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Melanges de l''Ecole Francaise de Rome:Antiquite最新文献

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La mémoire des idoles démembrées 被肢解的偶像的记忆
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.4000/mefra.12950
C. Mazet
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引用次数: 0
Looking through the glass 透过玻璃看过去
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.4000/mefra.13915
A. Pace
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引用次数: 0
Scavi di antichità e prassi della tutela in Terra di Bari nel Settecento 18世纪巴里的古代挖掘和保护实践
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.4000/mefra.12479
C. Fioriello, A. Mangiatordi
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引用次数: 0
Savoirs croisés en architecture et en droit à Rome : à partir d’un passage de Vitruve (2, 8, 8-9) 罗马建筑与法律的交叉知识:来自维特鲁威的一篇文章(2,8,8 -9)
Q3 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.4000/mefra.13832
Julien Dubouloz
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引用次数: 0
Piranesi e i frammenti della Forma Urbis severiana 食人鱼和乌拉比斯·塞维里安的碎片
Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.4000/MEFRA.11526
Fabiana Battistin
Le Antichita romane di Giovanni Battista Piranesi (1756) si aprono con una pianta di Roma antica, circondata dai frammenti della Forma Urbis severiana (tomo I, tav. II), la pianta di Roma incisa su marmo agli inizi del III secolo e originariamente affissa in una delle aule del Templum Pacis. Alla rappresentazione dei frammenti marmorei sono dedicate anche le tre tavole successive (III, IIII, V), a cui se ne aggiungono altre due dedicate invece all’indice delle iscrizioni (VI, VII). Queste famose tavole sono qui analizzate nel dettaglio, proponendo un catalogo con le identificazioni dei frammenti e uno studio approfondito della rappresentazione piranesiana dei marmi e dell’indice delle iscrizioni, posti a confronto con i modelli ai quali egli pote ispirarsi e con altre tavole in cui compaiono dei frammenti della pianta marmorea. Tale ricerca ha consentito di evidenziare in maniera sistematica il contributo archeologico di Piranesi allo studio dei frammenti della Forma Urbis e di comprendere meglio l’influenza che il manufatto ebbe sulla sua opera.
罗马浸信会的乔凡尼·皮拉内西(1756)的罗马古物被一株被乌尔比斯·塞维里亚(乌尔比斯·塞维里亚)的碎片包围的古罗马植物打开。罗马的平面图是在三世纪初的大理石上雕刻而成的,最初坐落在Templum Pacis的一个教室里。租用的大理石碎片的代表也连续三表(III、3、V),如果还有其他两个小时,而不是学生入学人数的指数(VI、VII)这些著名。我在这里详细分析,并提出了一个目录表与身份查验的碎片和深入研究指数大理石和铭文,piranesiana的代表性与他可以使用的模型和其他显示大理石植物碎片的板进行比较。这项研究使我们能够系统地突出皮拉尼人对研究乌尔比斯形状碎片的考古贡献,并更好地了解该人工制品对其工作的影响。
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引用次数: 1
Premessa 朗诵
Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.4000/mefra.11085
Valentina Belfiore
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引用次数: 0
Remarques sur quelques gouverneurs de Maurétanie césarienne de la période sévérienne 对一些毛里求斯总督塞维里亚剖腹产的评论
Q3 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.4000/MEFRA.11575
X. Dupuis, Zheira Kasdi
Un nouvel examen des dossiers epigraphiques de plusieurs procurateurs-gouverneurs de Mauretanie cesarienne sous Caracalla permet de preciser leur chronologie. Il s’avere par exemple que Q. Munatius Celsus etait probablement en poste a la fin de 213 plutot qu’en 211-212, et Q. Sallustius Macrinianus l’etait vers 214 et non entre 198 et 211. L’ensemble du dossier met surtout en evidence un renouvellement rapide des gouverneurs entre la fin du regne de Septime Severe et celui de Caracalla, puisqu’on en connait au moins six ou sept entre 204 et 217. S’il est difficile d’expliquer precisement les raisons, assurement politiques, de cette situation, elle contraste nettement avec celle des annees 195-205, pendant lesquelles deux gouverneurs, C. Octavius Pudens et P. Aelius Peregrinus, sont certainement restes en poste plus de trois ans.
