Authors of the series use various scenario techniques, creating the aesthetics of a black retro-crime with consciously developed allusions to the end of the communist era in Poland. They concern: space-time, dramaturgy, props, characters and the audio sphere. Their message is, on the one hand, an expression of a certain nostalgia for the lost time, and on the other, a kind of resentment with historically deepened criticism of the reality of the time. Solving a criminal mystery becomes at the same time uncovering the mystery of a double murder and a double suicide, it also refers to a mystery from many years ago, connected by the thread of romance.
{"title":"Odkrywanie tajemnicy – rozwiązywanie zagadki. O scenariuszu telewizyjnego serialu kryminalnego (na przykładzie serialu Rojst","authors":"Wojciech Otto","doi":"10.14746/pt.2022.38.21","DOIUrl":"https://doi.org/10.14746/pt.2022.38.21","url":null,"abstract":"Authors of the series use various scenario techniques, creating the aesthetics of a black retro-crime with consciously developed allusions to the end of the communist era in Poland. They concern: space-time, dramaturgy, props, characters and the audio sphere. Their message is, on the one hand, an expression of a certain nostalgia for the lost time, and on the other, a kind of resentment with historically deepened criticism of the reality of the time. Solving a criminal mystery becomes at the same time uncovering the mystery of a double murder and a double suicide, it also refers to a mystery from many years ago, connected by the thread of romance.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45380097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Siegfried Lenz’s novella (2008, English edition 2009) has not only been appreciated by literary critics, but also turned out to be a great bestseller. The novella is a frequent subject of research analysis, es- pecially in terms of its location in the tradition of German and world novella writing. This diversity of reception is astonishing and presents an interesting phenomenon. The novella tells a banal love story, but through an intentional silence and a series of intertextual tropes it also creates mysteriousness. The analysis proposed here is based on Walter Benjamin’s notion of “aura” in the 1930s. From today’s point of view, this concept requires a few additions, primarily from the perspective of systems theory. As it turns out this concept can be applied both to the content of the novella and to the strategy of literary criticism, as well as to explain the role of form and context in the personal perception of the text.
{"title":"Pomiędzy bestsellerem a poetologią. O aurze dzieła, dyskrecji wobec czytelnika i tajemnicy formy na przykładzie noweli Siegfrieda Lenza Minuta ciszy (2008)","authors":"Andrzej Denka","doi":"10.14746/pt.2022.38.5","DOIUrl":"https://doi.org/10.14746/pt.2022.38.5","url":null,"abstract":"Siegfried Lenz’s novella (2008, English edition 2009) has not only been appreciated by literary critics, but also turned out to be a great bestseller. The novella is a frequent subject of research analysis, es- pecially in terms of its location in the tradition of German and world novella writing. This diversity of reception is astonishing and presents an interesting phenomenon. The novella tells a banal love story, but through an intentional silence and a series of intertextual tropes it also creates mysteriousness. The analysis proposed here is based on Walter Benjamin’s notion of “aura” in the 1930s. From today’s point of view, this concept requires a few additions, primarily from the perspective of systems theory. As it turns out this concept can be applied both to the content of the novella and to the strategy of literary criticism, as well as to explain the role of form and context in the personal perception of the text. \u0000 ","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41750376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dating to the 1530s, the Latin poem Sarca was published in 1842 in Rome by Angelo Mai based on a manuscript found in Vienna. Forty years after publication, the incompatibility of this edition with the Viennese manuscript was first noticed. In the second half of the last century, a polemic began challenging the theory, previously considered certain, that Sarca’s author was Pietro Bembo. Researchers named Girolamo Fracastor, Andrea Navager and Agostino Beazzan, among others, as possible authors of the text in addition to Bembo. The question of the poem’s authorship remains unresolved to this day. The aim of this article is to analyse the turbulent and hypothesis-rich debate on the attribution of the Renaissance work. The poem has been subjected to internal criticism, i.e. inferences about the author’s person based on content analysis. Historical and bibliographical indicators of the work have also been examined. The article also attempts to answer the question of whether the latest techniques used in the analysis of the linguistic and stylistic features of the text, such as the methods of computer stylometry, could prove helpful in determining the authorship of the Sarca poem.
