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Too Muslim to Be Homosexual or Too Homosexual to Be Muslim: Belonging Experiences of British Homosexual Muslims 穆斯林太同性恋或同性恋太穆斯林:英国同性恋穆斯林的归属体验
Q1 Arts and Humanities Pub Date : 2023-11-16 DOI: 10.1163/22117954-bja10091
Stephane Hlaimi, Charlotte Littlewood
This article shows that British homosexual Muslims face rejection and identity conflict between their homosexuality and their Muslimness. The opposition between Islam and homosexuality has created a feeling of exclusion, illustrating the assumed incompatibility between being Muslim and being homosexual. Homosexual Muslims face religiously motivated homophobia rooted in the heteronormative precepts of Islam. In parallel, they face Islamophobic attitudes in which Islam is now used as a form of civilisational opposition to the British values of tolerance and inclusion and the wider homosexual community see it as a threat to their very existence. Nevertheless, the results show that the hostility of Muslims toward homosexuality is evolving, and the heteronormative discourses are now coexisting with more neutral and even homo-friendly approaches. A new bicultural belonging among homosexual Muslims is being constructed to address individual strategies of managing both identities and is fostering new interpretations of acceptance of different sexualities within Islam.
本文表明,英国的穆斯林同性恋者在同性恋和穆斯林身份之间面临排斥和身份冲突。伊斯兰教与同性恋之间的对立造成了一种排斥感,说明了身为穆斯林与身为同性恋者之间的不相容。同性恋穆斯林面临着植根于伊斯兰教异性恋规范戒律的宗教性仇视同性恋现象。与此同时,他们还面临着仇视伊斯兰教的态度,在这种态度中,伊斯兰教现在被用作一种反对英国宽容和包容价值观的文明形式,而更广泛的同性恋群体则将其视为对自身生存的威胁。尽管如此,研究结果表明,穆斯林对同性恋的敌意正在演变,异性恋论述正与更加中立甚至对同性恋友好的态度并存。同性恋穆斯林正在构建一种新的双文化归属,以解决管理两种身份的个人策略问题,并促进对伊斯兰教内接受不同性取向的新解释。
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引用次数: 0
“That’s where I get reach!” Marketing Strategies of a Salafi Influencer on YouTube and TikTok “那是我接触到的地方!”一位沙拉菲派网红在YouTube和TikTok上的营销策略
Q1 Arts and Humanities Pub Date : 2023-09-22 DOI: 10.1163/22117954-bja10089
Marcel Klapp
Abstract The article examines the media practices of a German Salafi missionary through the perspective of theories on Islamic authority and digital online marketing. Following an understanding of online Salafism as a cross-platform phenomenon, the paper draws on an ethnographic case study of Salafi Influencer Abdurrashid, examining the specific strategies he develops for his channels on YouTube and TikTok, the synergies he generates between them, and the active outreach measures through which he creates a gateway for his YouTube profile via TikTok in order to gain authority.
摘要本文从伊斯兰权威理论和数字网络营销理论的角度考察了德国萨拉菲传教士的媒介实践。在了解在线萨拉菲主义是一种跨平台现象之后,本文借鉴了萨拉菲影响者阿卜杜拉希德的人种学案例研究,研究了他为YouTube和TikTok上的频道制定的具体策略,他在两者之间产生的协同效应,以及他通过TikTok为他的YouTube个人资料创建门户以获得权威的积极推广措施。
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引用次数: 0
The Early Institutionalization of State–Islam Relations in Sweden 瑞典国家与伊斯兰教关系的早期制度化
Q1 Arts and Humanities Pub Date : 2023-09-18 DOI: 10.1163/22117954-bja10086
Karin Borevi, Simon Sorgenfrei
Abstract With the case of Sweden as its focus, this article contributes to the research on state–Islam relations in Europe. From a comparative European perspective, it demonstrates that Sweden departs from what is generally presented as the common pattern when it comes to when, how and why state-Islam relations were first established. Previous theorising on this topic, primarily connected with Jonathan Laurence’s seminal work on state–Islam relations in Europe, argues that such relations follow two phases, namely (1) Embassy Islam (1960–1990) and (2) the institutionalisation of domestic relations with (national) Muslim Councils (1990-onwards). Our conclusion, however, is that Sweden skipped the first phase and went directly to the second in the mid-1970s. This, we argue, can be explained as the (unplanned) result of a general change in church–state relations in Sweden.
