Abstract This paper is intended as a hermeneutical approach of Lucian Blaga’s Stalactita (The Stalactite) poem. In order to achieve our main goal, that of discovering newer and newer semantic horizons, we will use close reading as a default working tool.
{"title":"Liniştea Sau Cufundarea În Sine","authors":"Eduard-Titus Ciortea","doi":"10.2478/clb-2019-0023","DOIUrl":"https://doi.org/10.2478/clb-2019-0023","url":null,"abstract":"Abstract This paper is intended as a hermeneutical approach of Lucian Blaga’s Stalactita (The Stalactite) poem. In order to achieve our main goal, that of discovering newer and newer semantic horizons, we will use close reading as a default working tool.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"79 10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120896079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The paper proposes a comparative analysis at a formal and compositional level of a series of aphorisms and similar or complementary proverbs. Of the volumes of aphorisms: Discobolus, Stones for my Temple, The Ardor of the Island, Hourglass of the Sand, From the Spirit of the Heresy, the first two are the object of study of this work
{"title":"Aforismele lui Lucian Blaga – relația cu proverbele românești","authors":"Simona Gridan","doi":"10.2478/clb-2019-0031","DOIUrl":"https://doi.org/10.2478/clb-2019-0031","url":null,"abstract":"Abstract The paper proposes a comparative analysis at a formal and compositional level of a series of aphorisms and similar or complementary proverbs. Of the volumes of aphorisms: Discobolus, Stones for my Temple, The Ardor of the Island, Hourglass of the Sand, From the Spirit of the Heresy, the first two are the object of study of this work","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117116130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The purpose of this work is to demonstrate the absurdity of the Marxist-Leninist-Stalinist means of re-education, which left a deep imprint on the history of Romanians by condemning not only the physical but also the spiritual death of the people. In this paper I have highlighted how the process of re-education took place in many circumstances. The class of intellectuality was the one that suffered the most as a result of these events, which can also be noticed in the case of the characters Axente Creangă and Leonte Pătrașcu from "Luntrea lui Caron". Using terror as an instrument of governance, censorship, propaganda and raising their ideology to the rank of universal principle, the Bolsheviks succeeded by the absurdity of the methods to massacre the population.
这部作品的目的是证明马列斯大林主义的再教育手段的荒谬，这种再教育手段不仅谴责人们的身体死亡，而且谴责人们的精神死亡，在罗马尼亚人的历史上留下了深刻的印记。在本文中，我强调了再教育过程在许多情况下是如何发生的。知识分子阶层是受这些事件影响最大的群体，这一点也可以从《Luntrea lui Caron》中的人物Axente creangei和Leonte Pătrașcu中看出。布尔什维克利用恐怖作为统治、审查、宣传的工具，把他们的意识形态提升到普遍原则的地位，用荒谬的方法屠杀人民。
{"title":"Absurditatea Metodelor De Reeducare În Romanul „Luntrea Lui Caron”","authors":"Pușcaș Ana-Paula","doi":"10.2478/clb-2019-0032","DOIUrl":"https://doi.org/10.2478/clb-2019-0032","url":null,"abstract":"Abstract The purpose of this work is to demonstrate the absurdity of the Marxist-Leninist-Stalinist means of re-education, which left a deep imprint on the history of Romanians by condemning not only the physical but also the spiritual death of the people. In this paper I have highlighted how the process of re-education took place in many circumstances. The class of intellectuality was the one that suffered the most as a result of these events, which can also be noticed in the case of the characters Axente Creangă and Leonte Pătrașcu from \"Luntrea lui Caron\". Using terror as an instrument of governance, censorship, propaganda and raising their ideology to the rank of universal principle, the Bolsheviks succeeded by the absurdity of the methods to massacre the population.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116114967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The purpose of this paper is o analyze the three hypotheses of corporeality in the Blagian lyrical and to demonstrate that they coagulate around the authentic substance of the ego, which tries to suppress or diminish them from the tax, from limits to becoming one with the spirit of this world. By canceling them, they actually become consistent and participate in the modernist lyrical ceremonial.
{"title":"Ipostazele corporalității în poezia blagiană","authors":"Minculete Iunis-Ștefana","doi":"10.2478/clb-2019-0033","DOIUrl":"https://doi.org/10.2478/clb-2019-0033","url":null,"abstract":"Abstract The purpose of this paper is o analyze the three hypotheses of corporeality in the Blagian lyrical and to demonstrate that they coagulate around the authentic substance of the ego, which tries to suppress or diminish them from the tax, from limits to becoming one with the spirit of this world. By canceling them, they actually become consistent and participate in the modernist lyrical ceremonial.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121915152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The work will be based on a comparison, by briefly examining the two poetic visions: Bogzian and Blagian. The aim of the study is to determine both common elements of the creation of the two poets, through which to attest the characteristic aspects of the Romanian and European avant-garde, as well as the features by which they have individualized their works.
{"title":"Universuri antagonice în poeziile avangardiste: Geo Bogza și Lucian Blaga","authors":"Lavinia Mareș","doi":"10.2478/clb-2019-0035","DOIUrl":"https://doi.org/10.2478/clb-2019-0035","url":null,"abstract":"Abstract The work will be based on a comparison, by briefly examining the two poetic visions: Bogzian and Blagian. The aim of the study is to determine both common elements of the creation of the two poets, through which to attest the characteristic aspects of the Romanian and European avant-garde, as well as the features by which they have individualized their works.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"229 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131496003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The main aim of this paper is to present a recent approach to literary text- the geocritical method- both from a descriptive and a polemic point of view, and, at the same time, to determine the applicability of this method and the concepts issued by Betrand Westphal on the Romanian novel describing Bucharest during the Revolution of 1989. Following the routes presented in the novels of two contemporary authors, Mircea Cărtărescu and Bogdan Suceava, I will try to propose a new method of topos analysis in the novel, which could re-evaluate the representation of the spaces caught at the boundary between reality and fiction (in the future).
