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Maitreya, Kaeby?k, Yonaoshi: the Crisis and World-subverting Perception in East Asian History of Religion 弥勒,Kaeby ?[10]《东亚宗教史上的危机与颠覆世界的认知》
Pub Date : 2021-06-30 DOI: 10.46263/rc.40.2.
SeungYong Han
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引用次数: 0
Comparison between Ellen G. White’s Idea of Vital Force and Ge Hong’s Idea of Haijingbunao 爱伦·g·怀特生命力观与葛洪海静补脑观之比较
Pub Date : 2021-06-30 DOI: 10.46263/rc.40.4.
Soon-gi Baek
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引用次数: 0
A Shaman’s Praying Practices on Public Sites: Modernity and Resistance 萨满在公共场所的祈祷实践:现代性与反抗
Pub Date : 2021-06-30 DOI: 10.46263/rc.40.1.
Dong-kyu Kim
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引用次数: 0
Abrahamic Religions and the Universal Declaration of Human Rights: A Comparative Analysis on the Idea of Human Rights 亚伯拉罕宗教与《世界人权宣言》:人权理念的比较分析
Pub Date : 2021-06-30 DOI: 10.46263/rc.40.5.
Changrok Soh, J. Choi
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引用次数: 0
Non-religious Players Asking Big Questions: Video Game Worlds Affording Affinities of Meaningful Encounters 非宗教玩家提出重大问题:电子游戏世界提供了有意义的邂逅
Pub Date : 2021-05-06 DOI: 10.3138/JRPC.2020-0012
H. Rautalahti
Abstract:The article examines player narratives on meaningful encounters with video games by using an argumentative qualitative interview method. Data gathered among Finnish adult video game players represents narratives of important connections in personal lives, affinities that the article analyzes as further producing three distinctive themes on meaningful encounters. Utilizing a study-of-religion framework, the article discusses meaning making and emerging ways of meaningfulness connected to the larger discussion on the “big questions” that are asked, explored, and answered in popular culture today. Nonreligious players talk about intricate and profound contemplations in relation to game memories, highlighting how accidental self-reflections in mundane game worlds frame a continuing search for self.
摘要:本文采用质性访谈的方法,考察了玩家对电子游戏有意义遭遇的叙述。在芬兰成年电子游戏玩家中收集的数据代表了对个人生活中重要联系的叙述,文章分析了这些联系,认为它们进一步产生了关于有意义的遭遇的三个独特主题。本文利用对宗教框架的研究,讨论了意义的形成和意义的新兴方式,这些意义与当今流行文化中提出、探索和回答的“大问题”的更大讨论有关。非宗教玩家谈论与游戏记忆有关的复杂而深刻的沉思,强调平凡游戏世界中的意外自我反思如何构成对自我的持续探索。
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引用次数: 0
Unconscious Gods and the Return of Belief in Max Gladstone's Craft Sequence 无意识的神与马克斯·格莱斯顿的工艺序列中的信仰回归
Pub Date : 2021-03-15 DOI: 10.3138/JRPC.2018-0022
Peter Melville
Abstract:This article considers the role of belief in Max Gladstone's Hugo-nominated Craft Sequence, a six-volume fantasy series that imagines a world in which humanity's gods have either expired or been resurrected in a zombie-like state so that their divine power can be siphoned and used to fuel the social, economic, and technological superstructure of everyday modern life. The article draws on the work of Slavoj Žižek, Jacques Lacan, and Alain Badiou to show how Gladstone portrays the return of belief as an effective vehicle for social change that counters a model of atheism in which the individual's supposed liberation from God entails the repression of its continued commitment to what Lacan calls the big "Other," which is to say, the symbolic order itself.
摘要:本文探讨了信仰在马克斯·格莱斯顿的雨果提名作品《工艺序列》中的作用,这是一部六卷本的奇幻系列小说,它想象了一个世界,在这个世界里,人类的神灵要么已经消亡,要么在僵尸般的状态下复活,这样他们的神圣力量就可以被吸走,用来为日常现代生活的社会、经济和技术上层建筑提供动力。这篇文章借鉴了斯拉沃伊Žižek、雅克·拉康和阿兰·巴蒂欧的作品,展示了格莱斯顿如何将信仰的回归描绘为社会变革的有效载体,以对抗无神论的模式,在这种模式中,个人从上帝那里获得的所谓解放,需要压抑其对拉康所谓的大“他者”的持续承诺,也就是说,象征秩序本身。
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引用次数: 0
To Dream Differently: Consumerism and Social Transformations in Canadian Prairie History 不同的梦想:加拿大草原历史上的消费主义与社会转型
Pub Date : 2021-03-01 DOI: 10.3138/JRPC.2019-0039
Connor J. Thompson
Abstract:This article offers an analysis of Prairie consumer culture and its development in the region, arguing for the utility of regional analysis in understanding how popular culture and consumerism have influenced religious history, and neoliberal social history more broadly, over time. Unlike some other regions of North America, the Canadian Prairies were once characterized by the widespread influence of Protestant social gospel thought, which was, if not outright anti-capitalist, amenable to socialism and rooted in cooperative ethics. This has changed in the latter half of the twentieth century into the twenty-first, where the region is now well known for being a bastion of Canadian conservatism. It has also seen a sharp increase in people stating that they have no religion. Foregrounding this transformation in the context of the significant socio-economic change of the Prairies, this article analyzes the increasing social valuation of individualism, the connotations that "religion" has for historical actors, and the growing influence of consumerism. A case study of the West Edmonton Mall illustrates how vital consumerism and the segregation of social desire is to the Prairie region and the importance of the myths, symbols, and rituals that are cultivated within such spaces. As such, the dreams offered by contemporary popular culture and individualist spiritualities have—over the course of the twentieth century—replaced those offered by the social gospel and farmer's political parties. This article concludes by suggesting that comparison of the different regions of North America can aid in more deeply understanding how popular culture and consumerism have influenced their religious history.
