A text dedicated to the memory of Professor Stanisław Balbus, a member of the Editorial Committee of the journal “Przestrzenie Teorii” [Spaces in Theory].
{"title":"Spłakane deszczem...","authors":"A. Krajewska","doi":"10.14746/pt.2023.39.16","DOIUrl":"https://doi.org/10.14746/pt.2023.39.16","url":null,"abstract":"A text dedicated to the memory of Professor Stanisław Balbus, a member of the Editorial Committee of the journal “Przestrzenie Teorii” [Spaces in Theory].","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":"47 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139381697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Editorial on the concept of other beings (non-human beings) towards the end of anthropocentrism, a new dimension of humanity, devoted to aesthetics related to the creation of ontoepistemology.
{"title":"„Innobyty” – kres antropocentryzmu, początek człowieczeństwa?","authors":"A. Krajewska","doi":"10.14746/pt.2023.39.0","DOIUrl":"https://doi.org/10.14746/pt.2023.39.0","url":null,"abstract":"Editorial on the concept of other beings (non-human beings) towards the end of anthropocentrism, a new dimension of humanity, devoted to aesthetics related to the creation of ontoepistemology.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":"11 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139383085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay deals with some of the secrets that have been studied and explored for centuries by the science of literature and the sciences of art. The author searches for the logical-philosophical origins of the phenomenon of ‘mystery’, and discovers them in the sphere of the autotelic properties and anthropocultural functions of literature and art.
{"title":"Siedem sekretów literatury i sztuki","authors":"Marek Hendrykowski","doi":"10.14746/pt.2022.38.10","DOIUrl":"https://doi.org/10.14746/pt.2022.38.10","url":null,"abstract":"This essay deals with some of the secrets that have been studied and explored for centuries by the science of literature and the sciences of art. The author searches for the logical-philosophical origins of the phenomenon of ‘mystery’, and discovers them in the sphere of the autotelic properties and anthropocultural functions of literature and art.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48917947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of the analysis is the problem of metaphysics in Lech Majewski’s novel Metafizyka [Metaphysics] (2002) and in the author’s film adaptation entitled Ogród rozkoszy ziemskich [The Garden of Earthly Delights] (2004). In the novel, metaphysical sensations are conveyed through discourse: 1) the reflections of the rationalist protagonist who undergoes a crisis of worldview following the death of his partner, and 2) in interpretations of the mysterious triptych by Hieronymus Bosch, showing an irreal world: an earthly paradise which the characters attempt to emulate by repeating scenes from the painting. In the film, Majewski aban metaphysical discourse in favour of exposing The Garden of Earthly Delights and showing elaborate psychological portraits of his characters, especially the heroine who is fascinated by Bosch. Therefore, despite having the same plot, the novel and the film are two separate, autonomous works.
{"title":"Lech Majewski, metafizyka i Bosch","authors":"S. Wysłouch","doi":"10.14746/pt.2022.38.3","DOIUrl":"https://doi.org/10.14746/pt.2022.38.3","url":null,"abstract":"The subject of the analysis is the problem of metaphysics in Lech Majewski’s novel Metafizyka [Metaphysics] (2002) and in the author’s film adaptation entitled Ogród rozkoszy ziemskich [The Garden of Earthly Delights] (2004). In the novel, metaphysical sensations are conveyed through discourse: 1) the reflections of the rationalist protagonist who undergoes a crisis of worldview following the death of his partner, and 2) in interpretations of the mysterious triptych by Hieronymus Bosch, showing an irreal world: an earthly paradise which the characters attempt to emulate by repeating scenes from the painting. In the film, Majewski aban metaphysical discourse in favour of exposing The Garden of Earthly Delights and showing elaborate psychological portraits of his characters, especially the heroine who is fascinated by Bosch. Therefore, despite having the same plot, the novel and the film are two separate, autonomous works.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48975611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author indicates that a research reflection on the civilian experience of September 1939, as recorded in the pages of Polish literature, will make it possible to complete the picture that emerges from previous analyses, dominated by the soldier’s, military experience. This work requires a broader view of the events of the beginning of the war, going beyond the meanings and time defined by military actions. Seen in this way, literary September appears as an as yet undiscovered mystery.
{"title":"Tajemnice Września","authors":"Sylwia Karolak","doi":"10.14746/pt.2022.38.18","DOIUrl":"https://doi.org/10.14746/pt.2022.38.18","url":null,"abstract":"The author indicates that a research reflection on the civilian experience of September 1939, as recorded in the pages of Polish literature, will make it possible to complete the picture that emerges from previous analyses, dominated by the soldier’s, military experience. This work requires a broader view of the events of the beginning of the war, going beyond the meanings and time defined by military actions. Seen in this way, literary September appears as an as yet undiscovered mystery.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46694533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article discusses the phenomenon of multiple reading of literary hypertexts. The construction of electronic hypertext is conducive to creating uncertainty and generates both: story and structural puzzles. The author on the example of the afternoon. a story by Michael Joyce discusses the characteristics of this type of literary works, which by involving the reader in the process of creating the course of the plot, put him before new challenges. Hypertext multiplies questions and riddles, plays with suspense as a ploy that promises a solution, and delays the fulfillment of the promise indefinitely. At the same time, it refers to solutions known from twentieth-century experimental novels.
