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Psychoanalytic Perspectives最新文献

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Inner Rage 内心的愤怒
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230804
Sean Meggeson
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引用次数: 0
Looking Back: Notes From the Creative Literary Editor 回顾:来自创意文学编辑的笔记
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230779
Bonnie Zindel
AbstractIn this piece I discuss the early years of Psychoanalytic Perspectives; how the first issues of the Journal were organized; the origins of the Creative Literary Section; my work on “Notes from the Creative Literary Editor” in every issue; calls to the worldwide psychoanalytic community for poetry and stories from the creative unconscious; and summaries of topics for the section such as “From Painting into Words,” “From One Unconscious to Another,” “People in Analysis,” “Mothers of the Milky Way,” “Dreams as Poetry,” “The Art of Thomas Ogden,” “Letters to Dearest Mother from Famous Writers,” “D.W. Winnicott: The Unexpected Poet,” and “Creativity and Madness.”Keywords: creativitycreativity in psychoanalysisdreamsimagerypoetryunconscious Additional informationNotes on contributorsBonnie ZindelBonnie Zindel, LCSW, is a psychoanalyst in private practice in New York, and a supervisor, faculty, and training analyst at National Institute for the Psychotherapies (NIP). She is a novelist, playwright, and editor; and was a founder of Psychoanalytic Perspectives, where she served as Creative Literary Editor for 17 years. Bonnie has presented papers on creativity at international conferences, and has conducted writing groups for psychoanalysts for over 25 years. She is the editor of Writing on the Moon: Stories and Poetry from the Creative Unconscious by Psychoanalysts and Others (Karnac, 2017; Routledge 2018). Her play, My Simone, based on the life of Simone de Beauvoir, was nominated for a 2017 Gradiva Award. Bonnie received the NIP Distinguished Achievement Award in 2004 for creative contributions to the field.
在这篇文章中,我讨论了早期的精神分析观点;《华尔街日报》的第一期是如何组织的;文学创作科的起源;每期的“创意文学编辑笔记”;呼吁全世界精神分析界从创造性无意识中获取诗歌和故事;以及该部分主题的摘要,如“从绘画到文字”,“从一个无意识到另一个无意识”,“分析中的人”,“银河系的母亲”,“梦如诗”,“托马斯·奥格登的艺术”,“著名作家给最亲爱的母亲的信”,“D.W.温尼科特:《意想不到的诗人》和《创造力与疯狂》。关键词:创造力精神分析中的创造力梦像诗无意识附加信息撰稿人邦妮·津德尔邦妮·津德尔,LCSW,是纽约私人执业的精神分析学家,也是国家心理治疗研究所(NIP)的主管、教员和培训分析师。她是小说家、剧作家和编辑;她是《精神分析视角》的创始人,在那里担任了17年的创意文学编辑。邦妮在国际会议上发表过关于创造力的论文,并为精神分析学家组织了超过25年的写作小组。她是《在月球上写作:来自精神分析学家和其他人的创造性无意识的故事和诗歌》(Karnac, 2017;Routledge出版社2018年出版)。她的戏剧《我的西蒙娜》是根据西蒙娜·德·波伏娃的生活改编的,曾获得2017年格拉迪瓦奖提名。Bonnie因在该领域的创造性贡献于2004年获得了NIP杰出成就奖。
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引用次数: 0
What Does the Patient Need Now? Discussion of “We’re Living in a Society: Ideology and the Social Object” 病人现在需要什么?论“我们生活在一个社会中:意识形态与社会客体”
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806X.2023.2230791
R. Kabasakalian-McKay
In response to Eric Schwartz’s creative and timely paper, this discussion focuses on three points: First, that analytic patients of this social and cultural moment call upon us to reformulate even relatively recent understandings of—to use Stephen Mitchell’s phrase—“what the patient needs,” agreeing with Schwartz that contemporary analytic subjects are liable to be much more deeply and consistently troubled by the social realm and their places within it. Second, the concept of implication is put forward here as a way to elaborate and deepen our understanding of what is called for in the kind of intersubjective meeting that Schwartz illustrates. Third, this discussion takes up some additional considerations in applying Schwartz’s proposed adaptation of a Fairbairnian model in understanding the role of ideology in psychic structuring; concluding that in acknowledging subtle, multiple, and conflicting feelings and attachments in ourselves, we may inhabit our complex implication in ways that further the kind of responsive intersubjective engagement that our patients and our moment ask of us.
