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Fat Studies-An Interdisciplinary Journal of Body Weight and Society最新文献

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More of You: The Fat Girl’s Field Guide to the Modern World 《更多的你:胖女孩的现代世界野外指南》
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-10-05 DOI: 10.1080/21604851.2022.2129180
P. Browning
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引用次数: 0
Coming home: devised somatic dance 回家:设计躯体舞蹈
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-09-20 DOI: 10.1080/21604851.2022.2121490
Carly-Ann Haney, M. Forcier
ABSTRACT Fat bodies in movement are often marked as a “travesty” and met with mockery. Particularly, fat people are commonly constructed as out of place in movement and exercise. Movement such as dancing may be assembled as a form of artistry that fat bodies cannot or should not embody. In particular dancing in a fat temporality that celebrates the ways fat bodies move with flesh, rolls, and marks is seldom celebrated or seen in many spaces. In the frame of resistance, dancing fat embodiment can be a strong form of fat activism that breaks barriers within spaces such as dance. In this article, I highlight the implications of fat bodies in dance within fat studies and activism. I introduce and contextualize my articulations with my experience as a fat artist, scholar, and doctoral student dancing and performing in a six-day somatic dance course. The time spent in class and performing my solo illuminated and created fat time where my body existed in a space often denied for fat people. Specifically, I created fat time where my fatness moved through its tempo of being, resisted containment, and stretched boundaries of space. This act of resistance to the thin normative within dance space was a powerful form of fat activism. Using visuals, sounds, and my own narrative, it is my hope that this article will highlight implications for fat studies scholars and activists, specifically how performance and movement-based arts such as dance can disrupt dominant and pathological assumptions about fat bodies in movement.
运动中的肥胖身体经常被标记为“滑稽”,并受到嘲笑。特别是,肥胖的人通常被认为不适合运动和锻炼。像跳舞这样的运动可能被组合成一种艺术形式,而肥胖的身体不能或不应该体现这种艺术形式。特别是跳舞,以庆祝肥胖的身体与肉,滚动和标记的方式,很少庆祝或看到在许多空间。在抵抗的框架中,舞蹈脂肪具体化可以是一种强有力的脂肪行动主义形式,打破了舞蹈等空间内的障碍。在这篇文章中,我强调了肥胖身体在脂肪研究和行动主义中的舞蹈含义。我将我作为一个胖艺术家、学者和博士生在为期六天的身体舞蹈课程中跳舞和表演的经历介绍和背景化我的发音。在课堂上和我的独舞表演中度过的时间照亮了我的身体,创造了我的肥胖时间,我的身体存在于一个通常被肥胖的人所拒绝的空间里。具体来说,我创造了脂肪时间,在那里我的脂肪通过它的存在节奏移动,抵制遏制,扩展空间边界。这种对舞蹈空间内瘦规范的抵抗行为是一种强有力的胖激进主义形式。通过使用视觉、声音和我自己的叙述,我希望这篇文章能够突出对脂肪研究学者和活动家的启示,特别是舞蹈等表演和基于运动的艺术如何打破关于运动中肥胖身体的主导和病态假设。
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引用次数: 0
Observing weight stigma in the editing of UK factual welfare programming 观察英国事实福利节目编辑中的体重污名
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-09-19 DOI: 10.1080/21604851.2022.2125693
J. Raisborough, L. Taylor, K. Harrison, Shelly Dulson
ABSTRACT Media representations of fat and weight play a central role in the circulation of weight stigma. However, the production practices involved have received little attention. This paper focuses on the editing techniques deployed in a UK reality television documentary series, On Benefits. Our analysis of cutaway shots suggests a quantitative and qualitative difference between an episode featuring “obese” people claiming welfare, compared to the rest in our sample. We examine the cutaways to show how weight stigma intersects with welfare stigma on the grounds of self-control. We conclude that images of bodies, food, and medical aides mobilize weight stigma to overdetermine welfare claimants as underserving while casting suspicion about the purpose of state welfare in the UK.