{"title":"Niejednoznaczny urok tajemnicy. Tajniki lektury hipertekstów","authors":"Elżbieta Winiecka","doi":"10.14746/pt.2022.38.11","DOIUrl":"https://doi.org/10.14746/pt.2022.38.11","url":null,"abstract":"The article discusses the phenomenon of multiple reading of literary hypertexts. The construction of electronic hypertext is conducive to creating uncertainty and generates both: story and structural puzzles. The author on the example of the afternoon. a story by Michael Joyce discusses the characteristics of this type of literary works, which by involving the reader in the process of creating the course of the plot, put him before new challenges. Hypertext multiplies questions and riddles, plays with suspense as a ploy that promises a solution, and delays the fulfillment of the promise indefinitely. At the same time, it refers to solutions known from twentieth-century experimental novels.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43152324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article concerns secrets and secrecy in narrative works. The author, following in the footsteps of Auerbach and Kermode, argues that secrets should be understood as discontinuous places, gaps that demand to be filled. Auerbach and Kermode pointed to the biblical origins of the secret narrative. The latter in The Genesis of Secrecy. On the Interpretation of Narrative noted that secrets presuppose a mode of initiation – this was the case in the gospel of St Mark he analysed, addressed to believers. However, this sender’s intention also appears in strictly literary texts that operate the convention of the secret. This article refers to four twentieth-century Polish narrative texts that use elements of secrecy in different ways. Mrożek’s Moniza Clavier conceals the confabulatory character of the first-person statement, Miłosz’s Dolina Issy and Gombrowicz’s Kosmos conceal the deeply autobiographical character of the reflection on individual fate, while the narrative in Lem’s Solarisactivates the possibility of ‘vertical reading’, referring to the concept of some absolute. Secrets in literary texts tend to be secularized versions of religious narratives addressed to the initiated, and the promise of an integration of discontinuous places attracts sceptics and believers.
{"title":"Sekrety literatury i głód wtajemniczenia","authors":"Ł. Tischner","doi":"10.14746/pt.2022.38.9","DOIUrl":"https://doi.org/10.14746/pt.2022.38.9","url":null,"abstract":"This article concerns secrets and secrecy in narrative works. The author, following in the footsteps of Auerbach and Kermode, argues that secrets should be understood as discontinuous places, gaps that demand to be filled. Auerbach and Kermode pointed to the biblical origins of the secret narrative. The latter in The Genesis of Secrecy. On the Interpretation of Narrative noted that secrets presuppose a mode of initiation – this was the case in the gospel of St Mark he analysed, addressed to believers. However, this sender’s intention also appears in strictly literary texts that operate the convention of the secret. This article refers to four twentieth-century Polish narrative texts that use elements of secrecy in different ways. Mrożek’s Moniza Clavier conceals the confabulatory character of the first-person statement, Miłosz’s Dolina Issy and Gombrowicz’s Kosmos conceal the deeply autobiographical character of the reflection on individual fate, while the narrative in Lem’s Solarisactivates the possibility of ‘vertical reading’, referring to the concept of some absolute. Secrets in literary texts tend to be secularized versions of religious narratives addressed to the initiated, and the promise of an integration of discontinuous places attracts sceptics and believers.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45670122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Fiction literature and philosophical texts can remarkably influence contemporary understanding of freedom. The article discusses this subject, by analyzing selected texts, written by Czesław Miłosz, Adam Zagajewski, Zbigniew Herbert, Józef Tischner, Wiesław Myśliwski. Historical events, mentioned in texts, took place during the 1970’s and the 1980’s and were associated with the Jagiellonian University.
{"title":"Od wolności w literaturze do wolności na uniwersytecie","authors":"J. Popiel","doi":"10.14746/pt.2022.38.1","DOIUrl":"https://doi.org/10.14746/pt.2022.38.1","url":null,"abstract":"Fiction literature and philosophical texts can remarkably influence contemporary understanding of freedom. The article discusses this subject, by analyzing selected texts, written by Czesław Miłosz, Adam Zagajewski, Zbigniew Herbert, Józef Tischner, Wiesław Myśliwski. Historical events, mentioned in texts, took place during the 1970’s and the 1980’s and were associated with the Jagiellonian University.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45995887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of the article is a pioneering in Poland critical conception of the fantastic developed by highly esteemed prewar author of the fantastic literature, Stefan Grabiński. The crucial, remarkable comments referring to fantastic literature were comprised by Grabiński in his extensive essay entitled On fantastic literature. The dissertation in question was never published in whole, however, to find its issue while his life in merely two short parts of it in press edition. In the first part of the article the archival documents were used (mainly the letters) which enabled the reconstruction of puzzling history of the manuscript of said essay now probably lost forever. In the second part, basing on the published parts of the essay, as well as other critical statements of the Polish writer, the main aspects of Grabiński’s theory were discussed. Upon the profound analyses made therefrom it appeares that Grabiński perceived and gave the fantastic genre a unique meaning and value, notably owing to its specific privileged language exposing metaphysical expression of the Mystery. The writer managed to depict in accurate, innovative and convincing way the character of fantastic literature, both in terms of historical and anthropological origin of this kind of literary creativity, and its aesthetics, social and philosophical attributes what makes these researchers innovative and even anticipativewith reference to the corresponding studies of postwar literature theoreticians of fantastic genre (e.g. L. Vax, R. Caillois, T. Todorov). Discursive statements on the issue of fantastic literature of Grabiński are further related to much wider phenomenon which was focused on developing critical analysis of fantastic literature in Poland in the first decades of the twentieth century.