对卡拉卡拉统治下的莫雷塔尼亚·切萨里亚(Mauretanie cesarienne)几位检察官的碑文记录进行了进一步研究,可以确定它们的年代。例如,Q. Munatius Celsus很可能在213年底而不是211-212年任职,Q. Sallustius Macrinianus在214年左右任职,而不是在198 - 211年之间。整个档案显示,在塞普蒂米乌斯·塞维里(Septime Severe)统治结束和卡拉卡拉(Caracalla)统治结束之间,总督的更迭迅速,因为在204年至217年间,至少有6、7位总督被任命。虽然很难解释这种情况的确切原因(当然是政治原因),但它与195-205年的情况形成了鲜明对比,当时两位州长,C. Octavius Pudens和P. Aelius Peregrinus,无疑在任三年以上。
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引用次数: 1
The Temple of Jupiter Stator in Carthago Nova and the Sertorian War 迦太基新星中的木星定子神庙与塞尔维亚战争
Q3 Arts and Humanities Pub Date : 2020-12-01 DOI: 10.4000/MEFRA.10476
J. González
Over twenty years ago, a late Republican temple dedicated to Jupiter Stator came to light on the outskirts of Cartagena (Murcia, Spain). The aim of this article is to demonstrate that there is a connection between this structure and the Sertorian War, as well as between the cult of Stator and the civil wars of the 1st cent. BCE. Moreover, this paper draws attention to some important aspects of the religious relationship between Rome and the provinces, such as the military background that seems to be consistently attached to the worship of Stator both in Italy and beyond, its close association with the fights between and subsequent coexistence of Romans and Sabines, and the role of this attribute of Jupiter in the civil struggles that characterized the end of the Roman Republic.
二十多年前,在卡塔赫纳(西班牙穆尔西亚)郊区,一座已故的共和党人供奉木星定子的寺庙曝光。这篇文章的目的是证明这种结构与塞尔维亚战争之间,以及对定子的崇拜与1美分内战之间存在联系。BCE。此外,本文还提请注意罗马与各省之间宗教关系的一些重要方面,例如在意大利及其他地区,似乎一直与定子崇拜有关的军事背景,它与罗马人和萨宾人之间的战斗以及随后的共存有着密切的联系,以及朱庇特的这一特性在罗马共和国终结的内乱中的作用。
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引用次数: 1
Interférence et convergence 交叉汇流
Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.4000/mefra.10191
Gilles van Heems
L’article s’interesse a l’un des rares cas d’emprunts de morphemes attestes entre l’etrusque et le latin, celui des suffixes ‑θe et ‑t(i)‑, dont la proximite phonetique et semantique implique une probable origine commune. On y reprend l’ensemble des donnees etrusques concernant le suffixe ‑θe/‑te et latines concernant le suffixe ‑t(i)‑, eclairees par les donnees sabelliques, afin de determiner le sens eventuel de l’emprunt et ce que ce type d’emprunt morphologique a a nous dire sur le bilinguisme des populations de l’Italie centrale au Ier millenaire av. J.-C.
这篇文章讨论了伊特鲁里亚语和拉丁语之间为数不多的借用语素的例子之一,即后缀- θe和- t(i) -,它们在语音和语义上的相似性意味着它们可能有共同的起源。接管整个etrusques数据就有后缀‑θe /‑你关于‑后缀t (i)和拉丁语、‑eclairees sabelliques数据,以便确定方向所作出的贷款和借款,这种形态已经告诉了我们关于双语的人群在一世于意大利中部千禧年av。公元前。
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引用次数: 0
ICAR (IConographie-ARchéologie pour l’Italie préromaine) ICAR(前罗马时期意大利的肖像考古学)
Q3 Arts and Humanities Pub Date : 2020-06-10 DOI: 10.4000/mefra.9882
A. Fenet, Natacha Lubtchansky
La base de donnees ICAR (Iconographie et Archeologie pour l’Italie preromaine), creee en 2001 par N. Lubtchansky et accessible via la TGIR Huma-Num (http://icar.huma-num.fr), rassemble les scenes figurees etrusques et italiques, selon une approche comparatiste et historiographique. CAECINA a permis de poursuivre l’enrichissement de la base, tant du point de vue thematique que bibliographique, et a contribue au renouveau de son site web en collaboration avec le CeTHiS de Tours et la MSH Val-de-Loire. L’avancee des travaux est importante pour la documentation graphique moderne. En partenariat avec le Labex TransferS, l’UMR AOrOc et la Soprintendenza Archeologia Toscana, ICAR a integre les releves des tombes peintes etrusques realises par A.G. Gatti dans les annees 1910 pour la Galleria di pittura etrusca in facsimile a Florence. L’etude de ce corpus a donne le coup d’envoi au programme de l’EFR Fac-Simile (2017-2021).
ICAR(前罗马时期意大利的肖像学和考古学)数据库,由N. Lubtchansky于2001年创建,可通过TGIR Huma-Num (http://icar.huma-num.fr)访问,以比较和史学的方式收集伊特鲁里亚和意大利的图像。CAECINA从主题和书目的角度继续丰富数据库,并与CeTHiS de Tours和MSH Val-de-Loire合作,为更新其网站作出了贡献。这项工作的进展对现代图形文档很重要。ICAR与Labex TransferS、umr AOrOc和托斯卡纳考古协会合作,整合了A.G. Gatti在1910年为佛罗伦萨皮图拉伊特鲁里亚美术馆(Galleria di pittura etrusca)制作的伊特鲁里亚彩绘坟墓的浮雕。对该语料库的研究启动了efr传真项目(2017-2021年)。
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引用次数: 0
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Melanges de l''Ecole Francaise de Rome:Antiquite
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