媒体对脂肪和体重的表述在体重耻辱感的传播中起着核心作用。然而,所涉及的生产实践很少受到关注。这篇论文的重点是编辑技术部署在英国真人秀电视纪录片系列,福利。我们对截尾镜头的分析表明,与我们样本中的其他人群相比,“肥胖”人群申请福利的情节在数量和质量上都存在差异。我们检查切割显示如何体重耻辱与福利耻辱交叉在自我控制的基础上。我们得出的结论是,身体、食物和医疗助手的图像调动了体重耻辱感,使福利申领人被过度认定为服务不足,同时对英国国家福利的目的产生怀疑。
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引用次数: 1
To Be Honest 说实话
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-09-16 DOI: 10.1080/21604851.2022.2122326
Judith Schreier
To Be Honest by Maggie Ann Martin provides a thought-provoking take on the thinmother-fat-daughter relationship dynamics that are a theme in young adult novels such as Dumplin’ by Julie Murphy (2015), My Summer of Jordi Perez by Amy Spalding (2018), and Fat Chance, Charlie Vega by Crystal Maldonado (2021). However, the unusual relationship between mother and daughter is missing depth, reinforces weight-related stereotypes, and ultimately feeds into the new-body-new-me trope. The young adult novel follows the fat teenager Savannah Alverson, a senior at a high school in suburban Indiana. Ashley Alverson, her “re lanky” sister, has just moved away to college, leaving her alone at home with her mother, Kim Alverson, with whom she has a complicated relationship. Their parents divorced recently, and the whole family has to adjust to new living situations. Most central to the plot development, Kim Alverson lost an extreme amount of weight by joining a made-up reality TV show Shake the Weight after “struggling” with her weight throughout her life. Because of her recent lifestyle changes, Kim Alverson tries to impose her habits onto her daughter by regulating what she eats, asking her to eat something “healthy” before social events, and throwing away “bad” highcalorie foods. Kim Alverson unequivocally represents and even epitomizes the evils of diet culture. These scenes showcase the harms of diet cultures and the realities of fat discrimination in family homes, especially between fat daughters and thin mothers. Shake the Weight comes back to the family home to interview the mother and daughter about how they are doing after the weight loss. Savannah’s comments on national television get twisted and put a negative light on the two, as one would expect from such productions, which deepens the division between mother and daughter. In stark contrast, Savannah is portrayed as a fat activist despite occasional insecurities about her body, self-worth, and desirability. Savannah has a clear, opposing opinion regarding her mother’s new eating and exercise rituals. In a heated argument about Savannah’s eating choices, Savannah articulates her stance on her body:
玛吉·安·马丁(Maggie Ann Martin)的《诚实》(To Be Honest)对瘦妈妈和胖女儿之间的关系动态进行了发人深省的探讨,这是年轻成人小说的主题,比如朱莉·墨菲(2015)的《Dumplin》,艾米·斯伯丁(Amy Spalding)的《Jordi Perez的夏天》(2018),以及克里斯托·马尔多纳多(2021)的《Fat Chance, Charlie Vega》。然而,母女之间不寻常的关系缺乏深度,强化了与体重有关的刻板印象,最终助长了新身体新我的比喻。这部青少年小说讲述了肥胖少年萨凡纳·阿尔弗森的故事,她是印第安纳州郊区一所高中的高三学生。她“瘦长”的妹妹阿什利·阿尔弗森(Ashley Alverson)刚刚搬去上大学,留下她独自在家和母亲金·阿尔弗森(Kim Alverson)呆在一起,两人的关系很复杂。他们的父母最近离婚了,全家人都要适应新的生活环境。剧情发展的核心是,金·阿尔弗森(Kim Alverson)在与体重“斗争”了一辈子之后,通过参加一个虚构的真人秀节目《甩掉体重》(Shake the weight),成功减掉了大量体重。由于最近生活方式的改变,Kim Alverson试图将自己的习惯强加给女儿,通过控制她的饮食,要求她在社交活动之前吃一些“健康”的东西,并扔掉“不好的”高热量食物。金·阿尔弗森毫不含糊地代表了饮食文化的邪恶,甚至是它的缩影。这些场景展示了饮食文化的危害,以及家庭中肥胖歧视的现实,尤其是肥胖女儿和苗条母亲之间的歧视。《摇一摇体重》栏目再次来到这对母女的家中,采访她们减肥后的情况。萨凡纳在国家电视台上的评论被扭曲了,给两人带来了负面影响,正如人们所期望的那样,这加深了母女之间的分歧。与之形成鲜明对比的是,萨凡纳被描绘成一个肥胖的激进分子,尽管她偶尔会对自己的身体、自我价值和吸引力感到不安。萨凡纳对她母亲新的饮食和锻炼习惯有着明确的反对意见。在一场关于萨凡纳饮食选择的激烈争论中,萨凡纳阐明了她对自己身体的立场:
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引用次数: 1
Foreword: Fashioning fat 前言:塑造脂肪
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-09-02 DOI: 10.1080/21604851.2021.1938419
C. Evans
ABSTRACT This foreword introduces and situates the articles in the “Fashioning Fat” special issue. The intersection of fat studies and fashion studies is a fruitful and productive one; important scholarship that explores how fat people and fat communities approach fashion continues to inform understandings of fat identity construction and performance. Yet there remains an expansive, and emerging, field of fat fashion studies that offers scholars from a range of disciplinary backgrounds opportunities to deepen and expand those understandings. The six articles in this special issue explore the messy, complicated and constrained relationships between inclusion, liberation, fatness and fashion; they continue existing scholarly conversations and they introduce new ones.
