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“The Local in the Global”: Memories of Northern Industrial Protest in a Transnational Context, 1880–1930 “全球中的地方”:1880-1930年跨国背景下北方工业抗议的记忆
Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/20514530.2018.1523322
Antony J. W. Taylor
ABSTRACT This article locates memories of northern industrial protest in a transnational context. It focuses on key events and personalities that were formative for the development of the radical platform in the heartland of the industrial north, notably Peterloo, Chartism and the agitation surrounding Gerrard Winstanley and the Diggers. Analysing the importance of these memories in sustaining a northern radical identity, it scrutinises the transmission of images of martyrdom and dissent to new world situations, particularly to the Australian colonies and to New Zealand. Examining the rhetoric of the radical platform, this article argues for the centrality of memories of radical dissent for the emergence of new labour parties in the broader White empire. It also analyses the significance of memories of dispossession for the platforms of radical politicians who sought to shake off the legacy of the “old world”. Further, this article explores the concept of a northern radical diaspora, and re-examines the factors that allowed memories of the popular politics of the nineteenth-century in the industrial north to gain a renewed significance in “new world” situations.
摘要本文将北方工业抗议的记忆置于跨国语境中。它关注的是在北方工业中心地带形成激进平台的关键事件和人物,特别是彼得罗、宪章主义以及围绕杰拉德·温斯坦利和挖掘者的骚动。分析了这些记忆在维持北方激进身份方面的重要性,它仔细研究了殉难和异议的图像向新的世界形势的传播,特别是向澳大利亚殖民地和新西兰的传播。通过考察激进纲领的修辞,本文认为,在更广泛的白人帝国中,激进异见人士的记忆是新工党出现的核心。它还分析了剥夺记忆对那些试图摆脱“旧世界”遗产的激进政客的纲领的意义。此外,本文探讨了北方激进散居者的概念,并重新审视了使人们对19世纪北方工业区流行政治的记忆在“新世界”形势下获得新意义的因素。
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引用次数: 0
Farmers, consumers, innovators. The world of Joan Thirsk 农民、消费者、创新者。琼·瑟斯克的世界
Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/20514530.2018.1523324
K. Tiller
writes of a widowed, and then remarried Catherine Maria Bury of Charleville Castle, Co. Offaly, and her influence in the design, Gothic and picturesque in manner, of a country house in the first years of the nineteenth century. A further perspective is Edmund Joyce’s “Lady Harriet Kavanagh of Borris House, 1800–185, matriarch and guardian of the future”, who combined the rearing of many children and stepchildren, the running of an estate upon being made a widow, and travelling and collecting in the Mediterranean and Middle East. Further contributions are those of Ruth Larsen, on Georgiana and Harriet Cavendish, and the advice and support that they provided as sisters, mothers and aunts, and at essential moments of passage in family life cycles. Anna Pilz considers the art and practice of silvaculture at Coole Park, Co. Galway, through “‘Lasting monuments’: Lady Gregory’s domesticated landscape and forestry”. Lowri Ann Rees discusses how an unmarried woman owner and her sister faired in politically charged times in “‘I serve my God, and fear not man’: the Rebecca Riots and a female’s response to Welsh rural protest, 1843–4”. Ciaran Reilly examines the country house and the Great Famine, and the dissenting and provocative novel by Mildred Darby, of Leap Castle, The Hunger. Christopher Ridgway, meanwhile, investigates “Rosalind Howard, the contradictory countess of Carlisle”, whose stance was for suffragism, liberalism, temperance and home rule, and established a controversial and high-profile reputation. Regina Sexton turns to the accumulation and transmission of knowledge in the domestic arts in “Elite women and their recipe books: the case of Dorothy Parsons and her Booke of Choyce Receipts, all written with her owne hand in 1666”. Brendan Twomey writes on epistolary reflections on life for women in “‘I will do myself the pleasure of now writing to you’; Louisa Conollly’s letters to her sister, Sarah Bunbury”. Fiona White concludes the volume with “Louisa Moore of Moore Hall: a life in letters”, on a woman left to run and estate and raise a family, and then to advise and influence the subsequent generation.
