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Midwest Studies in Philosophy最新文献

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Doubting Perspectives and Creative Doubt in advance 怀疑的观点和创造性的怀疑提前
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5840/msp202111315
J. Chung
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引用次数: 3
Kantian Fallibilism in advance 康德的易谬论
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5840/msp2021111018
A. Chignell
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引用次数: 0
Self-Deceptive Inquiry in advance 自欺欺人的提前询问
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5840/msp2021101213
Dion Scott-Kakures
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引用次数: 0
Beauty Always Dies: The Philosophical Significance of Nonenduring Artworks 美总是死的:不朽艺术的哲学意义
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12129
T. Jollimore
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引用次数: 0
Identity in Dance: What Happened? 舞蹈中的身份认同:发生了什么?
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12121
J. Camp
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引用次数: 1
Beyond Petipa and Before the Academy: Plato, Socrates, and Alexei Ratmansky’s Serenade After Plato’s Symposium 超越佩蒂帕和学院之前:柏拉图、苏格拉底和阿列克谢·拉特曼斯基在柏拉图研讨会之后的小夜曲
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12132
K. Boyce
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引用次数: 0
Is Tap Dance a Form of Jazz Percussion? 踢踏舞是一种爵士打击乐吗?
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12127
Aili W. Bresnahan
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引用次数: 0
Some Stabs at the Ontology of Dance 对舞蹈本体论的一些尝试
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12120
Noël Carroll
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引用次数: 0
Issue Information 问题信息
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12099
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引用次数: 0
Movement: What Evolution and Gesture Can Teach Us About Its Centrality in Natural History and Its Lifelong Significance 运动:进化和手势能告诉我们它在自然史中的中心地位及其终身意义
Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.1111/misp.12131
M. Sheets‐Johnstone
When people speak or write of “embodied” in one form or another, as in embodied mind, embodied cognition, embodied language, embodied self, and so on, they implicitly look past if not outright deny the realities of evolution. Animate life evolves on the basis of different morphologies. Animals with differing morphologies establish not merely different niches but different modes of living, which in the most fundamental sense means establishing distinctive repertoires of movement—different ways of doing everyday things. Certain movements within one species’ repertoire may nevertheless coincide with certain movements within the repertoire of other species, as, for instance, the movement known as presenting, which occurs in multiple primate species in two different contexts: as a sexual invitation and as an aggression deterrent. That certain movements can have the same significance across species does not diminish the distinctiveness of any repertoire but attests to the evolutionary heritage of a species, namely its anchorage in morphology, that is, in bodily templates and possible variations of the same, all of which templates and possible variations translate into distinctive movement possibilities and definitive repertoires of movement. From this real-life, real-time evolutionary point of view, animate forms of life are clearly not embodied forms of life but kinetic forms of life,
当人们以一种或另一种形式谈论或写“具身”时,如具身思想、具身认知、具身语言、具身自我等等,他们含蓄地忽略了进化的现实,如果不是直接否认的话。有生命的生物在不同形态的基础上进化。不同形态的动物不仅建立了不同的生态位,而且建立了不同的生活方式,这在最基本的意义上意味着建立了不同的运动方式——不同的日常生活方式。然而,一个物种的某些动作可能与其他物种的某些动作一致,例如,在两种不同的情况下,在多种灵长类动物中发生的称为“呈现”的动作:作为性邀请和作为攻击威慑。某些动作在不同物种之间具有相同的重要性,这并不会减少任何动作的独特性,而是证明了一个物种的进化遗产,即它在形态学上的锚定,也就是说,在相同的身体模板和可能的变化中,所有这些模板和可能的变化都转化为独特的动作可能性和确定的动作曲目。从现实生活、实时进化的角度来看,有生命的形式显然不是具体的生命形式,而是动态的生命形式,
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引用次数: 3
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Midwest Studies in Philosophy
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