{"title":"Kwestia tajemniczego autorstwa renesansowego poematu Sarca","authors":"Daria Kowalczyk-Cantoro","doi":"10.14746/pt.2022.38.16","DOIUrl":"https://doi.org/10.14746/pt.2022.38.16","url":null,"abstract":"Dating to the 1530s, the Latin poem Sarca was published in 1842 in Rome by Angelo Mai based on a manuscript found in Vienna. Forty years after publication, the incompatibility of this edition with the Viennese manuscript was first noticed. In the second half of the last century, a polemic began challenging the theory, previously considered certain, that Sarca’s author was Pietro Bembo. Researchers named Girolamo Fracastor, Andrea Navager and Agostino Beazzan, among others, as possible authors of the text in addition to Bembo. The question of the poem’s authorship remains unresolved to this day. The aim of this article is to analyse the turbulent and hypothesis-rich debate on the attribution of the Renaissance work. The poem has been subjected to internal criticism, i.e. inferences about the author’s person based on content analysis. Historical and bibliographical indicators of the work have also been examined. The article also attempts to answer the question of whether the latest techniques used in the analysis of the linguistic and stylistic features of the text, such as the methods of computer stylometry, could prove helpful in determining the authorship of the Sarca poem.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44345129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is an attempt to interpret the novel Gniazdo światów (Nest of Worlds) by Marek S. Huberath. Contrary to appearances, this novel does not fit into the science fiction convention, nor does it implement dystopian schemes without reservations. Instead, the novel uses a repertoire of postmodern tricks and emphasizes the cryptotheological background. These themes can be read through the reference to transhistoric, gnostic world-feeling, and hermetic speculation. Therefore, Huberath’s novel appears as a meta-dystopia from which self-salvation can be an appropriate interpretation of the world around us.
{"title":"Interpretacja jako samozbawienie. O Gnieździe światów M.S. Huberatha","authors":"Piotr Gorliński-Kucik","doi":"10.14746/pt.2022.37.9","DOIUrl":"https://doi.org/10.14746/pt.2022.37.9","url":null,"abstract":"This article is an attempt to interpret the novel Gniazdo światów (Nest of Worlds) by Marek S. Huberath. Contrary to appearances, this novel does not fit into the science fiction convention, nor does it implement dystopian schemes without reservations. Instead, the novel uses a repertoire of postmodern tricks and emphasizes the cryptotheological background. These themes can be read through the reference to transhistoric, gnostic world-feeling, and hermetic speculation. Therefore, Huberath’s novel appears as a meta-dystopia from which self-salvation can be an appropriate interpretation of the world around us.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47498067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The search for connections between history and literature has been going on continuously since antiquity. Interference between disciplines is obvious today, due to the narrative form of application, bringing the stories told closer to the novel. The search for non-narrative connections continues to this day. The main task of this article is to conduct a brief analysis of the basic interpretations of both disciplines and to indicate their role in building alternative literary stories. It also serves to show that categories such as narrative, imagery, truth and fiction play a pivotal role in the historiographic teaching process through alternative literary histories.