摘要:本文对草原消费文化及其在该地区的发展进行了分析,认为区域分析有助于理解流行文化和消费主义如何随着时间的推移影响宗教史和更广泛的新自由主义社会史。与北美其他一些地区不同,加拿大大草原曾经受到新教社会福音思想的广泛影响,这种思想即使不是彻底的反资本主义,也服从社会主义,植根于合作伦理。这种情况在20世纪后半叶到21世纪发生了变化,该地区现在以加拿大保守主义的堡垒而闻名。声明自己没有宗教信仰的人数也急剧增加。在大草原发生重大社会经济变化的背景下,本文分析了个人主义日益增长的社会价值、“宗教”对历史参与者的内涵以及消费主义日益增长的影响。西埃德蒙顿购物中心的案例研究说明了消费主义和社会欲望的隔离对草原地区的重要性,以及在这些空间中培养的神话、符号和仪式的重要性。因此,在20世纪,当代流行文化和个人主义精神提供的梦想已经取代了社会福音和农民政党提供的梦想。本文最后指出,对北美不同地区的比较有助于更深入地理解流行文化和消费主义是如何影响他们的宗教历史的。
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引用次数: 0
Fantastic Beasts and the Dangers of American Nostalgia 神奇动物和美国怀旧的危险
Pub Date : 2021-03-01 DOI: 10.3138/JRPC.2019-0037
Signe Cohen
Abstract:At first glance, David Yates's 2016 fantasy film Fantastic Beasts and Where to Find Them appears to exemplify the nostalgic cinema that Fredric Jameson dismisses as postmodern pastiche that merely imitates the past through superficial details such as setting and costumes. Set in New York in 1926, Fantastic Beasts evokes the elegance and allure of the Roaring Twenties. The film invokes an idealized past, re-presented through the lens of "magic" as a place where all social, racial, and gendered differences have been erased. Fantastic Beasts articulates a powerful cultural yearning for an idealized bygone era while superimposing contemporary concerns about liberty, equality, preservation, and ecology on the past. I argue, however, that Fantastic Beasts does not merely use nostalgia as a surface strategy to create cinematic allure. Embedded in the film's self-reflexive structure is a deeper analysis of nostalgia itself, both in its reflective postmodern mode and in the form of a politically and religiously charged restorative nostalgia.
摘要:乍一看,大卫·耶茨2016年的奇幻电影《神奇动物在哪里》似乎是怀旧电影的典范,弗雷德里克·詹姆森认为这是后现代的模仿,只是通过场景和服装等表面细节模仿过去。《神奇动物》以1926年的纽约为背景,唤起了咆哮的二十年代的优雅和诱惑。这部电影唤起了一个理想化的过去,通过“魔法”的镜头重新呈现为一个所有社会、种族和性别差异都被抹去的地方。《神奇动物》表达了对理想化的过去时代的强烈文化向往,同时将当代对自由、平等、保护和生态的关注叠加在过去。然而,我认为《神奇动物》不仅仅是将怀旧作为一种表面策略来创造电影吸引力。在这部电影的自我反射结构中,嵌入了对怀旧本身的更深层次的分析,既有反思性的后现代模式,也有充满政治和宗教色彩的恢复性怀旧。
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引用次数: 0
"Heart Sutra Pop": Religious Textual Democratization by a Sexy Vocal Android “心经流行”:一个性感的声音Android的宗教文本民主化
Pub Date : 2021-03-01 DOI: 10.3138/JRPC.2019-0040
John A. Shultz
Abstract:In 2010, the publication of "Heart Sutra Pop," an online animated video featuring the cyber-idol Hatsune Miku singing the Heart Sutra, launched a viral enthusiasm for the text that is unmatched throughout its more than twelve-hundred-year history in Japan. This article explores the digital rebirth of the sutra and the rise of an unlikely virtual spiritual leader. I argue that this cyber-idol-driven sutra boom is both doctrinally justifiable and consistent with a wave of new media initiatives by Japanese Buddhists.
摘要:2010年,网络偶像三谷演唱《心经》的网络动画视频《心经流行》的发布,在日本1200多年的历史中,引发了对该文本无与伦比的狂热。这篇文章探讨了佛经的数字重生和一个不太可能的虚拟精神领袖的崛起。我认为,这种由网络偶像驱动的取经热潮在理论上是合理的,也与日本佛教徒的新媒体浪潮相一致。
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引用次数: 0
Existential Threats: American Apocalyptic Beliefs in the Technological Era by Lisa Vox 《存在的威胁:科技时代的美国末日信仰》,作者:丽莎·沃克斯
Pub Date : 2021-01-01 DOI: 10.3138/JRPC.2019-0053
R. Seesengood
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引用次数: 0
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Journal of Religion and Popular Culture
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