本文以瑞典为研究对象,对欧洲国家与伊斯兰教的关系进行研究。从比较欧洲的角度来看,这表明瑞典在何时、如何以及为什么建立国家-伊斯兰关系方面偏离了通常呈现的共同模式。先前关于这一主题的理论,主要与乔纳森·劳伦斯关于欧洲国家-伊斯兰关系的开创性工作有关,他认为这种关系遵循两个阶段,即:(1)大使馆伊斯兰(1960-1990)和(2)与(国家)穆斯林委员会的国内关系制度化(1990年起)。然而,我们的结论是,瑞典在20世纪70年代中期跳过了第一阶段,直接进入了第二阶段。我们认为,这可以解释为瑞典政教关系总体变化的(计划外的)结果。
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引用次数: 0
Western Jihadism: A Thirty-Year History, written by Jytte Klausen 《西方圣战主义:三十年历史》,作者:Jytte Klausen
Q1 Arts and Humanities Pub Date : 2023-09-15 DOI: 10.1163/22117954-12341428
Katherine E. Brown
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引用次数: 0
Hollywood’s Racial Order and the Re-throning of White Supremacist Identity 好莱坞的种族秩序与白人至上主义身份的重塑
Q1 Arts and Humanities Pub Date : 2023-08-11 DOI: 10.1163/22117954-bja10087
I. Labidi
Released during a period of heightened racial tension over the impact of racism in the United States and Europe, the 2021 films Stillwater and Dune Part One reveal the pervasiveness of Arab Muslim misrepresentations in Hollywood and the subtilty of white supremacist ideology as it re-emerges in new cinematic productions. With many symbolic and pronounced references to the delusions of the “great replacement” theory, the foundational blueprint of white supremacist identity in both stories, this article contends that these films recentre whiteness to either villainise Arab Muslims or totally erase them. Stillwater disguises the stereotypes on which Arab racialisation is predicated by embedding them in the details of a subplot. Dune, by contrast, is set in an imaginary Arab space with no Arabs, and yet portrayals of Arabs and Islam are front, and centre and it imagines a world with fierce but “generic” coloured people serving their great white leaders.
2021年上映的电影《死水》和《沙丘第一部分》在美国和欧洲的种族主义影响加剧的种族紧张时期上映,揭示了阿拉伯穆斯林在好莱坞普遍存在的误解,以及白人至上主义意识形态在新电影作品中重新出现的微妙之处。在这两个故事中,白人至上主义身份的基本蓝图是“伟大的替代”理论,这篇文章认为,这些电影重新集中了白人,要么是为了丑化阿拉伯穆斯林,要么是为了彻底抹去他们。《静水》通过将阿拉伯人种族化的刻板印象嵌入到次要情节的细节中,掩盖了这些刻板印象。相比之下,《沙丘》的背景是一个虚构的阿拉伯世界,没有阿拉伯人,但阿拉伯人和伊斯兰教的形象是最重要的,也是最中心的,它想象了一个世界,那里有凶猛但“普通”的有色人种为他们伟大的白人领袖服务。
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引用次数: 0
The Past, Present and Future of Social Stratification from Said Nursi’s Perspective 赛义德·努尔西视角下社会分层的过去、现在和未来
Q1 Arts and Humanities Pub Date : 2023-08-11 DOI: 10.1163/22117954-bja10085
Sadettin Orhan
Social stratification is a common factor in almost every society on earth. Societies exhibit a certain hierarchical structure measured by either abstract or concrete criteria. With industrialisation, the form of stratification changed. The proletariat and the bourgeoisie formed the two main social strata of this new society. Studies aimed at understanding and explaining this change in the social structure have produced many texts with a rich theoretical discussion. In our study, the views on stratification put forward by Said Nursi, an Islamic scholar and commentator on the Qurʾan, are discussed. Nursi includes important determinations and evaluations of people, society and stratification in his works, which total more than six thousand pages. We hope that these findings and evaluations will contribute to disciplines, particularly sociology, that deal with stratification.
社会分层是地球上几乎每个社会的共同因素。社会呈现出一种以抽象或具体标准衡量的特定等级结构。随着工业化,分层的形式发生了变化。无产阶级和资产阶级构成了这个新社会的两个主要社会阶层。旨在理解和解释这种社会结构变化的研究产生了许多具有丰富理论讨论的文本。在我们的研究中,讨论了伊斯兰学者、《古兰经》评论员赛义德·努尔西提出的分层观点。努尔西在其著作中包含了对人、社会和阶层的重要确定和评价,共六千多页。我们希望这些发现和评估将有助于处理分层问题的学科,特别是社会学。
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引用次数: 0
Muslim Masculinities in Literature and Film: Transcultural Identity and Migration in Britain, written by Peter Cherry 《文学与电影中的穆斯林男子气概:英国的跨文化认同与移民》,作者:彼得·切里
Q1 Arts and Humanities Pub Date : 2023-08-10 DOI: 10.1163/22117954-bja10088
Durali Karacan
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引用次数: 0
Imag(in)ing Bairam 图像放大ing拜兰节
Q1 Arts and Humanities Pub Date : 2023-07-14 DOI: 10.1163/22117954-bja10084
Steff Nellis
The fifth volume of the Cérémonies et coutumes religieuses de tous les peuples du monde (1723–1737) by Bernard Picart and Jean Frederic Bernard played a significant role in shaping the perception of Islam in the early 18th-century Dutch Republic and Europe. Kishwar Rizvi has argued that it challenged stereotypes by introducing novel comparative perspectives between Western traditions and Islamic rituals. However, previous research has overlooked a remarkable illustration in the volume depicting the Bairam festival. By examining the editors’ and engravers’ use of collage technique, we can appreciate how their portrayal of the Bairam festivities deviated from earlier depictions of the same feast. They employed a proto-ethnographic approach alongside other interpretational and imaginative strategies. The multitude of images within the Cérémonies not only constructed a collective perception of Islam but also facilitated a more affective engagement with Islamic culture for early modern viewers, influencing their connection to the depicted culture.
