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Waiting for “God’s Best”: Love and Sex in Evangelical Christianity in the Philippines 等待“上帝最好的”:菲律宾福音派基督教的爱与性
0 RELIGION Pub Date : 2022-02-28 DOI: 10.3138/jrpc.2021-0007
J. Cornelio, Lisandro E. Claudio
Echoing the writings of their American counterparts, Filipino evangelicals have published bestselling books on love and sex. These books appeal because of their practical tips, often narrated in conversational Tagalog and English. We turn to some of the most influential books in this article. These works exhort their readers to embrace sexual purity in preparation for the one God intends for them—“God’s best.” Although decidedly evangelical, these writings are packaged within the language of a secular genre—love and relationships—known for espousing more liberal views on romance and sexuality. Two rhetorical techniques matter: (1) the simultaneous promotion and disavowal of courtship; and (2) the use of religious testimony. The article ends with critical reflections on evangelicalism as a countercultural movement in Philippine society.
与美国福音派信徒的著作相呼应,菲律宾福音派信徒出版了关于爱和性的畅销书。这些书的吸引力在于它们的实用技巧,通常用对话式的他加禄语和英语叙述。在这篇文章中,我们将转向一些最有影响力的书籍。这些作品劝诫读者拥抱纯洁的性,为上帝给他们的安排做准备——“上帝最好的”。虽然这些作品显然是福音派的,但它们被包装在世俗类型的语言中——爱情和关系——以支持更自由的浪漫和性观点而闻名。两种修辞技巧很重要:(1)同时促进和否定求爱;(二)使用宗教证言。文章最后对福音派作为菲律宾社会的反文化运动进行了批判性反思。
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引用次数: 0
Speak of the Devil: How the Satanic Temple is Changing the Way We Talk About Religion 谈论魔鬼:撒旦圣殿如何改变我们谈论宗教的方式
0 RELIGION Pub Date : 2022-02-16 DOI: 10.3138/jrpc.2021-0020
W. Simpson
From horror movies and death metal to moral panics and conspiracy theories, Satan holds a powerful place in the cultural imagination. Despite Satan ’ s prevalence in pop culture, real Sata-nists are often relegated to the margins of cultural and religious studies. Over the past half-decade, a new form of socially-engaged Satanism has blossomed in the US and beyond. Founded in 2013, The Satanic Temple (TST) is a “ political and religious movement that advocates pro-gressive values and the separation of church and state ” (1). This fascinating organization is the focus of Joseph Laycock ’ s new book, Speak of the Devil . . ’ s rebellion Milton ” narrative, aspects Devil the largest Satanic community
从恐怖电影和死亡金属到道德恐慌和阴谋论,撒旦在文化想象中占有强大的地位。尽管撒旦在流行文化中很盛行,但真正的撒旦崇拜者往往被放在文化和宗教研究的边缘。在过去的五年里,一种新形式的参与社会的撒旦教在美国和其他地方蓬勃发展。撒旦圣殿(TST)成立于2013年,是一场“倡导进步价值观和政教分离的政治和宗教运动”(1)。这个迷人的组织是Joseph Laycock新书《谈论魔鬼》的重点“反抗米尔顿”的叙述,侧面魔鬼最大的撒旦团体
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引用次数: 0
The Altars Where We Worship: The Religious Significance of Popular Culture by Juan M. Floyd-Thomas, Stacey M. Floyd-Thomas, and Mark G. Toulouse (review) 《我们崇拜的祭坛:大众文化的宗教意义》,作者:胡安·M·弗洛伊德·托马斯、斯泰西·M·弗洛伊德·托马斯和马克·G·图卢兹(评论)
0 RELIGION Pub Date : 2022-02-16 DOI: 10.3138/jrpc.2021-0011
Benjamin Crace
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引用次数: 0
Superman and the Bible: How the Idea of Superheroes Affects the Reading of Scripture by Nicholaus Pumphrey (review) 《超人与圣经:超人的观念如何影响读经》,作者:Nicholaus Pumphrey(书评)
0 RELIGION Pub Date : 2022-02-16 DOI: 10.3138/jrpc.2021-0010
Robert Revington
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引用次数: 0
Of Animatronic Praise Bands and Worship-Leading Chickens: The Serious Business of Evangelical Christian Worship Parody Videos 动画赞美乐队和崇拜领军人物:福音派基督教崇拜模仿视频的严肃业务
0 RELIGION Pub Date : 2022-02-15 DOI: 10.3138/jrpc.2021-0023
Monique M. Ingalls
Worship music parody videos are one of the key elements within evangelical Christian “joking culture.” The musically facilitated “worship experience” is among evangelicalism’s most sacred rituals, and worship parody creators must carefully negotiate the line between humor and profanity. Drawing from textual analysis of selected blogs, forums, and YouTube comments, this article demonstrates the comedic and serious roles these videos serve. Worship parodies demonstrate how evangelicals employ humor around one of their most sacred practices to question the boundaries of what is sacred, engage in discourse about power and morality, mediate internal disagreements, and shore up a shared religious identity.