这篇文章的主题是波兰对奇幻文学的一个开创性的批评概念，由战前备受尊敬的奇幻文学作家斯特凡Grabiński发展而来。关于奇幻文学的重要的、引人注目的评论是由Grabiński在他题为《论奇幻文学》的长篇文章中提出的。这篇有问题的论文从来没有完整地发表过，然而，在他的生活中，只有两个简短的部分在出版社出版。在文章的第一部分中，使用了档案文件(主要是信件)，这使得重建了上述文章手稿的令人费解的历史，现在可能永远消失了。在第二部分中，基于文章中已发表的部分，以及波兰作家的其他批评言论，讨论了Grabiński理论的主要方面。通过深入的分析，Grabiński似乎感知并赋予了奇幻文学独特的意义和价值，特别是由于其特殊的特权语言揭示了神秘的形而上学表达。作者在这种文学创作的历史和人类学起源，以及其美学、社会和哲学属性方面，以准确、创新和令人信服的方式描绘了奇幻文学的特征，使这些研究者在参考战后奇幻文学理论家(如L. Vax, R. Caillois, T. Todorov)的相应研究的基础上，具有创新性甚至前瞻性。关于Grabiński的奇幻文学问题的话语陈述与更广泛的现象进一步相关，这一现象的重点是在20世纪头十年对波兰的奇幻文学进行批判性分析。
{"title":"Sztuka Tajemnicy. „Metafantastyka” albo teoria literatury fantastycznej Stefana Grabińskiego","authors":"Jakub Knap","doi":"10.14746/pt.2022.38.13","DOIUrl":"https://doi.org/10.14746/pt.2022.38.13","url":null,"abstract":"The subject of the article is a pioneering in Poland critical conception of the fantastic developed by highly esteemed prewar author of the fantastic literature, Stefan Grabiński. The crucial, remarkable comments referring to fantastic literature were comprised by Grabiński in his extensive essay entitled On fantastic literature. The dissertation in question was never published in whole, however, to find its issue while his life in merely two short parts of it in press edition. In the first part of the article the archival documents were used (mainly the letters) which enabled the reconstruction of puzzling history of the manuscript of said essay now probably lost forever. In the second part, basing on the published parts of the essay, as well as other critical statements of the Polish writer, the main aspects of Grabiński’s theory were discussed. Upon the profound analyses made therefrom it appeares that Grabiński perceived and gave the fantastic genre a unique meaning and value, notably owing to its specific privileged language exposing metaphysical expression of the Mystery. The writer managed to depict in accurate, innovative and convincing way the character of fantastic literature, both in terms of historical and anthropological origin of this kind of literary creativity, and its aesthetics, social and philosophical attributes what makes these researchers innovative and even anticipativewith reference to the corresponding studies of postwar literature theoreticians of fantastic genre (e.g. L. Vax, R. Caillois, T. Todorov). Discursive statements on the issue of fantastic literature of Grabiński are further related to much wider phenomenon which was focused on developing critical analysis of fantastic literature in Poland in the first decades of the twentieth century.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47656935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This text presents a very special creative process, which is an absolute exception in world literature. It is about the formation of My Century by Aleksander Wat and about various types of errors that were revealed during the preparation of the new edition of this work. The errors that appear in previous editions of My Century are of a varied nature. These are primarily “memory errors” of the author himself, there are also errors resulting from faulty listening to the recordings or technical faults in several recordings, and finally errors that are difficult to classify and explain, and which may be associated with exceptional difficulties with establishing the facts.
{"title":"Proces twórczy i sekrety błędów","authors":"Adam Dziadek","doi":"10.14746/pt.2022.38.6","DOIUrl":"https://doi.org/10.14746/pt.2022.38.6","url":null,"abstract":"This text presents a very special creative process, which is an absolute exception in world literature. It is about the formation of My Century by Aleksander Wat and about various types of errors that were revealed during the preparation of the new edition of this work. The errors that appear in previous editions of My Century are of a varied nature. These are primarily “memory errors” of the author himself, there are also errors resulting from faulty listening to the recordings or technical faults in several recordings, and finally errors that are difficult to classify and explain, and which may be associated with exceptional difficulties with establishing the facts.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47869023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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