Pub Date : 2018-10-02DOI: 10.1080/10948007.2018.1548195
We hear a lot about “diversity” and “inclusion” in the academy, in some business circles, and in various social, civic and political contexts. What about in publishing? How, specifically, does the academic publishing world fare in this arena? Certainly, publishing in general is not immune from these concerns. For instance, in 2015, Lee and Low book publishers initiated a survey to gather data about diversity among publishing staff and reviewers. The goal was to create a “diversity baseline survey” that would garner participation from “major review journals and publishers” to obtain an aggregate view documenting the presence—or absence—of diversity in the trade industry. Results released the following year, in 2016, included responses from 34 publishers and 8 review journals, and they were revealing. In their snapshot of the “industry overall,” the Lee and Low survey results showed representation in four categories. Here are some highlights from their results:
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Pub Date : 2018-07-03DOI: 10.1080/10948007.2018.1520034
E. Coccia, Marissa Gemma, R. Darnton
49:50 Goods: Advertising, Urban Space, and the Moral Law of the Image by Emanuele Coccia, translated by Marissa Gemma (New York, NY: Fordham University Press, 2018—$95.00, [hardcover] ISBN: 978-08232802-23, [paperback and e-book available], introduction, 6 chapters, translator’s afterword, notes) offers a conceptual look atmodern advertising and the objects it sells. Blending philosophy, ethics, marketing concepts, and visual theories, Goods seeks to challenge both the meaning of “goods” as objects and “good” as a valence of moral value. Each chapter carries a title pointing to a physical presence of “goods,” as Coccia explores the power of images and advertisements for things. These key terms and titles include walls (Chapter 1), cities (Chapter 2), and totem (Chapter 4). Interwoven with these object titles include the building blocks of her theoretical perspectives, such as the banality of the good (Chapter 3), the world of things (Chapter 5), and towards a moral hyper-realism (Chapter 6). Coccia is recognized as a leading voice in European thought and Goods becomes available to English readers in this volume after receiving critical attention in Italian, French, and German versions. Coccia is an associate professor at the École des Hautes Études en Sciences Sociales (EHESS) in Paris. Gemma holds a PhD in English Language and Literature/Letters from Stanford, and does professional editing and translations as a content strategist consultant.
《49:50商品：广告、城市空间和图像的道德法则》（Goods:Advertising，Urban Space，and the Moral Law of the Image），Emanuele Coccia著，Marissa Gemma译（纽约：福特汉姆大学出版社，2018年-95.00美元，[精装版]ISBN:978-08232802-23，[可提供平装本和电子书]，引言，6章，译者后记，注释）为现代广告及其销售对象提供了一种概念外观。Goods融合了哲学、伦理学、营销概念和视觉理论，试图挑战“商品”作为客体的意义和“好”作为道德价值的价值。每一章都有一个标题，指向“商品”的物理存在，因为Coccia探索了图像和广告的力量。这些关键术语和标题包括墙壁（第1章）、城市（第2章）和图腾（第4章）。与这些对象标题交织在一起的包括她理论观点的构建块，如平庸的善（第3章）、事物的世界（第5章）和走向道德超现实主义（第6章）。Coccia被公认为欧洲思想的领军人物，《货物》在意大利语、法语和德语版本中受到批评性关注后，在本卷中可供英语读者阅读。Coccia是巴黎高等科学院的副教授。Gemma拥有斯坦福大学英语语言和文学/文学博士学位，并作为内容策略师顾问进行专业编辑和翻译。
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