The article presents the first extended discussion of the structure of Oneiron’s Black Cards – the neoavantgarde project connecting image and word. Using literary instruments, the author attempts to read this work on three basic levels: the perception of the series, the analysis of the space of every single card, and an attempt to decipher the autonomous “micro-works” falling into the card area.Multilayerism refers to the original premise of the creators. Thanks to their collective and aleatory work, Black Cards were meant to reflect the game of the subconscious. This reading of the Cards on three levels is aimed at identifying the sources of inspiration of the artists participating in the workand determining the role of words and literature in this multifaceted intention.
{"title":"U źródeł chaosu. Relacje słowa i obrazu w Czarnych kartach grupy Oneiron","authors":"Joanna Szweda","doi":"10.14746/pt.2022.37.3","DOIUrl":"https://doi.org/10.14746/pt.2022.37.3","url":null,"abstract":"The article presents the first extended discussion of the structure of Oneiron’s Black Cards – the neoavantgarde project connecting image and word. Using literary instruments, the author attempts to read this work on three basic levels: the perception of the series, the analysis of the space of every single card, and an attempt to decipher the autonomous “micro-works” falling into the card area.Multilayerism refers to the original premise of the creators. Thanks to their collective and aleatory work, Black Cards were meant to reflect the game of the subconscious. This reading of the Cards on three levels is aimed at identifying the sources of inspiration of the artists participating in the workand determining the role of words and literature in this multifaceted intention.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46835716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article attempts to reread Karol Irzykowski’s classic treatise on cinema and to recognize the importance of its significance in the context of the entirety of changes and achievements of humanistic culture in the interwar period.
{"title":"Na dnie oka. Dziesiąta Muza z perspektywy stulecia","authors":"Marek Hendrykowski","doi":"10.14746/pt.2022.37.8","DOIUrl":"https://doi.org/10.14746/pt.2022.37.8","url":null,"abstract":"The article attempts to reread Karol Irzykowski’s classic treatise on cinema and to recognize the importance of its significance in the context of the entirety of changes and achievements of humanistic culture in the interwar period.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43821416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper presents a critical approach to Kultura i śmierć. Kres życia w perspektywie medialnego zapośredniczenia [Culture and death. The end of life from the perspective of media mediation] by Tomasz Błaszczyk (Wydawnictwo Naukowe Katedra, Gdańsk 2021). It discusses the main theses presented in the dissertation and invites the reader to reflect on the phenomenon of death, its place and role in technologically determined contemporary culture.
本文提出了一种对文化的批判方法śmierć。Kres życia w perspektywie medialnego zapośredniczenia[文化与死亡。《从媒介中介的角度看生命的终结》，作者:Tomasz Błaszczyk (Wydawnictwo Naukowe Katedra, Gdańsk 2021)。它讨论了论文中提出的主要论点，并邀请读者反思死亡现象，其在技术决定的当代文化中的地位和作用。
{"title":"Multimedialne oswojenie śmierci","authors":"M. Błaszczyk","doi":"10.14746/pt.2022.37.15","DOIUrl":"https://doi.org/10.14746/pt.2022.37.15","url":null,"abstract":"The paper presents a critical approach to Kultura i śmierć. Kres życia w perspektywie medialnego zapośredniczenia [Culture and death. The end of life from the perspective of media mediation] by Tomasz Błaszczyk (Wydawnictwo Naukowe Katedra, Gdańsk 2021). It discusses the main theses presented in the dissertation and invites the reader to reflect on the phenomenon of death, its place and role in technologically determined contemporary culture.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41325287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper is an attempt to interpret Magdalena Tulli’s novels in the context of the immunological paradigm. Immunological threads are traced on three levels: firstly, in the context of the communities described in Sny i kamienie [Dreams and stones], Skaza [Flaw] and W czerwieni [In Red]; secondly, with regard to the narrative constantly encountering problems such as ‘unwanted threads’ that degenerate the stories and prevent the narrative from bringing them to an end. Thirdly, in the context of post-memory, that is, a memory with its roots extending beyond the experiences of the subject. According to the thesis she puts forward, Tulli activates the immunological discourse on these three levels.