{"title":"Historiografia wobec poetyzacji słowa. Znaczenie literatury kontrfaktycznej dla popularyzacji wiedzy historycznej","authors":"K. Saja","doi":"10.14746/pt.2022.37.11","DOIUrl":"https://doi.org/10.14746/pt.2022.37.11","url":null,"abstract":"The search for connections between history and literature has been going on continuously since antiquity. Interference between disciplines is obvious today, due to the narrative form of application, bringing the stories told closer to the novel. The search for non-narrative connections continues to this day. The main task of this article is to conduct a brief analysis of the basic interpretations of both disciplines and to indicate their role in building alternative literary stories. It also serves to show that categories such as narrative, imagery, truth and fiction play a pivotal role in the historiographic teaching process through alternative literary histories.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42227610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this article is to discuss and analyze an extensive essay by Konstanty A. Jeleński, entitled Bellmer albo anatomia miłości fizycznej i nieświadomości [Bellmer or the anatomy of physical love and the unconsciousness], devoted to the works of Hans Bellmer, a German painter, drawer and writer. The article presents the scope and nature of artistic activities undertaken by Bellmer and the way in which these activities and works were described and interpreted by Jeleński. The aim of the article is to show the basic contexts in which Jeleński placed controversial and ambiguous works by the German artist. The article also mentions the main interpretative keys Jeleński uses to show the creative philosophy and uncover the secrets of artistic expression, especially the mechanisms of perceiving the body and visual manifestations of unconsciousness which come to the fore in Bellmer’s works.
本文的目的是讨论和分析康斯坦蒂a . Jeleński的一篇广泛的文章，题为Bellmer albo anatomia miłości fizycznej i nieświadomości[贝尔默或身体爱和无意识的解剖]，致力于汉斯贝尔默的作品，德国画家，抽屉和作家。本文介绍了贝尔默从事的艺术活动的范围和性质，以及Jeleński描述和解释这些活动和作品的方式。这篇文章的目的是展示Jeleński放置德国艺术家有争议和模棱两可的作品的基本背景。文章还提到了Jeleński用来展示创作哲学和揭示艺术表达秘密的主要解释性钥匙，特别是贝尔默作品中突出的身体感知机制和无意识的视觉表现。
{"title":"„Rojenia międzyanatomiczne” i „anagramy ciała”: Konstanty A. Jeleński i prace Hansa Bellmera","authors":"Bartosz Swoboda","doi":"10.14746/pt.2022.37.4","DOIUrl":"https://doi.org/10.14746/pt.2022.37.4","url":null,"abstract":"The aim of this article is to discuss and analyze an extensive essay by Konstanty A. Jeleński, entitled Bellmer albo anatomia miłości fizycznej i nieświadomości [Bellmer or the anatomy of physical love and the unconsciousness], devoted to the works of Hans Bellmer, a German painter, drawer and writer. The article presents the scope and nature of artistic activities undertaken by Bellmer and the way in which these activities and works were described and interpreted by Jeleński. The aim of the article is to show the basic contexts in which Jeleński placed controversial and ambiguous works by the German artist. The article also mentions the main interpretative keys Jeleński uses to show the creative philosophy and uncover the secrets of artistic expression, especially the mechanisms of perceiving the body and visual manifestations of unconsciousness which come to the fore in Bellmer’s works.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42941822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Józef Tischner’s Myślenie z wnętrza metafory [Thinking From Within the Metaphor] and Bartłomiej Maliszewski’s Metafora i aksjologia [Metaphor and Axiology] are texts that are both described (analysed) and interpreted here. However, the debatability of the dual understanding of metaphor (‘inside’ – ‘outside’) is only a preliminary difficulty. For it will be incomparably more important that when we read Thinking From Within the Metaphor, then we will not find an explanation of the authorial meaning attributed to the after all key term of his text, and this is by no means a coincidence. The fundamental opposition – unambiguous genre language versus axiological and agathological analogical (metaphorical, symbolic) language – is certainly a persuasive construction, but not necessarily a valid one. A fundamental literary problem: is the Platonic cave really a metaphor? In Bartłomiej Maliszewski’s book Metafora i aksjologia wzorzec człowieka w renesansowej literaturze parenetycznej [Metaphor and Axiology. The Model of Man in Renaissance Parenetic Literature], ‘metaphor’ is equated with the ‘figurative’. There would be nothing reprehensible in this if not for the fact that these two key terms in the book co-create a state of approximate numerical equilibrium, while (and this is more important) proving to be both identical and disjointed. The lack of a definition of ‘metaphor’ and ‘figurative’ makes the whole impressive argument resemble a colossus standing on two legs of clay, over which it stumbles as they become entangled. The legitimacy of the combined view of Thinking From Within the Metaphor and Metaphor and Axiology is contained primarily in the fact that Renaissance parenesis can be seen as one of the historical forms of agathology.
