Pub Date : 2021-01-01DOI: 10.5117/NEDLET2021.1.008.IEVE
B. Ieven
{"title":"Hans Demeyer en Sven Vitse (red.), Woekering en weigering. Metamorfosen en identiteit in het werk van Jacq Vogelaar. Gent, Academia Press, 2017. ISBN 978-9401452632. Euro 34,99.","authors":"B. Ieven","doi":"10.5117/NEDLET2021.1.008.IEVE","DOIUrl":"https://doi.org/10.5117/NEDLET2021.1.008.IEVE","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41423056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5117/NEDLET2021.1.011.MUIJ
J.M.G. Muijres
{"title":"Lars Bernaerts en Siebe Bluijs (red.), Luisterrijk der letteren. Hoorspel en literatuur in Nederland en Vlaanderen. Academia Press, Gent, 2019. ISBN 9789401463942. Euro 34,99.","authors":"J.M.G. Muijres","doi":"10.5117/NEDLET2021.1.011.MUIJ","DOIUrl":"https://doi.org/10.5117/NEDLET2021.1.011.MUIJ","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42790223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5117/nedlet2021.1.004.werf
A. J. van der Werf
The novels Gimmick! (1989) by Joost Zwagerman (1963-2015) and Trainspotting (1993) by Irvine Welsh (1958-) depict two generations that dominated the societal scene during the 1980s, respectively the snobbish yuppies and the desperate ‘no future kids’. This article examines the literary representation of these generations on the basis of two questions: how does the concept of generation take shape within these novels? The descriptive questions in Hans Becker’s sociological ‘generation model’ serve as a means to analyze the representation of generations on three levels: the level of the system, the individual and the historical context. Analysis of the statements by the characters reveals that generation and identity play important roles in these novels. Furthermore, the article demonstrates how societal developments influence the generational cohorts in the novels.
{"title":"‘Jongens waren het, maar geen aardige jongens’","authors":"A. J. van der Werf","doi":"10.5117/nedlet2021.1.004.werf","DOIUrl":"https://doi.org/10.5117/nedlet2021.1.004.werf","url":null,"abstract":"\u0000 The novels Gimmick! (1989) by Joost Zwagerman (1963-2015) and Trainspotting (1993) by Irvine Welsh (1958-) depict two generations that dominated the societal scene during the 1980s, respectively the snobbish yuppies and the desperate ‘no future kids’. This article examines the literary representation of these generations on the basis of two questions: how does the concept of generation take shape within these novels? The descriptive questions in Hans Becker’s sociological ‘generation model’ serve as a means to analyze the representation of generations on three levels: the level of the system, the individual and the historical context. Analysis of the statements by the characters reveals that generation and identity play important roles in these novels. Furthermore, the article demonstrates how societal developments influence the generational cohorts in the novels.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43904647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5117/NEDLET2021.1.012.OOST
J. Oosterholt
{"title":"Rob van der Zalm, Anja Krans, Bart Ramakers en Veronika Zangl (red.), In reprise. Tweeëntwintig Nederlandse en Vlaamse toneelstukken om opnieuw te bekijken. Zutphen, Walburg Press, 2020. ISBN 9789463725941. Euro 24,99.","authors":"J. Oosterholt","doi":"10.5117/NEDLET2021.1.012.OOST","DOIUrl":"https://doi.org/10.5117/NEDLET2021.1.012.OOST","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48579982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5117/NEDLET2021.1.006.DESP
Y. Desplenter
{"title":"Willem Gerritsen, Verhalen van de drakendoder. Leven en werk van Maartje Draak (1907-1995). Hilversum. Verloren, 2019. ISBN 9789087047696. Euro 29,00.","authors":"Y. Desplenter","doi":"10.5117/NEDLET2021.1.006.DESP","DOIUrl":"https://doi.org/10.5117/NEDLET2021.1.006.DESP","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41819370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5117/antw2020.4.003.lamb
Bram Lambrecht
This article offers an in-depth reading of the poetic cycle Het graf van Pernath (1977; Pernath’s Tomb) by the Flemish author and novelist Hugo Claus (1929-2008). The cycle is only one of the many tributes to the prominent post-experimental Flemish poet Hugues C. Pernath, who died in 1975. First, the present article shows how Het graf van Pernath displays a complex attitude towards the genre tradition of the tombeau littéraire in particular and funerary poetry in general. Claus’s poems intricately respect, oppose and transform both traditional formal conventions of the genre and dominant conceptions of death and grief. Second, this article demonstrates how Claus’s exploration of the funerary tradition goes hand in hand with an exploration of the genre of confessional poetry, which has become the dominant paradigm in the post-Romantic lyric. Indeed, Claus’s critical poetic homage to a befriended poet can also be interpreted as a critical unmasking of both authors’ very own poetic practice as a form of semantic deceit.