本文试图从免疫学范式的角度来解读玛格达莱娜·图利的小说。免疫学线索在三个层面上进行追踪:首先，在Sny i kamienie(梦想和石头)，Skaza(缺陷)和W czerwieni(红色)中描述的社区背景下;其次，关于叙事不断遇到的问题，如“多余的线索”，使故事退化，并阻止叙事结束。第三，在后记忆语境中，即一种根源超越主体经验的记忆。根据她所提出的论点，图利在这三个层面上激活了免疫话语。
{"title":"„Ani cienia wspólnoty”. Wątki immunologiczne w powieściach Magdaleny Tulli","authors":"A. Woźniak","doi":"10.14746/pt.2022.37.10","DOIUrl":"https://doi.org/10.14746/pt.2022.37.10","url":null,"abstract":"The paper is an attempt to interpret Magdalena Tulli’s novels in the context of the immunological paradigm. Immunological threads are traced on three levels: firstly, in the context of the communities described in Sny i kamienie [Dreams and stones], Skaza [Flaw] and W czerwieni [In Red]; secondly, with regard to the narrative constantly encountering problems such as ‘unwanted threads’ that degenerate the stories and prevent the narrative from bringing them to an end. Thirdly, in the context of post-memory, that is, a memory with its roots extending beyond the experiences of the subject. According to the thesis she puts forward, Tulli activates the immunological discourse on these three levels.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47878927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This is a transcript of a conversation with Andrzej Stoff, for whom Roman Witold Ingarden’s philosophical thought on art and literature is a source of inspiration for his research. The interview presents a few issues representative of the analyses of the Toruń-based scholar, arising from Ingarden’s theory of literary work, which for the interlocutor turns out to be an “open” theory, also encouraging today’s literary scholars and literary theorists to continue and deepen the assumptions adopted by Stoff when considering the problems of the ontology and axiology of a literary work.
{"title":"W świecie brzmień, Sienkiewiczowskich postaci i wartości (arcydzieł): z Profesorem Andrzejem Stoffem rozmawia Beata Garlej","authors":"Beata Garlej","doi":"10.14746/pt.2022.37.13","DOIUrl":"https://doi.org/10.14746/pt.2022.37.13","url":null,"abstract":"This is a transcript of a conversation with Andrzej Stoff, for whom Roman Witold Ingarden’s philosophical thought on art and literature is a source of inspiration for his research. The interview presents a few issues representative of the analyses of the Toruń-based scholar, arising from Ingarden’s theory of literary work, which for the interlocutor turns out to be an “open” theory, also encouraging today’s literary scholars and literary theorists to continue and deepen the assumptions adopted by Stoff when considering the problems of the ontology and axiology of a literary work.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48362605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Using the concepts of Michel Foucault’s technologies of the Self and Peter Sloterdijk’s anthropotechnics, the article attempts to create a theoretical model of literature as a tool for converting a literary subject. This model distinguishes three forms of the Self that are revealed in the process of conversion carried out in the medium of literature: the Self as subject, the Self as object and the other Self. Within the relations between these three incarnations, three conversion processes have been distinguished: asceticism – understood as an exercise in writing, acrobatics – as an act of literary secession to another world, and alethurgy – a textual technique of self-knowledge. Ultimately, this theoretical model is presented in the form of a conversion triangle.