本前言对《时尚胖》特刊的文章进行了介绍和定位。肥胖研究与时尚研究的交叉是一个富有成效的交叉点;探索肥胖人群和肥胖群体如何对待时尚的重要学术研究继续为理解肥胖身份的构建和表现提供信息。然而,肥胖时尚研究仍然是一个广阔的新兴领域,它为来自各种学科背景的学者提供了深化和扩展这些理解的机会。本期特刊的六篇文章探讨了包容、解放、肥胖和时尚之间混乱、复杂和约束的关系;他们继续现有的学术对话,并引入新的学术对话。
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引用次数: 0
Feminist theology and contemporary dieting culture: sin, salvation and women’s weight loss narratives 女权主义神学与当代饮食文化:罪恶、救赎与女性减肥叙事
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-06-23 DOI: 10.1080/21604851.2022.2093476
R. Chabot
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引用次数: 0
No filter and other lies 没有过滤和其他谎言
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-05-11 DOI: 10.1080/21604851.2022.2075141
M. McMullan
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引用次数: 0
Foreword to the special section: Jews, race, and fatness 犹太人、种族和肥胖这一特殊章节的前言
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-04-18 DOI: 10.1080/21604851.2021.1927500
A. Gondek
ABSTRACT This foreword on Jews, race and fatness establishes an historical context in which to understand the articles included in the special section. Typically, discussion of Jewishness, race and fatness focus on the male Jewish body. However, racial definitions of Jewishness depend upon imagery of the fat Jewish woman who is supposedly vulgar, unfeminine, lustful and associated with blackness. A predominant theme within writing about Jewish women, race and fatness is that Jewish women (mothers) have attempted to control “Jewish wildness” to achieve assimilation into whiteness and distance from blackness, through strict adherence to white-centric beauty norms and diet culture. Some Jewish mothers’ racialized disgust for their own bodies and the bodies of their children (daughters) continues to impact Jewish embodied self-perceptions into the present, challenging the assumption that Jewish assimilation into whiteness is complete. The fat Jewish woman’s body is central to the struggle both toward and against assimilation. Jewish women, in their struggle against this forced assimilation, have been central to fat liberation. The contributors to this special section use autoethnography to contest this internalized gendered antisemitism and reclaim the embodied power of fatness, Jewishness and blackness. They repurpose Jewish philosophies in new ways, make and eat bread (challah), oppose diet culture through Fat Torah, embrace “Jewish wildness” and seek embodied recognition across racial difference. Jewish traditions already include the philosophies necessary to move beyond fat acceptance to advocate for fat liberation.
这篇关于犹太人、种族和肥胖的前言建立了一个历史背景,在这个历史背景中,我们可以理解特别部分中包含的文章。通常,关于犹太性、种族和肥胖的讨论都集中在犹太男性的身体上。然而,犹太人的种族定义依赖于胖胖的犹太女人的形象,她被认为是粗俗的,不女人味的,好色的,与黑人有关。在关于犹太女性、种族和肥胖的写作中,一个主要主题是犹太女性(母亲)试图控制“犹太野性”,通过严格遵守以白人为中心的审美规范和饮食文化,实现与白人的同化和与黑人的距离。一些犹太母亲对自己的身体和孩子(女儿)的身体的种族化厌恶,一直影响着犹太人的具体自我认知,直到现在,对犹太人完全被白人同化的假设提出了挑战。肥胖的犹太妇女的身体是反对和反对同化斗争的核心。犹太妇女在反抗这种强制同化的斗争中,一直是肥胖解放的核心。这一特殊部分的撰稿人用自己的民族志来对抗这种内化的性别反犹太主义,并重新确立了肥胖、犹太人和黑人的具体力量。他们以新的方式重新定义犹太哲学,制作和食用面包(challah),通过Fat Torah反对饮食文化,拥抱“犹太野性”,寻求跨越种族差异的具体认可。犹太传统已经包含了从接受肥胖到倡导肥胖解放所必需的哲学。
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引用次数: 0
Self-conscious, unapologetic, and straight: fat protagonists in romantic fiction 自我意识强,毫无歉意,直男:浪漫小说中的胖主角
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-04-14 DOI: 10.1080/21604851.2022.2047337
Shana McDavis-Conway
ABSTRACT The representation of fat characters in romantic fiction increased after mainstream publishers adopted the marketing strategies of independently published romance novels. These strategies include normalizing pairings of fat heroines and thin heroes, embedding a fat protagonist within a larger series of thin characters, a shift from self- reproaching to self-empowered heroines, and, later, images of explicitly fat bodies on book covers. The visibility of fat bodies on covers coincided with the rise in popularity of illustrated romance book covers, and has allowed publishers to depict larger bodies as non-threatening cartoons. Unlike mainstream romance, legacy publishers of queer romantic fiction have resisted the inclusion of fat characters, particularly fat characters of color. While size diversity in romance has the potential to subvert classic narrative tropes for fat characters, the most commonly used narratives continue to reinforce gendered expectations. The resilience of these binaried expectations can be seen in the rarity of fat pairings in queer romances marketed toward women readers, as well as in the oeuvre of popular authors of romances featuring lesbian and queer women. The latter rarely include fat protagonists in book marketing, and exhibit a preoccupation with controlling body size in their storytelling.
