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Movement: What Evolution and Gesture Can Teach Us About Its Centrality in Natural History and Its Lifelong Significance 运动:进化和手势能告诉我们它在自然史中的中心地位及其终身意义
0 PHILOSOPHY Pub Date : 2019-12-01 DOI: 10.1111/misp.12131
M. Sheets‐Johnstone
When people speak or write of “embodied” in one form or another, as in embodied mind, embodied cognition, embodied language, embodied self, and so on, they implicitly look past if not outright deny the realities of evolution. Animate life evolves on the basis of different morphologies. Animals with differing morphologies establish not merely different niches but different modes of living, which in the most fundamental sense means establishing distinctive repertoires of movement—different ways of doing everyday things. Certain movements within one species’ repertoire may nevertheless coincide with certain movements within the repertoire of other species, as, for instance, the movement known as presenting, which occurs in multiple primate species in two different contexts: as a sexual invitation and as an aggression deterrent. That certain movements can have the same significance across species does not diminish the distinctiveness of any repertoire but attests to the evolutionary heritage of a species, namely its anchorage in morphology, that is, in bodily templates and possible variations of the same, all of which templates and possible variations translate into distinctive movement possibilities and definitive repertoires of movement. From this real-life, real-time evolutionary point of view, animate forms of life are clearly not embodied forms of life but kinetic forms of life,
当人们以一种或另一种形式谈论或写“具身”时,如具身思想、具身认知、具身语言、具身自我等等,他们含蓄地忽略了进化的现实,如果不是直接否认的话。有生命的生物在不同形态的基础上进化。不同形态的动物不仅建立了不同的生态位,而且建立了不同的生活方式,这在最基本的意义上意味着建立了不同的运动方式——不同的日常生活方式。然而,一个物种的某些动作可能与其他物种的某些动作一致,例如,在两种不同的情况下,在多种灵长类动物中发生的称为“呈现”的动作:作为性邀请和作为攻击威慑。某些动作在不同物种之间具有相同的重要性,这并不会减少任何动作的独特性,而是证明了一个物种的进化遗产,即它在形态学上的锚定,也就是说,在相同的身体模板和可能的变化中,所有这些模板和可能的变化都转化为独特的动作可能性和确定的动作曲目。从现实生活、实时进化的角度来看,有生命的形式显然不是具体的生命形式,而是动态的生命形式,
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引用次数: 3
Issue Information 问题信息
0 PHILOSOPHY Pub Date : 2019-12-01 DOI: 10.1111/misp.12100
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引用次数: 0
Dances, Danceworks, and Choreographic Works: A Plea for Conceptual Clarity 舞蹈,舞蹈作品和编舞作品:对概念清晰度的请求
0 PHILOSOPHY Pub Date : 2019-12-01 DOI: 10.1111/misp.12116
Renee M. Conroy
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引用次数: 0
Rhythm and Movement: The Conceptual Interdependence of Music, Dance, and Poetry 节奏与运动:音乐、舞蹈和诗歌概念上的相互依存
0 PHILOSOPHY Pub Date : 2019-12-01 DOI: 10.1111/misp.12126
A. Hamilton
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引用次数: 1
Dance Seen and Dance‐Screened 舞蹈观看和舞蹈筛选
0 PHILOSOPHY Pub Date : 2019-11-25 DOI: 10.1111/misp.12123
D. Davies
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引用次数: 0
On Dancers as Coauthors 作为合作者的舞者
0 PHILOSOPHY Pub Date : 2019-11-25 DOI: 10.1111/misp.12124
P. Thom
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引用次数: 1
Can There Be Conceptual Dance? 观念舞蹈能存在吗?
0 PHILOSOPHY Pub Date : 2019-11-25 DOI: 10.1111/misp.12128
Anna Pakes
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引用次数: 0
Three Kinds of Movement 三种运动
0 PHILOSOPHY Pub Date : 2019-11-22 DOI: 10.1111/misp.12130
B. Allen
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引用次数: 0
“Like‐Sensing Subjects”: Husserl and Dance “类感知主体”:胡塞尔与Dance
0 PHILOSOPHY Pub Date : 2019-11-15 DOI: 10.1111/misp.12117
C. Noland
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引用次数: 0
Issue Information 问题信息
0 PHILOSOPHY Pub Date : 2019-09-01 DOI: 10.1111/misp.12098
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引用次数: 0
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Midwest Studies in Philosophy
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