书中描写了一位寡妇,后来又再婚了,住在奥法利郡查尔维尔城堡的凯瑟琳·玛丽亚·伯里,以及她在19世纪初对一座乡村别墅的哥特式和风景如画的设计的影响。埃德蒙·乔伊斯(Edmund Joyce)的《鲍里斯家族的哈丽特·卡瓦纳夫人,1800-185年,女族长和未来的守护者》(Lady Harriet Kavanagh of Borris House, 1800-185年)是一个更深入的视角,她把抚养许多孩子和继子女,寡妇后经营庄园,以及在地中海和中东旅行和收藏结合起来。更进一步的贡献是露丝·拉森关于乔治亚娜和哈里特·卡文迪什的作品,以及她们作为姐妹、母亲和阿姨,在家庭生命周期的关键时刻提供的建议和支持。安娜·皮尔兹通过““永恒的纪念碑”:格雷戈里夫人的驯化景观和林业”,考虑了戈尔韦公司库尔公园的造林艺术和实践。洛里·安·里斯(Lowri Ann Rees)在《‘我侍奉上帝,不怕男人’:1843年至1843年,丽贝卡骚乱和一位女性对威尔士农村抗议的回应》一书中讨论了一位未婚女老板和她的妹妹是如何在政治激烈的时代公平对待的。夏兰·赖利考察了这座乡村别墅和大饥荒,以及米尔德里德·达比在Leap Castle创作的反对和挑衅的小说《饥饿》。与此同时,克里斯托弗·里奇韦(Christopher Ridgway)调查了“罗莎琳德·霍华德,卡莱尔的矛盾伯爵夫人”,她的立场是支持妇女参政主义、自由主义、节制和地方自治,并建立了备受争议和高调的声誉。里贾纳·塞克斯顿在《精英女性和她们的食谱:多萝西·帕森斯和她的《精选收据之书》一书中谈到了家政艺术知识的积累和传播,这些书都是她在1666年亲手写的。》Brendan Twomey在她对女性生活的书信反思中写道" '我现在很乐意给你写信';路易莎·科诺利写给她妹妹莎拉·班伯里的信。菲奥娜·怀特以“摩尔厅的路易莎·摩尔:信件中的生活”作为全书的结尾,讲述了一个女人留下来经营、经营产业、抚养家庭,然后给后代提供建议和影响。
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引用次数: 1
The Anglo-Saxon Fenland 盎格鲁撒克逊的芬兰
Q2 Arts and Humanities Pub Date : 2018-07-03 DOI: 10.1080/20514530.2018.1523325
S. Rippon
The extensive wetlands of the region widely known as Fenland, in eastern England, have seen considerable archaeological and historical research, although we know relatively little about the period between AD410 and 1066 due to the scarcity of source material. In The Anglo-Saxon Fenland Susan Oosthuizen set out to address this issue by looking at a range of evidence both from this period, and through back-projecting sources from the later medieval/post-medieval periods. Chapter 1 – “The Wide Wilderness” – introduces the Fenland landscape, while Chapter 2 – “One of the loneliest pieces of country” – explores what we know about Fenland from Domesday. Through a re-analysis of the Domesday data, Oosthuizen shows that in contrast to the traditional view – that Fenland was largely a wetland wilderness – there were some areas that were quite densely settled. More problematic is the hypothesis that there was continuity from the Roman through to the medieval period, and the statement that there is little evidence of post-Roman abandonment of the wetland fens (p. 26) is simply not true. Large numbers of archaeological surveys have revealed huge areas of Romano-British landscape that were abandoned, which contrasts with a handful of settlements that have been dated to the fifth and sixth centuries (as opposed to the seventh century onwards when the wetlands were recolonised). Chapter 3 “Cultural Identity in the Early Medieval Fenland” – is an important chapter in presenting a hypothesis that the occupants of Fenland in this period were largely descended from the native British population as opposed to immigrant Anglo-Saxons. A crucial line of enquiry – the evidence from DNA – is actually to be found in the Prologue, where Oosthuizen presents an excellent critique of why we should be cautious about using the results of DNA studies of modern populations. What is confusing about this chapter, however, is the terminology: “early medieval” and “Anglo-Saxon” are used seemingly interchangeable, which in a chapter on “identity” is unfortunate! Chapter 4 – “Brigands and Bandits?” – explores which communities described in the Tribal Hidage may have occupied parts of Fenland, while Chapter 5 discusses the Isle of Ely and the central peat lands and presents a convincing reconstruction of the Ely regio. The final chapter – “Rich hay and commons” – weaves together scraps of evidence from the early medieval period with a wealth of material from the later medieval/post medieval periods, to show the importance of common grazing to rural communities. The book is well written and well-illustrated as is customary with the excellent Windgather series.