Bernard Picart和Jean-Frederic Bernard的《世界人民的货币与宗教》第五卷(1723–1737)在18世纪初荷兰共和国和欧洲对伊斯兰教的看法中发挥了重要作用。Kishwar Rizvi认为,它通过在西方传统和伊斯兰仪式之间引入新颖的比较视角来挑战刻板印象。然而,先前的研究忽略了描绘拜拉姆节的卷中一幅引人注目的插图。通过研究编辑和雕刻师对拼贴技术的使用,我们可以了解他们对拜拉姆庆典的描绘与早期对同一盛宴的描绘是如何偏离的。他们采用了原始人种学方法以及其他解释和想象策略。Cérémones中的大量图像不仅构建了对伊斯兰教的集体感知,而且促进了早期现代观众与伊斯兰文化的情感接触,影响了他们与所描绘文化的联系。
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引用次数: 0
Local German Salafists and Saudi Arabia 当地的德国萨拉菲派和沙特阿拉伯
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1163/22117954-bja10083
Mahmoud Jaraba
Salafism in Germany is often viewed as a product of Saudi Arabia’s efforts to spread its conservative brand of Islam around the world. In recent years, the Kingdom has attempted to change its image both domestically and internationally by distinguishing itself from Salafism. The goal of this article is to look at how local Salafists, who have been supported by Saudi Arabia and religiously and ideologically shaped by Saudi Salafi scholars, are attempting to construct a localised and radicalised version of Salafism that is grounded in the German context, while also being critical of Saudi Arabia’s social liberalisation.
德国的萨拉菲主义通常被视为沙特阿拉伯在世界各地传播其保守的伊斯兰教品牌的努力的产物。近年来,沙特王国试图通过与萨拉菲主义区分开来,改变其在国内和国际上的形象。这篇文章的目的是看看当地的萨拉菲主义者是如何得到沙特阿拉伯的支持,并在宗教和意识形态上受到沙特萨拉菲学者的影响,他们试图建立一个基于德国背景的本地化和激进版本的萨拉菲主义,同时也批评沙特阿拉伯的社会自由化。
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引用次数: 0
Laughing Matter(s): Reactions of Muslims in Europe to Islamophobia and the Role of Comic Relief 笑料:欧洲穆斯林对伊斯兰恐惧症的反应和喜剧救济的作用
Q1 Arts and Humanities Pub Date : 2023-05-05 DOI: 10.1163/22117954-bja10082
Zeynep Aydin
Laughter and humour can have therapeutic effects on traumatized individuals. Now, the generation of Muslims that grew up after the 9/11 terror attacks is using comic relief to recount their experience with Islamophobia. While the trend started with television stand-up comedians and their performances, the movement has spread through the social media grape vine all the way from Twitter to TikTok. In this article the (social) media landscape is examined and comedic content is analysed to assess how and why content creators share their experiences. It finds that the greatest difference between content creators results from the gender-based experiences they draw on when recounting their stories. Comedy was a very strong means of communicating this highly sensitive subject. Through humour, content creators also wished to also break the stereotype of Muslims not understanding satire and just being an angry inflexible mob.
笑和幽默可以对受创伤的人产生治疗作用。现在,在9/11恐怖袭击后长大的这一代穆斯林正在用漫画来讲述他们对伊斯兰恐惧症的经历。虽然这一趋势始于电视单口相声演员及其表演,但这场运动已经通过社交媒体葡萄藤传播开来,从推特到TikTok。在这篇文章中,我们考察了(社交)媒体的前景,并分析了喜剧内容,以评估内容创作者如何以及为什么分享他们的经历。研究发现,内容创作者之间最大的差异源于他们在讲述故事时所借鉴的基于性别的经验。喜剧是传达这一高度敏感主题的一种非常有力的手段。通过幽默,内容创作者还希望打破穆斯林不理解讽刺,只是愤怒而刻板的暴徒的刻板印象。
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引用次数: 2
期刊
Journal of Muslims in Europe
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