Abstract This study is based on the analysis of the ancient Greek myth of Ulysses, which has been reproduced in various reinterpretations over time. However, the purpose of this paper is to highlight the myth of Ulysses in the vision of three important Romanian writers: Lucian Blaga, Ilarie Voronca and Marin Sorescu. To be more specific, the work will focus on the hypostases in which the protagonist of the Odyssey is outlined in the verses of these writers. We will notice during the research that, in the case of each writer mentioned above, Ulysses acquires personal nuances with an impressive note of originality.
{"title":"Ipostaze Ale Lui Ulise În Lirica Lui Blaga, Voronca Și Sorescu","authors":"Rebeca Murgu","doi":"10.2478/clb-2021-0008","DOIUrl":"https://doi.org/10.2478/clb-2021-0008","url":null,"abstract":"Abstract This study is based on the analysis of the ancient Greek myth of Ulysses, which has been reproduced in various reinterpretations over time. However, the purpose of this paper is to highlight the myth of Ulysses in the vision of three important Romanian writers: Lucian Blaga, Ilarie Voronca and Marin Sorescu. To be more specific, the work will focus on the hypostases in which the protagonist of the Odyssey is outlined in the verses of these writers. We will notice during the research that, in the case of each writer mentioned above, Ulysses acquires personal nuances with an impressive note of originality.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133231932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract For a vast period of the human history, the whole universe has been perceived as creation. In a created cosmos people create following the example of divinity and “any creation has a model: the way in which gods created the Universe” (Eliade, Sacrul şi profanul 25). Lucian Blaga illustrated this fact in one of his poems in his unique manner: “Through all eras/ what a clod in torment!/ Under all spheres/ Everything begets” (Through all eras, t. n.). Creation is the wonderful constant of existence through aeons. This paper will analyse how the creator’s condition is unfolded in two dramatic texts which belong to different literary periods of Romanian literature: Meşterul Manole by Lucian Blaga and Meşterul Manole by Valeriu Anania.
在人类历史的相当长一段时间里，整个宇宙都被认为是创造。在一个被创造的宇宙中，人们按照神的榜样来创造，“任何创造都有一个模型:神创造宇宙的方式”(Eliade, Sacrul i profanul 25)。卢西安·布拉加(Lucian Blaga)在他的一首诗中以他独特的方式说明了这一事实:“穿越所有时代/多么痛苦的人!/在所有领域下/万物皆生”(Through all eras, t.n.)。创造是亘古不变的奇妙存在。本文将分析罗马尼亚文学不同文学时期的两个戏剧文本——卢西恩·布拉加的《me特鲁尔·马诺莱》和瓦莱柳·阿纳尼亚的《me特鲁尔·马诺莱》中作者的境遇是如何展开的。
{"title":"Frământările Omului Creator În „Tinda Înfăptuirii”. Meşterul Manole La Lucian Blaga Și Valeriu Anania","authors":"Florina-Maria Andercău","doi":"10.2478/clb-2021-0007","DOIUrl":"https://doi.org/10.2478/clb-2021-0007","url":null,"abstract":"Abstract For a vast period of the human history, the whole universe has been perceived as creation. In a created cosmos people create following the example of divinity and “any creation has a model: the way in which gods created the Universe” (Eliade, Sacrul şi profanul 25). Lucian Blaga illustrated this fact in one of his poems in his unique manner: “Through all eras/ what a clod in torment!/ Under all spheres/ Everything begets” (Through all eras, t. n.). Creation is the wonderful constant of existence through aeons. This paper will analyse how the creator’s condition is unfolded in two dramatic texts which belong to different literary periods of Romanian literature: Meşterul Manole by Lucian Blaga and Meşterul Manole by Valeriu Anania.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127553599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The following paper focuses on what lies between transcendence and reality, between self and non-self, between bounded and infinite, it focuses on that included third which contradicts Aristotelian logic and which is represented by the margin itself, by the boundary between these concepts, as it is reflected in the texts of Lucian Blaga and Emil Cioran. The role of the limit is analysed especially in those contexts in which, in addition to spatial references, the limit has a figurative meaning, that of term at the intersection of an antithetical binomial that advances the being, in Hegel’s vision, towards becoming. Consequently, the paper will refer to texts from Blaga’s poetry, where there are twenty occurrences of the word “limit” (Romanian: “margine”), six of which meet the semantic condition mentioned above, but also in Cioran’s texts that treat this matter.