Józef Tischner的《从隐喻中思考》和Bartłomiej Maliszewski的《隐喻与价值论》都是在这里描述（分析）和解释的文本。然而，隐喻的双重理解（“内”-“外”）的可辩性只是一个初步的困难。因为更重要的是，当我们阅读《从隐喻中思考》时，我们将找不到对其文本中毕竟是关键术语的作者意义的解释，这绝非巧合。基本的对立——明确的类型语言与价值论和动物学的类比（隐喻、象征）语言——当然是一种有说服力的结构，但不一定是有效的。一个根本的文学问题：柏拉图式的洞穴真的是一个隐喻吗？在Bartłomiej Maliszewski的《Metafora i aksjologia wzorzec cz緋owieka w renesansowej literatureze parenetycznej》一书中，“隐喻与价值论。文艺复兴共生文学中的人的模型”将“隐喻”等同于“具象”。如果不是因为书中的这两个关键术语共同创造了一种近似数值平衡的状态，同时（这一点更重要）被证明是相同的和不相交的，那么这就没有什么应受谴责的了。由于缺乏“隐喻”和“比喻”的定义，整个令人印象深刻的论点就像一个巨人站在粘土的两条腿上，当它们纠缠在一起时，它会在上面绊倒。“从隐喻内部思考”与“隐喻与价值论”相结合的观点的合法性主要体现在文艺复兴时期的“实质”可以被视为动物学的历史形式之一。
{"title":"Literaturoznawcza analiza/interpretacja krytyczna: Józef Tischner Myślenie z wnętrza metafory versus Bartłomiej Maliszewski Metafora i aksjologia wzorzec człowieka w renesansowej literaturze parenetycznej","authors":"K. Obremski","doi":"10.14746/pt.2022.37.14","DOIUrl":"https://doi.org/10.14746/pt.2022.37.14","url":null,"abstract":"Józef Tischner’s Myślenie z wnętrza metafory [Thinking From Within the Metaphor] and Bartłomiej Maliszewski’s Metafora i aksjologia [Metaphor and Axiology] are texts that are both described (analysed) and interpreted here. However, the debatability of the dual understanding of metaphor (‘inside’ – ‘outside’) is only a preliminary difficulty. For it will be incomparably more important that when we read Thinking From Within the Metaphor, then we will not find an explanation of the authorial meaning attributed to the after all key term of his text, and this is by no means a coincidence. The fundamental opposition – unambiguous genre language versus axiological and agathological analogical (metaphorical, symbolic) language – is certainly a persuasive construction, but not necessarily a valid one. A fundamental literary problem: is the Platonic cave really a metaphor? In Bartłomiej Maliszewski’s book Metafora i aksjologia wzorzec człowieka w renesansowej literaturze parenetycznej [Metaphor and Axiology. The Model of Man in Renaissance Parenetic Literature], ‘metaphor’ is equated with the ‘figurative’. There would be nothing reprehensible in this if not for the fact that these two key terms in the book co-create a state of approximate numerical equilibrium, while (and this is more important) proving to be both identical and disjointed. The lack of a definition of ‘metaphor’ and ‘figurative’ makes the whole impressive argument resemble a colossus standing on two legs of clay, over which it stumbles as they become entangled. The legitimacy of the combined view of Thinking From Within the Metaphor and Metaphor and Axiology is contained primarily in the fact that Renaissance parenesis can be seen as one of the historical forms of agathology.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47819432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In its title, this article indicates two purposes. The first is to attempt to give a precise description of the category of the concept album, whose specificity (also in the opinion of foreign researchers) is usually described in a blurred, intuitive and rather imprecise way. This attempt is made through reference to the literary side of this kind of album. Based on these reflections, the author also attempts to create a typology of concept albums, which constitutes a fluent transition to the second purpose of the article, namely to propose (in terms of this field of knowledge, which we call linguistics of text and discourse) a method for analysing the coherence mechanisms seen in lyrics of this sort of album. Although it is not a theory in the strict sense, the author’s intention was to lend it a practical usability: it is an operation whose purpose is to support the interpretation of concept albums.