本文深入阅读了佛兰德作家兼小说家雨果·克劳斯（1929-2008）的诗歌周期《Het graf van Pernath》（1977；《Pernath的坟墓》）。这个周期只是对1975年去世的著名后实验佛兰德诗人Hugues C.Pernath的众多悼念之一。首先，本文展示了Het graf van Pernath如何对通博诗歌的流派传统表现出复杂的态度，尤其是对葬礼诗歌。克劳斯的诗歌错综复杂地尊重、反对和改变了传统的形式惯例和死亡与悲伤的主流观念。其次，本文展示了克劳斯对葬礼传统的探索是如何与忏悔诗流派的探索并行不悖的，忏悔诗已经成为后浪漫主义抒情诗的主导范式。事实上，克劳斯对一位交友诗人的批判性诗歌致敬也可以被解读为对两位作者自己的诗歌实践的批判性揭露，这是一种语义欺骗。
{"title":"Semantisch verraad","authors":"Bram Lambrecht","doi":"10.5117/antw2020.4.003.lamb","DOIUrl":"https://doi.org/10.5117/antw2020.4.003.lamb","url":null,"abstract":"\u0000 This article offers an in-depth reading of the poetic cycle Het graf van Pernath (1977; Pernath’s Tomb) by the Flemish author and novelist Hugo Claus (1929-2008). The cycle is only one of the many tributes to the prominent post-experimental Flemish poet Hugues C. Pernath, who died in 1975. First, the present article shows how Het graf van Pernath displays a complex attitude towards the genre tradition of the tombeau littéraire in particular and funerary poetry in general. Claus’s poems intricately respect, oppose and transform both traditional formal conventions of the genre and dominant conceptions of death and grief. Second, this article demonstrates how Claus’s exploration of the funerary tradition goes hand in hand with an exploration of the genre of confessional poetry, which has become the dominant paradigm in the post-Romantic lyric. Indeed, Claus’s critical poetic homage to a befriended poet can also be interpreted as a critical unmasking of both authors’ very own poetic practice as a form of semantic deceit.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44308930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.5117/NEDLET2021.1.005.BUEL
G. Buelens
{"title":"Gertjan Willems en Bruno De Wever (red.), De verbeelding van de leeuw. Een geschiedenis van media en natievorming in Vlaanderen. Antwerpen, Peristyle, 2020. ISBN 9789082684032. Euro 29,95.","authors":"G. Buelens","doi":"10.5117/NEDLET2021.1.005.BUEL","DOIUrl":"https://doi.org/10.5117/NEDLET2021.1.005.BUEL","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43435757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-01DOI: 10.5117/nedlet2020.1.001.oost
J. Oosterman, Helleke van den Braber, N. Geerdink, L. Ham
{"title":"Inleiding","authors":"J. Oosterman, Helleke van den Braber, N. Geerdink, L. Ham","doi":"10.5117/nedlet2020.1.001.oost","DOIUrl":"https://doi.org/10.5117/nedlet2020.1.001.oost","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45209308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-04-01DOI: 10.5117/nedlet2020.1.002.slei
R. Sleiderink, H. V. D. Braber, N. Geerdink, L. Ham
This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.
{"title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs","authors":"R. Sleiderink, H. V. D. Braber, N. Geerdink, L. Ham","doi":"10.5117/nedlet2020.1.002.slei","DOIUrl":"https://doi.org/10.5117/nedlet2020.1.002.slei","url":null,"abstract":"\u0000 This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47238911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-01DOI: 10.5117/nedlet2019.3.004.pare
Timothy Pareit
A Scrapheap as Joint Enterprise: Intercultural Empathy in Tom Lanoye’s Het derde huwelijk So far, within the field of Dutch studies few have employed empathy to study texts on contemporary multiculturalism. Studying empathy as a cognitive and an affective phenomenon, this article combines insights from cognitive, affective and postcolonial research to establish several guidelines on how empathy functions between novel characters in an intercultural context. Rather than focussing on the empathic relations between reader and text, the article investigates empathy between fictional characters. As an example, an analysis of Tom Lanoye’s novel Het derde huwelijk [The Third Marriage] is offered. The analysis concentrates on the way in which the narrative uses a highly prejudiced author as an indictment against the West’s emotional inability with regard to migrants.
作为联合企业的废料堆：Tom Lanoye的Het derde huwelijk中的跨文化同理心到目前为止，在荷兰研究领域，很少有人使用同理心来研究当代多元文化的文本。本文将移情作为一种认知和情感现象进行研究，结合认知、情感和后殖民研究的见解，就跨文化背景下小说人物之间的移情作用建立了一些指导方针。本文不是关注读者和文本之间的移情关系，而是研究虚构人物之间的移情。以汤姆·拉诺耶的小说《第三次婚姻》为例进行分析。分析集中在叙事中使用一位高度偏见的作者来控诉西方在移民问题上的情感无能。
{"title":"Een schroothoop als gezamenlijk project","authors":"Timothy Pareit","doi":"10.5117/nedlet2019.3.004.pare","DOIUrl":"https://doi.org/10.5117/nedlet2019.3.004.pare","url":null,"abstract":"\u0000 \u0000 A Scrapheap as Joint Enterprise: Intercultural Empathy in Tom Lanoye’s Het derde huwelijk\u0000 \u0000 \u0000 So far, within the field of Dutch studies few have employed empathy to study texts on contemporary multiculturalism. Studying empathy as a cognitive and an affective phenomenon, this article combines insights from cognitive, affective and postcolonial research to establish several guidelines on how empathy functions between novel characters in an intercultural context. Rather than focussing on the empathic relations between reader and text, the article investigates empathy between fictional characters. As an example, an analysis of Tom Lanoye’s novel Het derde huwelijk [The Third Marriage] is offered. The analysis concentrates on the way in which the narrative uses a highly prejudiced author as an indictment against the West’s emotional inability with regard to migrants.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49062944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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