistic backgrounds, some examples and references included throughout the manuscript belong to the field of visual arts.2 This contextualization is mainly based on the context of the United States, a representative country of the integrated education discourse later expanded worldwide.Additional informationFundingThis research was funded by the Ministry of Science and Innovation (Spain) who financed the research project PCI2S [PDC2021-121498-I00].
摘要:如果我们要解决当代教育的复杂需求,那么在谈论融合教育时对艺术的反思是合乎逻辑的,应该被视为艺术教育的一个主要目标。目前国际上的教育政策指向更加融合的教育,然而,对于真正的艺术融合没有达成共识,也没有在课堂上进行重要的反思。这种情况近年来恶化了,即使艺术被全面纳入一些综合教育模式。在这项研究中,我们提出了艺术在综合教育中的地位问题的状态。为了做到这一点,我们将艺术整合置于其历史背景中,并定义和解释了四个主要问题(艺术的工具化,艺术的低估,糟糕的教师培训,忽视评估)。然后,我们继续将艺术在整合中的意义作为现有文学理论话语的基本轴线,根据其重要性定义五种整合风格(从属或服务型,外围,协作,主导角色,艺术)。最后,我们整理并讨论了在艺术整合的背景下出现的主要方法。本研究可以为捍卫艺术融合、拯救和澄清目前被淹没和混乱的辩论,以恢复其根据新的社会和政治要求的全部潜力做出贡献。关键词:融合教育学科整合艺术整合问题现状披露声明作者报告无利益冲突声明。注1“艺术”是一个在文献中广泛使用的限制较少的术语,在讨论整合时使用。然而,“艺术”一词在原始材料中使用时仍然保留。此外,由于作者的训练和艺术背景,整个手稿中包含的一些例子和参考文献属于视觉艺术领域这种语境化主要基于美国的语境,美国是后来扩展到世界各地的融合教育话语的代表性国家。本研究由西班牙科学与创新部资助,该部资助了研究项目PCI2S [PDC2021-121498-I00]。
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引用次数: 1
Reimagining antiracist possibilities of single-visit art museum field trips after the COVID-19 pause 重新想象在COVID-19暂停后,单次参观艺术博物馆实地考察的反种族主义可能性
Q1 Arts and Humanities Pub Date : 2023-08-31 DOI: 10.1080/10632913.2023.2251637
Amanda Tobin Ripley, Hannah Heller
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引用次数: 0
Informalities in the art museum: mobilizing educators’ professional learning for policy renewal 艺术博物馆中的非正式性:动员教育工作者的专业学习以促进政策更新
Q1 Arts and Humanities Pub Date : 2023-08-26 DOI: 10.1080/10632913.2023.2247114
Emily Keenlyside
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引用次数: 0
Policy influences on the inclusion of popular music in music teacher education programs 将流行音乐纳入音乐教师教育项目的政策影响
Q1 Arts and Humanities Pub Date : 2023-08-21 DOI: 10.1080/10632913.2023.2247113
V. Davis, Candice Davenport Mattio, Bryan Powell
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引用次数: 0
Framing arts education in school improvement policy 将艺术教育纳入学校改善政策
Q1 Arts and Humanities Pub Date : 2023-08-14 DOI: 10.1080/10632913.2023.2213452
Rachael E. Gabriel
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引用次数: 0
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Arts Education Policy Review
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