为了回应埃里克·施瓦茨(Eric Schwartz)富有创意且及时的论文,本次讨论集中在三点上:首先,这个社会和文化时刻的分析患者呼吁我们重新制定即使是相对较新的理解——用斯蒂芬·米切尔(Stephen Mitchell)的话来说——“患者需要什么”,同意施瓦茨的观点,即当代分析受试者容易被社会领域及其在其中的位置所深刻和持续地困扰。其次,这里提出暗示的概念是为了详细阐述和加深我们对施瓦茨所阐述的主体间会议所要求的理解。第三,在运用施瓦茨提出的费尔拜尔模型来理解意识形态在心理结构中的作用时,本讨论提出了一些额外的考虑;结论是,在承认我们自身微妙的、多重的、相互冲突的感觉和依恋时,我们可能会以一种进一步的方式融入我们的复杂暗示,即我们的病人和我们的时代所要求的那种反应性的主体间参与。
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引用次数: 0
Seeing is All the Rage 视觉是最流行的
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230807
F. Novák
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引用次数: 0
Recognizable Vessels: A Note from the Editors of Psychoanalytic Perspectives on its 20th Anniversary 可识别的血管:《精神分析视角》编辑20周年纪念
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230775
Rachel Altstein, K. Perlman
On the 20th anniversary of Psychoanalytic Perspectives, Rachel Altstein and Karen Perlman, as Co-Editors-in-Chief, look back to the very first published issues of their journal to find the early seeds of its philosophy and mission that remain at the heart of the current iteration of the publication. They introduce new features that retain the ideology of the old, specifically that of giving voice to analytic writers from the sidelines of psychoanalytic publishing who are not on the traditional roster of frequently published writers. Another new feature, “Second Look,” pairs a current writer with a classic paper for a contemporary rereading, imagining a dialogue across time. The three unique sections of Perspectives that privilege creative writing, memoir, and interview are described, lauded, and committed to anew. Reflecting on what it means to edit, and what it means to edit psychoanalytic papers specifically, Altstein and Perlman also think about the priority of preserving voice and the notion of refraction in the process of an editorial interaction with texts.
在《精神分析展望》出版20周年之际,Rachel Altstein和Karen Perlman作为联合主编,回顾了他们杂志最初出版的几期,寻找其哲学和使命的早期种子,这些种子仍然是该出版物当前迭代的核心。他们引入了保留旧意识形态的新特征,特别是让精神分析出版外围的分析作家发声,这些人不在传统的频繁出版作家名单上。另一个新专题“第二看”(Second Look)将一位当代作家与一篇经典论文配对,进行当代重读,想象一场跨越时间的对话。《视角》的三个独特部分,即创造性写作、回忆录和访谈,被描述、赞美和重新承诺。Altstein和Perlman反思了编辑的意义,以及编辑精神分析论文的具体意义,他们还思考了在编辑与文本互动的过程中,保留声音的优先级和折射的概念。
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引用次数: 0
We’re Living in a Society: Ideology and the Social Object 我们生活在一个社会中:意识形态与社会对象
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806X.2023.2230788
E. Schwartz
This paper considers the developmental implications of being subjected to macro social, cultural, political, and economic systems. Drawing from social and critical theory, the author proposes an object tie to the broader social dimension. When this tie is threatened by harsh social realities, there is an attempt to protect it through the activation of internalized ideological schema. Clinical examples are provided to demonstrate how patients and therapists bring ideology into the treatment room, and how the application of an “ideological lens” may move beyond interpersonal transference dynamics to facilitate the reorganization of “social object” relationships.
本文考虑了受宏观社会、文化、政治和经济制度影响的发展意义。从社会和批判理论出发,作者提出了一个与更广泛的社会维度相联系的对象。当这种关系受到严酷的社会现实的威胁时,人们试图通过激活内化的意识形态图式来保护它。本文提供了临床实例来说明患者和治疗师如何将意识形态带入治疗室,以及“意识形态透镜”的应用如何超越人际移情动力学,促进“社会客体”关系的重组。
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引用次数: 1
Why I Read 我为什么阅读
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230784
Matt Aibel
The author, Submissions Editor of Psychoanalytic Perspectives for the past five years, surveys the several reasons he likes reading analytic writing as much as he does. He cites its usefulness as psychoanalytic companion, psychoanalytic supervisor, and midwife of an aliveness that is its own reward.
作者是《精神分析视角》过去五年的投稿编辑,他调查了他像现在这样喜欢阅读分析写作的几个原因。他列举了它作为精神分析伴侣、精神分析导师和生命力助产士的有用性,而生命力本身就是一种回报。
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引用次数: 0
Where Others Did Not 别人没有做到的地方
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230808
Gregory J. Stevens
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引用次数: 0
My Heroes 英雄
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230795
C. Loew
The editor of the “Private Lives” section of Psychoanalytic Perspectives offers a personal reflection of his own for the journal’s 20th-anniversary issue.
《精神分析视角》“私生活”部分的编辑为该杂志20周年纪念版提供了自己的个人反思。
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引用次数: 0
Short Hair Don’t Care 短发无所谓
Q4 Psychology Pub Date : 2023-08-30 DOI: 10.1080/1551806x.2023.2230801
Allison Katz
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引用次数: 0
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Psychoanalytic Perspectives
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