在英格兰东部被广泛称为芬兰的广阔湿地地区,已经有了大量的考古和历史研究,尽管由于原始材料的缺乏,我们对公元410年到1066年之间的时期知之甚少。在《盎格鲁-撒克逊芬兰》一书中,Susan Oosthuizen通过查看这一时期的一系列证据,以及从中世纪后期/后中世纪时期的反向预测资料,着手解决这个问题。第一章——“广阔的荒野”——介绍了芬兰的风景,而第二章——“最孤独的国家之一”——探索了我们从《末日审判》中对芬兰的了解。通过对《末日审判》数据的重新分析,Oosthuizen表明,与传统观点(芬兰主要是一片湿地荒野)相反,芬兰的一些地区人口相当密集。更有问题的是,假设从罗马时期一直到中世纪时期都有连续性,并且几乎没有证据表明后罗马时期湿地沼泽被遗弃的说法(第26页)根本不正确。大量的考古调查揭示了大片被遗弃的罗马-英国景观,这与少数可以追溯到五世纪和六世纪的定居点形成了鲜明对比(与七世纪以后湿地被重新殖民的情况相反)。第三章“中世纪早期芬兰的文化认同”是一个重要的章节,它提出了一个假设,即这一时期芬兰的居住者主要是英国本土人口的后裔,而不是移民的盎格鲁-撒克逊人。一条至关重要的线索——来自DNA的证据——实际上可以在序言中找到,乌修真在序言中提出了一个出色的批评,即为什么我们应该谨慎地使用现代人的DNA研究结果。然而,本章令人困惑的是术语:“早期中世纪”和“盎格鲁-撒克逊”似乎可以互换使用,这在“身份”一章中是不幸的!第四章“土匪和强盗?”-探讨了部落志中描述的哪些社区可能占据了芬兰的部分地区,而第5章讨论了伊利岛和中央泥炭地,并提出了一个令人信服的伊利地区重建。最后一章——“丰富的干草和公地”——将中世纪早期的零星证据与中世纪后期/后中世纪时期的大量材料编织在一起,以显示公共放牧对农村社区的重要性。这本书写得很好,插图也很好,这是优秀的风集系列的惯例。
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引用次数: 1
Iron Dukes and Naked Races: Edward Carpenter's Sheffield and LGBTQ Public History 《铁公爵与裸种族:爱德华·卡朋特的谢菲尔德与LGBTQ公共历史
Q2 Arts and Humanities Pub Date : 2018-01-02 DOI: 10.1080/20514530.2018.1451446
A. Twells
ABSTRACT This article explores the development of a public history walk based on the life of Edward Carpenter (1844–1929), late nineteenth- and early twentieth-century Sheffield-based writer, campaigner and sex reformer. It argues that understanding the world in which Carpenter and his comrades, friends and lovers lived, dreamed and loved, requires attention to both the alterity of sexual experiences in the past and historical continuity in terms of sexual identities and practices that are marginalised within different mainstream cultures. Public History brings a new perspective to this debate, drawing attention to the resonance of history in terms of present day identities. The article also addresses the heteronormativity of public history, the role of history in place-making and the ways in which public history, creative history and the practice of walking can challenge dominant versions of urban history and urge us to think critically about different ways of knowing the past.
摘要本文以爱德华·卡彭特(Edward Carpenter,1844–1929)的生平为基础,探讨了公共历史步行的发展。卡彭特是19世纪末20世纪初谢菲尔德的作家、活动家和性改革者。它认为,了解卡彭特和他的同志、朋友和爱人生活、梦想和爱的世界,需要关注过去性经历的交替性,以及在不同主流文化中被边缘化的性身份和性行为的历史连续性。《公共历史》为这场辩论带来了一个新的视角,引起了人们对历史在当今身份方面的共鸣的关注。文章还谈到了公共历史的非规范性、历史在场所营造中的作用,以及公共历史、创造性历史和步行实践如何挑战城市历史的主流版本,并敦促我们批判性地思考了解过去的不同方式。
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引用次数: 1
REF, TEF, and KEF; and the “Research-Informed” Teaching and Co-Production Traditions in Local History: Analysing Provincial Newspapers REF、TEF和KEF;与地方史中的“研究性”教学与合作传统——省报分析
Q2 Arts and Humanities Pub Date : 2018-01-02 DOI: 10.1080/20514530.2018.1451447
A. Jackson
ABSTRACT In the present universities are facing the introduction of a revised Research Excellence Framework, the extension of the Teaching Excellence and Student Outcomes Framework to subject-level assessment, and the emergence of a Knowledge Exchange Framework. Against this background are particular interests in, or imperatives surrounding, the development of research-informed activity involving undergraduate students, and in university public engagement. The practice of local history has a long and proud tradition of internally and externally collaborative and enquiry-led co-production in higher education and more broadly, and is now a fitting reference point and a timely source of inspiration. This research discusses the development of, and relationships between, REF, TEF and KEF, the place of research-informed teaching, and the contemporary significance of local history. The study also reports on some of the results of a student-engagement activity involving the indexing, analysis and interpretation of a provincial newspaper, for Ilfracombe, in Devon. Such a choice of primary source is particularly apt, not least because its demanding material format invites group reading and collective scrutiny. In addition, provincial-press publications yield and test knowledge of what the nineteenth and early twentieth centuries brought to districts and communities; they also demand an appreciation of conceptual and critical understanding; and, in addition, support diverse and advanced methodological experimentation.
