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Underneath Things (Rachael Hutchinson, Japanese Culture Through Videogames) 《under Things》(Rachael Hutchinson,通过电子游戏了解日本文化)
Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.58193/ilu.1728
Josef Tichý
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引用次数: 0
Virtual Looking. Home Movies as Historical Evidence in The Future Is Behind You (Abigail Child, 2004) 虚拟。《家庭电影是你身后的未来》中的历史证据(阿比盖尔·蔡尔德,2004)
Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.58193/ilu.1724
Zachariah Anderson
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引用次数: 0
(Auto)biographical Documentaries as Audiovisual Microhistories of Pinochet's Chile (汽车)传记纪录片作为皮诺切特的智利的视听微观历史
Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.58193/ilu.1725
Vladimir Rosas-Salazar
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引用次数: 0
Czech Film as a Consequence of Changing the Cultural Field (Petr Bilík, Financování filmu jako aspekt kulturní politiky) 捷克电影作为改变文化领域的结果(Petr Bilík,资助电影作为文化政策的一个方面)
Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.58193/ilu.1727
Tereza Czesany Dvořáková
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引用次数: 0
Super-8 in Calcutta. Analysis of a "Failed" Movement 加尔各答的Super-8。对一次“失败”运动的分析
Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.58193/ilu.1722
Amrit Biswas
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引用次数: 0
From Moving Images to Archival Films: Contemporary Uses of Non-fiction Cinema in the Promotion of Rebuilt Cities 从运动影像到档案电影:非虚构电影在促进重建城市中的当代应用
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.58193/ilu.1716
Perrine Val
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引用次数: 0
Beyond Professional and Fan Criticism: Affinitive Rhetoric of Czech Video Reviews of Films on YouTube 超越专业批评和粉丝批评:YouTube上捷克电影视频评论的亲和修辞
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.58193/ilu.1715
O. Pavlík
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引用次数: 0
Material Events of Thinking (Dieter Mersch, Epistemologie estetična) 思维的物质事件(Dieter Mersch,estetična认识论)
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.58193/ilu.1719
Benjamin Slavík
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引用次数: 0
How Industry Has Employed Czech Cinema. An Example of Interwar Filmography by the Škoda Group 工业如何雇用捷克电影。Škoda小组制作的两次世界大战之间的电影记录的一个例子
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.58193/ilu.1717
Alena Šlingerová
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引用次数: 0
The Audiovisual Musique Concrète: Towards the Integrated Soundtrack (Danijela Kulezić-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack) 《Concrète:走向一体化原声音乐》(Danijela Kulezić-Wilson,《声音设计是新的配乐:一体化原声的理论、美学和情色》)
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.58193/ilu.1718
Sara Pinheiro
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引用次数: 1
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Iluminace
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