{"title":"Blaga-Cioran: Incursiuni În Marginea Fiinţei","authors":"Mihaela-Oana Gogoșeanu","doi":"10.2478/clb-2021-0006","DOIUrl":"https://doi.org/10.2478/clb-2021-0006","url":null,"abstract":"Abstract The following paper focuses on what lies between transcendence and reality, between self and non-self, between bounded and infinite, it focuses on that included third which contradicts Aristotelian logic and which is represented by the margin itself, by the boundary between these concepts, as it is reflected in the texts of Lucian Blaga and Emil Cioran. The role of the limit is analysed especially in those contexts in which, in addition to spatial references, the limit has a figurative meaning, that of term at the intersection of an antithetical binomial that advances the being, in Hegel’s vision, towards becoming. Consequently, the paper will refer to texts from Blaga’s poetry, where there are twenty occurrences of the word “limit” (Romanian: “margine”), six of which meet the semantic condition mentioned above, but also in Cioran’s texts that treat this matter.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129888837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Within the frame of theoretical ideas of World Literature methodology, my paper is aiming to reconsider the relationship between the post-war North-American poetry and the Romanian 80s Generation of poets. Being a complex import, this article sheds light on the conditions and the strategies of this phenomenon through a contextual equation which is more important than a strictly textual one. As a major conclusion of this research, the import of North-American poetry forms, models, ideas, as well as of ideological attitudes is the result of the Romanian young authors’ emulation regarding this faraway literary model. Therefore, this relationship between a centre and a (semi)periphery does not imply a colonizing model of a major culture’s hegemony on a minor one.
{"title":"Condiţiile Și Strategiile Unui Transfer De Capital Cultural: Importul Poeziei Americane În Optzecismul Românesc","authors":"Teona Farmatu","doi":"10.2478/clb-2021-0013","DOIUrl":"https://doi.org/10.2478/clb-2021-0013","url":null,"abstract":"Abstract Within the frame of theoretical ideas of World Literature methodology, my paper is aiming to reconsider the relationship between the post-war North-American poetry and the Romanian 80s Generation of poets. Being a complex import, this article sheds light on the conditions and the strategies of this phenomenon through a contextual equation which is more important than a strictly textual one. As a major conclusion of this research, the import of North-American poetry forms, models, ideas, as well as of ideological attitudes is the result of the Romanian young authors’ emulation regarding this faraway literary model. Therefore, this relationship between a centre and a (semi)periphery does not imply a colonizing model of a major culture’s hegemony on a minor one.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"238 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132682463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this paper, we seek to demonstrate how Lucian Blaga’s poetic universe is double layered, in the sense that one can distinguish between, on the one hand, a phenomenological plane, characterized by a pervasive sense of the inexorable passage of time and of human mortability and, on the other hand, a supramundane (noumenal) plane which, in a profane world, has become unattainable and therefore intensifies the individual’s sense of loneliness and estrangement from a sacred universe. We attempt to show how there two planes interfere, mainly through revelations of the divine (epiphanies). In our paper, we follow a poetic and stylistic approach, founded on Mircea Borcilă’s attempt to formulate a poetic typology aiming to highlight the intrinsec mechanisms of a poetic finality oriented towards the creation of meaning, therefore inscribing Blaga’s poetry on the coordinates of a symbolic-mythical pattern. The linguist’s theory draws on Blaga’s conception of the duality of metaphor (“plasticizantă” and “revelatorie”), the latter having a revelatory function and being subdivided by Borcilă according to a cultural finality into a “plastic” finality in creating poetic meaning, whose universe of reference will be modelled upon the phenomenological world, and a ”revelatory” finality, whose universe of reference will be modelled upon a noumenal, transmundane world.