目前,大学正面临着引入修订后的卓越研究框架,将卓越教学和学生成果框架扩展到学科水平评估,以及知识交流框架的出现。在这种背景下,我们对本科生和大学公众参与的研究活动的发展特别感兴趣或迫切需要。当地历史的实践有着悠久而自豪的传统,在高等教育和更广泛的范围内,内部和外部合作以及以探究为主导的合作生产,现在是一个合适的参考点和及时的灵感来源。本研究探讨REF、TEF和KEF的发展、三者之间的关系、研究型教学的地位以及当地历史的当代意义。该研究还报告了一项学生参与活动的一些结果,该活动涉及对德文郡Ilfracombe的一份省级报纸进行索引、分析和解读。这种选择的主要来源是特别合适的,尤其是因为其苛刻的材料格式邀请小组阅读和集体审查。此外,省级新闻出版物产生并测试了19世纪和20世纪初给地区和社区带来的知识;他们还需要对概念和批判性理解的欣赏;此外,支持多样化和先进的方法实验。
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引用次数: 4
“Stokesley Books”: John Slater Pratt and Early Victorian Publishing 斯托克斯利图书:约翰·斯莱特·普拉特和早期维多利亚出版社
Q2 Arts and Humanities Pub Date : 2018-01-02 DOI: 10.1080/20514530.2018.1451445
M. Chase
ABSTRACT The burgeoning popular market for cheap reading material in the mid-nineteenth century offered major opportunities for the print trades. Based in the Yorkshire North Riding town of Stokesley, John Slater Pratt (1807–67) transformed a country printing shop into a major producer of cheap novels and non-fiction books. He printed over 300 titles, often in several editions, most of them in the years 1841–53. Many appeared under the imprint of his own London office (1841–50), but he also printed for, and often in partnership with, a range of London and provincial publishers. This was achieved in the intensively competitive market that accompanied the industrialisation of book production and retailing, and in spite of Stokesley not being served by the railways. The firm's origins are explored, and its output analysed. Pratt's short but energetic career offers an illuminating case study both of local industrial history and entrepreneurship, and of the interplay between the English regions and the metropolis in book production, distribution and marketing.
摘要19世纪中期,廉价读物市场迅速兴起,为印刷行业提供了巨大的机遇。约翰·斯莱特·普拉特(John Slater Pratt,1807-67)以约克郡北里丁镇斯托克斯利为基地,将一家乡村印刷店转变为廉价小说和非小说类书籍的主要生产商。他印刷了300多本书,通常有好几个版本,其中大部分是在1841-53年。许多都是在他自己的伦敦办事处(1841-50)的印记下出现的,但他也为一系列伦敦和省级出版商印刷,并经常与之合作。这是在图书生产和零售业工业化的激烈竞争市场中实现的,尽管斯托克斯利没有铁路服务。对该公司的起源进行了探讨,并对其产出进行了分析。普拉特短暂但充满活力的职业生涯为当地工业历史和创业,以及英国地区和大都市在图书生产、分销和营销方面的相互作用提供了一个富有启发性的案例研究。
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引用次数: 0
Patterns of Dissent: The Social and Religious Geography of Nonconformity in Three Counties 持不同意见的模式:三个国家不服从的社会和宗教地理
Q2 Arts and Humanities Pub Date : 2018-01-02 DOI: 10.1080/20514530.2018.1451444
K. Tiller
ABSTRACT This study combines personal, community, regional and national perspectives to identify patterns of Dissent and discuss their character and causes in relation to varying local environments. It demonstrates how the approaches of earlier historians may be further developed and debated. The study area- the three counties of Oxford diocese, Berkshire, Buckinghamshire and Oxfordshire- shows many factors at work using linked evidence, including both overall data and detail from original 1851 religious census returns. Significant determinants of the Dissenting experience and its locations were: response to disruptive change; the strength and continuity of earlier cultures of Dissent; the condition and attitudes of Anglicanism; the impact of the Evangelical Revival; the status, material resources and personalities of chapel activists; the surrounding social and physical environment of landscape, settlement, ownership and social structure; and local cultures of dependency or diversity and independency. Many of these determinants can only to be fully assessed by looking beyond a single chapel or denomination or settlement. Dissenting patterns were commonly organic and locally rooted, examples of an environmental religious fit recoverable through local and regional studies.
