Is Australian radio art practice qualitatively different from international practice? Has there been an Australian approach to radio art that was internationally perceived? Drawing on interviews of national and international radio art practitioners and art theory to analyse important contributions to the field, this article contextualizes Australian radio art against international practice to arrive at nuanced answers to these questions.
{"title":"Contextualizing Australian radio art internationally","authors":"Colin Black","doi":"10.1386/rjao_00009_1","DOIUrl":"https://doi.org/10.1386/rjao_00009_1","url":null,"abstract":"Is Australian radio art practice qualitatively different from international practice? Has there been an Australian approach to radio art that was internationally perceived? Drawing on interviews of national and international radio art practitioners and art theory to analyse important\u0000 contributions to the field, this article contextualizes Australian radio art against international practice to arrive at nuanced answers to these questions.","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"473 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74486164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article, we assert and demonstrate a particular and enduring adaptability of radio in tandem with observable temporal shifts in development communication theory and practice in Africa. Specifically, we use the historical research method to explore and explain the ideological discourses, polity contours and social forces that have overlain the role of radio as both an index and an instrument of development in Ghana. The evidence reveals that radio has transitioned through three key milestones in how the technology has been appropriated and applied to national development efforts: from transplantation, through transmission, to transaction. Each of these phases coincides, incidentally, with paradigm shifts in development communication theorizing: from modernization through diffusion to participation. They also coincide, broadly, with three distinctive epochs of ideological shifts in the historical accounting on radio for development in Ghana: from British imperial hegemony, through post-independence command-and-control, to contemporary liberal pluralism.
{"title":"Continuity in change: A history of radio for national development","authors":"G. Tietaah, M. Amoakohene, Marquita Smith","doi":"10.1386/rjao_00006_1","DOIUrl":"https://doi.org/10.1386/rjao_00006_1","url":null,"abstract":"In this article, we assert and demonstrate a particular and enduring adaptability of radio in tandem with observable temporal shifts in development communication theory and practice in Africa. Specifically, we use the historical research method to explore and explain the ideological\u0000 discourses, polity contours and social forces that have overlain the role of radio as both an index and an instrument of development in Ghana. The evidence reveals that radio has transitioned through three key milestones in how the technology has been appropriated and applied to national development\u0000 efforts: from transplantation, through transmission, to transaction. Each of these phases coincides, incidentally, with paradigm shifts in development communication theorizing: from modernization through diffusion to participation. They also coincide, broadly, with three distinctive epochs\u0000 of ideological shifts in the historical accounting on radio for development in Ghana: from British imperial hegemony, through post-independence command-and-control, to contemporary liberal pluralism.","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"482 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76696732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Market logic versus social gain logic: Polish government policy towards community-oriented radio stations in the early 1990s","authors":"Urszula Doliwa","doi":"10.1386/RJAO.17.1.83_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.83_1","url":null,"abstract":"","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"105 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76140358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Disability media aesthetics: Voices of the war-disabled people in post-war German-language radio plays","authors":"Luisa Drews","doi":"10.1386/RJAO.17.1.47_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.47_1","url":null,"abstract":"","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87038334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Radio New Zealand and the Internet: Radio and convergence through ten years of transformation","authors":"M. Mollgaard","doi":"10.1386/RJAO.17.1.99_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.99_1","url":null,"abstract":"","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74043086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Special Issue from The Radio Conference: A Transnational Forum, 2018, Prato, Italy","authors":"M. Lindgren, J. Loviglio","doi":"10.1386/RJAO.17.1.3_2","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.3_2","url":null,"abstract":"","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76923201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Correia, R., Vieira, J., & Aparicio, M. (2019). Community radio stations sustainability model: An open-source solution. Radio Journal, 17(1), 29-45. https://doi.org/10.1386/rjao.17.1.29_1
{"title":"Community radio stations sustainability model: An open-source solution","authors":"R. Correia, J. Vieira, M. Aparicio","doi":"10.1386/RJAO.17.1.29_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.29_1","url":null,"abstract":"Correia, R., Vieira, J., & Aparicio, M. (2019). Community radio stations sustainability model: An open-source solution. Radio Journal, 17(1), 29-45. https://doi.org/10.1386/rjao.17.1.29_1","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87084480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Women and girls make up only a small percentage of the overall prison population; however, there has been a significant increase in their representation, most notably over the past twenty years. Despite this, fundamental understandings of the role of prisons, as well as issues around recidivism and desistance are based on a male norm, failing to meet the needs of women affected by the criminal justice system. This article outlines the findings from an ongoing grassroots action research project conducted with a support group for women of lived prison experience, based in Adelaide, South Australia, to investigate radio production as a means for supporting women in their transition to life outside of prison. It draws on observations made over a two-year period of radio production and thematic content analysis to investigate the role of community radio as a tool of desistance for formerly incarcerated women.
