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The economic contribution of the cultural sector in Brazil: an input–output approach with different income groups 巴西文化部门的经济贡献:不同收入群体的投入产出方法
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-04-25 DOI: 10.1080/17510694.2023.2203397
Fernanda Souza Pereira, Marcus Vinícius Amaral e Silva, Danyella Juliana Martins de Brito
Brazil is characterized by strong income inequality, which is naturally reflected in the consumption of goods and services. Such disparities in access are also reproduced in the artistic and cultural activities sector. Thus, understanding the cultural sector as key to the development of society, the present article evaluates the intersectoral impact of the artistic and cultural activities sector on other sectors of the Brazilian economy. First, this analysis identifies the effects of COVID-19, which allows us to determine how the sector is affected by such a shock in terms of output, employment and income. Subsequently, the relevance of the cultural sector is evaluated by identifying different family income groups with the 2015 input-output matrix published by the Brazilian Institute of Geography and Statistics (IBGE) and information from the Family Budget Survey (POF). The main results indicate that the COVID-19 pandemic, specifically, its effect on the cultural sector, reduced the production of cultural activities by 31.8%, equating to a loss of 237,701 jobs. This result indicates the relevance of the cultural sector for the Brazilian economy. In addition, we show that low income families, a group representing more than 70% of households, are responsible for only 28% of all Brazilian household consumption in the cultural sector. However, families in the highest income bracket, i.e. less than 3% of households, account for 22% of this sector. This result underscores the importance of developing public policies to stimulate consumption among low income groups, given that in addition to the cultural sector's economic benefits, there are intangible benefits of cultural activity for society.
巴西的特点是收入不平等严重,这自然反映在商品和服务的消费上。艺术和文化活动部门也出现了这种机会差距。因此,将文化部门理解为社会发展的关键,本文评估了艺术和文化活动部门对巴西经济其他部门的跨部门影响。首先,这项分析确定了新冠肺炎的影响,这使我们能够确定该行业在产出、就业和收入方面如何受到这种冲击的影响。随后,通过巴西地理与统计研究所(IBGE)发布的2015年投入产出矩阵和家庭预算调查(POF)的信息,确定不同的家庭收入群体,来评估文化部门的相关性。主要结果表明,新冠肺炎疫情,特别是其对文化部门的影响,使文化活动的生产减少了31.8%,相当于失去了237701个工作岗位。这一结果表明了文化部门对巴西经济的重要性。此外,我们还发现,低收入家庭占巴西家庭文化部门消费的70%以上,仅占巴西家庭消费的28%。然而,收入最高的家庭,即不到3%的家庭,占该部门的22%。这一结果强调了制定刺激低收入群体消费的公共政策的重要性,因为除了文化部门的经济利益外,文化活动对社会也有无形的好处。
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引用次数: 0
Uncertain festival futures: how European music festival organisers navigate ‘loss’ 不确定的音乐节未来:欧洲音乐节组织者如何应对“损失”
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-04-20 DOI: 10.1080/17510694.2023.2203370
Britt Swartjes, Pauwke Berkers, Jonathon Haynes, I. Woodward, Magda Mogilnicka
Risk management and the navigation of loss are inherent to working conditions within the festival industry. With festivals cancelled, postponed or redesigned, the coronacrisis has deeply affected the already uncertain festival sector. Based on thirty-five interviews with Danish, Dutch and British music festival organisers, this article examines which losses organisers experienced when faced with a social trauma that disrupted their ontological security. Additionally, it analyses how they have coped and responded to this situation via organisational and emotional strategies. Three phases in how organisers cope with loss are identified, where organisational and individual responses play varying, complementary roles: (1) imminent short-term loss and its realisation, (2) acceptance of short-term loss and (3) moving beyond loss. The analysis reveals how managing potential personal loss and facing organisational crisis should not merely be seen in terms of a rational decision-making process but is also mediated by emotional losses organisers experience as not only their livelihood, but their work identity is existentially challenged. Implications are drawn on the nature of cultural work, with attention to the entwinement of personal and professional identities. © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
风险管理和损失导航是节日行业工作条件所固有的。随着节日被取消、推迟或重新设计,新冠疫情对本已不确定的节日行业造成了深刻影响。基于对丹麦、荷兰和英国音乐节组织者的35次采访,本文考察了组织者在面对破坏其本体安全的社会创伤时所经历的损失。此外,它还分析了他们如何通过组织和情感策略来应对和应对这种情况。本文确定了组织者应对损失的三个阶段,其中组织和个人的反应发挥着不同的互补作用:(1)即将发生的短期损失及其实现,(2)接受短期损失,(3)超越损失。分析揭示了如何管理潜在的个人损失和面对组织危机,不应仅仅从理性决策过程的角度来看待,还应通过组织者经历的情感损失来调解,这不仅是他们的生计,而且是他们的工作身份受到存在性挑战。对文化工作的性质的影响,并注意到个人和职业身份的纠缠。©2023作者。由Informa UK Limited出版,以Taylor & Francis Group的名义进行交易。
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引用次数: 0
Creating LGBTQ + drama in the age of COVID-19: an interview with Tom Wright 在COVID-19时代创作LGBTQ +戏剧:对汤姆·赖特的采访
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-03-16 DOI: 10.1080/17510694.2023.2189361
Tom Ue
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引用次数: 0
“I’m so lucky”: narratives of struggle, unfairness and luck in among new entrants to the Irish media industries “我很幸运”:讲述了爱尔兰媒体行业新进入者的奋斗、不公平和运气
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.1080/17510694.2023.2181555
Sarah Arnold, Anne O’Brien
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引用次数: 0
Industrial heritage, different social powers and public policy in East Asia: a comparison of typical cases in China and Japan 产业遗产、不同社会力量与东亚公共政策:中日典型案例比较
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-02-24 DOI: 10.1080/17510694.2023.2182564
Sunny Han Han
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引用次数: 0
More than just a few ‘bad apples’: the need for a risk management approach to the problem of workplace bullying in the UK’s television industry 不仅仅是几个“害群之马”:英国电视业需要一种风险管理方法来解决工作场所欺凌问题
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-02-22 DOI: 10.1080/17510694.2023.2182101
Christa van Raalte, Richard Wallis, Dawid Pekalski
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引用次数: 0
Using case study analysis to develop heuristics to guide new filmmaking techniques in embodied virtual reality films 运用案例分析的方法,对虚拟现实电影的新制作技术进行指导
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-01-27 DOI: 10.1080/17510694.2023.2171336
Rudy Carpio, James R. Birt, O. Baumann
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引用次数: 2
The spatial location choices of newly created firms in the creative industries 创意产业中新企业的空间区位选择
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-01-11 DOI: 10.1080/17510694.2023.2165372
S. Cruz, Aurora A. C. Teixeira
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引用次数: 1
Days of innovation 创新的日子
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/17510694.2023.2178759
G. Harper
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引用次数: 0
Reality TV and civic engagement 电视真人秀和公民参与
IF 1.1 Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/17510694.2022.2161239
Valentina Bau’
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引用次数: 0
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Creative Industries Journal
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