主流出版商采用独立出版言情小说的营销策略后,言情小说中肥胖人物的代表性增加。这些策略包括使胖女主人公和瘦男主角的配对正常化,将胖男主角嵌入更大的瘦角色系列中,从自我责备到自我授权的女主角转变,以及后来在书籍封面上明显的肥胖身体图像。肥胖的身体出现在封面上恰逢爱情书插图封面的流行,这使得出版商可以将肥胖的身体描绘成不具威胁性的漫画。与主流浪漫小说不同的是,酷儿浪漫小说的传统出版商拒绝加入肥胖角色,尤其是有色人种的肥胖角色。虽然浪漫故事中的体型多样性有可能颠覆经典的肥胖角色叙事,但最常用的叙事方式仍在强化性别期望。从面向女性读者的酷儿浪漫小说中很少出现肥胖配对,以及那些以女同性恋和酷儿女性为主题的流行浪漫小说作家的作品中,可以看出这种二元期望的弹性。后者在图书营销中很少包括肥胖的主角,而且在讲故事时表现出对控制体型的关注。
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引用次数: 0
Epistemic injustice and Body Mass Index: Examining Māori and Pacific women’s access to fertility treatment in Aotearoa New Zealand 认知不公和身体质量指数:检查Māori和太平洋妇女获得生育治疗在新西兰奥特罗阿
IF 1 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2022-04-12 DOI: 10.1080/21604851.2022.2063507
R. Shaw, E. Fehoko
ABSTRACT The availability and uptake of assisted reproductive technologies is increasing across the globe yet delays and disparities continue to exist for many Indigenous and minority ethnic groups in terms of outcomes and access to fertility treatment and reproductive services. In this article, we examine the fertility stories of nine Māori (Indigenous people of Aotearoa) and Pacific cisgender women living in Aotearoa who were interviewed as part of a large qualitative study conducted with participants seeking access to assisted reproduction for the purposes of family building. The focus of the article is on the experiences of Māori and Pacific women for whom clinical criteria, which include a Body Mass Index cutoff of 32 kg/m2, present a key barrier blocking access to publicly funded fertility services. We draw on the conceptual tool of epistemic injustice, described by the philosopher Miranda Fricker, as a lens through which to examine the challenges Māori and Pacific women face accessing fertility treatment. The study findings indicate that most participants, at some point throughout the course of their reproductive journeys, encountered epistemic injustice when seeking fertility treatment. To redress this bias, we believe revision of Body Mass Index criteria guidelines, which were implemented as part of a nationwide Clinical Priority Criteria Assessment strategy more than 20 years old, are warranted.
辅助生殖技术的可用性和吸收在全球范围内不断增加,但在结果和获得生育治疗和生殖服务方面,许多土著和少数民族群体仍然存在延迟和差异。在这篇文章中,我们研究了9位Māori (Aotearoa土著人)和生活在Aotearoa的太平洋顺性妇女的生育故事,这些妇女是一项大型定性研究的一部分,该研究的参与者寻求以家庭建设为目的的辅助生殖。这篇文章的重点是Māori和太平洋妇女的经验,她们的临床标准,包括身体质量指数32公斤/平方米的下限,是阻碍获得公共资助的生育服务的主要障碍。我们利用哲学家米兰达·弗里克(Miranda Fricker)所描述的认知不公正的概念工具,作为审视Māori和太平洋地区妇女在获得生育治疗方面面临的挑战的镜头。研究结果表明,大多数参与者在生育过程中的某个时刻,在寻求生育治疗时遇到了认知上的不公正。为了纠正这一偏见,我们认为修订身体质量指数标准指南是有必要的,该指南作为全国临床优先标准评估战略的一部分实施了20多年。
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引用次数: 1
期刊
Fat Studies-An Interdisciplinary Journal of Body Weight and Society
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