{"title":"Who, with Whom, about What, for Whom. The Genesis of the Television Song Format and Culture Industries Cooperation in Czechoslovakia in the 1960s","authors":"Miroslava Papežová","doi":"10.58193/ilu.1662","DOIUrl":"https://doi.org/10.58193/ilu.1662","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47158570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Netnographic Cinema as a Cultural Interface","authors":"Chloé Galibert-Laîné","doi":"10.58193/ilu.1665","DOIUrl":"https://doi.org/10.58193/ilu.1665","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42577170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On Interfaces as Moving Image Configurations in Space","authors":"Miriam De Rosa","doi":"10.58193/ilu.1664","DOIUrl":"https://doi.org/10.58193/ilu.1664","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47460965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In recently received event invitations and articles in online tech publications such as Wired, Futurism and The Verge,1) I have noticed an interesting pattern of a kind of “spiritual” attention being paid towards new digital immersive technologies like Virtual Reality (VR) and Augmented Reality (AR). I attended one such event (in which an acquaintance, a “ritual designer”, was involved) and my experience there deepened my interest in this field of what I would call quasi-religious, mystical or metaphysical themed experience in mixed reality. It has also raised some questions that I hope to address in this article regarding the specific modes of ontological reflection that technologies such as VR and AR might be capable of offering, and the cultural or existential needs or crises that they seem to address. Moreover, I am led to speculate on the value of such experiences — do new immersive technologies really offer an enhanced interface to sensations of cosmic or mystical connection, or do they, by attempting to manifest what is often understood as essentially ineffable, intangible, and not “actual” in a literal sense, actually in some ways demean the “authentic” mystical experience? Named Isness, the specific experience I had was a communal guided “ritual” experience in VR, presented as a workshop within the biennial “Breaking Convention: Conference of Psychedelic Consciousness” at the University of Greenwich in London in 2019.2) Daniel Strutt (Goldsmiths, University of London)
{"title":"Mystical-Type Experience at The Virtual Reality Interface. Technics, Aesthetics, and Theology in the Search for Cosmic Connection","authors":"Dan Strutt","doi":"10.58193/ilu.1666","DOIUrl":"https://doi.org/10.58193/ilu.1666","url":null,"abstract":"In recently received event invitations and articles in online tech publications such as Wired, Futurism and The Verge,1) I have noticed an interesting pattern of a kind of “spiritual” attention being paid towards new digital immersive technologies like Virtual Reality (VR) and Augmented Reality (AR). I attended one such event (in which an acquaintance, a “ritual designer”, was involved) and my experience there deepened my interest in this field of what I would call quasi-religious, mystical or metaphysical themed experience in mixed reality. It has also raised some questions that I hope to address in this article regarding the specific modes of ontological reflection that technologies such as VR and AR might be capable of offering, and the cultural or existential needs or crises that they seem to address. Moreover, I am led to speculate on the value of such experiences — do new immersive technologies really offer an enhanced interface to sensations of cosmic or mystical connection, or do they, by attempting to manifest what is often understood as essentially ineffable, intangible, and not “actual” in a literal sense, actually in some ways demean the “authentic” mystical experience? Named Isness, the specific experience I had was a communal guided “ritual” experience in VR, presented as a workshop within the biennial “Breaking Convention: Conference of Psychedelic Consciousness” at the University of Greenwich in London in 2019.2) Daniel Strutt (Goldsmiths, University of London)","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46706708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Elektafilm presents Vlasta Burian. Financing of Feature Films with Multiple Language Versions in Czechoslovakia in the First Half of the 1930s","authors":"Michal Večeřa","doi":"10.58193/ilu.1655","DOIUrl":"https://doi.org/10.58193/ilu.1655","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44178612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lamač Karel 1897-1952","authors":"Luboš Marek","doi":"10.58193/ilu.1659","DOIUrl":"https://doi.org/10.58193/ilu.1659","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45283858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ivan Tatíček - from Amateur Film to Professional Video Production","authors":"Martin Blažíček, Sylva Poláková","doi":"10.58193/ilu.1656","DOIUrl":"https://doi.org/10.58193/ilu.1656","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45272028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"These People are so Rude that One Can't Hear Anything!\" Memories of the Beginnings of Czech Film Distribution and Exhibition until 1914","authors":"Jaroslav Lopour","doi":"10.58193/ilu.1658","DOIUrl":"https://doi.org/10.58193/ilu.1658","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47373074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"To Protect the Christian Idea against the Hanky-Panky of the Jewish Clique. St. Wenceslas as a Conflict of Ambitions, Ideas and Interests","authors":"M. Kos","doi":"10.58193/ilu.1654","DOIUrl":"https://doi.org/10.58193/ilu.1654","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47936977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tereza Czesany Dvořáková, Antonie Doležalová, H. Moravcová
{"title":"The History of Czechoslovak / Czech Film in the Mirror of its Economic Data","authors":"Tereza Czesany Dvořáková, Antonie Doležalová, H. Moravcová","doi":"10.58193/ilu.1653","DOIUrl":"https://doi.org/10.58193/ilu.1653","url":null,"abstract":"","PeriodicalId":38309,"journal":{"name":"Iluminace","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43741908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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