崇拜音乐恶搞视频是福音派基督教“开玩笑文化”的关键元素之一。音乐促进的“敬拜体验”是福音派最神圣的仪式之一,敬拜模仿的创作者必须小心地在幽默和亵渎之间的界限进行谈判。本文通过对选定的博客、论坛和YouTube评论的文本分析,展示了这些视频所扮演的喜剧和严肃角色。崇拜模仿展示了福音派如何在他们最神圣的做法之一周围运用幽默来质疑神圣的界限,参与关于权力和道德的讨论,调解内部分歧,并支持共同的宗教身份。
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引用次数: 0
The Celebrity Imprint: Fan-Celebrity Attachments and Religious Work Among Fans of John Lennon and Johnny Cash 名人印记:约翰·列侬和约翰尼·卡什粉丝的名人依恋和宗教工作
0 RELIGION Pub Date : 2022-01-10 DOI: 10.3138/jrpc.2021-0012
K. Riddell
Based on in-depth interviews, this article examines the relationships fans develop with John Lennon and Johnny Cash. Fan attachments consist of an initial curiosity, to a more profound emotional bond or relationship with “religious” underpinnings. An externalized sense of self and the concept of a product of popular culture doing the work of religion highlight how fans develop relationships because they see more of themselves in the celebrity than do other fans. The notion of gradual development of an interpretive lens helps explain how these shifts happen over time. I conclude by considering what degrees of fan attachment say about the relationship between celebrity fandom and religion.
基于深度访谈,本文探讨了粉丝们与约翰·列侬和约翰尼·卡什之间的关系。粉丝的依恋包括最初的好奇,到更深刻的情感纽带或与“宗教”基础的关系。一种外化的自我意识和流行文化的产物的概念,做着宗教的工作,突出了粉丝是如何发展关系的,因为他们在名人身上看到了比其他粉丝更多的自己。解释性透镜逐渐发展的概念有助于解释这些变化是如何随时间发生的。最后,我考虑了粉丝的依恋程度说明了名人狂热与宗教之间的关系。
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引用次数: 0
Reimagining Delilah’s Afterlives as Femme Fatale: The Lost Seduction by Caroline Blyth (review) 把黛利拉的来生重新想象成蛇蝎美人:失落的诱惑卡罗琳·布莱斯(书评)
0 RELIGION Pub Date : 2022-01-06 DOI: 10.3138/jrpc.2021-0052
Matthew H. Brittingham
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引用次数: 0
Built Women in Men’s Paradises: A Critical Analysis of the Garden of Eden Narrative and Alex Garland’s Ex Machina 男性范式中的女性构建——伊甸园叙事与加兰德的《前玛奇娜》的批判性分析
0 RELIGION Pub Date : 2022-01-06 DOI: 10.3138/jrpc.2020-0064
C. Chapman
Abstract:Bringing the biblical story of the Garden of Eden (Genesis 2-3) into conversation with Alex Garland’s 2014 film Ex Machina, this paper examines and compares the malescribed nature of paradise stories that describe the “building” of woman-creatures. From ancient Judean scribes to modern film-makers and computer coders, male-guarded forms of literacy enabled and continue to enable storytelling and world-building. A comparison of the accounts of the creation of Eve of the Garden with Ava of Ex Machina highlights that male control over literacy more generally and creation accounts more specifically yields diminished woman-creatures designed to serve the specific needs of men in male-imagined paradise settings. Although separated by millennia, ancient Judean scribes and modern computer programmers have imagined and built woman-creatures with a limited set of functions and programmed routines that include providing help, serving as a companion, and heterosexual receptivity.
摘要:本文将《圣经》中的伊甸园故事(《创世纪》2-3)与亚历克斯·加兰德2014年的电影《前Machina》进行了对话,考察并比较了描述女性生物“建筑”的天堂故事的男性化性质。从古代犹太抄写员到现代电影制作人和计算机程序员,男性保护的识字形式使讲故事和建设世界成为可能,并将继续成为可能。将《花园之夜》的创作与《前Machina的Ava》的创作进行比较,突显出男性对识字的控制更为普遍,而创作的描述更为具体,产生了被削弱的女性生物,旨在满足男性想象中的天堂环境中男性的特定需求。尽管相隔数千年,但古代犹太抄写员和现代计算机程序员一直在想象和构建具有有限功能和程序的女性生物,包括提供帮助、充当伴侣和异性恋接受能力。
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引用次数: 0
Holy Grounds: The Surprising Connection Between Coffee and Faith by Tim Schenck (review) 蒂姆·申克的《圣地:咖啡与信仰之间的惊人联系》(评论)
0 RELIGION Pub Date : 2022-01-06 DOI: 10.3138/jrpc.2021-0053
Joshua R. Farris
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引用次数: 0
Theology and Horror: Explorations of the Dark Religious Imagination ed. by Brand R. Grafius and John W. Morehead (review) 《神学与恐怖:黑暗宗教想象的探索》布兰德·r·格拉菲乌斯、约翰·w·莫尔黑德主编(书评)
0 RELIGION Pub Date : 2022-01-06 DOI: 10.3138/jrpc.2021-0051
M. Beavis
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引用次数: 0
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Journal of Religion and Popular Culture
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