{"title":"Asceza, akrobacja, aleturgia. O konwersji w literaturze","authors":"J. Bielawa","doi":"10.14746/pt.2022.37.12","DOIUrl":"https://doi.org/10.14746/pt.2022.37.12","url":null,"abstract":"Using the concepts of Michel Foucault’s technologies of the Self and Peter Sloterdijk’s anthropotechnics, the article attempts to create a theoretical model of literature as a tool for converting a literary subject. This model distinguishes three forms of the Self that are revealed in the process of conversion carried out in the medium of literature: the Self as subject, the Self as object and the other Self. Within the relations between these three incarnations, three conversion processes have been distinguished: asceticism – understood as an exercise in writing, acrobatics – as an act of literary secession to another world, and alethurgy – a textual technique of self-knowledge. Ultimately, this theoretical model is presented in the form of a conversion triangle.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49240823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article presents an attempt to outline, from a mainly typological and partly historical perspective, what the author considers the most important varieties of the relationship between philosophy and literature (which is, of course, understood here in a working and broad sense, as poesis). In the first of these varieties, for which the fundamental significance is Plato’s gesture of excluding poets from the state, the philosophical logos defines itself in opposition to literature, or mythos. In the second, which appears to predominate from Aristotle to the 18th century, the relationship between philosophy and literature takes on a more neutral character: the former provides the latter with motifs, themes, topics, mainly related to moral philosophy in the broadest sense, while the latter provides the former with discursive modes, such as genre. Modern aesthetics and the philosophy and theory of literature (fundamentally different from the tradition of the great poets and rhetoricians of the 16th and 17th centuries), which emerged together with transcendental philosophy and its reception in German Romanticism, contributed both to the increased interest among philosophers in literature and to a clear embedding, or even closing, of literature in philosophical notions, which originated mainly in the tradition of transcendentalism and dialectical thought. Finally, the beginning of the twentieth century is distinguished, in most of the major continental philosophical traditions, by a tendency to seek, or to find, in literature the most important partner of philosophical thinking, and sometimes even the identity of philosophy.
{"title":"Koniec wieku poetów? O zszyciach literatury i filozofii","authors":"A. Zawadzki","doi":"10.14746/pt.2022.37.7","DOIUrl":"https://doi.org/10.14746/pt.2022.37.7","url":null,"abstract":"The article presents an attempt to outline, from a mainly typological and partly historical perspective, what the author considers the most important varieties of the relationship between philosophy and literature (which is, of course, understood here in a working and broad sense, as poesis). In the first of these varieties, for which the fundamental significance is Plato’s gesture of excluding poets from the state, the philosophical logos defines itself in opposition to literature, or mythos. In the second, which appears to predominate from Aristotle to the 18th century, the relationship between philosophy and literature takes on a more neutral character: the former provides the latter with motifs, themes, topics, mainly related to moral philosophy in the broadest sense, while the latter provides the former with discursive modes, such as genre. Modern aesthetics and the philosophy and theory of literature (fundamentally different from the tradition of the great poets and rhetoricians of the 16th and 17th centuries), which emerged together with transcendental philosophy and its reception in German Romanticism, contributed both to the increased interest among philosophers in literature and to a clear embedding, or even closing, of literature in philosophical notions, which originated mainly in the tradition of transcendentalism and dialectical thought. Finally, the beginning of the twentieth century is distinguished, in most of the major continental philosophical traditions, by a tendency to seek, or to find, in literature the most important partner of philosophical thinking, and sometimes even the identity of philosophy.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48035070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A fragment of Krystyna Miłobędzka’s theatre play for children Na wysokiej górze. Commedia della lingua (1990) was published separately (2014, 2017) as a work of both Krystyna Miłobędzka and Iwona Chmielewska, an author of picture books. Chmielewska tones down the word play in Miłobędzka’s text. Instead, she introduces images of the poet at different ages, depicted in contemplative poses, and presents the character’s epiphanic experience beyond time and space. The images and the text constitute separate, sylleptic sequences. The meditative atmosphere of Chmielewska’s illustrations adequately conveys the worldview of Miłobędzka – a “linguistic” poet, who refers to the poetry of the Far East.