{"title":"Geocriticism: for an interpretation of the Romanian novel about the Revolution of 1989","authors":"Teodora Susarenco","doi":"10.2478/clb-2019-0024","DOIUrl":"https://doi.org/10.2478/clb-2019-0024","url":null,"abstract":"Abstract The main aim of this paper is to present a recent approach to literary text- the geocritical method- both from a descriptive and a polemic point of view, and, at the same time, to determine the applicability of this method and the concepts issued by Betrand Westphal on the Romanian novel describing Bucharest during the Revolution of 1989. Following the routes presented in the novels of two contemporary authors, Mircea Cărtărescu and Bogdan Suceava, I will try to propose a new method of topos analysis in the novel, which could re-evaluate the representation of the spaces caught at the boundary between reality and fiction (in the future).","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114318325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this article we discuss the avant-garde phenomenon, emphasizing that it promotes thinking without prejudice or limits, in which the writer can explore completely new horizons of creativity. Both Virgil Mazilescu's poems and Nora Iuga's poems (both under the oneiric mantle), illustrate the idea of freedom in terms of poetic thinking and poetry, despite the political and literary context in which they were.
{"title":"Elemente Avangardiste În Perioada Postbelică","authors":"Dordea Daniela Elisabeta","doi":"10.2478/clb-2019-0034","DOIUrl":"https://doi.org/10.2478/clb-2019-0034","url":null,"abstract":"Abstract In this article we discuss the avant-garde phenomenon, emphasizing that it promotes thinking without prejudice or limits, in which the writer can explore completely new horizons of creativity. Both Virgil Mazilescu's poems and Nora Iuga's poems (both under the oneiric mantle), illustrate the idea of freedom in terms of poetic thinking and poetry, despite the political and literary context in which they were.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124722661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this paper, I bring into discussion the concepts of Zionism and assimilation, as introduced in Mihail Sebastian’s novel For Two Thousand Years… Some critical points of view regarding these movements will be referred to in order to highlight the novelty of Sebastian’s approach and how he introduced these concepts within his fictional universe.
{"title":"A Fi Evreu, A Fi Intelectual, A Fi Român Și Dunărean. Sionism Și Asimilare","authors":"Deaconu Ticărău Iulia-Maria","doi":"10.2478/clb-2019-0026","DOIUrl":"https://doi.org/10.2478/clb-2019-0026","url":null,"abstract":"Abstract In this paper, I bring into discussion the concepts of Zionism and assimilation, as introduced in Mihail Sebastian’s novel For Two Thousand Years… Some critical points of view regarding these movements will be referred to in order to highlight the novelty of Sebastian’s approach and how he introduced these concepts within his fictional universe.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132038122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The aim of this paper is to offer a representation on how cognitive poetics can be used to analyse Lucian Blaga’s poetry. With the help of digital instruments designed for corpus linguistics, concordances of the term ‘fire’ are identified and classified, giving this cognitive process a material form, together with a hermeneutical perspective. Furthermore, an example of how the similarity in minds’ activity of a group, community, or culture regarding metaphors are englobed in a pattern, can also be remarked in this paper.
{"title":"Instrumente Ale Poeticii Cognitive: O Aplicaţie Pe Lirica Lui Blaga","authors":"Paula Pereş","doi":"10.2478/clb-2019-0027","DOIUrl":"https://doi.org/10.2478/clb-2019-0027","url":null,"abstract":"Abstract The aim of this paper is to offer a representation on how cognitive poetics can be used to analyse Lucian Blaga’s poetry. With the help of digital instruments designed for corpus linguistics, concordances of the term ‘fire’ are identified and classified, giving this cognitive process a material form, together with a hermeneutical perspective. Furthermore, an example of how the similarity in minds’ activity of a group, community, or culture regarding metaphors are englobed in a pattern, can also be remarked in this paper.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125877182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The purpose of this paper is to analyze the Dionysian topos in Lucian Blaga’s poetry. The zero point of our work is the concept of geocriticism. This study tries to outline the fact that the space in Blaga’s poetry features both Dionysian and Apollonian characteristics. In the center of this dichotomic space stands the symbol of the mountain – a sacred area where a whole cosmogony comes to life, based on the dialectic relationship between ascent and descent.
{"title":"Topos Dionisiac În Antumele Lui Lucian Blaga","authors":"Lehel-Szabolcs Szakács","doi":"10.2478/clb-2019-0025","DOIUrl":"https://doi.org/10.2478/clb-2019-0025","url":null,"abstract":"Abstract The purpose of this paper is to analyze the Dionysian topos in Lucian Blaga’s poetry. The zero point of our work is the concept of geocriticism. This study tries to outline the fact that the space in Blaga’s poetry features both Dionysian and Apollonian characteristics. In the center of this dichotomic space stands the symbol of the mountain – a sacred area where a whole cosmogony comes to life, based on the dialectic relationship between ascent and descent.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128314466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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