{"title":"Finalitatea Simbolic-Mitică a Creaţiei De Sens În Configurarea Onto-Teofaniei Poetice Blagiene","authors":"Mihai-Andrei Lazăr","doi":"10.2478/clb-2021-0003","DOIUrl":"https://doi.org/10.2478/clb-2021-0003","url":null,"abstract":"Abstract In this paper, we seek to demonstrate how Lucian Blaga’s poetic universe is double layered, in the sense that one can distinguish between, on the one hand, a phenomenological plane, characterized by a pervasive sense of the inexorable passage of time and of human mortability and, on the other hand, a supramundane (noumenal) plane which, in a profane world, has become unattainable and therefore intensifies the individual’s sense of loneliness and estrangement from a sacred universe. We attempt to show how there two planes interfere, mainly through revelations of the divine (epiphanies). In our paper, we follow a poetic and stylistic approach, founded on Mircea Borcilă’s attempt to formulate a poetic typology aiming to highlight the intrinsec mechanisms of a poetic finality oriented towards the creation of meaning, therefore inscribing Blaga’s poetry on the coordinates of a symbolic-mythical pattern. The linguist’s theory draws on Blaga’s conception of the duality of metaphor (“plasticizantă” and “revelatorie”), the latter having a revelatory function and being subdivided by Borcilă according to a cultural finality into a “plastic” finality in creating poetic meaning, whose universe of reference will be modelled upon the phenomenological world, and a ”revelatory” finality, whose universe of reference will be modelled upon a noumenal, transmundane world.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"453 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133776391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Joachim Wittstock’s novella Forestiera Feltrinelli, translated into Romanian by Maria Sass, appeared under the aegis of the Honterus publishing house in Sibiu, in 2019. Combining present-day economic realities, with a parallelism of temporal planes, and the antonimy between the mythical past and the disillusioning present, Wittstock manages to interweave in his most recent volume social and historical analyses, love stories and subtle eroticism, existentialist concerns and political dimensions. The volume can be regarded as an important contribution to a better relationing of the Romanian readership with German literature in Romania, and to a better understanding of the complex thematic and narrative mechanisms in Joachim Wittstock’s works. A fascinating page of the history of Sibiu, of the Romanian Saxons, and of the author’s biography, the volume is a succesful and innovative attempt in the landscape of contemporary Romanian and European literature, and its Romanian translation a welcome and necessary initiative in view of a multicultural understanding of the literatures of ethnic minorities in Romania.
{"title":"“Unicul Lucru Capabil Să Surprindă Un Crâmpei De VeȘnicie, Este Arta” Forestiera Feltrinelli, De Joachim Wittstock, Traducere De Maria Sass","authors":"Ana-Blanca Ciocoi-Pop","doi":"10.2478/clb-2020-0019","DOIUrl":"https://doi.org/10.2478/clb-2020-0019","url":null,"abstract":"Abstract Joachim Wittstock’s novella Forestiera Feltrinelli, translated into Romanian by Maria Sass, appeared under the aegis of the Honterus publishing house in Sibiu, in 2019. Combining present-day economic realities, with a parallelism of temporal planes, and the antonimy between the mythical past and the disillusioning present, Wittstock manages to interweave in his most recent volume social and historical analyses, love stories and subtle eroticism, existentialist concerns and political dimensions. The volume can be regarded as an important contribution to a better relationing of the Romanian readership with German literature in Romania, and to a better understanding of the complex thematic and narrative mechanisms in Joachim Wittstock’s works. A fascinating page of the history of Sibiu, of the Romanian Saxons, and of the author’s biography, the volume is a succesful and innovative attempt in the landscape of contemporary Romanian and European literature, and its Romanian translation a welcome and necessary initiative in view of a multicultural understanding of the literatures of ethnic minorities in Romania.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121989252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The analysis presented in this article aims to ascertain what conditions of use imply deviations in the use of the Past tenses in European Portuguese (PPS, PPC, PI, PMQC) by Slovene learners of Portuguese, A2-B1 level (QECRL), trying to find explanations for its occurrence. The analysis shows the contrast between European Portuguese and Slovenian language in the domain of the Past tenses in terms of tense and aspect, describes the most frequent and evident deviations in a corpus, consisting of the various genres of texts, worksheets, completed by the students. Several presumptions were verified in the qualitative analysis. Among them, the deviations are in most cases due to the fact that in the sphere of the past, the Slovene language is operating with only one paradigm of the past sphere, the preteklik (Past tense), which is supposed to mark all the temporal and aspectual nuances of four Portuguese past tenses of the Indicative. The article tries to underline the different way of marking time and aspect in the respective languages and therefore the students’ difficulties in the perception of temporal and aspectual perfect / imperfect conceptualization.