{"title":"On what it means to be free: Radio as a tool of desistance for formerly incarcerated women in Adelaide, Australia","authors":"Heather Anderson, Charlotte Bedford","doi":"10.1386/RJAO.17.1.7_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.7_1","url":null,"abstract":"Women and girls make up only a small percentage of the overall prison population; however, there has been a significant increase in their representation, most notably over the past twenty years. Despite this, fundamental understandings of the role of prisons, as well as issues around recidivism and desistance are based on a male norm, failing to meet the needs of women affected by the criminal justice system. This article outlines the findings from an ongoing grassroots action research project conducted with a support group for women of lived prison experience, based in Adelaide, South Australia, to investigate radio production as a means for supporting women in their transition to life outside of prison. It draws on observations made over a two-year period of radio production and thematic content analysis to investigate the role of community radio as a tool of desistance for formerly incarcerated women.","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78881407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Podium Podcast and the freedom of podcasting: Beyond the limits of radio programming and production constraints","authors":"Toni Sellas, S. Sola","doi":"10.1386/RJAO.17.1.63_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.63_1","url":null,"abstract":"","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78414257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents an analysis of some of my work with a group of first year architecture students in a workshop designed in collaboration with two of their architecture lecturers, Dimitra Pavlakou & Athanasios Zagorisios. The focus of the workshop was Andrew Sach’s binaural radio play The Revenge (1978). The aim was to investigate the relationship between perception and representation and to help students understand notions of scale, materiality, structure and form. The raised questions concerned the degree of abstraction that penetrates the above relationships. This article offers an analysis of some of the student work that derived from that workshop. It looks at how our understanding of the core architectural concepts of materiality and immateriality might be subverted when considered through radio theory and practice. The idea of Atmosphere is used as a core concept crucial to both radio and architecture. Atmosphere is considered as an immaterial, abstract notion deriving from the material hypostasis of a building or a highly constructed audio story-world. Abstraction is considered as a notion that allows for atmosphere to be created in radio and architecture. Atmosphere and abstraction finally emerge as interdisciplinary concepts, connecting architecture and radio through the idea of space; the latter seen as a construct both material and immaterial, defined and yet in many ways free.
{"title":"Atmosphere in radio and architecture: Using The Revenge radio play in interdisciplinary teaching as a means to understand notions of abstraction and the tensions between materiality and immateriality in building physical and imagined spaces","authors":"Evi Karathanasopoulou","doi":"10.1386/RJAO.17.1.113_1","DOIUrl":"https://doi.org/10.1386/RJAO.17.1.113_1","url":null,"abstract":"This article presents an analysis of some of my work with a group of first year architecture students in a workshop designed in collaboration with two of their architecture lecturers, Dimitra Pavlakou & Athanasios Zagorisios. The focus of the workshop was Andrew Sach’s binaural radio play The Revenge (1978). The aim was to investigate the relationship between perception and representation and to help students understand notions of scale, materiality, structure and form. The raised questions concerned the degree of abstraction that penetrates the above relationships. This article offers an analysis of some of the student work that derived from that workshop. It looks at how our understanding of the core architectural concepts of materiality and immateriality might be subverted when considered through radio theory and practice. The idea of Atmosphere is used as a core concept crucial to both radio and architecture. Atmosphere is considered as an immaterial, abstract notion deriving from the material hypostasis of a building or a highly constructed audio story-world. Abstraction is considered as a notion that allows for atmosphere to be created in radio and architecture. Atmosphere and abstraction finally emerge as interdisciplinary concepts, connecting architecture and radio through the idea of space; the latter seen as a construct both material and immaterial, defined and yet in many ways free.","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73116335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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