{"title":"Koncept album – między teorią a praktyką i literaturą a muzyką. Próba wyostrzenia definicji i propozycja metody badania mechanizmów spójności","authors":"Kamil Barski","doi":"10.14746/pt.2022.37.6","DOIUrl":"https://doi.org/10.14746/pt.2022.37.6","url":null,"abstract":"In its title, this article indicates two purposes. The first is to attempt to give a precise description of the category of the concept album, whose specificity (also in the opinion of foreign researchers) is usually described in a blurred, intuitive and rather imprecise way. This attempt is made through reference to the literary side of this kind of album. Based on these reflections, the author also attempts to create a typology of concept albums, which constitutes a fluent transition to the second purpose of the article, namely to propose (in terms of this field of knowledge, which we call linguistics of text and discourse) a method for analysing the coherence mechanisms seen in lyrics of this sort of album. Although it is not a theory in the strict sense, the author’s intention was to lend it a practical usability: it is an operation whose purpose is to support the interpretation of concept albums.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43634082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This editorial is an impressionistic work written on the occasion of the 20th anniversary of the journal “Przestrzenie Teorii” (“Spaces in Theory”), predominantly emphasising the history of the establishment and the nature of the journal associated with two universities – Adam Mickiewicz University in Poznań and the Jagiellonian University in Kraków. The jubilee issue is devoted to literature as a mystery
{"title":"Czasopismo jako tajemnica. Wariacje na temat czasu i pisma","authors":"A. Krajewska","doi":"10.14746/pt.2022.38.0","DOIUrl":"https://doi.org/10.14746/pt.2022.38.0","url":null,"abstract":"This editorial is an impressionistic work written on the occasion of the 20th anniversary of the journal “Przestrzenie Teorii” (“Spaces in Theory”), predominantly emphasising the history of the establishment and the nature of the journal associated with two universities – Adam Mickiewicz University in Poznań and the Jagiellonian University in Kraków. The jubilee issue is devoted to literature as a mystery","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45719709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper presents an analysis of Ewa Lipska’s poem Albatros i grawer [‘The Albatross and the Engraver’], which is a rare example of evoking a work of graphic art in a poem. The metaphors used in the text, exploiting the field of meaning related to graphics, become the basis for metaliterary reflection. Important interpretative contexts indicated in the article are, on one hand, the history of graphic art and its technical arcana, and on the other, the poem The Albatross by Charles Baudelaire, alluded to in the poem and, by the same token, modernist ideas about the art and the artist. The poem’s consideration of the problem of ‘a negative’ and ‘an imprint’ leads to questions about the relationship between art and reality, a relationship which, radically transformed in the modern era, demands an ethical evaluation, just as the poem suggests.
{"title":"„Negatyw świata”. Inspiracje techniką graficzną jako źródło refleksji metaliterackiej – na przykładzie wiersza Ewy Lipskiej Albatros i grawer","authors":"Katarzyna Szewczyk-Haake","doi":"10.14746/pt.2022.37.5","DOIUrl":"https://doi.org/10.14746/pt.2022.37.5","url":null,"abstract":"The paper presents an analysis of Ewa Lipska’s poem Albatros i grawer [‘The Albatross and the Engraver’], which is a rare example of evoking a work of graphic art in a poem. The metaphors used in the text, exploiting the field of meaning related to graphics, become the basis for metaliterary reflection. Important interpretative contexts indicated in the article are, on one hand, the history of graphic art and its technical arcana, and on the other, the poem The Albatross by Charles Baudelaire, alluded to in the poem and, by the same token, modernist ideas about the art and the artist. The poem’s consideration of the problem of ‘a negative’ and ‘an imprint’ leads to questions about the relationship between art and reality, a relationship which, radically transformed in the modern era, demands an ethical evaluation, just as the poem suggests.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41742410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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