{"title":"The Use of the Past Tenses in European Portuguese by Slovene Students: The Causes of Possible Deviations","authors":"Mojca Medvedšek, B. Müller","doi":"10.2478/clb-2020-0014","DOIUrl":"https://doi.org/10.2478/clb-2020-0014","url":null,"abstract":"Abstract The analysis presented in this article aims to ascertain what conditions of use imply deviations in the use of the Past tenses in European Portuguese (PPS, PPC, PI, PMQC) by Slovene learners of Portuguese, A2-B1 level (QECRL), trying to find explanations for its occurrence. The analysis shows the contrast between European Portuguese and Slovenian language in the domain of the Past tenses in terms of tense and aspect, describes the most frequent and evident deviations in a corpus, consisting of the various genres of texts, worksheets, completed by the students. Several presumptions were verified in the qualitative analysis. Among them, the deviations are in most cases due to the fact that in the sphere of the past, the Slovene language is operating with only one paradigm of the past sphere, the preteklik (Past tense), which is supposed to mark all the temporal and aspectual nuances of four Portuguese past tenses of the Indicative. The article tries to underline the different way of marking time and aspect in the respective languages and therefore the students’ difficulties in the perception of temporal and aspectual perfect / imperfect conceptualization.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124654220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The article aims to examine an aspect pertaining to lexical neology, i.e. the lexical creativity as reflected in recent TV and online journalism. Lexical creativity articulates interdisciplinarity, the latter represents a ‛bridge‛ between the facts of language and those of style. Newly words are created by journalists to serve different purposes ranging from ludic, spontaneous, occasional to deliberate, conscious. Lexical creativity is influenced by different factors such as: analogy, imitation, calque, subjectivity, sensitiveness, context, etc. The language of the media is characterized by dynamics, novelty and accessibility. Through their novelty, words contribute to an enrichment of expressiveness. The newly coined structures are often artificial, the examples analysed in our paper are created by small groups of journalists or by one journalist. The journalists’ intention is to impress, to draw the audience’s attention. I chose to explore the phenomenon of affixation and I selected as lexical bases some neologisms recently borrowed into Romanian from other languages. The corpus comprises recent examples selected by the author from Romanian TV and online journalism, where the phenomenon of lexical creativity is highly displayed. I chose the transcription of new words in accordance with the phonetic-phonological principle specific to the Romanian language and with the current rules pertaining to plurals forms and use of articles.