Krystyna Miłobędzka为儿童创作的戏剧作品Na wysokiej górze的片段。《语言喜剧》(Commedia della lingua, 1990)分别于2014年和2017年出版，是Krystyna Miłobędzka和绘本作家Iwona Chmielewska的作品。Chmielewska在Miłobędzka的文章中淡化了“游戏”这个词。相反，她介绍了诗人在不同年龄的形象，以沉思的姿势描绘，并呈现了人物超越时间和空间的顿悟体验。图像和文本构成了独立的、三段式的序列。奇米列夫斯卡插图的沉思氛围充分传达了Miłobędzka的世界观——一位“语言”诗人，他指的是远东的诗歌。
{"title":"Obraz i tekst. Na wysokiej górze. Commedia della lingua Krystyny Miłobędzkiej w ilustracjach Iwony Chmielewskiej","authors":"S. Wysłouch","doi":"10.14746/pt.2022.37.1","DOIUrl":"https://doi.org/10.14746/pt.2022.37.1","url":null,"abstract":"A fragment of Krystyna Miłobędzka’s theatre play for children Na wysokiej górze. Commedia della lingua (1990) was published separately (2014, 2017) as a work of both Krystyna Miłobędzka and Iwona Chmielewska, an author of picture books. Chmielewska tones down the word play in Miłobędzka’s text. Instead, she introduces images of the poet at different ages, depicted in contemplative poses, and presents the character’s epiphanic experience beyond time and space. The images and the text constitute separate, sylleptic sequences. The meditative atmosphere of Chmielewska’s illustrations adequately conveys the worldview of Miłobędzka – a “linguistic” poet, who refers to the poetry of the Far East.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47313351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this text is to present the literary image of the breakthrough that occurred with the invention of digital photography. The article focuses on the most contemporary Polish poetry – mainly authors born in the 70s, such as Jacek Dehnel, Marcin Świetlicki or Bronka Nowicka. On the basis of their texts, the literary image of both traditional analog photography and photos created with the use of the latest techniques is reconstructed. In her interpretations, the author uses the tools she has developed herself, which include concepts such as “photo-graphemicality”, which is a combination of features linking text with photography, and “photo-grapheme”, which is its individual realisation.
{"title":"Na styku mediów, na styku technik. „Foto-grafia” klasyczna i cyfrowa w polskiej poezji najnowszej","authors":"Barbara Englender","doi":"10.14746/pt.2022.37.2","DOIUrl":"https://doi.org/10.14746/pt.2022.37.2","url":null,"abstract":"The aim of this text is to present the literary image of the breakthrough that occurred with the invention of digital photography. The article focuses on the most contemporary Polish poetry – mainly authors born in the 70s, such as Jacek Dehnel, Marcin Świetlicki or Bronka Nowicka. On the basis of their texts, the literary image of both traditional analog photography and photos created with the use of the latest techniques is reconstructed. In her interpretations, the author uses the tools she has developed herself, which include concepts such as “photo-graphemicality”, which is a combination of features linking text with photography, and “photo-grapheme”, which is its individual realisation.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47202048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The editorial concerns the characteristics of a new section entitled Critical Scene, which will present critical articles showing how statements about literature, art and theory function in the academic field. It is a proposal to create a model of dramaturgical critique that will show the process of creating the relationship between a work and the field in which it operates. The new section strengthens the vision of dramaturgical literary studies developed on various stages combining art and science.
{"title":"Scena krytyczna","authors":"A. Krajewska","doi":"10.14746/pt.2021.35.0","DOIUrl":"https://doi.org/10.14746/pt.2021.35.0","url":null,"abstract":"The editorial concerns the characteristics of a new section entitled Critical Scene, which will present critical articles showing how statements about literature, art and theory function in the academic field. It is a proposal to create a model of dramaturgical critique that will show the process of creating the relationship between a work and the field in which it operates. The new section strengthens the vision of dramaturgical literary studies developed on various stages combining art and science.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66619163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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