本研究结合个人、社区、地区和国家的视角来识别不同政见的模式,并讨论其特征及其与不同地方环境的关系。它展示了早期历史学家的方法如何进一步发展和辩论。研究区域——牛津教区的三个县,伯克郡,白金汉郡和牛津郡——使用相关证据显示了许多因素在起作用,包括1851年原始宗教人口普查的总体数据和细节。反对经验及其地点的重要决定因素是:对破坏性变化的反应;早期异见文化的力量和连续性;英国国教的状况和态度;福音派复兴的影响;教堂积极分子的地位、物质资源和个性;周边景观、聚落、所有权和社会结构的社会和自然环境;当地文化的依赖性,多样性和独立性。许多这些决定因素只能通过超越单一的教堂或教派或定居点来全面评估。不同的模式通常是有机的和根植于当地的,例如通过地方和区域研究可以恢复的环境宗教契合。
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引用次数: 0
Rough Music, Community Protest and the Local Press in Nineteenth-Century England 19世纪英国的粗音乐、社区抗议与地方新闻
Q2 Arts and Humanities Pub Date : 2018-01-02 DOI: 10.1080/20514530.2018.1451448
A. Walker
ABSTRACT E. P. Thompson, in his work, Customs in Common, published in 1991, included a chapter that considered a phenomenon with which he had been interested in much of his earlier research: rough music. Thompson described this as a means by which through the use of raucous “music” and street theatre, mockery or hostility was directed against individuals “who offended against certain community norms.” Thompson's research drew in part upon local newspaper reports in his analysis of rough music. With the digitisation of some 23 million pages of local newspapers, accessible through the British Library's newspaper archive, a much more extensive analysis of the press representation of rough music is now possible. This article revisits Thompson's work and tests his claims about the content and context of rough music in the communal regulation of behaviour contravening local societies’ norms. The article explores inter alia, the changing nature of rough music over time in terms of its focus and incidence, and its regional character. Attention is paid to the way in which rough music itself was reported and how attitudes towards its implementation varied within the press.
摘要E.P.Thompson在其1991年出版的著作《共同的风俗》中,有一章考虑了他早期研究中感兴趣的一种现象:粗糙的音乐。汤普森将其描述为通过使用喧闹的“音乐”和街头戏剧,对“违反某些社区规范”的个人进行嘲笑或敌意。汤普森的研究在一定程度上借鉴了当地报纸对粗糙音乐的分析。随着约2300万页当地报纸的数字化,可以通过大英图书馆的报纸档案馆访问,现在可以对媒体对粗糙音乐的表现进行更广泛的分析。这篇文章重新审视了汤普森的作品,并检验了他关于粗暴音乐的内容和背景的说法,即在违反当地社会规范的行为的公共监管中。这篇文章探讨了随着时间的推移,粗糙音乐的性质在其焦点和发生率以及其区域性方面的变化。人们关注粗糙音乐本身的报道方式,以及媒体对其实施的态度如何变化。
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引用次数: 1
A Tribute to David Hey 向大卫致敬嘿
Q2 Arts and Humanities Pub Date : 2018-01-02 DOI: 10.1080/20514530.2018.1451449
A. Walker
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引用次数: 0
St Albans: life on the home front, 1914–1918 圣奥尔本斯:家庭前线的生活,1914–1918
Q2 Arts and Humanities Pub Date : 2017-07-03 DOI: 10.1080/20514530.2017.1400720
Richard Batten
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引用次数: 0
期刊
International Journal of Regional and Local History
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