{"title":"Lexical Creativity – A Salient Phenomenon in Current Romanian TV and Online Journalism","authors":"Valerica Sporiş","doi":"10.2478/clb-2020-0018","DOIUrl":"https://doi.org/10.2478/clb-2020-0018","url":null,"abstract":"Abstract The article aims to examine an aspect pertaining to lexical neology, i.e. the lexical creativity as reflected in recent TV and online journalism. Lexical creativity articulates interdisciplinarity, the latter represents a ‛bridge‛ between the facts of language and those of style. Newly words are created by journalists to serve different purposes ranging from ludic, spontaneous, occasional to deliberate, conscious. Lexical creativity is influenced by different factors such as: analogy, imitation, calque, subjectivity, sensitiveness, context, etc. The language of the media is characterized by dynamics, novelty and accessibility. Through their novelty, words contribute to an enrichment of expressiveness. The newly coined structures are often artificial, the examples analysed in our paper are created by small groups of journalists or by one journalist. The journalists’ intention is to impress, to draw the audience’s attention. I chose to explore the phenomenon of affixation and I selected as lexical bases some neologisms recently borrowed into Romanian from other languages. The corpus comprises recent examples selected by the author from Romanian TV and online journalism, where the phenomenon of lexical creativity is highly displayed. I chose the transcription of new words in accordance with the phonetic-phonological principle specific to the Romanian language and with the current rules pertaining to plurals forms and use of articles.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131694964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The present study aims to analyze the conceptual perspective on the metamorphosis of the human under the process of duplication and the restitution of the robotic hypostasis. Following the posthumanist theories, this paper focuses mainly on the literary manifestations that envisage the many-sided topic about the human identity’s surcease, namely Do Androids Dream of Electric Sheep? and Machines Like Me. In both cases, the central function of restructuring reality through the symobol of technological alterity is emphasized; the simulacrum comes within the purview of building versions for a universe where creation does not lead to progress, but, to a certain extent, to destruction and the entanglement of human conciousness. This fact implies that the fictional robots have to be interpreted as an integrant part of a system that ecompasses the lost sense of self. Essential for understanding the cited narratives is the questioning of the Cartesian belief that animals do represent a mechanical behaviour. I argue that the reconstruction of a techological identity bears a double scheme of approaching empathy and identity and accordingly the existence is to be interposed within new frames of thought.
{"title":"Valenţele (Re)Duplicării. Configuraţii Postumaniste La Philip K. Dick Și Ian Mcewan","authors":"Tache Lavinia","doi":"10.2478/clb-2020-0016","DOIUrl":"https://doi.org/10.2478/clb-2020-0016","url":null,"abstract":"Abstract The present study aims to analyze the conceptual perspective on the metamorphosis of the human under the process of duplication and the restitution of the robotic hypostasis. Following the posthumanist theories, this paper focuses mainly on the literary manifestations that envisage the many-sided topic about the human identity’s surcease, namely Do Androids Dream of Electric Sheep? and Machines Like Me. In both cases, the central function of restructuring reality through the symobol of technological alterity is emphasized; the simulacrum comes within the purview of building versions for a universe where creation does not lead to progress, but, to a certain extent, to destruction and the entanglement of human conciousness. This fact implies that the fictional robots have to be interpreted as an integrant part of a system that ecompasses the lost sense of self. Essential for understanding the cited narratives is the questioning of the Cartesian belief that animals do represent a mechanical behaviour. I argue that the reconstruction of a techological identity bears a double scheme of approaching empathy and identity and accordingly the existence is to be interposed within new frames of thought.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116620507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The present paper endeavours to offer a brief analysis of two wills written by the princess Maria Cantemir (1700-1757) during 1725 and 1757. Using discoursive concepts such as „scene of enunciation”, „discursive scenes” and „discursive ethos”, followed by stylistics devices, our attempt aimed to capture the process of (re)constructing the self. Thus, comparing the two wills with an unedited testamentary letter sample (Romanian manuscript no. 2120 from Romanian Academy Library Bucharest) and to the process of writing and rewriting, our approach delineates how in articulo mortis Maria Cantemir (re)presents herself as „sister princess Maria Cantemirova”.
{"title":"O Analiză Discursivă Asupra Celor Două Diate Ale Mariei Cantemir Și a Unui Model Testamentar Inedit De La Sfârşitul Secolului Al Xviii-Lea","authors":"Daniar Mutalâp","doi":"10.2478/clb-2020-0015","DOIUrl":"https://doi.org/10.2478/clb-2020-0015","url":null,"abstract":"Abstract The present paper endeavours to offer a brief analysis of two wills written by the princess Maria Cantemir (1700-1757) during 1725 and 1757. Using discoursive concepts such as „scene of enunciation”, „discursive scenes” and „discursive ethos”, followed by stylistics devices, our attempt aimed to capture the process of (re)constructing the self. Thus, comparing the two wills with an unedited testamentary letter sample (Romanian manuscript no. 2120 from Romanian Academy Library Bucharest) and to the process of writing and rewriting, our approach delineates how in articulo mortis Maria Cantemir (re)presents herself as „sister princess Maria Cantemirova”.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131146846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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