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Creative Industries Journal最新文献

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Culture, creativity and economy: collaborative practices, value creation and spaces of creativity 文化、创意与经济:合作实践、价值创造与创意空间
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-08-01 DOI: 10.1080/17510694.2022.2105542
Fiona J. Drummond
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引用次数: 0
Notes on the use of trademark registrations as an innovation metric for the creative and cultural industries: an analysis based on USPTO data 关于使用商标注册作为创意和文化产业创新指标的说明:基于USPTO数据的分析
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-07 DOI: 10.1080/17510694.2022.2089444
Ulisses Pereira dos Santos, Leonardo Costa Ribeiro, Sibelle Cornélio Diniz, A. F. Machado
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引用次数: 2
A new audio mixing paradigm: evaluation from professional practitioners’ perspectives 一种新的音频混音范例:从专业从业者的角度进行评估
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-21 DOI: 10.1080/17510694.2022.2088164
S. Stickland, R. Athauda, N. Scott
Commercial implications of the COVID-19 pandemic have challenged the creative industries to transform service delivery from inter-personal to online operations. Existing online music and audio production collaboration platforms and cloud storage cannot replicate intrinsic in-studio interactions between an audio engineer and clients in a professional post-production audio mixing environment. We developed the DAW Collaboration Framework that transitions audio practitioners to a real-time, internet-linked mixing environment. This paper documents our evaluation of the framework’s performance through real-world practitioners’ perspectives, having participated in professional audio mixing scenarios. Our evaluation attests to the facilitation of a new audio mixing paradigm, where remote participants work synchronously in a collaborative, professional, DAW-based mixing environment, similar to traditional in-studio settings. Every participant monitors high-resolution audio files while accessing complete synchronised mixing control of the shared DAW project. Identified benefits include time savings, increased productivity, and engaging, collaborative audio mixing. This paradigm empowers remote participants to contribute to audio mixing projects, promoting new global reach and business opportunities for audio engineers. We identify impediments to widespread adoption of this new paradigm, thereby posing future research directions. Ultimately, in a pandemic-impacted era of disruptions and travel restrictions, our framework presents a viable alternative to in-person, studio-based mixing. © 2022 Informa UK Limited, trading as Taylor & Francis Group.
新冠肺炎疫情的商业影响挑战了创意产业将服务提供从人际运营转变为在线运营。现有的在线音乐和音频制作协作平台以及云存储无法在专业的后期音频混合环境中复制音频工程师和客户之间的工作室内互动。我们开发了DAW协作框架,将音频从业者过渡到实时、互联网链接的混合环境。本文记录了我们在参与专业混音场景后,从现实世界从业者的角度对框架性能的评估。我们的评估证明了一种新的音频混合模式的便利性,即远程参与者在协作、专业、基于DAW的混合环境中同步工作,类似于传统的录音室环境。每个参与者都监控高分辨率音频文件,同时访问共享DAW项目的完全同步混音控制。已确定的好处包括节省时间、提高生产力以及引人入胜的协作音频混合。这种模式使远程参与者能够为混音项目做出贡献,为音频工程师带来新的全球影响力和商业机会。我们发现了广泛采用这一新范式的障碍,从而提出了未来的研究方向。最终,在一个受疫情影响的混乱和旅行限制的时代,我们的框架提供了一个可行的替代方案,可以代替现场、工作室的混合。©2022 Informa UK Limited,交易名称为Taylor&Francis Group。
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引用次数: 0
Creative industries in Indonesia: a socio-spatial exploration of three kampongs in Bandung 印度尼西亚的创意产业:万隆三个甘榜的社会空间探索
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-06-13 DOI: 10.1080/17510694.2022.2077557
Ana Maria Bustamante Duarte, K. Pfeffer, N. R. Indriansyah, Aliyah Alfianda Dwicahyani Chandra Bhuana, A. Aritenang, Ari Nurman, Fikri Zul Fahmi, D. Ramdan, Z. S. Iskandar, Mafalda Madureira
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引用次数: 5
Investigating women entrepreneurs in creative industries: critical determinants for venture performance 调查创意产业中的女企业家:风险绩效的关键决定因素
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-23 DOI: 10.1080/17510694.2022.2077575
A. Papadimitriou, Naoum Mylonas, C. Frangakis
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引用次数: 2
The future development trends of Taiwan cultural and creative products from the perspective of industrial design 从工业设计的角度看台湾文创产品未来的发展趋势
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-19 DOI: 10.1080/17510694.2022.2062930
Ying-Yi Hsieh, Chun-Ching Chen, Wen-Yin Chen, Tung-Yi Cheng
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引用次数: 3
Creative struggle in Malaysia: a case study of the advertising, film, and animation industry sectors 马来西亚的创意斗争:广告、电影和动画产业部门的案例研究
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-19 DOI: 10.1080/17510694.2022.2077530
Lee Ooi Tan, Sarata a/p Balaya, Peng Hooi Aaron Goh
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引用次数: 0
Public policies for the cultural and religious-based creative economy 以文化和宗教为基础的创意经济的公共政策
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-16 DOI: 10.1080/17510694.2022.2077518
Rodrigo Ábnner Gonçalves Menezes, Paulo César de Sousa Batista
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引用次数: 0
Towards cultural sustainability in creative cities: what George Town, Malaysia can learn from Kanazawa, Japan? 创意城市的文化可持续性:马来西亚乔治城可以向日本金泽学习什么?
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-04 DOI: 10.1080/17510694.2022.2051325
S. Khoo
Abstract The sustainable development discourse is currently at a crossroads where focus of its meaning and dimensions for holistic and real development have to be revisited. It has to be more inclusive and all-encompassing to also include culture. This study examines cultural sustainability in culture-led creative cities like George Town and Kanazawa. Though both cities purportedly leverage on culture, but the Kanazawa exemplar has proven to be a more successful model. Through qualitative approaches, this study investigated the George Town context vis-à-vis Kanazawa. Findings suggest that the development and theoretical discourse in George Town should formally include culture. It should be incorporated into George Town’s development plans and be part of the agenda for good urban planning and governance to ensure cultural diversity and sustainability.
可持续发展话语目前正处于一个十字路口,必须重新审视其全面和真正发展的意义和维度。它必须更具包容性和包罗万象,包括文化。这项研究考察了乔治城和金泽等以文化为主导的创意城市的文化可持续性。虽然这两个城市都声称利用文化,但金泽的范例已被证明是一个更成功的模式。通过定性方法,本研究调查了乔治城与-à-vis金泽的背景。研究结果表明,乔治城的发展和理论话语应该正式包括文化。它应该被纳入乔治城的发展计划,并成为良好城市规划和治理议程的一部分,以确保文化多样性和可持续性。
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引用次数: 0
Psyche and psyched up: marketing mavericks 心理学和心理学:营销特立独行者
IF 1.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-05-04 DOI: 10.1080/17510694.2022.2090765
G. Harper
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引用次数: 0
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Creative Industries Journal
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